St. Lorenz Lutheran Church, Frankenmuth

For all its faux Bavarian tourist appeal, Frankenmuth, Michigan has an actual Bavarian history, beginning with St. Lorenz Lutheran Church, about a half a mile from crowded Main Street.

We were the only ones there for about half an hour around noon on Labor Day.
St Lorenz Lutheran Church FrankenmuthSt Lorenz Lutheran Church FrankenmuthThe church was founded at the same time as the town. “Pastor Wilhelm Loehe of Neuendettelsau, Bavaria, was inspired to establish a German Lutheran colony by Michigan circuit riders who requested aid in bringing the Gospel of Christ to Saginaw Valley Chippewa Indians,” the site’s historic plaque says, as reproduced here.

“Directed by Loehe in 1845, Pastor August Craemer and fourteen other immigrants began clearing forests in this area south to the Cass River. They built log houses and dedicated a log church on Christmas Day 1846. The second church, a frame structure, was erected in 1852 and enlarged in 1864, serving until the completion of the present church in 1880.”

A Cleveland architect named C.H. Griese designed the current Gothic Revival church. Traces of him are online, such as in the context of another Lutheran church.

We were glad to find out that the building was open. That’s not always the case, often for good reason. The interior’s handsome indeed.
St Lorenz Lutheran Church FrankenmuthSt Lorenz Lutheran Church Frankenmuth

St Lorenz Lutheran Church Frankenmuth

Excellent stained glass as well, signed by Hollman City Glass of Fort Wayne, Indiana.
St Lorenz Lutheran Church FrankenmuthPastor Loehe makes an appearance in glass.
St Lorenz Lutheran Church FrankenmuthI suspect this depiction of him is unique in all the world.

C.F.W. Walther, first president of the Missouri Synod, is also in glass. He’s probably englassed in other Lutheran churches.
St Lorenz Lutheran Church FrankenmuthThe settlers came to the Saginaw Valley, built their homes, farmed the land, attended St. Lorenz, and when the time came, were buried in its churchyard.

St Lorenz Lutheran Church Frankenmuth cemetery

St Lorenz Lutheran Church Frankenmuth cemeterySt Lorenz Lutheran Church Frankenmuth cemeteryThose are almost all 19th-century stones, near the site of the first two church buildings, and across the street from the current church. A larger cemetery with newer stones is on the same side of the street as the current church.
St Lorenz Lutheran Church Frankenmuth cemeterySt Lorenz Lutheran Church Frankenmuth cemeterySt Lorenz Lutheran Church Frankenmuth cemeteryThe permanent residents are every bit as German as you’d expect: Bauer, Bicker, Fischer, Herzog, Hochthanner, Hubinger, Kern, Roth, Reinert, Weiss, usw. Loehe and Craemer aren’t among them, Find a Grave tells me. Loehe is in Bavaria and Craemer is in St. Louis.

Main Street, Frankenmuth, Michigan

One thing I didn’t expect while we strolled along Main Street in Frankenmuth, Michigan, on Labor Day — yet another walkable main street — was a life-sized bronze of a fudge maker. Yet there he is.
Frankenmuth Main StreetAccording to the plaque, it’s Gary F. McClellan (1940-2015), “entrepreneur, leader, friend, husband and father.” He must have had something to do with Zak & Mac’s Chocolate Haus, which is behind the statue. That’s one of a string of small stores along the street whose customers are the tourists who come to Frankenmuth, a farm town settled by Bavarians in the 19th century that eventually added a tourist component.
Frankenmuth Main StreetA successful component, I’d say. Lots of people had come to town on Labor Day.
Frankenmuth Main StreetI’d read a little about the settlement of the area by Bavarians, interestingly before 1848, as an Indian mission that never really panned out because most of the Indians were already gone by then. Even so, the doughty colonists stayed. Their descendants are probably pretty thick on the ground in this part of the state.

Modern visitors come to wander through the shops, many with that Bavarian look. That’s what we did.

Frankenmuth Main Street

Frankenmuth Main StreetFrankenmuth Main StreetFrankenmuth Main StreetAlso they come to eat.
Frankenmuth Main StreetSo did we. In fact we had Zehnder’s chicken, though we took a to-go family pack to a picnic table behind the restaurant: fried chicken, beans, macaroni, potato salad, rolls. Aside from a few interrupting bees, we enjoyed it.

Frankenmuth also sports such sights as a maypole fountain, a popular place for posing.
Frankenmuth Main StreetLater I read a little about Bavarian maypoles. The idea is similar to English maypoles, but not quite the same. Maybe that’s the real source of dispute between the UK and the EU — the regulation of maypoles. Just a thought.

In the various sources that I’ve consulted — skimmed — the early history of Frankenmuth gets some attention, such as in this short history of the place. But modern Frankenmuth, that is, its invention as a tourist town after World War II, gets short shrift. To my way of thinking, that’s as interesting as its history as a German colony in Michigan.

There are some hints here, however, in the Frankenmuth media kit, of all places. From the “significant dates,” you learn that Zehnder’s Restaurant, which is a sprawling place with a lot of dining rooms, got its start as the Exchange Hotel in 1856. Another 19th-century hotel, Fischer House, later became the Bavarian Inn, also with a large restaurant.

When did Frankenmuth start playing up its Bavarian-ness? Looks like the 1950s.
From the timeline: 1957: Rupprecht’s Sausage was the first building decorated in the “Bavarian” architecture. 1958/59: Zehnder family… redecorates the Fischer Hotel in Bavarian architectural style. 1960 & Current: More buildings adopt “Bavarian” architecture.

A Bavarian Festival started in 1963 but the town didn’t around to an Oktoberfest until 1990. In 2001, a Bavarian-themed mall opened south of the Cass River along Main Street.

Sounds like a few places — the chicken restaurants — were long-time draws. After all, metro Detroit and the once-prosperous Flint aren’t that far. But in the postwar age of auto tourism, the town’s merchants happened on a winning formula of more than just chicken, one that dovetailed with the town’s origin: faux Bavaria.

That might sound like criticism of Frankenmuth as “inauthentic,” a vague epithet if there ever was one, but I refuse to go down that road.

Of course the place isn’t really Bavarian. No one thinks that. Visitors respond to it as a pleasant place to be. People were out and about on a summer day, having an innocuous good time, and supporting businesses that exist here and nowhere else. You could call it an homage to Bavaria, but in any case it’s an authentic American town with a popular theme.

Getting Around Europe, Summer 1983

June 3, English Channel

Woke and had a good breakfast at our Harvich [England] B&B. After some confusion caught a bus to the Parkeston Quay, where we had no trouble boarding a huge ferry, the Prinz Oberon. It had five decks, with shops and restaurants for the elite, a cafeteria for the everyone else. We ate in the cafeteria — I had some industrial white fish — and then watched a sweet and sour Bert Reynolds movie, Best Friends, in the ship’s tiny movie house. As usual, Bert Reynolds can’t act.

Afterward Rich and I had a talk with a 10-year-old English boy named John, who knew all sorts of dirty jokes, and told us them. He had his Dutch mother with him, who habitually closed one eye when she talked, which was mostly about the perils of Amsterdam. Things aren’t what they used to be, everybody’s nasty now, etc.

June 16, Lüneburg, West Germany, to Copenhagen

At 12:30, Rich, Steve and I went to the youth travel agency and they told us, and we somehow understood, that the next train to Copenhagen was in 50 minutes or so. We bought tickets and dashed off to the bahnhof. And I mean dashed — Rich was worried about getting lost on the way and Steve had to meet us there, because he had to meet French Girl for a moment about something or other. I wonder that we ever got on the train, but we did.

For a while we were on the wrong car. Only some of the cars are put on the ferry, like a snake swallowing mice. One of the conductors told us that, and we went to the right car with a few minutes to spare. The crossing was brief, but we didn’t know that, so we ordered lunch. We had to eat fast.

Arrived in Copenhagen, spent some time figuring the subway out, then rode to part way toward a hostel we knew to be nearly out of town. Then we walked the rest of the way, only to find they had no space. But the kindly clerk at the hostel recommended another place that did have room — near the main train station we had just come from. We took a bus back into the city. Beds were available at the close-in hostel.

July 1, Lüneburg to Bremen

Rode a morning train from Lüneburg to Hamburg-Harburg. Some punkish fellows sat across from me: colorful pants & leather jackets with steel studs & short, almost crewcut hair with a mandatory earring each. One wore a digital watch.

At Hamburg-Harburg, I had 40 minutes to wait. I met a fellow, more conventionally dressed and only a little older than I am, who spoke British English so well I wasn’t sure whether he was British or German for a few minutes. Turned out he was from near Lübeck. His book for the ride was an English-language edition of The Lord of the Rings. The German translation, he told me, is “rubbish.” We talked about a number of other things as well. He told me he didn’t like the prospect of Pershing IIs stationed in West Germany, but he thought they were necessary.

July 14, Vienna to Rome

In the afternoon, we boarded our train. In my compartment was a family of four Hungarians and an Italian. Slept on a top bunk from 10 to 7 or so. Sometime in the night we crossed the border and so I woke in Italy. By that point no one had asked for a passport or a ticket. Arrived Rome at about 2. No one ever did ask for a passport, but the conductor eventually got around to checking my ticket.

July 22, Campania, Italy

Steve and I boarded the bus to Avellino in mid-morning yesterday and I remember having a fine ride – no hint of things to come. The Campanian scenery was pleasant, a lot of rolling countryside, though the air was more polluted than I would have expected. We got to Avellino, expecting to find a station, but instead a large parking lot full of buses functioning as the station. We asked a driver which bus connected with our destination, Mirabella, the small town where Steve has relatives, and he told us where to wait for it.

I felt nauseated in the hot sun waiting for the connecting bus. That bus wasn’t especially late — a notable thing in Italy — and my condition got worse during the bouncing, twist-and-turn ride deeper into the country (for Mirabella is a very small town). We arrived at a street corner in Mirabella, and immediately after unloading our packs from under the bus, I said to Steve, “I think I’m going to throw up.” Which I did right away. First on the sidewalk, then another wave in the gutter.

July 30, Florence to Innsbruck

The midnight train out of Italy was, of course, crowded, but at least we found seats. We had to disturb a mother and daughter already asleep to get those seats, and then more people boarded the car. After Bologna, the rest of the night passed more quickly than I expected in a fitful sleep sitting up, and by daylight I woke up tired in the Italian Alps. It was a good sight after the flatter, dustier parts of Italy we’d passed through earlier. Arrived Innsbruck about 9. Mucked around the station a while and then walked no short distance to a hostel run by a small church.

Aug 7, Down The Rhine

Today we took a slow boat down the Rhine. As good as it sounds. We started out this morning on the train to Mainz. Unfortunately, we forgot to change trains, and so ended up in Frankfort. But no problem. A friendly Ⓘ staffer helped us find a train to Rüdesheim, where we waited for the boat to Koblenz.

At this point, the Rhine cuts through steep hills, all very green and many overgrown with grapes. Castles stand on a few of the hills. We sat on the pea-green deck under a warm afternoon sun, watching the hills and castles pass by and listening to the other passengers, mostly children at play on the deck. Now that was an afternoon.

Raumpatrouille

Rain is more typical than snow for late April/early May, and we’ve gotten buckets of it since the snow melted on Sunday. The grass has responded by taking on new hues of lush green. I expect scads of the much-maligned dandelion to follow. The back yard already has some, but the rain beat them down. They never stay down for long.

How did I not know about Raumpatrouille until the other day? In full, as befitting a title in German, the TV show is called Raumpatrouille – Die phantastischen Abenteuer des Raumschiffes Orion. That is, Space Patrol – The Fantastic Adventures of the Spaceship Orion.

Naturally, when I found out about it, I wasn’t looking for information about the German science fiction television program of that name that’s an exact contemporary of the original Star Trek, premiering on German TV on September 17, 1966 (Star Trek first aired on September 8).

Yet in wandering the Internet’s twisty little maze of passages, or maybe its maze of twisty little passages, I chanced across Raumpatrouille not long ago. I didn’t have time to follow up on the information right when I found it, but I had the presence of mind to do some bookmarking.

Later, it was easy enough to find the episodes — there are only seven of them — on YouTube, which have helpful English subtitles. I watched the first one. Though I’d read it was good, I was taken by surprise by how good it was. As good as anything Star Trek did, and without that annoying Roddenberry vibe.

Actually, there’s a bit of his outlook. By the unspecified year in which the show is set, Earth has a world government. What little you hear about that government, or at least its military, makes it seem officious and a touch German, but not totalitarian.

The characters are supposed to represent a cross-section of Earth’s population. As Television Heaven puts it, “While Major McLane [the commander] is American, his crew includes a Japanese navigator and star cartographer, a Scandinavian engineer, and an Italian computer specialist and armaments officer. This is clearly not a projection of a desire for a Teutonic world order.”

In the single show I’ve seen so far, the story has some intelligence and suspense, plus some character development, and the pacing is good. The sets and props strongly resemble Doctor Who in its early days, since Raumpatrouille clearly had a slender budget. But they did well with what they had.

Also, there are a few moments of unintentional comedy. One scene has the characters at a bar near wherever their ships launch from, and the characters are having a discussion in the foreground. In the background, extras are dancing, as if it were a dance club. Except that they were obviously doing “a dance of the future.” It’s a strange sight with a lot of odd moves, and gets more funny as it goes along.

I’ll watch the rest of Raumpatrouille in the fullness of time. Don’t want to hurry, though. This is where I found out about it.

The Whole World A Bauhaus

After a pleasant weekend and a warm Monday and Tuesday — lunch on the deck is my benchmark for warm days — the hammer dropped on Wednesday. Mostly we got cold rain, but I also saw flecks of ice on the deck and in the greenish grass today.

I’m pretty sure that the first time I ever heard of the Bauhaus, or Walter Gropius for that matter, was ca. 1977 listening to Tom Lehrer’s That Was The Year That Was album. One of the songs, “Alma,” was about Alma Mahler, who had died during The Year That Was, that is, 1964.

Walter Gropius was Alma’s second husband. In amusing Lehrer fashion, he made a rhyme of “Bauhaus” and “chow house” in the verse about Walter and Alma.

But he would work late at the Bauhaus
And only come home now and then
She said, “Vhat am I running, a chow house?
It’s time to change partners again!’

This is an interesting video about Alma. Nearly 55 years after her death, she still inspires strong opinions, pro and con; see the comments section. I think my opinion about Alma will be, I don’t care.

We went to the Elmhurst Art Museum on Saturday to see The Whole World A Bauhaus, a traveling exhibition mounted for the 100th anniversary of the founding of the Bauhaus. Elmhurst, it seems, is its only stop in the United States.

Blair Kamin did a good write-up of the exhibition in the Chicago Tribune: “Amid the show’s 400-plus objects,which include photographs, works on paper, architectural models, documents, films and audio recordings, are classic chairs by Mies and Marcel Breuer; geometric wall tapestries and carpets by such Bauhaus masters as the textile artist Anni Albers, wife of painter Josef Albers; and curiosities like a yellow, blue and red cradle and flyers for Bauhaus designs.”

Curious indeed, that cradle.

It looks like with a vigorous push, you could roll it completely over, throwing an unfortunate infant onto the floor.

But never mind that. At least it’s a Bauhaus object. Kamin calls the exhibit “overstuffed,” and I’ll go along with him. It’s overstuffed with photos and documents and other Bauhaus ephemera.

For true Bauhaus nerds, this might be exciting, but the minutiae was a little much for me. For a school that produced a wealth of artful objects, or perhaps elegant industrial objects, The Whole World A Bauhaus had relatively few of them on display. Fewer pictures of Bauhaus types at work and play and more Bauhaus output to examine in person would have improved the show.

Even so, I learned a fair number of things — such as how the Bauhaus formed factions almost immediately, as you might except from a group of people with talent, strong opinions and high ideals.

One example, as Kamin tells it: “One was the charismatic Swiss artist Johannes Itten, who shaved his head and wore rimless round glasses and gurulike garb. Itten made his students do breathing exercises to improve their powers of concentration. When the school’s founding director, the urbane German architect Walter Gropius, shifted the focus of the Bauhaus’ workshops from distinctive crafted objects to design for mass production, the idealistic Itten left the school in 1923.”

I also enjoyed much of what I saw. Such as the model of the Dessau Bauhaus building.
I wondered whether it, unlike the school itself, survived National Socialism, or the war or the DDR for that matter. Yes, it turns out. In reunified Germany, the Dessau Bauhaus is a big-deal tourist attraction.

I consciously looked for works on paper that would make good postcards. I found a few. Such as “Construction for Fireworks” by Kurt Schmidt.

I’m not the only person who thinks a line of Bauhaus postcards would be just the thing. Gropius himself apparently thought that.

In 1923, the Bauhaus was preparing for its first exhibition, where Walter Gropius, the school’s founder, would extol the benefits of industrial mass production,” notes Wired.

“To publicize the events, the Bauhaus mailed out beautiful postcards.”

Here’s one more. Who needs a course catalog when you have this?

I wondered for a moment how the Elmhurst Art Museum bagged the only U.S. visit by this exhibition, and figured there were a few reasons. The Chicago area has strong ties to modernism, for one thing, but a few rooms of Bauhaus might get lost in a larger venue like the Art Institute.

Besides, the Elmhurst has its own ties to modernism. Namely, the main display space is adjacent to the McCormick House, a single-family home designed in 1952 by Mies van der Rohe, last director of the Bauhaus 20 years earlier, and moved to its current location from elsewhere in the village of Elmhurst.

The house was restored to a more original appearance recently.
The house is open, so we wandered in for a look. Not quite as striking as the Farnsworth House, but definitely Miesian.

Once the Rockets Go Up…

I’m much of the way through Von Braun by Michael Neufeld (2008), aptly subtitled “Dreamer of Space, Engineer of War.” Overall, a solid biography, though the chapters I’ve just finished bog down a bit in all the mid-50s interservice rivalry and the fog of uncertainty about who would get to launch the first U.S. satellite. It’s hard to keep track of all the bureaucrats, official acronyms and other long-forgotten missile minutiae.

In the end, the answer of who would get to launch for the Americans came after Sputnik was up and beeping. Namely, whatever’s ready, launch it now! Which of course led to flopnik, since the Navy’s Vanguard rocket wasn’t quite up to snuff.

Rather, it was the Army’s Redstone, a design overseen by von Braun, that put Explorer 1 into orbit (to be fair, the Navy launched a Vanguard satellite successfully on March 17, 1958, the second U.S. satellite, and it’s still in orbit). I didn’t realize it until now, but the Explorer Program is ongoing after six decades, with over 90 missions to its credit.

Granted, we’ve been sluggish about getting around to the big-deal missions like sending astronauts to Mars, but by no stretch of the imagination has humanity turned its back on space exploration during any of the last 60-odd years.

As for von Braun, the bio doesn’t shy away from his early employment history and the various Nazi bureaucracies that facilitated development of the V-2, often using slave labor. He was a rocket engineer to his core, and happy to work for whomever would facilitate rocket development — hideously expensive when you get beyond fireworks — up to and including membership in the SS.

One of these days, I’ll have to return to Huntsville, Ala., to see what NASA has done with its rocket displays at the Marshall Space Flight Center (the haus that Wernher built). I remember seeing some of them in 1984, but I suspect the museum’s been expanded since then.

Also, I was only vaguely aware of how well known von Braun was to the American public, even in his pre-Saturn V days, what with his collaborations with Collier’s and especially Disney in the 1950s. Von Braun was famed as a space-flight evangelist at a time when a lot of people probably considered it a not-in-my-lifetime sort of proposition. Lehrer was making fun of a celebrity.

Remarkably, PDFs of “Man Will Conquer Space Soon!” and the other Collier’s articles are available here, complete with the magnificent Chesley Bonestell illustrations.

Digression: there’s a Bonestell Crater on Mars (42.37° North, 30.57° West). An image is downloadable, in this case from NASA. Which I did.

One more thing about von Braun. I don’t have to go very far to find a small tribute to him.

That’s Von Braun Trail in Elk Grove Village, here in the northwest suburbs of Chicago. The neighborhood dates from ca. 1970, and some of the nearby streets honor other space pioneers: Aldrin Trail, Armstrong Ln., Cernan Ct., Conrad Ct., W. Glenn Trail, Haise Ln., Lovell Ct., Roosa Ln. and Worden Way, and probably others I haven’t spotted.

The Boarded-Up St. Boniface and the Resplendent Holy Trinity

At the intersection of Chicago Ave. and Noble St. in Chicago, you’ll find a word you don’t see that much: natatorium. It’s attached to the Ida Crown Natatorium, a unit of the Chicago Park District.
The facility has an entry in the Atlas Obscura, which notes that “its most arresting feature is the swooping, gently curved ‘barrel shell’ roof that arches over the pool, resembling in the words of one critic ‘a wave of concrete about to crash onto the shore of Chicago Avenue.’

“Mayor Richard J. Daley himself presided over the pool’s dedication in 1961, which was named for one of Chicago’s most prominent philanthropic families.” (Actually, Ida was a member of that family, the grandmother of this wealthy fellow.)

The natatorium is at the south end of the mid-sized Eckhart Park, which is otherwise an open area of playing fields. Rising over the north end of Eckhart Park, along W. Chestnut St., is the shuttered St. Boniface Church, originally built in the early 1900s for a primarily German Catholic congregation. Presumably they didn’t want to share a church with the surrounding Poles, and vice versa. St. Boniface, of course, led the effort to Christianize the Germans and is highly regarded in that country.
Given the Chicago Archdiocese’s history of knocking down splendid Chicago churches because money is tight (and these days, there are other bills to pay), I’m surprised that the shell of St. Boniface, which closed in 1990, is still standing.

This summer, the city approved plans to redevelop the structure into condominiums, including a new building as well as units in what used to be the sanctuary. That’s better than razing the grand old church. To the side of the boarded-up structure, I noticed a construction site in its early stages.

The redevelopment is slated for completion in 2020, but for now St. Boniface still has that abandoned look. Inside, even more.

While standing on Noble St. near the hulking St. Boniface, I noticed another church not far to the north. A large-looking structure. When I was looking around Google Maps a few days ahead of my walk, I hadn’t noticed it. But there it was. The church looked to be about five minutes away, so I went.

Soon I was in front of Holy Trinity Church.
Definitely built for a Polish congregation and still very much a Polish congregation. The church is run by the Society of Christ Fathers for Poles Living Abroad.
Polish Independence Day is the same as Armistice Day, incidentally. Same day, same year. The war was over and everything was up for grabs, including self-determination for formerly partitioned places.

Completed in 1906, Holy Trinity’s design is attributed to a Chicago architect named William Krieg, who (according to one source) mostly did more modest buildings in Chicago — a lot of them. Another source calls Krieg “little known” and a manufacturer of terra cotta as well.

I wasn’t expecting the interior to be quite so ornate. I gawked at the column-free space for a while, looking at the murals covering the walls and ceiling, the stained glass, the statues and other ornaments.
A baptism was in progress, but no mass, so I moved around the sanctuary. Here’s the baptism party in front of the altar.
Later, as I read about the church, I can across this bit of information at Wiki about the space underneath. The article calls it “catacombs,” but that seems like a misnomer. Rather, the space is “beneath the area formerly occupied by the lower church, and consist[s] of a winding path lined with niches containing saintly relics…”

A little like the space for relics found at St. Josaphat in Milwaukee, perhaps. Intriguing.

The Weekend Jam at Chicago Christkindlmarket

While she was still in town, on the Monday or Tuesday before Thanksgiving, Lilly went to the Chicago Christkindlmarket with some of her friends. I warned her that the weekend would be a bad time to visit, though I don’t think she was planning that anyway.

The last time we went to the Chicago Christkindlmarket was on a Saturday about three years ago. That was a mistake. Even the weekdays can attract a mob. On that weekend in 2015, the place was packed:
That isn’t to say that you can’t admire the things for sale.

Of course, odds are foot traffic is flowing around you while you look at things.

Lilly acquired a souvenir mug. Things trend to be a bit expensive at the Christkindlmarket, since the goods seem to be priced in euros at a lousy exchange rate, with an extra 50 percent tacked on for good measure, but never mind. At least at most vendors, you’re getting something authentically German, right?

The mug’s seasonal and I suppose northern European in inspiration. I don’t have it in front of me. It’s nice enough, though. Still, I happened to check and there it was on the bottom: MADE IN CHINA.

Really, Herr Händler? That’s the kind of authenticity you get at Walmart. For a lot less.

Turner Hall, Milwaukee

From the Encyclopedia of 1848 Revolutions, part of an article on the German Turnverein: “Founded amid the nationalist enthusiasms of the War of Liberation, the German gymnastic movement, or Turnverein, had fundamentally changed by the time of the 1848 revolutions in the German lands.”

Ah, a branch of the physical culture movement. Maybe the main branch; I’m no expert. But I do blame the physical culture movement for the indignities of PE in 20th-century America.

To continue from the encyclopedia: “Although Friedrich Ludwig Jahn, the gymnasium instructor who had originated the idea of nationalist gymnastics in Berlin in 1811, was still venerated in the organization, his anti-Semitism, hatred of the French, and loyalty to the Hohenzollern dynasty left him out of step with an organization committed to national unification and political liberalism…

“These gymnastic clubs were often closely aligned with workers’ organizations and democratic clubs with whom they shared a desire for reform and a rejection of traditional hierarchies…

“In contrast to the organization Jahn had founded, almost one-half of the membership in the 1840s were non-gymnasts, the so-called ‘Friends of Turnen,’ and because of this, the new clubs engaged in more non-gymnastic activities, such as funding libraries and reading rooms, and sponsoring lectures, often of a politically liberal nature.

“Given the radicalization of the movement in the 1840s, it is not surprising that the German gymnasts were directly involved in the 1848 revolutions…

“The aftermath of the 1848 revolutions devastated the German gymnastic movement. Clubs were disbanded, property confiscated and leaders lost to jail or exile.”

One place exiled Turners went was Milwaukee. By 1882, they had completed Turner Hall, which stands to this day on 4th Street in downtown Milwaukee. Remarkably, the Milwaukee Turners are still around, and for a paltry $35, anyone can join. No German language skills or even gymnastic aptitude seem necessary.

Our Turner principles are as follows [their web site says]:
Liberty, against all oppression;
Tolerance, against all fanaticism;
Reason, against all superstition;
Justice, against all exploitation!

The hall was open as part of Milwaukee Open Doors, so we visited.
That’s not the building’s best side, which was in the shadow when we visited. Here’s a good picture of the front.

The building’s a fine work by Henry Koch, himself a German immigrant who also did Milwaukee City Hall. Built of good-looking Creme City brick, which is now going to be the subject of another digression.

“Like the road to Oz, much of Milwaukee is made of yellow brick – Cream City brick, to be precise. But how, exactly, did it end up here? And why is it such a source of local pride?” asks Milwaukee magazine.

“Clay found along Milwaukee’s river banks was naturally high in magnesia and lime, giving the brick its unique color and durability, according to Andrew Charles Stern, author of Cream City: The Brick That Made Milwaukee Famous.

“Its popularity extended well beyond Wauwatosa. Local manufacturers shipped Cream City bricks to clients around the United States and as far away as Europe, until production ceased in the 1920s, when the clay supply was depleted and builders began to favor stone and marble…”

Talk about enjoying a local sight. A building built for Milwaukee Turners from a material created locally.

Inside, we joined a tour group and saw the restaurant space, which I believe was a beer hall once upon a time. After all, they might have been physical culture enthusiasts, but they were also Germans.

Murals dating back to the early days of the Milwaukee Turners grace the walls in that part of the building. Such as one featuring Turnvater Jahn and assorted allegories.
The aforementioned Friedrich Ludwig Jahn (1778-1852), that is, the father of gymnastics, and possibly a godfather of National Socialism, though that point is disputed, and in any case the NSDAP never had much traction in Milwaukee.

A detail from another Turner Hall mural whose subject is the founding of Milwaukee.

Pictured are Solomon Juneau and a Native American. Juneau founded the city in the early 1800s.

I feel another digression coming on. From the forward of Solomon Juneau, A Biography, by Isabella Fox, published in 1916:

The name of Solomon Juneau has long been honored, alike for the sterling integrity, the true nobility of the man, and for his generous benefactions in the upbuilding of the city he founded nearly a century ago, near the Milwaukee bluff on the shore of Lake Michigan. He was the ideal pioneer — heroic in size and character — generous by nature, just in all his dealings, whether as a fur trader with the red man, or in business transactions with his fellow townsmen, through the trying times when early settlers often required fraternal assistance, and the embryo city in the wilderness was ever the gainer through his benevolence, for selfishness was non-existence in him…

They don’t write ’em like that any more.

The star attraction in the Turner Hall is the ballroom.

The ballroom was damaged by fire at some point, but it’s stabilized enough — including netting covering the ceiling — for public events, such as the wedding that was going to be held there sometime after we visited last Saturday.

Eventually, the room will be restored. Bet it’ll be a marvel.

The Day I Met Casper David Friedrich

Odd what makes an impression. The Charlottenburg Palace? Good, very good. Casper David Friedrich? I was fascinated. Unfortunately, I haven’t seen that many of his paintings since — some at the Hermitage in St. Petersburg, as I recall, and maybe one at the Met and one at the Louvre that I’m not sure I saw. Most of them are still in Germany.

July 8, 1983

Breakfast and then on the bus around 9. The wrong bus. But we found the right one before long and soon were downtown, heading our separate ways. I found the U-bahn and went out to the 1936 Olympic Stadium, still complete with fascist sculpture, which reminded me some of archaic Greek statuettes with their smiles. Saw the pool where The Festival of Beauty diving sequences were filmed.

Took the U-bahn and then walked to Schloss Charlottenburg. First I wandered the expansive grounds and saw the busts of the 12 Caesars and their wives. Went into the palace for a tour. Wore woolies over our shoes and looked at the fine old furniture and the vast collection of porcelain, among other things.

Back on the U-bahn. Met Steve, who had had his hair cut (part of the experience of visiting Berlin, he said), and we went to the National Gallery. Impressive collection, Neoclassical, Romantic, Impressionist, some early Modern, took in Monets, Renoirs, some Picassos. Especially taken with Renoir’s “Im Sommer.” Hard not to be.

Then I saw an entire wall of Casper David Friedrich. I didn’t remember ever seeing anything of his, or knowing much other than the name. Wow. I spent some time with them. Especially “Mann und Frau in Betrachtung des Mondes” and “Eichbaum im Schnee.”

The gallery wasn’t that large, which was a virtue, and later we headed for the Reichstag to catch a bus. En route we passed as close to the Brandenburg Gate as you can without getting shot at.

Back in West Berlin we ate some fish for dinner and Steve returned to the hostel. I walked some more and discovered a glittering shopping center off Budapester Straße. Then I went back to the hostel, tired.