Subtle Journal of Raw Coinage No. 66

More from the physical files: something I’d forgotten I’d participated in, The Subtle Journal of Raw Coinage, which Geof Huth used to publish. It’s on a slip of paper – one of 100 copies – that I received in 1993 while in Osaka, publication date February 28. Looks pretty good for paper that’s now over 30 years old.

The actual size of the slip is about 8.5 x 3.5 inches, and the back is blank. Geof sent me more than one. I gave a few away, but I still have perhaps three or four.

I also don’t remember exactly how I came to create the words. Geof must have asked me to contribute some words; asked by letter or postcard, since this was pre-email, and I never spoke to him over the phone in those days. Then I must have sat down one day, whipped up the neologisms, and then put them in the mail.

The goal, as I vaguely remember, was to come up with words that could have some conventional meaning, but did not. Also, they had to evoke Japan somehow or other. I’m not sure whether the latter was my idea or not, but I believe I succeeded.

Japanease = Japan, ease (easy enough; easy days in Japan).

Tofun = tofu, fun. I knew about tofu long before living in Japan, since the food’s North American popularity had come of age in the 1980s. The very first time I heard of it, maybe, was at the New Guild Coop in Austin in the UT summer of ’81, where a health food enthusiast posted his verse in the communal kitchen:

Tofu/

is good/

for you.

Salarymaniac = Salaryman, maniac. Not too many actual maniacs among salarymen, I bet, but there must have been a few. We gaijin had a term for the vomit one would sometimes see on the sidewalks of Osaka, which looked like the result of a sudden projection straight down from a few feet up, if that. The sort of mess you’d expect from a salaryman who’d drank too much too fast with colleagues, and who managed to make it outside in time. The pattern somehow always included diced carrots. Anyway, that was a salaryman’s hanko.

Yenen = Yen, en. Yen is what we call the currency. En is what the Japanese call it.

Tokyosaka = Tokyo and Osaka, of course. The foreign press, at least in the those days, tended to be in Tokyo, and seemed not to get out of town much, so Tokyo = Japan in a lot of coverage, which was off-putting for those of us in Osaka. Or maybe I felt that way because I’ve long had an affinity for second cities.

So That’s Miffy

Another press release that isn’t for me came today. Actually, I get a fair number of those, but in this case I took a look. Its first two paragraphs were as follows:

Miffy, the internationally loved bunny created by Dutch artist Dick Bruna, enters the new season of fashion with an exciting update. Miffy is partnering for the first time with Dumbgood – the legendary pop-culture-inspired clothing brand. The new collection is available at Dumbgood/Miffy for Miffy fans located in the US.

Born of a beloved bedtime story tradition between Bruna and his son, Miffy has been a child-favorite character for 68 years for her positivity, adventurous nature, and innocence. Dumbgood blends 90s-2000s nostalgia and iconic pop culture brands to create apparel collections that feel new and relevant for today’s streetwear customer….

90s-2000s nostalgia? Really? No, let’s leave that aside. When Happy Days premiered 50 years ago this month, it was cast successfully as nostalgia, for no more than 20 years earlier.

I was pretty sure I’d never heard of Miffy, 68 years of positivity notwithstanding (or Dumbgood either, legend notwithstanding). Miffy didn’t happen to be in the mix when I was a child reader, or at any other time. But then I did an image search.

I do know Miffy, by sight anyway. I saw Miffy a lot in Japan. Miffy is very popular there. I showed the pictures to Yuriko, who knew the bunny instantly, and by name.

Somehow I never got around to thinking much about the character I’d seen in Japan, and until today would have assumed – had I simply been shown the pictures – that it was a Japanese character. But no, a Dutch artist created it, perhaps with a keen unconscious notion of what would be big in Japan. Odd the things you learn, even from misdirected press releases.

Northern Kentucky ’23

Among our collection of physical prints, most of them pre-2005 or so, is this image.

I’m standing in front of my in-laws’ house on January 1, 1994 (one feature of the camera was to imprint the date, but for whatever reason, it is wrong on this print). I spent most of winter break there. Much of the time I was in their kitchen, the warmest room in the house, where I read War and Peace. My in-laws considered this slightly peculiar, but not so much that I didn’t hear about it until much later.

Forward almost 30 years and we found ourselves in Louisville. We arrived late on Wednesday, actually past midnight on Thursday, late enough that the night clerk at our hotel was the only person around when we got there. He had been putting together a model figure from a kit before we arrived. Some pieces were arrayed on the desk near him, but he was mostly finished. Yuriko recognized it: an action hero from an anime, something I would have never recognized.

“I got it for Christmas,” the clerk, a large young man with a large beard and collection of pimples, told us when Yuriko mentioned that she recognized it. “He’s my favorite.”

“Helps pass the time on the night shift?” I said. He agreed that it did.

Otherwise it was a standard check-in process, but the momentary interaction made the experience more memorable. The property was part of a behemoth hospitality outfit, and if the company had any imagination (such companies seldom do), it would instruct its clerks to have some kind of conversation-piece project at hand that would engage more curious patrons. You know, to build the brand by associating a mildly memorable and pleasant experience with the place one stays.

Maybe that isn’t such a good idea. Such a company could be counted on to mandate their clerks detail in reports the interactions thus generated – fill up that spreadsheet, tick those boxes, remember that documenting the process is as important as the results – and press them to meet some sort of quota of being memorable to their customers.

Thursday was the first of three full days in northern Kentucky, returning on New Year’s Eve. Rather than venture somewhere by plane this year — with last year’s dud in mind — we opted for a drive. As long as no blizzard was forecast, we’d be good to go. Head somewhere to the south. We focused on Louisville because it occurred to me in November that I hadn’t spent much time there in more than 30 years, since my visits to attend the Kentucky Derby in the late ’80s, and Yuriko had never spent any time there.

Since then, I’d also heard it on good authority, namely from someone who used to live there, that Louisville is a city of distinctly interesting neighborhoods, perhaps more than you’d expect from a metro its size (1.3 million). Something like Nashville, though that metro is larger. In fact some similarities with Nashville are fairly close, such the downtown street grid that, away from downtown, soon devolves into as non-grid as a pattern of streets can be, wandering this way and that at odd angles through hilly territory, and changing names without warning.

We first encountered Crescent Hill, a well-to-do neighborhood east of downtown, stopping for a few minutes to look in a few of the shops of Frankfort Avenue. I’ve read that the area was formerly known as Beargrass, after a nearby creek. A name the area should have kept, if you asked me.Crescent Hill, Louisville

Included are the sorts of places well-to-do neighborhoods support, such as Urban Kitty Consignment Boutique, Wheelhouse Art, Era Salon, Eggs Over Frankfort, Carmichael’s Bookstore and Margaret’s Fine Consignments. Temps were maybe 10 degrees warmer than at home, so not bad for a short stroll.Crescent Hill, Louisville Crescent Hill, Louisville Crescent Hill, Louisville

The imposing Crescent Hill Baptist Church is on Frankfort Ave. Closed.Crescent Hill, Louisville

The local library was open, so we went in.Crescent Hill, Louisville

Inside was a table with books for sale, and I picked up a paperback for $1 entitled The Taste of Conquest: The Rise and Fall of the Three Great Cities of Spice by Michael Krondl (2008). The cities in question are Venice, Lisbon, and Amsterdam. I started reading that night and it’s good. He brings up a few interesting points right away, such as that the hoary old explanation about the medieval use of spices, namely that they covered up rot, is nonsense.

“But what if the meat were rancid?” Krondl asks rhetorically. “Would not a shower of pepper and cloves make rotten meat palatable? Well, perhaps to a starved peasant who could leave no scrap unused, but not to society’s elite. If you could afford fancy, exotic seasonings, you could certainly afford fresh meat.”

From Crescent Hill it’s a short pop over to the Louisville Water Tower, including a short drive on Zorn Avenue, which instantly became my favorite street name in Louisville.

For a bit of water infrastructure, it’s impressive, rising 185 feet over the banks of the Ohio River and dating from 1860. And still in use. It’s also being renovated, so we couldn’t get that close.Louisville Water Tower Louisville Water Tower

In its own way, the nearby smokestack – I took it to be a smokestack – is just as impressive.Louisville Water Tower Louisville Water Tower

Note the iron ladder rising up the side of the stack. Note also that its bottom section is missing. Removed, I bet, after one too many moron teenage boys decided to take a climb, sometimes resulting in a sudden and shattering loss of their youthful health and vim.

More Manhole Covers

Almost warm today, except in the house, where I maintain temps at a skinflinty 68° F. in the colder months. It wasn’t warm enough outside to raise the inside temps, and it was so windy I decided not to built the possible last back-yard fire of the year. Maybe tomorrow.

One thing leads to another online, and from Hello Kitty I eventually made my way to the Atlas Obscura article on Japanese manhole covers.

“In Japan, many manhole covers are works of urban art — elaborate, curious, distinctive, even colorful,” AO notes. “They have become a tourist destination unto themselves, and attract a legion of dedicated manhole enthusiasts who travel the country to visit some of the thousands of unique designs.”

This seems to be a thing that has happened in the about 30 years since I lived there, so I’d never heard of it. At least, the article puts the origin of the covers as a local initiative in 1985, and it probably took a while to become a mass phenomenon.

“Typically, ‘local manholes’ or ‘design manholes’ feature elements special to a particular location: a town emblem, landmark, event, or official bird or flower,” the article says. “While there is some logic to the placement of the covers… [some] appear to have been placed without rhyme or reason.”

The last image in the article, depicting Osaka Castle, would hew to its place even without the kanji for Fukushima Ward, Osaka – it has the miotsukushi.

That’s something to look for, should I make it back to Japan. In the meantime, I sometimes look down at manhole covers in other places. Such as in Ireland and Spain, and in San Antonio more recently. Here’s one weathered by many decades, probably.MANHOLE COVER San Antonio

At least the lettering is barely visible. A much newer cover reminds us to protect the downstream fish.MANHOLE COVER San Antonio

East Jordan Iron Works are headquartered in Michigan, and the company these days is known by the less specific moniker, EJ Group. No substance to that name, if you asked me.

Simple, but with a certain style.MANHOLE COVER San Antonio

Not a manhole cover, but sharing a similar shape, and displaying an intricate design, at Lake Plaza in Elmendorf Lake Park in San Antonio.MANHOLE COVER San Antonio

Best visibility would be with a drone, looks like, but the edge-on view isn’t bad.

Hello Kitty at 50

Yet another press release that isn’t in my professional bailiwick appeared in my flooded in box the other day, except maybe you could call Hello Kitty, in some cases, part of experiential retail. Anyway, the cover letter for the release begins (all sic):

Happy Anniversary Hello Kitty!

The loveable character from SANRIO® has inspired generations with her message of friendship, kindness and inclusivity for 50 years. In celebration of this milestone, fans old and new will be introduced to several new digital and virtual opportunities to engage with Hello Kitty online, including an AR (Augmented Reality) app, short animations on TikTok, monthly promotions in My Hello Kitty Cafe on Roblox and a presence in the digital world of Zepeto. Hello Kitty is also receiving the Cultural Ambassador Award from the Japan Society of Northern California, recognizing her as an international symbol of peace and friendship.

For me, Hello Kitty falls into that category of distinctly Japanese creations, along with the likes of pachinko, most manga and tea ceremony, that flutter off in the distance, visible in passing, but which has never has excited much interest. Just a matter of personal taste. As Sanrio would tell you – is trying to tell the world – the curious anodyne feline does excite interest among many.

Also, I had to look up Roblox and Zepeto, which are an online gaming platform and an app to create avatars, respectively. I don’t expect to interact with them in any way. Sounds like something from the golden age of pulp SF: Zepeto of the planet Roblox, terror of the galaxy.

A Few Japanese Woodblock Prints

About six years ago, when we went an exhibit of early Soviet art at the Art Institute, we also took a look at some Japanese woodblock prints, which were in one of the East Asian galleries. Not Edo-era prints, which I think are better known, but early Showa works.

Such as “Spring Night at Ginza” (1934) by Kasamatsu Shiro.

“Bell Tower in Okayama” (1947) by Kawase Hasui.

“Ginza at Night” (1945 reprint of 1929 design) by Kawakami Sumio.

“Bar Bacchus in Ginza” (1929) by Oda Kazuma, which is actually a color lithograph.

Those two especially would make good postcards.

Taishō-Era Beer

Back to the vault of my old correspondence again, for a postcard I mailed from Japan nearly 29 years ago. I picked up a set of cards at the Sapporo Brewery in Sapporo, Hokkaido on our trip there in the fall of ’93. One reason to visit the brewery — the main one, as it happened — was dinner at the beer garden, for its splendid Mongolian barbecue.

The cards were reproductions of old advertising posters for that brand of beer.

A Taishō-era (大正) poster, in this case. In particular, Taishō 13, or as most of the rest of the world would call it, 1924.

As an era, Taishō didn’t last much longer, expiring in 1926 with the sickly emperor Yoshihito, who became known as Taishō posthumously. Taishō Democracy, such as it was, didn’t last much longer either, since like Weimar Germany, it had never really taken root, and the Depression laid the groundwork for its demise.

Thursday Collection: Claw Machines, Ramen & Dreams Odder Than Usual

Spotted recently at the mini-mall attached to Mitsuwa, the largest Japanese grocery store here in the northwest suburbs, which is in Arlington Heights.

Banks of Japanese claw machines where a travel agency used to be. Not quite sure what this one is.

The arcade, if you can call it that, is under the brand name Kiddleton Kiosk. Turns out there are quite a few of them, mostly associated with Japanese grocery stores in the U.S.

I never had much use for claw machines. Probably because they seemed like a good way to feed quarters, or tokens, into a machine, and watch it give you nothing. Maybe Kiddleton has a different business model involving a low cost of prizes, which do deliver sometimes, compared with a higher input of tokens. I didn’t feel like testing out that idea.

Not long ago, we went to Hokkaido Ramen House in Hoffman Estates. Hit the spot. Hot steamy ramen, mine with thin slices of pork, egg and some vegetables. Just the kind of thing to enjoy on a raw winter evening.

I didn’t realize it was part of a chain until after we were there. When I found out, I looked at the chain’s web site to see where the others were. California, I figured, and maybe in the Northeast and Texas. You know, the usual chain restaurant suspects.

Turns out there’s only one in California (Santa Cruz). Guess the Asian restaurant competition’s a little stiff in that state. There are indeed a few in the Northeast and Texas as well, including one in Waco, which is a little surprising. But the real surprise is five in Montana and three in Idaho. Then again, maybe not a surprise. It’s cold a lot in those places, and ramen warms you up.

Two old friends of mine met for the first time recently, in a dream of mine. One a lanky bald fellow I’ve known 40 years, the other sporting long gray hair and a thick beard for that Old Testament prophet look, whom I’ve know nearly as long. They were sitting at a table, with me, eating a meal, despite the fact that we were weightless in a space station. They seemed to be getting on well, and one of them, or me, or someone, explained that the company that built the space station had done so well renting cars that it was able to send people to the station at a low cost.

An even odder dream, later the same night: I climbed a ladder to rescue – kidnap? – a group of sentient pens and pencils. Semi-sentient, at least. I couldn’t carry them in a pocket, so I put the group of pens and pencils, who knew what I was doing, under my arms to carry them down the ladder. It all felt a little precarious.

Mochidou

Not long ago, we noticed Mochidou, a pastry shop in Hoffman Estates, Illinois. How that happened involves a change of veterinarians from a few years ago.

Once upon a time, we took the dog to a nearby practice that included a husband-and-wife vet team who had good bedside (kennel-side?) manor. Then about three years ago, they moved on at about the same time as a soulless chain of veterinary practices acquired the location. This new owner – let’s call it Three Initial Animal Care – soon showed its true colors when the dog acquired a snout infection in the summer of 2020.

Things were looking bad, and during a consultation by phone (these were high pandemic days, remember), whomever had replaced the competent married couple prescribed medicine we couldn’t get the dog to eat. Then the infection spread to one of her eyes. Later, the new vet saw the dog in person, while I waited in the car, and she seemed just a little too eager to fob us off on a specialty hospital, which also happened to be part of the chain.

After some expensive tests at said hospital, no cause could be determined. Could have been a virus. Or bacteria. Or a fungus. Nevertheless, the specialist there said we could proceed with very expensive surgery to try to fix things. As fond as we are of our old dog, we determined at the point that she was either going to live or not, without further intervention.

She lived. And lives to this day, with more energy than you’d expect from a dog around 13 years old. The infection destroyed her right eye, and she sneezes more than she used to, which seems to be a permanent result of the snout damage. She might also have a diminished sense of smell, which I suppose would be worse for a dog than losing some eyesight. But she doesn’t complain, and more importantly, has a vigorous appetite, and still barks at passersby, lolls around on the floor, begs for food, and does all the other dog things dogs do.

In early 2021, we decided to find a new vet, and so we did, a fellow with a solo practice in Hoffman Estates. We like him, and I believe he gives good advice.

The last time we took her to see him, we noticed that Mochidou had opened in the same strip center. Seems to be the only one of that name (so far). It sells mochi doughnuts — that is, a fusion of Japanese mochi and American doughnuts.

Last week, I was in the vicinity on non-dog business, and bought a box. We gave them a try. Man, are they good.

They aren’t as hyper-chewy as mochi, or as soft as a regular American (non-cake) doughnut, but in between. They aren’t as plain as mochi, or as sweet as a typical doughnut, but in between. Add to that a dash of flavor, mango in our case, and you have a wonderful treat.

“Enter the mochi donut: a donut trend that is sweeping across America due to its uniquely bouncy texture and naturally gluten-free qualities,” Thrillist reported in 2020. “The mochi donut has existed before its stateside debut, but was mostly popularized in Japan under the name ‘pon de ring’ from the donut chain, Mister Donut.”

(Mister Donut’s a post for another time. I’ve got some fond memories of mornings at the Mister Donut across the street from Nagai Koen Park in Osaka, savoring the fine doughnuts, refreshing milk tea and the incongruous rockabilly soundtrack.)

Mochidou’s confections are probably made of tapioca flour, since glutinous rice flour would end up chewier, but I didn’t ask about the ingredients, and box didn’t say. Note that they are rings of eight attached dough balls. An elegant design that makes it easy to share.

Only one gripe: there are expensive. A half dozen sells for about $16. Hipsters in high-rent urban settings spurred along to the next gustatory experience by FOMO might not consider that pricey, but we suburbanites — who take what comes — do.

Thursday Grab Bag

Sluggish progress toward spring here. But some progress. Plants in a nearby park.the flowers that bloom in the spring, tra-la

The croci in my own yard have been very slow this year — no blooms even now. I don’t keep an exact track every year, but that seems a couple of weeks late. Some years, I remember seeing their very first green sprouts at the end of February. And of course, croci don’t mind a little snow.

On a bench in the same park. What is that thing?Soofa

A Soofa sign. The company web site says it makes electronics for advertising or as part of “smart city” communications. This doesn’t look like that, and it also looks inactive. Since I’d never noticed it before, it could be that it isn’t operational yet.

Or is it? According to a park district web site I couldn’t access fully — but could see a bit of, from my Google search — you can charge devices there. Solar-powered, and the top does resemble a solar panel. Wonder how much juice it has these many cloudy days.

The latest snack food to enter the house: Calbee brand Takoyaki Ball-flavored corn snacks. Though Calbee is Japanese, not a product of Japan, but rather Thailand, where ingredients and labor are no doubt cheaper.

No octopus, which is the main ingredient of actual takoyaki, is listed among the ingredients. Still, it’s flavored to taste like takoyaki, which it does, though the simulation isn’t quite spot-on. A little too sweet, Yuriko said, and I agree. Sweetened for North American tastes? Just how many North Americans are going to buy takoyaki-flavored snacks? But not bad.

Calbee, incidentally, began as a candy company in postwar Japan (1949) and acquired its name in the mid-50s, a portmanteau of “Calcium” and “Vitamin B1.” Soon the company found its way into crispy snack foods, especially wheat crackers. I suppose that was something of a novelty in Japan at the time, compared with rice crackers, which go way back. Calbee’s early confections caught on, and so the food technologists there have been working hard to make new varieties of snacks since then.

I see that the fifth season of Better Call Saul has appeared on Netflix. That’s good. I’ll watch it. Once a week or so, that is. That’s how new TV should be, according to Leviticus, I think, though it doesn’t apply to shows that might have been watched every day after school.