The Less-Crowded Galleries

Yuriko went to her intermittent cake class on Saturday, which means I got to drive into the city and hang out there for a few hours. I went to the Art Institute of Chicago, since it had been a while.

The big show at the moment is “Van Gogh and the Avant-Garde: The Modern Landscape,” which closes after Labor Day. The exhibit features not only works by the one-eared Dutchman, but also Georges Seurat, Paul Signac, Emile Bernard and Charles Angrand.

I’m sure it’s a fine collection of works. But as I could see from the exhibit entrance, the galleries were packed (almost) like rush-hour subway cars. That was a deal-breaker for me, so I sought out other artwork, somewhere in the museum I hadn’t spend much time before. This was easy to do, since it is such a large place.

In fact, I didn’t have to go far. Just downstairs a floor from the Van Gogh et al. exhibit are the galleries of the Arts of the Americas. Few people were around, certainly not as many as the floor above. I had an enjoyable ramble, looking here and there at my leisure, not having to navigate other onlookers.

A few details, such as from Frederic Remington’s “The Advance-Guard,” or “The Military Sacrifice (The Ambush)” (1890).Art Institute of Chicago

From “Nouvart Dzeron, A Daughter of Armenia” (1912), by an artist I didn’t know: Ralph Elmer Clarkson.Art Institute of Chicago

A fireplace (1901) designed by George Washington Maher.Art Institute of Chicago Art Institute of Chicago

A lock by one Frank L. Koralewsky, illustrating the Grimms’ “Snow White and the Seven Dwarfs.” It won Korwalewsky a gold medal at the Panama-Pacific International Exposition of 1915, and I’d say he deserved it.Art Institute of Chicago

The more I looked at its detail, the more amazing it seemed.Art Institute of Chicago Art Institute of Chicago

This statue caught my attention.Art Institute of Chicago

I don’t think I’d seen it before. Soon I discovered it was “The Puritan” (1883-86) by the great sculptor Augustus Saint-Gaudens. Anyone who can design a thing like the $20 Double Eagle gold piece is great in my book, and I was delighted to find one of his works. Even better, there were more on the wall nearby.

“Jules Bastien-Lepage” (1880).Art Institute of Chicago

“Violet Sargent” (1890) (sister of the painter).Art Institute of Chicago

And “Amor Caritas” (1897).Art Institute of Chicago

Van Gogh is well and good — and probably better on a weekday — but Saint-Gaudens is equally worth the trip to the Art Institute. Another example of the limited imagination of crowds, too. I bet that for every 100 people who’ve heard of Van Gogh, maybe a handful know Saint-Gaudens.

The Peshtigo Fire Museum & Fire Cemetery

You can drive from Sault Ste. Marie to metro Chicago in a day. It would be a long day, maybe eight or nine hours depending on traffic, construction, etc., but you can do it. I decided against such a long day, breaking the trip roughly in half by spending the last night of the drive around Lake Superior – which I was leaving far behind by this point – in Marinette, Wisconsin.

One reason: so I could enjoy a leisurely drive through the UP, including westward on Michigan 28 and then south on National Forest 13 through Hiawatha National Forest.

These are roads unlikely to make it on conventional best-drive lists, except for one that I might compile myself according to idiosyncratic lights, which might also include the Icefields Parkway, Lake Shore Drive, Alamo Heights Blvd., North Carolina 12 on Hatteras and Ocracoke islands, among others that come to mind. That the UP has two such favorite roads says something about the car-commercial driving to be had in the mostly forested UP.

Light enough traffic, at least on National Forest 13, that you can stand on the center line and take pictures at your leisure.

Another thing about NF 13: It took me to Pete’s Lake once upon a few times, and again on August 5, though I didn’t camp this time or experience a thunderstorm or yahoos yelling in the distance. It remains a sentimental favorite spot.National Forest 13

On the morning of August 6, I finally headed home, with one more stop in mind: Peshtigo, Wisconsin, a place that demonstrates, if nothing else, that the human mind is a creature of habit.

That includes me. I only mentioned the town in passing in 2006, when we stopped at the Peshtigo Fire Museum.Peshtigo Fire Museum Peshtigo Fire Museum

The building is a former Congregational church, on the site of a Catholic church that burned down in the firestorm of 1871 – which remains the deadliest wildfire in U.S. history, according to the National Fire Protection Association. Remarkably, the Maui wildfire is, for now, placed at fifth; modernity can’t protect us from everything.

“On the night of October 8, 1871, in Peshtigo, a lumber town about seven miles southwest of the Michigan-Wisconsin border, hundreds of people died: burned by fire, suffocating from smoke, or drowning or succumbing to hypothermia while trying to shelter in the Peshtigo River,” notes USA Today.

“But the fire also raged across Oconto and Marinette counties into Michigan’s Upper Peninsula, while another blaze burned across the bay of Green Bay in Brown, Door, and Kewaunee counties.”

No one knows exactly how many people perished in the Peshtigo fire — I’ve seen varying estimates, all in the low thousands — but it was certainly more than in the Great Chicago Fire, which happened the same day. Which one is mostly remembered? Chicago, of course, thus illustrating a habit of mind. Once a thing enters the tapestry of the popular imagination, it can crowd out similar events.

Peshtigo isn’t a large museum, but it is full of stuff.Peshtigo Fire Museum

The museum includes much information and a few artifacts from the fire, though naturally not much survived. The fire itself is illustrated not by photography, but artwork.Peshtigo Fire Museum

Two volunteer docents were on hand to spread the word about the fire. It’s the only distinction for modern Peshtigo, pop. 3,400 or so. One was a woman about my age, the other a woman about Ann’s age. Again, good to see young’ins up on their local history.

Speaking of that, the museum is actually more local history than the single incident of the fire, as important as that is. As such, there are many artifacts from the entire spectrum of the town’s history (including in the basement).Peshtigo Fire Museum Peshtigo Fire Museum Peshtigo Fire Museum Peshtigo Fire Museum

Next to the museum is the Peshtigo Fire Cemetery.Peshtigo Fire Cemetery Peshtigo Fire Cemetery Peshtigo Fire Cemetery

Including survivors of the fire.Peshtigo Fire Cemetery

Along with many who did not.Peshtigo Fire Cemetery Peshtigo Fire Cemetery

Too grim a note to end on. Not far south of Peshtigo is a roadside plaque I’d seen before, but not photographed.45th parallel Wisconsin 45th parallel Wisconsin

“The most obsessive of all of 45th Parallel markers are the plaque-on-rocks sponsored by Frank E. Noyes,” says Roadside America. “We know that he sponsored them because he put his name on every one.

“Frank was 82 years old, a faithful Episcopalian and 32nd degree Mason, and president, general manager, and editor of The Daily Eagle, a Wisconsin newspaper founded by his dad. For reasons lost to time, he became fixated on the intangible world of latitude in 1938 and put up plaques around his home town of Marinette to mark the halfway line.”

There are other such signs, of course, not of Frank Noyes origin, such as at the Montana-Wyoming border, as seen in 2005.

Except for bathroom and gas breaks, the Wisconsin 45th parallel proved to be the last stop of the nearly 2,000 miles around the lake.

SS Valley Camp

Temps hit 100 degrees F. today at O’Hare, reportedly for the first time in more than 12 years. I’d have thought it would have been more recently than that, but no. Still, such heat is transient here in the North: Tomorrow’s forecast calls for only 83 for a high, and Saturday a mere 74.

While atop the 21-story Tower of History, whose only purpose is provide a way to gaze at the scenery below, I spied an ore carrier on the Michigan Sault Ste. Marie riverfront. One of the signs on the tower’s observation deck told me it was SS Valley Camp – a museum ship. The kind of information that raises my eyebrows to an “Oh, really?” posture.

So I paid a visit late on the morning of August 5. Glad I did.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

The best views of the ship aren’t from the outside, but on top.

The view from near the bridge, looking back toward the stern, which permanently points toward the St. Mary’s River and Canadian Sault Ste. Marie.SS Valley Camp, Sault Ste. Marie

The view toward the bow, pointing toward the Michigan Sault Ste. Marie.SS Valley Camp, Sault Ste. Marie

The metal plates – which look like solar panels under the bright sun – are in fact cargo hatches, for the Valley Camp in its nearly 50 years as a working ship carried ore and coal and other bulk goods. Visitors are advised not to go roaming around on the hatches, and I could see why, as they would be first-rate trip ‘n’ fall hazards that would land you on some hard, irregular surfaces.

The bridge complex.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

Displays of various quarters.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

These days the ship is owned by Sault Historic Sites, the same nonprofit that owns the Tower of History. The ship dates from 1917, built for the Producers Steamship Co. as the Louis W. Hill by the American Ship Building Co. in Lorain, Ohio, on Lake Erie. (And I have to say, in those days, company names were nothing if not descriptive.)

State-of-the-art for 1917, at least according to Lorain newspapermen: “As modern as the genius of man can make her,” the Lorain Times-Herald said at the time. A later owner renamed the ship Valley Camp, in honor of the Valley Camp Coal Co. of West Virginia.

“From 1917 until it’s last voyage in 1966, the 11,500-ton ship logged some 3 million miles and carried in excess of 16 million tons of cargo,” says the museum’s web site. “A length of 550 feet, beam of 58 feet, and depth of 31 feet, the Valley Camp [had] a crew of 32 men. Purchased by Le Sault de Sainte Marie Historical Sites Inc. [now Sault Historic Sites], the ship arrived at Sault Ste. Marie on July 6, 1968, during [the city’s] tri-centennial celebration.”

Topside is pretty cool, but the real museum action is below decks. Much of the interior is given over the displays about the history of the ship, other Great Lakes ships, and the industries they served and continue to serve: photos, models, artifacts and more.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

Including a fourth-order, working Fresnel lens.SS Valley Camp, Sault Ste. Marie

It wouldn’t be a Great Lakes nautical museum worth its salt — its freshwater — without something from the SS Edmund Fitzgerald. In this case, one of the doomed ship’s battered lifeboats.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

You can wander around and see much of the original metal and glass guts of the Valley Camp, too.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

Cargo Hold #1, a sign told me, hasn’t been converted into museum space. I didn’t need to be told. The yawning space shows just how large the ship is.SS Valley Camp, Sault Ste. Marie SS Valley Camp, Sault Ste. Marie

The hold did have an exhibit, which looked temporary, about the sad fate of the SS Carl D. Bradley, which went down in a Lake Michigan storm in 1958, taking 33 of its 35 crewmen with it.

A load of grain or coal typically filled that space on the Valley Camp; denser iron ore or taconite filled it only about a third of the way to the top, the sign said. Impressive.

Fort William Historical Park

On the last day of July, I stuck up a conversation with a tinsmith. I’d wandered into his shop, a structure he shared with a blacksmith, but the blacksmith wasn’t around, his furnace cool. Tinsmiths don’t need as much heat for their work, so his space was missing a furnace and bellows. The shop was cluttered with tinsmith work, laid out for me or anyone to examine: cups, funnels, pots, candle holders and other items.

“The North West Co. always had tinsmiths working for it,” said the tinsmith, a sandy-bearded and -headed young man in a smock, who went on to share some of his knowledge of tin working with me: the raw tin sheets, actually thin iron sheets with tin coating, the various tools, how the cool shaping was different from shaping hot iron. You only really needed heat for soldering joints, when you’d put an iron soldering rod in a charcoal brazier. This thing he had on hand.

Why made goods here, at a post on the edge of Lake Superior? he asked rhetorically. I guessed the answer before he said it.

“The tinsmiths made trade goods to trade with First Nation peoples for fur pelts,” he said, using a term that is unlikely to have been used 200 years ago.

“Bet they were in high demand,” I said.

“That’s right. Very much so. You know how they heated water before they had tin pots? They’d put heated stones into a leather bag. Tin pots were so much better, but they couldn’t make them themselves.”

Heated stones in leather bags probably hadn’t changed much since the Ojibwa ancestors were new to North America, or more likely well before that.

Then it was my turn to teach the tinsmith something. I asked where the tin came from.

“Cornwall,” he said. “That’s in England, but I’m not quite sure where it is. I’m not too good with geography.”

“You know the peninsula sticking out from the southwest of England? As far southwest as you can go? That’s Cornwall. Devon, then Cornwall, out that way.”

He still looked a little uncertain, but never mind.

“There’s been mining in Cornwall since before the Romans came,” I said. “That’s more than 2,000 years ago. One reason the Romans wanted Britain was for the tin.”

He expressed mild amazement at that.

Not long before our conversation, I’d come to Fort William Historical Park, at the southern edge of modern Thunder Bay, Ontario, where the tinsmith shop and many other buildings stand.Fort William Historical Park Fort William Historical Park Fort William Historical Park

As an open-air museum, Fort William opened a little more than 50 years ago. As an actual North West Co. fur trading post, a major one, its heyday was more than 200 years ago. I understand that the target year the museum is trying to evoke is 1816, not long after the NWC moved here from Grand Portage, and as far as I can tell, it’s spot-on.

The museum and its 42 reconstructed buildings, Ojibwa village and small farm aren’t in the same place as the original. That is several miles (OK, kilometers) away, mostly occupied by a rail yard these days, an interpreter told me. Some, but hardly all of the buildings featured one or more costumed interpreters who were more than happy to talk about their character and his or her times.

The Fort William reconstruction isn’t quite as elaborate as Colonial Williamsburg, but the original settlement wasn’t either, and even so is quite impressive.Fort William Historical Park
Fort William Historical Park Fort William Historical Park Fort William Historical Park

Looks empty, but there were a scattering of visitors, along with costumed interpreters, as such the tinsmith, who also happened to be an actual tinsmith. Who better to interpret?

At one moment, another interpreter played his fiddle and yet another one, a woman, led four or five visiting children in a vigorous dance in the main courtyard. Entertainment before electronic gizmos.Fort William Historical Park Fort William Historical Park Fort William Historical Park Fort William Historical Park

Well-stocked interiors, too. Best thing is, you can wander around inside and touch pretty much anything. That’s an advantage of faithful replicas, rather than artifacts.Fort William Historical Park Fort William Historical Park Fort William Historical Park

That last one is the hospital. I also had a chat with the resident early 19th-century doctor, who showed me many horrific medical instruments of the day, such as a bone saw or mechanical leech. Advanced items for such a remote outpost, the doc assured me. Medicines were on hand as well. He discussed several, but the only one I remember now is calamine lotion. Much too expensive to use on itchy bug bites, he said. You just lived with those. Calamine was for serious rashes.Fort William Historical Park Fort William Historical Park

I popped into a large barn-like building to find it stocked with canoes, many hanging from the ceiling, some on the floor, with two interpreters working on building one. A third interpreter, a woman who introduced herself as a member of Ojibwa Fort William First Nation, told me at some length about canoe making as it would have been practiced in 1816. More than I’d ever heard or known before: The raw materials, the sizes and other varieties, how long they lasted (a few seasons), the possible individual markings – figures on the sides.

“This is the most important place in the fort, isn’t it?” I said. She agreed that it was, and the men working on the canoe sounded their approval of the idea (they didn’t talk that much).

You could easily make that case: how could you facilitate pre-modern trade across vast territory connected only by rivers and lakes? No roads, no airplanes, no communication devices. What you had were canoes and muscle power.

More artifacts in more buildings.Fort William Historical Park Fort William Historical Park

Some obsolete currencies I’d never heard of — the Halifax pound and the Halifax livre, for instance.

The reproduction detail is remarkable all around. I don’t think anyone’s buried here.Fort William Historic Park

But I’m sure the original Fort Williams had a small cemetery, its occupants now lost to time.

Old World Wisconsin

On Canada Day this year, we were in Wisconsin. If we’d been in Canada, our Jasper Johns moment probably wouldn’t have happened.Old World Wisconsin

Back up for a little context.Old World Wisconsin

I looked him up, and remarkably, Jasper Johns is still alive at 93, and doing art as of only a few years ago.

We saw the patched 48-star flag on a clothesline of a re-created farm yard at Old World Wisconsin, our main destination during our early July southern Wisconsin dash (a one-day out, one-day back trip, according to my idiosyncratic definition).

Old World is a large open-air museum near Eagle, Wisconsin and Kettle Moraine State Forest. I’ve known about the place for years, probably since camping at Kettle Moraine in the late ’80s, but had never gotten around to a visit, not even with small children in tow. My Wisconsin completist impulses kicked in during the dash, so Yuriko and I went to Old World.

A unit of the Wisconsin Historical Society, the place is large: about 480 acres, with about 60 antique buildings from across the state, and a new brewpub, which I suppose counts as a welcome revenue stream for the nonprofit. Some are town buildings, others farm structures. Many immigrant styles are represented: Danish, Finnish, German, Norwegian, and Polish, and well as in-nation New England and African-American settlers in Wisconsin.

Among the town buildings is St. Peter’s (1839), the first Catholic church building in Milwaukee.Old World Wisconsin Old World Wisconsin

That wouldn’t be the last prominently placed stove we’d see. These were pre-HVAC buildings, after all. Makes me glad for the luxury of central heating, as much as I complain about winter.

More town structures.Old World Wisconsin Old World Wisconsin Old World Wisconsin

The red one is an 1880s wagon shop from Whitewater, Wisconsin.Old World Wisconsin

An 1880s blacksmith shop, with a smithy re-enactor.Old World Wisconsin Old World Wisconsin

And the band played on.Old World Wisconsin

Among the farm structures, you can find this Norwegian schoolhouse.Old World Wisconsin

With a spelling bee ongoing when we dropped in. Old World Wisconsin

Antidisestablishmentarianism wasn’t a word in the bee, though it really isn’t that hard, come to think of it. Scherenschnitte: now there’s a tough one. Unless you’re German.

More farm structures.Old World Wisconsin Old World Wisconsin Old World Wisconsin

More all-important stoves for those long winters. And cooking.Old World Wisconsin Old World Wisconsin Old World Wisconsin

There were a few farm inhabitants, such as chickens and cows. We were able to sample some wonderful ice cream made from fresh milk. Also, we encountered an animal I called Future Bacon.Old World Wisconsin

Yuriko chided me for that, but I’ve seen her eat bacon.

The Getty Center

This is the city. Los Angeles, California.Los Angeles 2023

I don’t work there. I’m not a cop. I do visit from time to time, including early June, when found my way to the Getty Center, a complex perched on a high hill in the Santa Monica Mountains that provides some expansive SoCal vistas.Los Angeles 2023 Los Angeles 2023 Los Angeles 2023 Los Angeles 2023

The 1.8 million or so visitors to the Getty Center every year thus experience something oilman John Paul Getty never did: these views, unless he hiked in the area, which from the little I know about him seems out of character. The Getty Center didn’t exist until well after his death (1976), developed by the Getty Trust and not opened until 1997.

The Getty is one of two branches of the J. Paul Getty Museum; the other is the Getty Villa, which impressed me mightily in early 2020. As a design by Richard Meier, the Getty is a triumph of pale blocks.The Getty 2023 The Getty 2023 The Getty 2023 The Getty 2023

Water features.The Getty 2023 The Getty 2023

And flora.The Getty 2023 The Getty 2023

One likable feature of the museum is that you can loaf on its lawns.the Getty 2023 the Getty 2023

“The Getty Center… houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally,” the museum web site says, in one of four buildings named for compass points: North, South, East, West.

Here’s a museum policy other places would do well to emulate: “The Open Content Program makes high-resolution images of public domain artwork from the Getty collections freely available, without restrictions, to advance the research, teaching, and practice of art and art history.”

I wasn’t particularly systematic as I wandered through the galleries. Go here, look at that; marvel at that other work. Rest on a bench (the Getty has some). Repeat. See things both familiar and strange by artists centuries past their lifespans. Sometimes I’m inspired to take my own pics at an art museum, including not just the art, but museumgoers.the Getty 2023 the Getty 2023 the Getty 2023

Then I was inspired to take some artwork images.the Getty 2023

Just a few. Soon I found my theme.the Getty 2023 the Getty 2023 the Getty 2023

What better than images of Christ in the City of Angels?

Ramon, I Hardly Knew You

Going to a place like Spain reminded me of how ignorant I am of a place like Spain. How is it I knew little to nothing – except maybe the name, and that he was a painter – about Ramon Casas before I encountered his work up on Montserrat?

Which speaks of another spot of ignorance. I knew there was an art museum as part of the Montserrat complex, but I didn’t know anything about it. When I found out that our combination ticket included admission to the museum as well as the basilica and Our Lady of Montserrat, I figured we’d find a good collection of medieval art reflecting religious themes, as medieval art tends to do.

I was wrong. The Museum of Montserrat does indeed display some medieval works, but only in the first rooms, as well as a collection of varying images of Our Lady of Montserrat, plus Byzantine and Slavic icons. But there is also pre-Christian ancient artwork, and European paintings and sculpture from every century after the Middle Ages petered out, including the 21st. All together, about 1,300 pieces.

Less surprising is its large collection of Catalan art, and in one of those rooms I made the acquaintance of Casas. I could hardly miss him. Here’s a detail from the first painting I saw of his, “Madeleine” (1892).Ramon Casas

Wow. The museum has this to say (mechanically translated) about its Casas collection: “More than twenty works by Ramon Casas (1866-1932) are preserved in Montserrat… His works convey the atmosphere of Paris, with portraits in interiors where Casas focuses on the detail in the female figure, immersing the viewer in the actions and attitudes of the characters. On the other hand, they also reflect the painter’s taste for the folklore of the time, with ladies wearing mantellines, combs, shawls, and where bull races are frequent….”

I decided to take a few more detail shots of Casas’ work. In order: “La cigarreta” (1906), “La religiosa” (ca. 1920), and “Júlia” and “Cordovesa,” both undated.Ramon Casas Ramon Casas Ramon Casas Ramon Casas

More specifically, I wanted images of his female faces, of which he seems to capture their essential allure.

Nichols Bridgeway ’23

Saw this headline in the WSJ late last week: ‘I’m Not Excited For Him to Become King’: American Royal Watchers Draw the Line at King Charles Coronation

Do we as Americans need to be excited about the coronation of Charles? No, we do not. Interested, if that kind of thing interests you, but I’ll bet even a good many Britons don’t have strong feelings one way or the other. As one of those things that doesn’t happen very often and which harkens back to a long history, the event interested me, but not to the point of distraction.

Reporting on the event makes it seem as if there are only two modes of thinking about Charles, and the British monarchy for that matter: slavish adoration and awe at the pomp, or bitter republican convictions that see the royals as posh parasites. I can’t muster enough emotion to feel either of those, though I could probably sit down and come up with reasons on each side of the monarchy, pro- and anti-, like any former high school debater.

Still, I did a little reading about the sceptre and orb, because who doesn’t like a little reading about orbs especially? Of even more interest, though, is the Stone of Scone, which for years I thought was pronounced the same way that the British refer to their biscuits (but no, it’s “skoon,” which does sound more Scottish). I understand that all it takes to see the stone these days is a visit to Edinburgh Castle. Its presence there since 1996 must count as a physical reminder of UK devolution.

All in all, the coronation didn’t interest me enough to get up at 4 or 5 am on a Saturday for live coverage. Plenty of video was available soon after.

While we were in Chicago on Saturday, we found ourselves on the Nichols Bridgeway, which runs from Millennium Park to the third floor of the Art Institute.

I couldn’t remember the last time we were there. Might have been back in 2011, when we attended my nephew Robert’s graduation from the School of the Art Institute. That’s when I took this picture of him with a faux nimbus.

The bridge still stands, of course. Looking north.Nicholas Bridgeway

South.Nicholas Bridgeway

We went for the views from the bridge. One thing Chicago has for sure is an alpha-city skyline.Nicholas Bridgeway Nicholas Bridgeway

Looking west on Monroe St.Nicholas Bridgeway

Looking east.Nicholas Bridgeway

Note how few cars there are (none) compared with the number of pedestrians. Turns out the Polish Constitution Day Parade had just finished. We missed it. Maybe next year; looks like a spectacle.

Long Grove in Winter

Heavy rain through much of the wee hours Monday morning, as forecast. Not as pleasant as sleep-time rain on a Friday or Saturday night, or in rental property when the risk of sump pump failure isn’t your concern, but not bad.

Also nice to know that February is just about over. Always good to get the bastard behind you, even if March isn’t that much better. The longer days promise warmer air, and eventually will deliver it.

That said, Sunday was warm (over 50 F.) and sunny enough to inspire us to visit Long Grove, Illinois, whose short and genteel shopping streets can make for a good stroll. The last time I was there, I was promised a sock monkey museum. And there it was!Long Grove, Illinois

Please use front door, the sign said. So we went to around to the front door. No dice. Closed on Sunday. What’s up with that? I could have sworn that most sock monkeys were Seventh-day Sabbatarians, but maybe I’ve been misinformed.

So I spent some time examining the nearby bricks, and least until Yuriko and the dog wanted me to come along with them. Long Grove has extensive brickwork at one’s feet.Long Grove, Illinois

Including named bricks.Long Grove, Illinois Long Grove, Illinois

Such as “Carlyle Sciotoville,” presumably a product of Carlyle Brick of Sciotoville, Ohio; and “Barr” bricks, probably associated with a factory that used to operate in Austin, Minnesota; and “Poston Pavers,” which must have been the product of Poston Brick & Concrete Co. of Sangamon County, Illinois.

Zounds, I’ve discovered one obscure rabbit hole: brick collecting, as discussed in blogs and articles and facilitated by the fact that brickmaking used to be a highly fragmented industry, with countless local brickmakers advertising their wares on the products themselves, so that there are hundreds (thousands?) of distinct varieties.

There’s also the International Brick Collectors Association, whose web site looks like it was set up in 1997 and not modified since, but why does it need to be? It does me good to know such an organization exists, even though I’m not planning to collect bricks like whoever set up BrickCollecting.com.

I like this Tumblr site, That Was Our Work, which is partly about bricks. “Bricks, manhole covers and sidewalks are cogs that help the great machine of the world run. They have stories to tell, histories and trends hidden in their design, their materials and their installation,” the site says.

No archives or index, though, which makes it of limited use for looking things up. But it is good for browsing. I’ve been known to take a look underfoot, too. It’s part of my style as a granular tourist.

McNay Art Museum, 2015

Remarkable how the 2010s are receding so quickly. How is that possible? The tumults of the early 2020s, with the prospect of more to come? A kind of red-shifting of past years that gets more pronounced as old age sets in?

After all, the more moments you’ve had, the less any particular one might count, even relatively recent ones. Or does it work that way? No doubt there are TEDx talks about the plasticity of memory, all erudite and maybe even persuasive — until some future decade, when they’ll be considered wrongheaded if they’re ever watched, which they won’t be.

These thoughts occurred as I was looking through my picture files for February 2015, when I spent some high-quality time in south Texas. One evening during that visit, I popped over the the McNay Art Museum, one of San Antonio’s lesser-known treasures.

I’d been visiting the museum for years. Decades. We went there on field trips in elementary school in the early ’70s. It helps that it’s conveniently located near my mother’s house and the school I went to — no more than a mile away.

“Ohio-born heiress Marion Koogler first visited San Antonio in 1918, shortly after her marriage to Sergeant Don Denton McNay, who was called to active duty in Laredo, Texas. Later that year Don McNay died from the Spanish flu,” the museum says.

“In 1926, Marion moved to San Antonio, where she met and married prominent ophthalmologist Donald T. Atkinson. The following year, she purchased her first modern oil painting, Diego Rivera’s ‘Delfina Flores,’ and the Atkinsons commissioned San Antonio architects Atlee and Robert Ayres to design a 24-room Spanish Colonial-Revival house that would one day become the core of the McNay Art Museum [which opened in 1954]”

There was a later addition (2008) to the house to expand the museum, which now has about 22,000 works, mostly 19th- to 21st century, many regional, but not all.

I’m especially taken with the gorgeous courtyard. I’ll bet more than one proposal of marriage has happened there.McNay Art Museum McNay Art Museum

The courtyard features a few works from the collection, such a Renoir, “The Washerwoman” (1917).McNay Art Museum

The heart-wrenching “War Mother” (1939) by Charles Umlauf (1911-94), a sculptor originally from Michigan, but living in Chicago and working for the WPA when he created it. McNay Art Museum

The work is credited with helping him get a teaching position at the University of Texas at Austin in the early ’40s, which he held to 40 years.

Another Umlauf: “Cruxifix” (1946). McNay Art Museum

A remarkable talent. One of these days, I want to visit the Umlauf museum, which is in Austin. And of course, I want to go back to the McNay again.