Catercorner from the Dreihaus Museum on the Near North Side of Chicago is the headquarters of Dreihaus Capital Management, which is in the Cable House, an 1886-vintage Richardsonian Romanesque mansion.
In the late 19th century, it was probably the biggest thing on the block. Now tall structures look down on it.

“Its distinct peach-pink façade is Kasota stone, a sedimentary rock from the upper Midwest,” the Dreihaus Museum web site says. “That soft, radiant hue, along with steep gables and abundant ornamentation, are distinct contrasts to the sterner gray of the Samuel M. Nickerson Mansion on the opposite corner.”

“Ransom Reed Cable (1834-1909) commissioned the mansion from the firm Cobb & Frost in 1885. Cable… served as president of the Chicago, Rock Island & Pacific Railway for 15 years.”

Cable went the way of all flesh and then, for much of the 20th century, undertakers John Carroll Sons occupied the house. Now modern office space, the interior isn’t in a 19th-century style any more, according to the museum.

Dreihaus Private Equity is in the Cable House’s former carriage house and (I assume) the small office building next to that.

Standing on a column in front of the office building is a sculpture I don’t think I’ve ever noticed before: “Victory” by Daniel Chester French.
Some closeups are here. According to a nearby plaque, it was cast by the D.C. French Roman Bronze Works, NY, in the 1920s from a working model for the First Division Memorial in President’s Park in Washington, DC.

I don’t remember seeing the DC memorial. Maybe I did. But I’ve definitely run across Daniel Chester French before, besides the Lincoln of the Lincoln Memorial: a statue that evokes the 1893 Columbian Exposition here in Chicago and some allegories in Lower Manhattan, among others.