One Cadillac Ranch & Two Stonehenges

Driving out of Amarillo toward the west I got the impression that the city comes to an end at Soncy Road, a major north-south street. City to the east, open fields to the west. Looking at the city on Google maps, I see that impression isn’t absolutely accurate, but it’s pretty close.

I was going that way to see the Cadillac Ranch. Because that’s a thing you see while passing through Amarillo, like you might mosey over to the Eiffel Tower while visiting Paris for the first time. Google Maps simply calls it the Cadillac Ranch, as does my Michelin atlas. Curiously, my Rand McNally atlas calls it Stanley Marsh’s Cadillac Ranch.

The Cadillac Ranch isn’t far out of town, just south of one of the I-40 feeder roads, which is the former U.S. 66 at the point, so it counts as a Route 66 site for enthusiasts of that road. You can park off the feeder and see the installation from that vantage.

The Cadillac Ranch field is fenced with barbed wire, but not to worry. Visitors can go through a graffiti’d gate.

You walk right up to the 10 cars buried at an angle in the Panhandle soil and join everyone else looking at them or spray painting them.

Roadside America, the authority on attractions of this kind, says that “Cadillac Ranch was invented and built by a group of art-hippies imported from San Francisco. They called themselves The Ant Farm, and their silent partner was Amarillo billionaire Stanley Marsh 3. He wanted a piece of public art that would baffle the locals, and the hippies came up with a tribute to the evolution of the Cadillac tail fin.

“Ten Caddies were driven into one of Stanley Marsh 3’s fields, then half-buried, nose-down, in the dirt (supposedly at the same angle as the Great Pyramid of Giza). They faced west in a line, from the 1949 Club Sedan to the 1963 Sedan de Ville, their tail fins held high for all to see on the empty Texas panhandle. That was in 1974….”

Since then, the cars have been falling apart, but more importantly covered and re-covered ad infinitum with spray paint. The images I took on the afternoon of April 27, 2018 depict how it looked then — a look that I figure is almost as fleeting as cloud formations.

Note also that plenty of people don’t bother taking their spray cans with them when they leave.

The cars weren’t the only surface on which people paint.
Besides being a roadside oddity, I liked the Cadillac Ranch because there’s nothing else to go with it — no visitors center, no gift shop, no exposition signs, not even anything to tell you what the place is called or who created it.

My recent peregrinations also took me to two other places with upright objects installed in the ground, both Stonehenge replicas that I spent a few minutes looking at. One, completed in 2004, was at the University of Texas of the Permian Basin in Odessa.

Unlike the original, visitors are free to get as close as they like to the Permian Basin Stonehenge and even touch the stones. Spray painting would probably be discouraged as rank vandalism, however.

Roadside America again: “Made of limestone slabs up to 19 feet tall and 20 tons apiece, Permian Basin Stonehenge is slightly shorter than the original, but it’s exact in horizontal size and astronomically accurate. Although a plaque in front of the ‘henge claims that the replica is ‘as it appears today in England,’ that’s not exactly true.

“The slabs are blocky leftovers donated by a quarry, so they’re approximations, not duplicates; the Stonehenge stands in a circle of reddish Texas gravel, not the green Salisbury Plain; and the Heel Stone, which marks the summer solstice, had to be stuck in the ground across a street.”

On the last day of my trip, I stopped briefly in Rolla, Missouri, and got a breakfast sandwich at Hardee’s. Not far away was the Missouri University of Science and Technology’s Stonehenge replica. What better place to sit and eat your breakfast sandwich?

It’s a half-sized granite replica. Not a commanding presence, but worth a look. Once more to the Roadside America well, which says the replica was built in the 1980s to “showcase the stone carving capabilities of [the school’s] High Pressure Water Jet Lab.”