Snow this morning. It didn’t stick, but it did remind us all of the cold months to come.

At the beginning of 2020, works published in 1924 finally entered public domain in the U.S. The Center for the Study of the Public Domain noted some of the better known works now available to all.

“These works include George Gershwin’s ‘Rhapsody in Blue,’ silent films by Buster Keaton and Harold Lloyd, and books such as Thomas Mann’s The Magic Mountain, E. M. Forster’s A Passage to India, and A. A. Milne’s When We Were Very Young.”

Plenty of obscure works are now available as well. One I have in mind is The Outlaws of Cave-in-Rock by Otto A. Rothert, published in 1924. Rothert (1871-1954) was secretary of the Filson Historical Society in Louisville, and apparently took a strong interest in regional history

The Outlaws of Cave-in-Rock can now be found in Google Books. I haven’t read it all, but I have sampled some of it. Such as the first few paragraphs.

“This book is intended to give the authentic story of the famous Cave-in-Rock of the lower Ohio River… and to present verified accounts of the most notorious of those highwaymen and river pirates who in the early days of the middle West and South filled the Mississippi basin with alarm and terror of their crimes and exploits.

“All the criminals herein treated made their headquarters at one time or another in this famous cavern. It became a natural, safe hiding-place for the pirates who preyed on the flatboat traffic before the days of steamboats….

“A century ago and more, its rock-ribbed walls echoed the drunken hilarity of villains and witnessed the death struggles of many a vanished man. Today this former haunt of criminals is as quiet as a tomb. Nothing is left in the Cave to indicate the outrages that were committed there in the olden days.”

The book also tells the tale, in four chapters, of the exceptionally murderous Harpe brothers (or cousins), a bloody story deftly summarized by the late Jim Ridley in the Nashville Scene some years ago. Enough to note here that the Harpes and their women roamed western Tennessee and Kentucky around the beginning of 19th century, murdering and robbing as they went, but especially murdering.

They spent some time among the blackguards at Cave-in-Rock, but were forced to leave after they threw a man bound to a horse to his (and the horse’s) death off the cliff’s edge above the cave for fun. Even river pirates have their standards.

In our time, and in fact since 1929, the cave has been the central feature of Cave-in-Rock State Park. Not quiet as a tomb, quiet as a minor tourist attraction. It isn’t part of Shawnee National Forest, but some of the national forest lands are nearby. Note the sign isn’t a stickler for hyphens.

The park is near the small town of Cave-in-Rock, Illinois, which is walkable distance to the south from the park. We arrived at the park on the afternoon of October 11.

You park in a small lot and climb 50 or so steps uphill, to a crest overlooking the Ohio River, sporting picnic shelters and tall trees. Views from the crest, looking across to Kentucky.

From the crest, you go down more stairs most of the way to the river’s edge. The cave entrance is under a high cliff and a few feet higher than a small beach on the river.
Looking back up at some trees lording over the edge of the cliff.

A few more steps and you’re in front of Cave-in-Rock. It’s an apt name.

Soon you’re inside, looking out.

It doesn’t go too far back, at least not that I know of. Graffiti, mostly painted signatures, is prominent on the roof of the cave.

J. & B.C. Cole were here in 1913, pre-park and probably dangling from a rope over the cliff edge. The more recent Marty and R.S. were here in 2011, and probably had rappelling gear.