Much work these days. Lots going on. Will post again on January 19. The more holidays the better, and I’ll bet — considering the inclinations of the incoming administration — Juneteenth will be a federal holiday before long. Or at least the closest Monday.
Ice crystals on our deck. They didn’t last long. Later came snow, which mostly melted.
To follow Sink the Bismarck!, a taut 1960 British war movie, for contrast I recently watched Portrait of a Lady on Fire (Portrait de la jeune fille en feu, 2019), an engaging French love story set just before the Revolution. I haven’t seen many movies as painterly Portrait of a Lady on Fire.
A few weeks ago, before the violent national scrum, we started watching the short series The People vs. OJ Simpson. Top-quality historical fiction. Doesn’t feel historic, just like a good while ago. An increasingly long time ago, more in feeling than strict chronology. When the trial was actually happening, I remember thinking, do I have to hear about that again? Enough time has now passed for the subject to be of some interest.
That said, do I ever feel nostalgic for the ’90s? No. The underappreciated ’70s is more my flavor, and for the exact same uninteresting reason as most people. Nostalgia for one’s youth.
I didn’t know until I read about it a little while ago, but The Great Gatsby is in the public domain now. I could publish 100 words from that book, in order, or maybe reverse order, until I’d gone through the entire book, with the time needed to put the text in my only real cost. I don’t think I’ll do that, but it’s nice to know I could.
The immortal Ella.
A much later version. Recent, in fact, by the highly talented Hot Sardines.
The Hot Sardines’ singing is top notch, but I’m really taken with the animation in the video.
Another recent version by the Speakeasy Three.
Fine harmonies. The video is so stylized that it approaches parody, but doesn’t quite get there. Somehow, that works. Also, am I right in thinking there are celebrity lookalikes in this video? Recent celebrities, not swing-era ones. I don’t care enough about celebrities to find out, but I get that sense.
A site that visit every few months: The Comics Curmudgeon. On Jan 13, he mocks the comic strip Crock, which isn’t hard, but it is hard to be funny while doing it. The writer of the site, Joshua Fruhlinger, pulls it off.
One the characters says to another one, “I can’t wait to meet the blind date you got me. When can I call her?”
“Anytime but the weekends,” the other character says. “That’s the busiest time for blacksmiths.”
Fruhlinger comments: “I was going to go all in on ‘Why is it funny that this woman is a blacksmith,’ but we all know the reason why it’s supposed to be funny: blacksmithery is not a traditional feminine job so can you even imagine going on a date with a woman who would engage in it? What would you even call her? A blacksmithrix? Haw haw! Anyway, that’s stupid, so instead I’m going to focus on something actually puzzling: the assertion that weekends are ‘the busiest time for blacksmiths.’ I guess that’s when most Renn Faires are? Are we dealing with a universe where blacksmiths are a vital part of the everyday economy, making horseshoes and tools and such, or are we in a more modern environment where mass manufactured goods are omnipresent and easy to get, and the only people who go to blacksmiths are weirdos who are obsessed with swords? This is the Crock worldbuilding background that I have a million times more in interest in than I do in Poulet’s love life.”
I’ve started reading American Slavery, American Freedom, subtitled “The Ordeal of Colonial Virginia,” by Edmund S. Morgan (1975). I’m not far along, but enough to know he’s a good writer. The first chapter is unexpectedly about of Sir Francis Drake in Panama in 1572, but I think I can see where he seems to be going with the narrative, which will get to colonial Virginia before long.