I don’t remember the first time I heard of Fallingwater or Fort Necessity or even the Hare Krishnas, to name a few examples. I do remember the first time I heard of United 93, though probably not by its flight number. Listening to the radio in my downtown Chicago office on the morning of September 11, 2001, I heard, along with countless other listeners, simply that a fourth airplane had crashed, this one in rural Pennsylvania and not into a building.

Twenty-one and a half years later, roughly, we arrived at the site, now the Flight 93 National Memorial. Rural it still is, and far enough out of our way that I considered not going. But when Wednesday came, there in the middle of our trip, I knew we should. How often were we going to be out this way? I didn’t want to think later, we could have gone to pay our respects, but didn’t.

The memorial is as expansive as its rural location allows it to be. Its parts are variously horizontal, irregularly diagonal and vertical, and at some distance from each other. Come to think of it, the plane went from a high altitude into a ragged and sharp descent, to pulverization on the level ground. The features of the memorial’s inner circle are within eyeshot of each other, but seemingly far in the distance, and not imposing themselves much on the sloping earth or the big sky.

At first, it’s a little hard to visualize the various parts. The NPS brochure is helpful in that regard. The cut-off arrow says “Flight Path.”

Near the entrance is the Tower of Voices, the most recent part of the memorial, a 93-foot structure with 40 wind chimes, which were installed in 2020. Ninety-three feet for the flight, 40 chimes for the number murdered.

The chimes are supposed to sound in the wind. There was a little wind, and sound, as we stood under the tower, but not much.

Further on is the visitor center and museum, formed by concrete structures. A few busloads of high school students were visiting.

When they cleared out about 15 minutes after we arrived, that left only a trickle of visitors at the memorial on a cool but not cold weekday.

The black granite walkway isn’t a random placement, but reflects the path of Flight 93 in its last moments. At the level of the visitor center, it passes through the concrete structures and to an overlook.

Looking back at the structures.

Looking forward, over the overlook.

Within view is the actual crash site, now fronted by the Memorial Plaza and the Wall of Names, way at the down end of a brown slope. Brown for now. I’ve seen images of the place ablaze with flowers.

From the visitors center-museum-overlook, you can walk to near the crash site, on foot on a circular path, called The Allée, which is lined with Sunset Red maple trees; or drive on a circular road. We elected to drive, though I’m sure a walk in the fullness of summer, the colors of fall, or even through a snowy winter landscape, would be richly rewarding.

The first thing to see at the Memorial Plaza. The main thing.

No dogs allowed on the sidewalk leading to the Wall of Names, so we took turns. I went first.

The Wall of Names: each of the crew and passengers, except of course for the murderers, gets a white granite panel with his or her name inscribed, alphabetically left to right, beginning with Christian Adams and through to Deborah Jacobs Welsh.

Until I went to the museum, I hadn’t known that a Japanese national was among the dead: Toshiya Kuge. Yuriko noticed that as well.

Kuge was a student, and at 20, one of the youngest people on board, returning to Japan by way of San Francisco that morning. His mother visits the memorial every year.

The flight path walkway picks up again next to the Wall of Names and goes to a gate.

The ceremonial gate is hemlock beams, with 40 angles cut into it. The gate is ceremonially closed to us, the living.

Beyond that is a closed field that was point of impact, now featuring a boulder standing by itself to honor the dead. The ground also is a field of internment for the victims.

When I returned, it was Yuriko’s turn to walk to the Wall of Names while I waited in the car with the dog. The walk takes at least 20 minutes, if you’re going to spend any time at all at the wall. About five minutes later, she came back.

“You’re back,” I said.

“It was too sad,” she said.