Kids came in some numbers for Halloween here in the northwest suburbs yesterday, but I didn’t keep an exact count this year. The day was cool but not cold, without a hint of rain, so that might have encouraged turnout, like for voting. One time a passel of kids showed up, maybe a dozen or so, all under 10, with a smaller passel of parents off near the sidewalk.

We were giving away full-sized candy bars until they ran out, and the passel squealed with delight at receiving the various Hersey products. Even now, the costumes are a blur, maybe because I didn’t recognize a lot of the characters. Ones that I might have known weren’t familiar either. I asked the parents of a very small boy — ah, first-timers — what he was supposed to be. His shirt pattern reminded me of TMNT, but it was Hulk, they told me. “Hulk smash,” they said. “Hulk smash, all right,” I agreed.

All of the Halloween traffic, except for a handful of older kids, came before dark. My not-so-inner curmudgeon reacts: in my day, we trick-or-treated after dark, risking bodily injury on the streets, and we liked it.

But I am glad to report that the older kids – junior high and even high school – are far fewer than they were, say, 20 years ago. So it’s back to the way it should be. For older people, there are always such seasonal events as the Greenwich Village Halloween Parade. To this day, the ’06 iteration of that parade remains the only time I’ve encountered the band KISS live – they were the grand marshals (RIP, Ace Frehley). We also encountered Space Ghost then, or at least a fellow who was adamant about his Space Ghost identity.

Near Central Park on Fifth Ave. is 1 East 57th Street. We walked by last month.

A few years ago, luxe retailer LVMH Moët Hennessy Louis Vuitton added a faux facade to its NY flagship store there on the avenue, one that evokes its signature luggage trunks in a highly visible way. Redevelopment plans for the building behind the trunks were unveiled not long ago, so I suspect the trunk-appearance doesn’t have much longer to look down on Billionaire’s Row and its strato-priced residential properties (whose high rents and sale prices don’t necessarily guarantee high-quality construction, apparently).

As we neared Central Park, we spent a little time at Augustus Saint-Gaudens’ statue of William Tecumseh Sherman (dedicated 1903) in Grand Army Plaza. Life’s too short not to look at some Saint-Gaudens from time to time.

Not far away, something a little newer.

“First Sun,” a painted aluminum sculpture of a human-scarab figure by Senegalese artist Monira Al Qadiri, and slated to be in place until the end of next summer.

Visible from near the statues is the storied Plaza Hotel and an Apple Store, which is open 24 hours, Google Maps tells me. Storied in a different way.

I’m glad the Plaza acknowledges its fictional role in The Great Gatsby by featuring a lavish-beyond-the-dreams of Croesus Gatsby Suite. Of course. A smart hotel operator isn’t going to waste an opportunity like that. In this case, Fairmont Hotels and Resorts, a Canadian company, managing for owner Katara Hospitality – the large hotelier owned by the Qatari government. In the 21st century so far, the Plaza has been owned by an Israeli company and then an Indian one before Katara bought it. There’s something oddly American about an ownership trajectory like that.

We – Robert, Geof, Yuriko and I – charted ourselves a simple walking path through some of the southern reaches of Central Park. Manhattanites and visitors to the borough were out in Saturday-afternoon force. Saturday, in the park/I think it was the 18th of October. No, that doesn’t scan. A fair number of pitch-a-blanket cap and souvenir salesmen were out, too, but not nearly as many buskers as a great city park like Central Park should attract.

There’s an editorial right there: why America needs more buskers, and why some American cities need to chill when it comes to suppressing buskers. Europeans might not be right about everything, but about allowing buskers? Yes.

The leaves weren’t at peak just yet, with the greens still hanging on more than not. I don’t remember which visit to Central Park it was, but one time I wandered the park during peak coloration, whipped into even greater yellow-and-red glory by a brisk October wind. Temporary clouds of leaves came and went, even as the wind shook more leaves from their branches. Color, but also motion.

Eventually, we came to The Lake by way of Bethesda Terrace and Fountain.

But not all the way across The Lake to The Ramble, whose Wiki description drily states that “historically, it has been frequented for both birdwatching and cruising,” with hyperlinks articles about both of those activities. What about cruising birdwatchers? There’s a Broadway musical in that concept somewhere.

The Lake was clearly a good time and place for casual boating.

The view from the Bow Bridge.

An Upper West Side backdrop.

In that part of Central Park, it’s hard to miss Strawberry Fields. There is a fairly empty section.

That’s not the case when you get to the Imagine memorial. Among the visitors, a guitarist was noodling out one of the more famous Lennon-McCartney tunes, but I forget which. One of the usual ones. Not “Dr. Robert,” say, or “Happiness is a Warm Gun.” So that was one busker anyway, since I think he had a guitar case open in front of him. All you need is love, sure, but bills are bills.

Gone these 45 years and still packing ‘em in. Good for you, Mr. Lennon. In another 45 years? It would be interesting to know, and I sure I won’t.

I’m afraid the history of memorials doesn’t bode well for the longevity of any memorial, even the kind that people line up to pose with. I didn’t know the man, but I suspect somehow that the thought of fading into obscurity wouldn’t have bothered John Lennon.

At that point, you emerge from the park and are practically face-to-face with the Dakota.

We headed east to a subway station, and happened to walk by the entrance of the Dakota. In its grim way, it’s a kind of memorial too. The signs make it known with no uncertainty that no one unauthorized is getting in.