Tag Archives: live music

Dire Straits 1985

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Thirty years ago Dire Straits played at TPAC in Nashville, and I was there. By a lucky chance. I went to a record store on Elliston Place in Nashville (gone now, certainly) that was selling their tickets, later than I probably should have, and when I got to the desk they had exactly one left. I think a few people ahead of me had declined to buy it, because they were looking for two. So I got it.

I’m pretty sure “Sultans of Swing” introduced me to the band in early 1979, as it did many North Americans. Though overplayed, I still can listen to the song and imagine a dark, rainy South London of 40-odd years ago. Not many popular songs evoke place as well as it does. Dire Straits was one of the few records I paid money for in high school. There’s no filler on that album, and by the time you get to “Wild West End” and “Lions,” talk about evoking a place and (in retrospect) time.

DireStraits85Later, I grew especially fond of the long, melancholic tracks on Love Over Gold. Maybe it helps to be not particularly melancholic to appreciate such things.

“I want my — I want my MTV…” the 1985 concert started, with a single spotlight flitting around the stage, not pointing at anyone, I think, as the intro to that song crescendoed. With the loud guitar solo, the stage lit up, revealing the band, who took it from there. I’m glad I got to see them.

Philip Glass 1985

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Thirty years ago this evening, I went with some friends to see Philip Glass conduct some of his music in Nashville. At least I think that’s what he did. I have an image in my head of him standing in front of musicians, waving his hands, and them playing. But maybe he sat down at a keyboard. It’s a been a long time.

Glass85I can’t remember why I went, but I’m sure it was worth $2. At some point, I owned Glassworks on CD, which is considered his most popular recording, but I don’t remember when I got it. Since I didn’t own a CD player until ca. 1988, I didn’t have it when I saw the concert. One of my housemates during my senior year in college might have had it on vinyl, or possibly even reel-to-reel. A lot of odd things were floating around that house.

Also, I saw Koyaanisqatsi sometime in the mid-80s. That might have been before this concert. Or after. Things get jumbled over the decades.

Oddly enough, I heard a little of a Philip Glass interview last week on the radio. He must be making the rounds to talk up his memoirs, which have just come out. The NYT reviewer of the book asserts that “enough time has passed for him to sell his own distinct musical language, developed through a blending of Western and Indian traditions, in which repeated musical cells form patterns to hypnotic effect. To many listeners it remains perplexing and even infuriating, but the influence of Mr. Glass’s music, called Minimalist despite his protests, is pervasive in all genres of music.”

Sure. If you say so. I like the idea of his music better than the music itself, though I haven’t spent much time with the likes of “Satyagraha” or “Einstein on the Beach” in the last 30 years. Philip Glass composes the kind of music that you start playing, listen to for a few minutes, and then realize 30 minutes later that it’s been in the background for nearly 30 minutes.

I didn’t fall asleep during the concert — like I dozed off at a Pat Metheny concert once — but I vaguely remember being tired. After the concert, it being a Friday night, we repaired to a nearby Italian restaurant. Who then showed up for dinner, a few tables away? Philip Glass and a small entourage. We noticed his presence, but didn’t approach him. Just as well not to pester publicly known people in public — can’t say he was exactly famous in this case, but still.

Rachmaninoff & Tchaikovsky on a March Evening

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Here’s an argument that not everything of historic or archaeological significance should stay in its place of origin: “ISIS destroys ancient site of Khorsabad in northeastern Iraq.” Had the University of Chicago left everything in place, some of the artifacts you can see at the Oriental Museum would be rubble about now, thanks to barbarians.

ESO3.15Yuriko and I made it to far suburban Elgin on Saturday for the Elgin Symphony Orchestra, which offers high-quality performances. The ESO, besides being good at what they do, has a number of other advantages for people who have the temerity to live in the suburbs. It isn’t that far to drive; it’s easy to park there; and tickets don’t cost as much, say, as the Chicago Symphony Orchestra. All reasons the ESO sells most of its seats.

On tap this time: Rachmaninoff’s Piano Concerto No. 2 in C minor, and “The Tempest” and “Romeo and Juliet” by Tchaikovsky. A Russian-born American, Natasha Paremski, was the guest pianist, displaying an astonishing amount of skill and energy at it. Unfortunately, we were sitting on the right side of theater, so it was hard to see her (and the conductor) during the performance, because of the bulk of the piano. I have a hard time warming up to Rachmaninoff — I can’t really say I try that much, though — but her rendition kept my attention.

A casual search doesn’t show Paremski playing any Rachmaninoff, but this is her having a go at Tchaikovsky’s Piano Concerto No. 1, displaying a similar intensity at the keyboard.

Speaking of Tchaikovsky (sort of), this early TV clip also has a lot of (maniacal) energy to it. Such was Spike Jones. Stay to the end for an appearance by Jim Backus and an impersonation of a certain well-known figure on the world stage at the time.

Al Stewart ’14

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I went to St. Charles on Sunday to see live music at the Arcada Theater, which is on Main St.

Arcada Theater Oct 5, 2014Al Stewart again, with right-hand man Dave Nachmanoff. I hope Al has more years as a touring musician, but he’s 69, so there’s no guarantee. I won’t drive to, say, Saskatoon to see him, but if he plays nearby, I’ll make the effort. No one else in the house was interested, so I went by myself.

The Arcada Theater is a mid-sized venue, seating about 900 and dating from the 1920s when it was built as a movie house and vaudeville stage. Lester Norris – that’s the husband of Dellora Norris – developed the place. According to Wiki at least (I’m not going to chase down another source), the act at the grand opening in 1926 was Fibber McGee and Molly, which would have been when they were known locally in Chicago as radio players.

These days, a fellow named Ron Onesti, president of the Onesti Entertainment Corp., owns the theater. He’s a hands-on kind of impresario, to judge by his talkative, enthusiastic introduction of the act, and the give-away of tickets by random drawing during the intermission that he presided over, asking the audience questions such as who came here from the furthest? (Someone claimed to be from England.)

He’s got a niche: shows for people roughly my age (10 years either side, I’d say). Note some of the upcoming acts: Asia, Gary Wright, the Fifth Dimension, Tommy James and the Shondells, Kansas, BJ Thomas, America, Little River Band. Onesti was also out in the lobby after the show, talking to patrons. “Good show,” I told him.

I talked for a moment to Dave Nachmanoff, for that matter, before the show. He was standing next to a table of his CDs, and another table of Al Stewart merchandise. I told him I’d seen him a number of times, and enjoyed the shows. He seemed to appreciate the sentiment.

Al Stewart was in fine form, expertly playing his guitar and singing with pretty much the same voice as 40 years ago. I doubt that I’ll have half that much energy, should I survive to his age. The set list was mostly mid-period Al, with numbers from Past, Present and Future, Modern Times, Year of the Cat and Time Passages, but also some later songs, such as the especially good “Night Train to Munich” and “House of Clocks.” Not much this time from his early records, if anything, and nothing from Last Days of the Century.

No “Roads to Moscow” either, which is one I’ve yet to hear him play live, and would like to. Of course, it clocks in at more than eight minutes, so maybe he doesn’t play it often. Truth is, the man has a large opus. He could stitch together three or four entirely different set lists and they’d be just as good.

Essential to his show is the patter between the songs, and he didn’t disappoint, either telling stories about swinging ’60s London or the historical context of a particular song or something autobiographical.

For instance: “I decided when I was 11 or 12 that I wanted to play guitar and write songs. But I realized something when I left school at 17. Although I loved rock ’n’ roll, Little Richard and Elvis Presley and the Everly Brothers and Jerry Lee Lewis and Eddie Cochran – I loved Eddie Cochran – I realized when I started trying to do it, I couldn’t do it. I can’t explain how terrible that was. The only thing I loved in the world, and I couldn’t do it. It was a tricky period. Then Bob Dylan came along. He couldn’t play or sing either. [enormous laughter] But he sounded like he’d swallowed a dictionary. [more laughs] That was it. That was my ticket, right there.”

Introducing his song “Warren Harding”: “Pretty much everything went wrong while he was in office, and he followed the cleverest president, Woodrow Wilson, who was fiercely intellectual, and the most idealist president – he believed in world peace, and that he alone could sort out all the troubles in the world after World War I, and it killed him. None of the things he wanted actually happened. Warren Harding: Hey, let’s party! He stayed up drinking with the press corps and playing cards. He was the anti-Wilson. Who was best? Actually, neither of them.”

Al mentioned at point that he was sorry the Bears lost that day. “He follows American football,” Dave said.

“I do, actually,” Al answered.

“He doesn’t care a whit for soccer.”

“I can’t support any game played for 90 minutes, where the score is nothing-nothing. [laughter, applause] That’s not sport, that’s torture.”

Jazz Fest and Big New Head ’14

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While I was eating lunch on my deck today — the opportunities for that will be rarer as the weeks ahead pass — the dog took a sudden interest in one of my lower pant legs, sniffing and snorting with gusto. I noticed a small black ant crawling on it. The dog had too. In a moment, she’d eaten the ant.

I’ve seen her chase flies and bees (and lucky for her, never catch any), but this was a first. It didn’t seem to be a biting kind of ant. Ants on the hoof, snack food for dogs.

Did some gadding about in Chicago over Labor Day weekend. On Saturday, Yuriko and Ann and I went to the city and met my nephew Dees, his girlfriend Eden, and an old friend of theirs, and eventually ended up at Millennium Park. Dees and Eden were visiting from Texas, staying with friends here. That reminded me a bit of the Labor Day weekends of my youth, when I usually went out of town — to Chicago (before I lived there), New York, Boston, and Washington DC — though one year (’85) my old friends came to me, and we gadded around Nashville.

There’s a new face near Michigan Ave.

Millennium Park, Aug 2014It’s called “Looking Into My Dreams, Awilda,” by Jaume Plensa, the Spaniard who did Crown Fountain, the twin towers of alternating faces that spit water in the warm months, which isn’t far from the new sculpture. The Tribune says that “Awilda is 39 feet tall, made of marble and resin; the internal frame is fiberglass. She arrived from Spain in 15 pieces, then was bolted together.” It’ll be there until the end of 2015.

The Bean was as popular as ever.

Aug30.14 035We spent a while at the Chicago Jazz Festival at Pritzker Pavilion. The last time I went to the Chicago Jazz Festival was – 1996? Maybe. This time we left fairly early, but were around long enough to hear Ari Brown, Chicago sax man of long standing. At 70, the man can blow.

Ari Brown, August 2014Still hot in the late afternoon, and a bit humid, but it was a good place to sit and listen. It helped not to get rained on, which was a distinct risk over the weekend.

Millennium Park, Aug 2014Behind the stage rise the skyscrapers of the East Loop. I’ve always liked the view.

I Didn’t Shoot No Deputy, I Was Too Mellow

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Lilly found a bottle of Marley’s Mellow Mood Black Tea “decaffeinated relaxation drink” the other day at one of the grocery stores we visit sometimes. Marley as in Bob Marley. And what’s the secret relaxation ingredient? Something still banned in 48 states?

OLYMPUS DIGITAL CAMERAOf course not. Besides tea, the ingredients include “pure cane sugar, critic acid, natural flavor, sodium citrate, chamomile extract, lemon balm extract, valerian root extract, hops extract, and passionflower extract.”

I had to look up valerian root. This from the University of Maryland Medical Center: “Valerian has been used to ease insomnia, anxiety, and nervous restlessness since the second century A.D. It became popular in Europe in the 17th century. It has also been suggested to treat stomach cramps. Some research — though not all — does suggest that valerian may help some people with insomnia. Germany’s Commission E approved valerian as an effective mild sedative and the United States Food and Drug Administration listed valerian as ‘Generally Recognized As Safe.’

“Scientists aren’t sure how valerian works, but they believe it increases the amount of a chemical called gamma aminobutyric acid (GABA) in the brain. GABA helps regulate nerve cells and has a calming effect on anxiety. Drugs such as alprazolam (Xanax) and diazepam (Valium) also work by increasing the amount of GABA in the brain. Researchers think valerian may have a similar, but weaker effect.”

Later in the article, the UMMC says that “Valerian root has a sharp odor. It is often combined with other calming herbs, including passionflower (Passiflora incarnata), hops (Humulus lupulus), lemon balm (Melissa officinalis), skullcap (Scutellaria lateriflora), and kava (Piper methysticum) to mask the scent. Kava, however, has been associated with liver damage, so avoid it.”

Except for skullcap and kava, that’s practically the same list of ingredients as Marley’s Mellow Mood. Lilly drank most of it, but didn’t seem noticeably calmer, though she’s usually pretty calm. She springs from phlegmatic people, and comes to the feeling naturally, I think.

I had a little of the tea myself. Not bad. I didn’t feel particularly mellow afterward, either. No more than usual, anyway.

The bottle also tells me, “Manufactured in the USA for Marley Beverage Company LLC, Southfield, MI.” Suburban Detroit isn’t particularly associated with Marley (or Rasta) that I know of, but I don’t really know that much about him. Pretty much by chance, however, I did see Bob Marley in concert. Until today I couldn’t remember exactly when I saw him at Vanderbilt, just that it was freshman year at the not-too-acoustically-good Memorial Gymnasium, where nevertheless the big or biggish acts played (it was the biggest hall on campus).

Remarkably, I’m able to look it up. The concert was on December 10, 1979. I don’t remember it like it was yesterday. I remember it like it was well over 30 years ago. I would have recognized “I Shot the Sheriff,” “No Woman, No Cry,” and “Get Up, Stand Up” on the playlist, but not much else. I wasn’t much of a fan. A girl I knew had persuaded me to go.

I also remember that the auditorium was smoky – smoking of one kind was allowed during concerts in those days, and smoking of another kind was tolerated – and that between songs Marley would cry out, “All hail Jah!”  “Almighty Jah!” and the like, as well as “Free Zimbabwe!”

At that moment in history, post-Rhodesia Zimbabwe was transitioning toward independence, which would be formally achieved in April 1980. Marley was there to play for the independence celebrations, and the description’s worth reading: “During ‘I Shot The Sheriff’ riots have led [sic] to pause the concert. Marley later reappeared on stage to perform three more songs before the concert was definitely cancelled. A free concert was performed one day later…”

The VU audience was a bit more sedate than that, even without the benefit of valerian root. Sadly, at the time Marley was about at the end of his life, though we didn’t know it. Less than a year after playing at Vanderbilt, he was too sick to go on tour, and in 1981 he died of cancer.