Thursday Bits

I’ve heard of other large models of the Solar System, but not about the one in Sweden. There’s one much closer at hand, whose Sun and inner planets are in Peoria, but I’ve never gotten around to seeing it.

A recommended YouTube series: Lessons from the Screenplay. Ann introduced me to it by suggesting one comparing the character arcs of Parasite and Sunset Boulevard, something I would never have thought of. The narrator, who introduces himself as Michael, makes a novel and compelling case for the comparison.

I watched a couple more over the last few days, one about The Shinning — which I haven’t seen in about 30 years, and probably should again, same as Sunset Boulevard — and another about No Country for Old Men. Both videos were thoughtful and interesting, and not too long, which all I ask from YouTube movie criticism.

Looks like SOB lowlifes have co-opted a perfectly good nonsense word that’s been around for years and years. That’s the vagaries of language for you.

It’s time. I’m a little surprised it’s going to happen so soon, but not sorry to see it go. With any luck, the striking Belle Époque pedestal will be repurposed, rather than torn down.

Thursday Slumgullion

A while ago, I sent a message in a professional capacity to one of Ikea’s subsidiaries. It bounced back, with this message as a reply.

Det gick inte att leverera till följande mottagare eller grupper:
centrespr@ingka.com

Det gick inte att hitta den angivna e-postadressen. Kontrollera mottagarens e-postadress och skicka sedan meddelandet igen. Kontakta e-postadministratören om problemet kvarstår.

Recent movies seen here at home, as if they would be anywhere else, include The Stranger, an Orson Welles noir that I’d never gotten around to seeing; I’ll go along with Variety’s contemporary assessment, quoted in Wiki — it’s a “socko melodrama” — and it made me sorry Welles didn’t get to make that many pictures. Chicago, which was better on the second viewing; the first was when it was fairly new. For a Few Dollars More, which was as good as I remembered it. The pointlessly rejiggered version of Star Wars, which Ann hadn’t seen any version of. The Hundred-Foot Journey, a fair-to-middling foodie movie.

Star Trek watching continues: “The Gamesters of Triskelion,” “The Naked Time,” “Space Seed,” and — because I thought Ann should see some of the lesser lights of the original series, “The Way to Eden,” which is the episode that features space hippies. She continues to get a kick out of the series, especially the costumes, and double especially the space-hippie garb. Made me smile, too.

“The Way to Eden” was bad enough, but not quite as bad as I remember. With a few tweaks, such as making the hippies at least slightly sympathetic, it could have been a much better episode.

Speaking of TV, I had an encounter with the spanking-new HBO Max today. As in, something I wanted to watch on a service I already pay for suddenly disappeared into this latest scheme to tunnel into my wallet. FO, HBO Max. There’s nothing on TV I can’t live without. Nothing.

Last Saturday, which was part sunny and later rainy, I did a lot. A lot of the kind of things you do to keep life running more-or-less on track. I record it here because, if in some future time when the memory of the day has faded, I want to marvel — assuming I survive middle age to marvel — at how productive I was that May day during the pandemic. The rest of the family was likewise busy that day, going all Marie Kondo on the upstairs bedrooms, from which much debris has been removed. Call it spring cleaning.

Besides taking my meals and watching an episode of the remarkably good (if basic) Greatest Events of WWII, I mowed part of our lawn, repaired a windchime, did some of the laundry, cleaned the inside of my car, went to the bank, post office, and drug store (all drive through), walked the dog, helped Ann remove a lot of items from a high shelf in her room, did a first run-through of my taxes, helped Lilly fill out her taxes, vacuumed the living room, swept two rooms, fixed a leaky pipe under the kitchen sink, and washed a lot of dishes. I ended the day reading a bit of Moby-Dick, which I’m slowly working my way through.

Champaign Stroll & Digressions From Kung Fu to the Match King

After visiting the University of Illinois Arboretum on Easter, we returned to Lilly’s apartment briefly and took a walk from there a few blocks to the UIUC campus. Blocks heavy with businesses supported by students. Along the way everyone else went into one of them, Kung Fu Tea, for bubble tea to go, while I waited outside with the dog.

Kung Fu Tea is a chain I’d never heard of. Lilly didn’t understand why I was amused by the name. But she’s unable to imagine the following variation on an old TV narrative.

“Grasshopper, when you can take the tapioca pearl from my hand, it will be time for you to leave.”

I just found out that Kung Fu is available on Amazon for no extra charge. I was an intermittent viewer when the show was originally on the air, which was 45 years ago anyway, so I might give it another go.

From Kung Fu Tea, it was a short walk to Altgeld Hall, which I’ve seen before, but not from this vantage.

On we went. A fine day for a walk. The sunny warmth had drawn a number of students to the Main Quad, where they parked themselves on the grass. That’s the Illini Union in the distance.
Some students lolled in hammocks. That’s something I don’t ever remember seeing at any of the green fields of Vanderbilt.

We circled back around the other side of Altgeld Hall and happened across this statue.
That’s the goddess Diana.
A nearby plaque says: The Diana Fountain is a creation of the Swedish sculptor, Carl Milles. It was designed for the court of a building at 540 North Michigan Avenue, Chicago, where it remained from 1930 until it was generously presented by Time Incorporated to the University of Illinois at the request of the Class of 1921.

The Fountain was dedicated here on October 23, 1971, as a class memorial, at the Fiftieth Anniversary Reunion of the Class of 1921.

Then there’s a list of “members and friends” of the Class of ’21, all of whom presumably ponied up some money for moving the statue, as well as the site work and installation. It’s a long alphabetical list from Allman to Zimmer: eight columns of 35 names each. More, actually, since some of the names represent married couples.

Fifty years plus nearly 50 more. Safe to assume all of the Class of ’21 have shuffled off this mortal coil. As has Carl Milles (d. 1955).

Here’s a digression. Another Diana Fountain by Milles is in Stockholm, at a place called the Matchstick Palace. Who built the Matchstick Palace?

The Match King, Ivar Kreuger, that’s who. I ran across him years ago in the wonderful Webster’s New Biographical Dictionary. Wiki gives a fuller description of his activities. His is an astonishing story.