Summer Insects

Unusually moderate weekend for August, though not too cool. The temps barely broke to 80 degrees F, especially on cloudy Sunday, and most of the time felt lower than that. The August summer stasis equivalent of a few days in February winter stasis that are warmer than usual.

Just before sunset on Saturday, I went out on my deck with my handy digital recorder to record the cicada buzz. It bothers some people, but for me it wouldn’t be summer without them.

Cicadas, Aug 8, 2015

A few hours after sunset, I went to the same spot and recorded the crickets. A mellow evening song — Venus Flytrap to the cicada’s Johnny Fever.

Crickets, Aug 8, 2015

Listen carefully in the background and you’ll hear the year-round background sound of the suburbs: cars driving by.

Dire Straits 1985

Thirty years ago Dire Straits played at TPAC in Nashville, and I was there. By a lucky chance. I went to a record store on Elliston Place in Nashville (gone now, certainly) that was selling their tickets, later than I probably should have, and when I got to the desk they had exactly one left. I think a few people ahead of me had declined to buy it, because they were looking for two. So I got it.

I’m pretty sure “Sultans of Swing” introduced me to the band in early 1979, as it did many North Americans. Though overplayed, I still can listen to the song and imagine a dark, rainy South London of 40-odd years ago. Not many popular songs evoke place as well as it does. Dire Straits was one of the few records I paid money for in high school. There’s no filler on that album, and by the time you get to “Wild West End” and “Lions,” talk about evoking a place and (in retrospect) time.

DireStraits85Later, I grew especially fond of the long, melancholic tracks on Love Over Gold. Maybe it helps to be not particularly melancholic to appreciate such things.

“I want my — I want my MTV…” the 1985 concert started, with a single spotlight flitting around the stage, not pointing at anyone, I think, as the intro to that song crescendoed. With the loud guitar solo, the stage lit up, revealing the band, who took it from there. I’m glad I got to see them.

Thursday Leftovers

Late on Sunday evening, a short, intense thunderstorm rolled through. A little later, just before midnight, I looked out of my back door — which has a southern exposure — and saw the most vivid cloud-to-cloud lightning I’ve ever seen, as the storm was a few miles to the south. Quick arcs and pops of lightning, mostly horizontal, illuminating the otherwise inky sky.

I didn’t drag Lilly to a cemetery on our recent short trip. I didn’t see one I wanted to visit. But I did see a presidential site completely by chance. At the entrance to the Michigan Union, which is U-M’s student union, there’s a bronze plaque sporting a relief image of President Kennedy. Technically, Sen. Kennedy, because it said:

Here at 2:00 a.m. on October 14, 1960, John Fitzgerald Kennedy first defined the Peace Corps. He stood at the place marked by the medallion and was cheered by a large and enthusiastic student audience for the hope and promise his idea gave the world.

The medallion says: Conception of Peace Corps. First Mentioned on This Spot. October 14, 1960.

The Peace Corps web site is careful to point out that candidate Kennedy did not, in fact, make a policy proposal that morning. Rather, “Speaking into a microphone at the center of the stone staircase, with aides and students around him, Kennedy began by expressing his ‘thanks to you, as a graduate of the Michigan of the East, Harvard University.’ (A recording shows that this got a shout from the crowd.) The campaign, he said, was the most important since the Depression election of 1932, ‘because of the problems which press upon the United States, and the opportunities which will be presented to us in the 1960s, which must be seized.’

“Then he asked his question: ‘How many of you who are going to be doctors are willing to spend your days in Ghana? Technicians or engineers: how many of you are willing to work in the Foreign Service and spend your lives traveling around the world? On your willingness to do that, not merely to serve one year or two years in the service, but on your willingness to contribute part of your life to this country, I think will depend the answer whether a free society can compete. I think it can. And I think Americans are willing to contribute. But the effort must be far greater than we’ve ever made in the past.’ ”

The Toledo Museum of Art’s auditorium — which it calls the Peristyle — looks like this.
PeristylePeristyleA Greek-style auditorium. Can’t say I’ve ever seen one like it in this country. I understand that it’s the home of the Toledo Symphony Orchestra, among other things.

Across the street from the main museum is its Glass Pavilion. Fittingly for a museum built with a lot of glass-industry money, the pavilion features extensive glass exhibits and also a glass-blowing studio, complete with really hot furnaces. We stayed for a glass-blowing demonstration: two young women creating a blue glass bowl. It was an intricate process, more than I knew. Looked tedious, too. Unless you’re a glass-blowing enthusiast.

/Glass PavilionI’m glad the world has a place for glass blowers, but I couldn’t be one myself. Guess that goes for most skilled activities.

Ann Arbor-Toledo Eats

The Ann Arbor-Toledo trip was less than 36 hours and only about 640 miles, but we managed to eat four different interesting meals. Interesting by my lights, anyway: cheap one-of-kinds eking out their living at the margins of a fast-food economy by being better than fast food (actually, two of the places were part of a small local chain; and by small, I mean three or four locations). The food was American and not particularly healthful by current standards: doughnuts, hamburgers, eggs-and-meat breakfast food, and chili dogs.

I did a bit of snooping around before we went. Remarkable what you can find, even apart from the likes of Yelp or Urban Spoon, and soon I got wind of Sweetwater’s Donut Mill, with three locations in Kalamazoo and one in Battle Creek. Just the thing for between breakfast and dinner, without stopping for a delaying lunch. I noted that the main branch was in Kalamazoo just off Sprinkle Road — that’s a good name for a road — which was accessible by an exit on I-94.

Except that the Sprinkle Road exit was closed. Both the exit and the bridge over the Interstate are being completely rebuilt. So I figured I’d wait till the next exit and turn around, but miles and miles passed before the next exit. Soon I decided it was too far to go back for; we’d find something else off of one of the exits into Battle Creek (one of these days, I should take a look at the Hart-Dole-Inouye Federal Center, which used to be the San, but I didn’t want to look for it last Friday).

As soon as we’d gotten to the first traffic light after the exit, Lilly said, “Isn’t that the doughnut shop you’re looking for?” And it was. The Battle Creek branch of Sweetwater’s was right there in a strip center. So we went in and got a half-dozen doughnuts.

Clearly, God wanted us to have those doughnuts. The Lord does not mislead, either. They were large — larger than my palm — tender and delicious, and no more expensive than a large chain shop’s doughnuts. We had chocolate-, vanilla- and custard-filled varieties. They were so substantial, in fact, that we didn’t finish them all till the next day, and they were still good then.

That evening, after wandering around U-M for a few hours, we repaired to Krazy Jim’s Blimpy Burger, an Ann Arbor storefront hamburgery not quite like any other I’ve been to. You order your burger cafeteria style — from the staff who cook and otherwise assemble the meal in a small cooking zone behind the counter as you stand waiting. Posted on the wall are “rules” for ordering. Rather than rules, they’re really more-or-less a description of how the ordering goes down.

When it is your turn to order:
1) First, the deep fryer order: french fries, fried veggies, etc.
2) Then, what size Blimpy: double, triple, quad, quint
3) Next, decide what kind of roll: plain, onion, kaiser, etc.
4) Any grilled items: onions, mushrooms, peppers, etc.
5) Just before the burger comes off the grill, you will be asked to pick what kind of cheese you prefer, if any.
6) After the burger comes off the grill, you will be asked what type of condiments you would like – please start with “wet” items like mayo, ketchup or mustard… and only say what you want and NOT what you don’t want!

The fellow who took our fry order looked like a student doing a summer job. He might be a descendant of the late Krazy Jim. Cooking the burgers was a petite black woman who’s probably the most enthusiastic short-order cook I’ve ever seen. A dervish of a fry cook, this woman. When it was your turn to order, of course you didn’t have to remember what to say. She’d ask in rapid succession — what size? what kind of roll? what do you want grilled? If you started to give your cheese order, she’d respond: No cheese order now! Not interested! Later, when the meat was cooked, she asked about cheese. She not only took orders, she had about three or four orders going at once, kept track of them as they cooked, removed them when they were done, joked with the other staff, and had the most Wicked Witch of the West cackle of a laugh I’ve ever heard — so distinct that we’d hear it periodically as we ate, audible over the noise of the other diners, the sizzle of the grill, and the clanging of cooking utensils.

Another employee, to her left, put on the lettuce and tomatoes and the like, and a fourth person rang up the order and ran around the place doing other things. Quite an operation, but it would have been for nothing if the burgers weren’t so good. All that effort produced a hamburger like you make at home, provided you’re really good at making hamburgers. We left the joint satisfied.

The next morning we had Hippy Hash. Or rather, Lilly did. “Hippy” is just as a colorful moniker, and “hash” in the sense of a breakfast food conglomeration: hash browns topped with grilled tomato, green pepper, onion, mushroom and broccoli topped with feta cheese. Where does one find Hippy Hash in Ann Arbor? At the Fleetwood Diner. It’s a genuine, honest-to-God diner, a small fleck of a survivor of the pre-Ray Kroc time when companies near Lake Eire manufactured diners, and diner kits, for diner entrepreneurs to set up all over the country.

On the outside, it’s a small metal diner with awnings and tables and chairs in front of the entrance. On the inside, there’s a cooking zone, a counter, and space for a few tables. Some hundreds of stickers — geographic, slogans, advertising, all kinds of things — adorn the walls. The grill is always sizzling and the waiter and waitress are in constant motion.

Lilly, as I said, had the house specialty. I had scrambled eggs and bacon and hash browns and toast, the simplest diner food imaginable. It was very good. It wasn’t expensive, even though they didn’t short on bacon: four slices. Lilly said she liked the Hippy Hash, but could have done without the broccoli.

It seems that the diner’s been named the Fleetwood only since the 1970s. Before that, it was the Dag-Wood, because that was the diner’s brand name. “Dag-wood Diner Inc. — This company was located in Toledo, Ohio,” one web site asserts. “They made the kit that became the Fleetwood Diner in Ann Arbor, MI in 1949. They also made a diner that went to Erie, MI that has now been remodeled beyond recognition… One former owner of a Dag-Wood diner mentioned that no more than half a dozen were made, though this has not been verified.”

Ah, but I fear for the future of the Fleetwood. A single investor apparently owns its site and the buildings next to it — that include Blimpy Burger — and isn’t talking about his plans. I know how these things go. In a few years, there will be redevelopment, and it won’t be nearly as interesting as what’s there now. Glad I got to go before that happens.

One more place: Tony Packo’s in Toledo. I won’t evade the point: the only reason I wanted to go there was because Cpl. Klinger told me it was good. Never mind that he’s a fictional character of a generation ago, and he wasn’t speaking to me personally. And I didn’t even remember the name of the place till I looked it up. That is, Googled “Klinger restaurant Toledo.” Tony Packo’s comes up instantly.

The restaurant’s web site says: “The words that came out of Jamie Farr’s mouth on Feb. 24, 1976 would put Tony Packo’s in the spotlight. Farr, a native Toledoan himself, appeared in the television show M*A*S*H, playing Corporal Max Klinger, a crazy [sic] medical corpsman who was also from Toledo. In the episode that made Packo’s future, a man playing a television newsman talked to Klinger about his hometown. Farr wrote a little local color into his reply. The lines read, ‘If you’re ever in Toledo, Ohio, on the Hungarian side of town, Tony Packo’s got the greatest Hungarian hot dogs. Thirty-five cents…’ ”

The character would go on to mention the place a few more times after that, and while the details didn’t stick with me, the notion of a hot dog stand in Toledo did. Turns out “Hungarian hot dogs” are just as fictional as Cpl. Klinger, and the restaurant owns up to that: “Because Tony was Hungarian-American and lived in a Hungarian neighborhood, Tony’s creation was called the Hungarian hot dog. Until Toledo-born Tony invented it, there was no such thing as a Hungarian hot dog, say those who know the Old Country’s food.”

The hot dog, which is in fact a sausage, was tasty. The chili, which is the other signature item, wasn’t bad. The chili you get in Ohio is going to be Ohio chili, after all, whether it’s a Toledo recipe or the 5-way variety in Cincinnati.

The inside of the restaurant looks like a medium-priced chain (Tony Packo’s is a very small chain), except for all of the signed hot dog buns behind plastic bubbles on the walls.
Tony Packo's Aug 1, 2015We sat behind Clint Black, Al Hirt, Joe Mondello, and some members of REO Speedwagon, among others. Hundreds of them line the walls. Apparently famous visitors have been signing them for more than 40 years, even before Jamie Farr mentioned the place. Of course, they’re not really bread, but artfully painted foam, though the autographs are real. More about the faux buns here.

The Toledo Museum of Art

Libbey Inc.’s web site asserts that “the Libbey® brand name is one of the most recognized brand names in consumer housewares in the United States and among the leading brand names in glass tableware. Our products are sold in major retail channels of distribution in the United States and Canada, including mass merchants, department stores and specialty housewares stores.”

Maybe so. But I didn’t know about the Toledo-based glass giant until recently. Corning, I knew. But somehow not Libbey. So I wasn’t sure about the references I saw on Saturday to Libbey and the Libbey Foundation at the Toledo Museum of Art. Having no hand-held Internet access, I couldn’t check (and on the whole, that’s just as well). I guessed that maybe it had something to do with canned food.

Wrong company, wrong spelling, and in fact, Libby’s just a brand, not a company any more. The glass company notes: “Libbey has its roots in East Cambridge, Massachusetts, home of the New England Glass Company which was founded in 1818. William L. Libbey took over the company in 1878 and renamed it the New England Glass Works, Wm. L. Libbey & Sons Props. In 1888, facing growing competition, Edward Drummond Libbey moved the company to Toledo, Ohio. The Northwest Ohio area offered abundant natural gas resources and access to large deposits of high-quality sand. Toledo also had a network of railroad and steamship lines, making it an ideal location for the company. In 1892, the name was changed to The Libbey Glass Company.”

Why is this important to the Toledo Museum of Art? Let the museum take it from here: “1901 — Edward Drummond Libbey, founder, is elected first president of the board of trustees of the newly founded Toledo Museum of Art. The Museum begins humbly with 120 charter members, temporary exhibitions in rented rooms in the Gardner Building in downtown Toledo, and no permanent art collection.”

By gar, if New York and Chicago and Pittsburgh and Cleveland could have first-rate art museums, so could Toledo. Libbey not only founded the museum, he lived long enough to donate a lot more money to it and set it on a course of expansion, including $1 million in his will in the 1920s, back when that meant fat Coolidge dollars. In our time, the museum holds about 30,000 items and has 35 galleries. It would easily be at home in a larger city.

Toledo Museum of Art, Aug 1, 2015Only this part looks like a museum of 100 years ago, with its Ionic columns and such (and in fact it was designed by Edward B. Green and Harry W. Wachter in 1912). Other structures forming the museum include newer designs by Frank Gehry — but without his trademark curls — and the postmodern Glass Pavilion by the Tokyo architects Sejima and Nishizawa and Associates.

All together, it’s the kind of museum that can’t reasonably be seen in one go. So we looked at things until we felt like we weren’t seeing them any more (ah, here’s another room with paintings on the wall…) To begin with, we took in a good bit of the more recent works. I recognized this artist right away.
Toledo Museum of Art“Beuys Voice” (1990) by Nam June Paik, which a sign told us is new to the museum. I saw a larger, but distinctly similar work of his, in Arkansas last year. I like the hat.

And of course it’s good to have a Henry Moore or two lying around (“Reclining Figure,” 1953-54).
Toledo Museum of ArtAnd a Frank Stella hanging around (“La Penna di hu,” finished in 2009).
Toledo Museum of ArtI rarely see artwork by Beninese artists. Never, that I can think of. This piece, “Made in Porto-Novo (MIP),” is by a fellow named Romuald Hazoume. It’s made of found objects — pieces of metal, mostly, stapled together — with sound coming from within.
Toledo Museum of ArtWe also spent time among paintings of recent and earlier centuries. These do not photograph so well at the hands of an amateur like me, but I did do some details. Such as the face from “Portait of a Freedom Fighter” (1984), Julian Schnabel.
Toledo Museum of Art“London Visitors” (1874), James-Jacques-Joseph Tissot.
Toledo Museum of ArtWe couldn’t leave with checking out the ancient art. Nice collection, including the likes of this second-century AD statue.
Toledo Museum of ArtAnd an 18th-century copy of “Laocoön and His Sons.”
Ahhhhhh!I made full use of the opportunity to tell Lilly the story of Laocoön calling out the Trojan Horse as, well, a Trojan Horse, throwing the spear, and being offed for his temerity by sea serpents, a circumstance that the Trojans fatally misinterpreted.

Even if there’s nothing else in Toledo worth seeing — and I know there is — the museum was definitely worth a few miles’ detour.

The Ann Arbor-Toledo Overnighter

I can now, with complete confidence, tell the world I’ve been to Toledo. The one in Ohio, that is. As we crossed the Michigan-Ohio border late on Saturday morning, and the signs for Toledo were abundant, Lilly asked me about the name. It sounded familar, she said. I said it was the same as the city in Spain, except for pronunciation.

Ah, she answered with sudden recognition. We studied about places in Spain in Spanish class, and that was one of them, she said. Why is this town named after that one? Was there some connection?

None that I knew about, I answered. Someone in the settlement’s early days thought it would be a good name, and it stuck. There are North American towns with even less connection to their name-givers, such as every Canton. (According to the Canton, Ill. C of C, for instance, “the city was founded by Isaac Swan in 1825, he named it thus, from a notion he entertained that its location was the antipodes of Canton, China.”)

On Friday morning, Lilly and I set out for Ann Arbor, Mich. She’s entertaining the notion of applying to the University of Michigan, so we both thought this would a good thing to do. Since Ann Arbor is roughly five hours’ drive from metro Chicago, if traffic isn’t too bad, there and back on the same day wasn’t a reasonable option.

So we timed the drive to get a look at campus and environs on Friday afternoon, both on foot and in the car. The central campus is large and pleasantly collegiate. Sidewalks and green grass repose under mature trees in full summer green, and among buildings mostly dating from before modernism. Ivy on some of the walls inspired a discussion about just exactly what people talk about when they talk about the Ivy League. Any school can grow ivy, I told Lilly, but only a few are in the Ivy League (most of which I could name, but not all). Yet there are plenty of other schools just as good as the Ivies.

The campus wasn’t overly crowded, it being summer, but it was well enough populated. I’d been there before, but it was more than 10 years ago, maybe as long ago as 1999, to attend a real estate conference that the university holds every fall. I went at least twice, but digging through my papers to figure out just when is more trouble that I care to take.

One on of those visits, I got a good look at campus, including the of U-M Museum of Art, which had the virtue of being open and being free. Nice collection, too, as I dimly recall. I’ve read that the museum’s expanded significantly in more recent years. We arrived too late to see that or the intriguing-sounding Kelsey Museum of Archaeology, the Stearns Collection of Musical Instruments (which has the first commercial Moog synthesizer, among other things), or the Matthaei Botanical Gardens. Actually we were too tired for that last one, open till sunset, which is quite late this time of the year in the western part of the Eastern Time Zone.

What’s Toledo got to do with this? Toledo’s only a short drive south of Ann Arbor, and I determined that it was barely out of our way in returning home. So as trip organizer, I tacked on a few hours in Toledo on Saturday. Why did I want to go? It’s a distinctive place I’d never been — not counting driving by a few times — yet not really that far away. That’s almost all the encouragement I needed, since that’s the way I think. Also, I’d read that the Toledo Museum of Art is first-rate. And so it is, accessible for a nominal fee: $5 to park. Otherwise, no admission. Behemoth art museums in certain larger cities could learn a thing or two from that.

Everyone at Yellowstone

Has it been ten years since we visited Yellowstone NP? So it has. Tempus fugit, dude.

Ann of course doesn’t remember it. But she was there. On a boardwalk over certain death by scalding. That kind of thing makes parents a little nervous.

Ann, Yellowstone, 2005Lilly claims to remember the trip, but maybe she’s just humoring me. I’ll bet things are fuzzy and conflated with other trips.

Lilly, Yellowstone 2005Originally, we’d just planned to go to the Black Hills. Yuriko persuaded me that we might as well go on to Yellowstone, because we might not have time later. She was right.

Yuriko, Yellowstone 2005The shirt I’m wearing was from another long trip. When we bought our tickets for the Trans-Siberian in Hong Kong from an outfit called Moonsky Star Ltd., whose mascot was a monkey in a cap, smoking a cigarette and holding a bottle of beer, we got a couple their shirts as a lagniappe.

Dees, Yellowstone 2005Also note the pen clipped to my shirt. Probably in case I had any postcards to write immediately.