Missed Perseids, a Satellite Flare and Saturn on a Saturday Night

Over the years, we’ve sporadically attended celestial viewings at the Spring Valley Nature Reserve, which isn’t exactly dark, but it’s darker than the surrounding suburbs. We went again on Saturday.

This time, the event was more popular than I remember it ever being, since besides viewing through a telescope set up on one of the reserve’s paths, a marshmallow roast was held near one of its buildings. Volunteers gave away marshmallows on prongs for a fire that had already been built. Such family-friendliness is going to attract people will kids. We had a few marshmallows ourselves.

There was a short line to see through the telescope — an expensive-looking piece of equipment, though I didn’t get the brand or model — and while we waited, we naturally did some naked-eye observations. While I was looking one way I heard, “Look, a shooting star!”

I was looking the wrong way. Of course. A few minutes later, the same thing happened. So I spent some time looking to where I thought the Perseids would be. Last weekend was the peak for this year, I’d read. I saw none. That has happened before. A few times.

So it goes. I did see a satellite flare, which was a first. I’ve seen a number of objects before that I’ve been sure were satellites, but this was different. This object was moving across the sky at the pace of a satellite, not a high airplane, and it was flashing for a few seconds at a regular interval. I’d read, years ago, that this can happen when the satellite reflects sunlight as it rolls — or pitches or yaws or whatever — in its orbit.

It might have been a Iridium satellite. Wiki, at least, has this to say: “Occasionally, an [Iridium] antenna reflects sunlight directly down at Earth, creating a predictable and quickly moving illuminated spot on the surface below of about 10 km (6.2 mi) diameter. To an observer this looks like a bright flash, or flare in the sky, with a duration of a few seconds.”

That’s exactly what I saw. Maybe they account for some number of UFO sightings, too. (If Venus can, why not an Iridium satellite? Unless Venus is where the UFOs are coming from.)

A few people in line had iPads with stargazing apps. I guess they’re called that (there are many, it turns out). I’d never seen one in use. You hold the iPad up toward any direction of the sky and the app will draw a not-overly-bright rendering of the constellations in the area. I didn’t get a close look, but it looked like a fair amount of information, including standard constellation patterns, star names and even fanciful illustrations.

I ought to think that’s cheating. Learn your constellations the old-fashioned way, dammit, from Chaldean herdsmen. But how different is an iPad app that from taking your paper star charts out and reading them by red light, and then looking up to see what you can see? Maybe the app should display red to help keep your night vision intact, but other than that it’s really no different, except easier to use.

After about 15 minutes in line, we arrived at the telescope, whose owner was enthusiastic about sharing with the public. Good for him. He had enormous spotting binoculars, too.

Jupiter was already beginning to set, so he turned it to Saturn, about midway up in the southern sky, and away from the clouds covering some of the sky that night. Yuriko, Ann, Ann’s friend and I all took a turn. Always nice to see Saturn.

Mighty Stonehenge

Notes from a day’s drive in southern England. My friend Rich and I were young and doing what people — tourists — do in that part of the world, seeing very old places.
Wish we’d known about Glastonbury Tor (about 50 miles to the west of Stonehenge; nothing is really very far away in England, not to a Texan). Even so, I’m not sure we could have seen Stonehenge and Bath and Glastonbury Tor in the same day, but we could have given it the old post-college try.

August 11, 1983

Mrs. Dow drove us to Gatwick Airport, and we paid our pounds [wish I’d recorded how much] and rented a blue Ford Fiesta. The plan is to drive various places until we need to return the car at the airport on the 14th, to catch our flight home.

Driving on the left side, with the steering wheel on the right, took some getting used to. Soon we were lost on the small roads south of Gatwick, very narrow ones with a surprising amount of traffic, and confusing roundabouts (traffic circles) appearing suddenly and often.

So we were edgy for a while. Fortunately, you get used to the roads. We even got unlost. Rich drove and I navigated, and we each took to those roles before long. We listened to BBC1 as miles of English countryside rolled by. Entertaining, no commercials.

At about 1, we arrived at Stonehenge. [Ah, mighty Stonehenge.] We saw it from some distance at first, driving along the A303. Looked almost luminous from a distance. The road runs remarkably close to the ruins. Maybe an ancient road did likewise.

We parked (no charge!) and visited the ruins. You can’t get too close to the stones. Close enough, though. Impressive, and puzzling, that ancient people dragged these some distance across England, long before it was ever called that, for the purpose of building a stone circle. I won’t speculate on their motives. The center uprights and lintels were especially impressive: big and white and somber. [Not quite this crowded that day, I’m glad to remember.]

Drove on to Bath. No problems until we got snarled in traffic in Bath, a town not built for cars. We eventually parked in a garage that featured the following emphatic signs: Thieves are active in this car park. Remove your valuables or they will be stolen.

We went to the tourist-i, booked a room, and drove there: a place called Toad Hall. Very nice, £7 each. We walked into the center of town from there, visited a number of bookstores there, then the Roman baths. [No detail about that, but I remember such scenes such as this.] Ate. Wandered back to Toad Hall. Just after sunset, a beautiful scene just outside our window: a church steeple with a nearby crescent moon.

I used to have a business card I picked up at Toad Hall, but I can’t find it. I remember it featured a gentleman Toad, whom I guess would be Toad of Toad Hall. Though a children’s book, I never got around to reading The Wind in the Willows as a child, so the name didn’t resonate with me when I stayed there. Only later I appreciated the whimsy of naming a B&B that.

I checked, and it’s still there. I also checked the rates: a double in August is (gasp) £95. (We paid the current equivalent of £42 between the two of us.)

Thursday Whatnots

Yesterday I picked up my copy of the Federalist Papers and read No. 1 (Hamilton). It’s a beat-up paperback, a somewhat yellowing Mentor Book, published in 1961. Somehow fitting in its republican simplicity. Seems like I got it used in the summer of ’81 at the University Coop in Austin, probably for the Government class I took that summer at UT.

I read some of them at the time, and a scattering more later in the ’80s, but little since. Time to take it up again. Its 18th-century educated dialect — call it Enlightenmentese — was a little hard to unpack as a callow lad. Not as much now, though now and then I need to re-read a sentence to make sure I understand it.

Each paper is conveniently short: pamphlet sized, you might say. So I’m reading one a day. I ought to have time enough for that. Today was No. 2 (Jay).

Hamilton’s wisdom shines through from the get-go. From Federalist No. 1: “So numerous indeed and so powerful are the causes which serve to give a false bias to the judgment, that we, upon many occasions, see wise and good men on the wrong as well as on the right side of questions of the first magnitude to society.”

And a notion that foretold Internet comment sections, among many other things: “To judge from the conduct of the opposite parties, we shall be led to conclude that they will mutually hope to evince the justness of their opinions, and to increase the number of their converts, by the loudness of their declamations and the bitterness of their invectives.”

I also recently acquired The Shipping News and The Dharma Bums, and plan to read them soon. Reading should involve variety.

Besides this vanity map of the states, a while ago I made a map color coded according to my visits to the state and provincial capitols. It’s a minor hobby of mine.

CapitolsGreen represents the state capitols and provincial parliament buildings that I’ve seen inside and out. The orange-pink means that I’ve seen the capitol, but for one reason or another I didn’t go inside. White is for capitols I’ve never seen at all.

As for the two gold-orange states, Hawaii and Utah, I can’t remember whether I’ve seen or been in the capitols. You’d think I’d remember something like that, but the visits in question were in 1979 and ’80, respectively, years that are otherwise known as a long damn time ago. I was in Honolulu and Salt Lake City. I could have gone. A few years later, I would have made a point of going. But I’m not sure I did then.

Ice Cream Truck, August 2017

How did “Turkey in the Straw” become the universal song for American ice cream trucks? This article suggests a lineage for the association. This YouTube video plays another song to the same tune, one I wasn’t familiar with.

Back Yard Flora ’17

Today was a mostly sunny, warm August day. The beginning of declining summer, though the grass and bushes are so green — there’s been a fair amount of rain this summer — that it looks more like June. The dry browns of August are missing this year. So far.

Around noon, I wandered around my back yard taking pictures of flora. Why? Why not?

I also spotted some back yard fauna, lurking in the greenery.
The dog chews on the plants this time of year.

Why? Why not?

The Act You’ve Known All These Years

On the radio the other day, I heard an ad for the upcoming Fest for Beatles Fans at a Chicago-area venue, which is what I got for tuning into geezer radio at that moment. Not that I dislike the subject matter. Just the opposite. But I don’t feel the need to attend a convention about the Fab Four.

Still, I was amused to hear that one of its featured speakers is Leon Wildes, senior partner of Wildes & Weinberg P.C. He’s the attorney who successfully represented John Lennon in his deportation proceedings in the 1970s, which ultimately allowed him to stay in the United States. It probably would have been better for Lennon had he been out of the country in 1980, but no one could have known that beforehand.

In June, I was reminded of the 50th anniversary of the American release of Sgt. Pepper’s Lonely Hearts Club Band, which I have on CD. I hadn’t listened to it in quite a while, so I decided to during a somewhat rare daytime moment when I didn’t have any pressing business, and no one else was home.

But the only device I have now to play CDs is the DVD player connected to the TV. Older standalone CD players have all gone kaput, never to be replaced, and the CD trays of our laptops have all likewise broken, one after the other — a clear mechanical weak spot in laptops. So I played the disk (I really want to call it a record) on the DVD player, using the TV speakers.

My conclusion? Those speakers aren’t nearly good enough for a work of sonic charm like Sgt. Pepper’s.

My Spanking New 90-Gallon Trash Cans

Got new trash and recycling cans recently, delivered by the local trash hauler at no extra charge. The recycle bin has a baby blue lid, the trash bin a black one.
trash cansThe reason the company provided them is so that their trucks can pick them up using mechanical claws, rather than have the driver get out of the truck and hoist them himself. Here’s the pick up device in action just today. The mechanical claws are painted bright yellow.

When there’s enough trash in the compartment ahead of the garbage truck’s cab, mechanical arms hoist it toward the back of the truck, and the garbage falls into the main bin in back. An interesting thing to see, but he didn’t do it in front of my house today.

For me, the new cans are better because they’re easy to roll out to the the street, even though their capacity is large, 90 gallons each. This is progress. Don’t let the Luddites tell you differently.

8/8/88 &c.

August 8, 1988

On this particular confluence of numbers for a date, I went to work. After all, it was also a Monday. VW started today as editorial assistant. At last we get one. After introductions and a basic editorial meeting, I spent a fair amount of the morning showing her how to use the VDT.

At 11 or so, I met a writer named SB. Seems like he could do good work for us. Works part-time now for another local mag that I’ve never heard of.

Lunch: KD, JD, VW, MS and me at Dick’s Last Resort, which opened not long ago at North Pier. I think there are others in Dallas and Houston. The place has its staff pretend to be rude. Restaurant motto: “Can’t Kill a Man Born to Hang.” Had a bucket o’ beef ribs & fries & slaw & bread. Was good.

[I checked just now, and the Dick’s Chicago location at some point moved to Marina Towers. It’s still a relatively small chain, with 13 locations, according to its web site. I went a few other times during the late ’80s, and maybe once again when I moved back to Chicago.

Dick’s used to serve — maybe still does — Mamba, pride of the Ivory Coast brewing industry. Actually a malt liquor, not a beer. Came in pint bottles with a croc and a map of Africa on the label. I bought one once just to drink something made in République de Côte d’Ivoire.

Not bad. Had the empty bottle for some years, but it disappeared at some point.]

In the afternoon, got a surprising amount done. Queried participants in the Mortgage Roundtable, interviewed an industry cockalorum, and more.  After work, had a hard time getting home. The El was jammed with Cubs fans going to the big-deal, first-ever night game at Wrigley.

Got home, a postcard was in the mail from Bill K. He says he’s in love and that “Elvis lives.” At 7:30 or so, I headed north on the El, away from all the hubbub, to go swimming. As I was walking to the pool from Davis station, it started raining hard. Got to the pool, swam. Less crowded than usual. Still raining some as I walked back to the station. Down to a drizzle by the time I got home, but I understand the big night game was called because of it.

[Sure enough, it was called. I seem to remember that Royko was there, and the next day in his column said he was tired of people telling him that God didn’t want night games at Wrigley. One was played to a conclusion the very next evening in better weather.]

Eden Palais

In an outbuilding of the mansion we toured last month — a large outbuilding — is the Eden Palais.

Eden PalaisI quote at some length as I go along, from the mansion’s web site: “The carousel building, completed in 1997, is the home of the most complete example of a European salon carousel in existence — the Eden Palais, built in 1890.

“The salon carousel was more than just an amusement ride, it was a self-contained entertainment palace that included stages for live performers, several bars, booths for perimeter seating, and music. The whole affair was lighted by hundreds of light bulbs, and was undoubtedly one of the first places that patrons experienced electric lighting when it was new.

“The Eden Palais includes an 89′ wide by 42′ tall carved facade with life-size carved horses, giant art glass butterflies, a painting recreating an original that hangs in the Louvre, and a beautiful etched-glass entryway.”

It’s impressive for sure. This is the front entrance.

Apparently three more walls of similar heft originally surrounded the carousel, defining the entertainment palace. They’re in storage now. All of them were moved with the carousel from place to place around France, just like a circus might.

One of the figures next to the entrance.
This is the carousel, behind the main entrance wall. It’s one of the larger ones I’ve seen, and unlike the one at the House on the Rock, a true carousel that you can ride. Which we did. It was clearly built during less safety-paranoid times. But no one was injured. The ride was a gas.
“The carousel itself is 46 feet in diameter, with 36 hand-carved Hubner horses, four ornate rocking gondolas and a spinning lovers’ tub. The center is adorned with seven large Coppier paintings. The platform runs on tracks; three steam engines originally drove the platform, the center hub of paintings and the band organ. The steam engines are restored, but power is now supplied by electric motors.”

A detail of one of the center paintings. As was pointed out by our guide, something likely to appear in 1890s Europe, but not the United States.

Details of the carousel.

A nearby figure.
“Several different owners toured France with the Eden Palais from 1890 through 1959. An amusement park in Golden, Colorado, imported it from the Caron family in 1959 and then went bankrupt, leaving it outside in the snow for one winter. Charles and Sue Bovey then purchased it and stored it in Great Falls, Montana, until the [current owner] acquired it in 1987.”

Restoration took years and boatloads of money, the guide said, though not quite in those words.

“Large steam engines surround the carousel, including an 1826 table engine, an 1836 walking beam engine, and an 1880 double compound 80 horsepower marine engine. The 1881 Grant railroad locomotive and tender were used by Henry Ford for forty years in his Dearborn, Michigan, auto plant and later displayed in the Ford Museum at Greenfield Village.”
But that’s not all. Near the carousel wall was a tower.
“The spectacular Joseph Mayer cast iron street clock stands over 20 feet tall, weighs over 8,000 pounds and originally was owned by the American Jewelry Co. of Bakersfield, California. It includes a Dennison gravity escapement, a self-winder, and a mercury-compensated pendulum, features rarely found in street clocks.”

Also: “American and European fairground and dance hall organs displayed in the carousel building include examples by Bruder, DeCap, Gavioli, Hooghuys, Limonaire, North Tonawanda and Ruth. Wurlitzers include a 157, 165 and 180, among others.”

This Gavioli was not likely to originally be found in North America either.
Here’s a Belgian street organ.
Not an old one. Apparently the Belgians have decided that older such machines are part of their national patrimony, so they cannot leave the country legally. No worries, though, since if you’ve got the dosh, you can have a new one built.

An Exaltation of Victrolas

Supposedly the collective for larks is an exaltation, though I don’t know that anyone familiar with larks actually uses it. Seems like one of those made up, like so many others, for the Book of Saint Albans in 1486, and surviving on lists to this day.
That comes to mind because I was wondering what the collective for Victrolas might be. Exaltation fits. An Exaltation of Victrolas.

The suburban mansion we toured in July not only had massive orchestrions that played orchestral music without any human musicians, and many arcade machines of yore, but also Victrolas and other phonographic systems with pronounced horns. A lot of them. An exaltation of them.

I went all snap-happy and spent time taking pictures of them. The horns, not so much the mechanisms. I’d never seen such an array. The only thing close was the selection of 78 players for sale at Harp Gallery in Wisconsin.

Note the collection of Edison Records cylinders that the machines above use.

In this room there was one machine — not pictured — that was powered by the heat of a candle. Light the candle, put it inside the cabinet, let it play. “I wanted to show you this machine,” the guide said as he held up the candle. “But we almost never play it. It can catch fire.”

All of the mansion’s Victrolas are in working order, I understand. All you need is a vinyl record (or cylinder) of some early kind, which are still around. In a century’s time, will there be a collection of iPods and other gizmos like this? They will probably be hopelessly unplayable.

Not Your Father’s Arcade Machines. Your Grandfather’s.

The lower level of the mansion we toured recently is chockablock with antique arcade machines, and I don’t mean Pac-Man. Some are actual penny arcade machines.
Quartoscope. Another brand name lost to time.

According to arcade-museum.com, “Mills Novelty Co. released 583 different machines in our database under this trade name [Quartoscope], starting in 1896. Other machines made by Mills… during the time period Quartoscope was produced [1896-1930] include Kalamazoo, Klondyke, Owl, Jumbo, Little Duke, Pau-Pau, and Little Pau-Pau.”
Other machines charged a quarter once upon a time, probably later than the penny machines. One in the row below promises you’ll see the Brown Bomber KO Max Schmelling (sic), which was in ’38. Both kinds of machines were trying to demonstrate that you can buy a thrill.
Here’s Al St. John in The Hiebe-Jiebes. Good old Al St. John, Fatty Arbuckle’s nephew and the cowboy sidekick to end all sidekicks.
Looks like a different sort of part here, but then again he did a lot of movies. Or maybe most of them should be called flickers. That hasn’t kept him from being utterly forgotten.

Other machines promise other kinds of entertainment, such as your true horoscope (and it is annoying when you get stuck with a false one).
A kind of machine I’d never heard of before: one that dispenses a penny’s worth of perfume, presumably for refined ladies who want to freshen up their handkerchiefs.
Never seen one of these, either: vertical roulette, looks like. A easy way to lose a lot of quarters and half dollars, which were certainly worth something when this machine was new.
There were also more conventional one-armed bandits. A whole row of ’em.

The orchestrions and similarly complex machines on display in the rest of the mansion are certainly impressive. Awe-inspiring, even. But there’s something intriguing about these arcade machines, too.

While the orchestrions were for wealthy families and posh hotels and prosperous saloons, the arcade machines were entertainment for ordinary people, at a time when entertainment was in shorter supply. Unlike now, when we’re drowning in it. Maybe those pennies and quarters could have been better spent, but sometimes Al St. John in The Hiebe-Jiebes must have been just the thing.