Magic Places

Posted on March 6, 2024 by admin

First thing to do today is Remember the Alamo.

There’s been a recent uptick in bogus comments here, which I almost always delete, along the lines of (this example, verbatim): Thanks for a marvelous posting! I genuinely enjoyed reading it, you could be a great author. I will be sure to bookmark your blog and will eventually come back later in life. I want to encourage continue your great writing, have a nice day!

The “author” is usually listed as some service- or product-oriented operation, occasionally lewd but more often personal accessories of some kind, with a gmail address. To recall Buck Turgidson, I’m beginning to smell a big, fat AI rat.

I hung up the last 2024 wall calendar the other day, fourth of four in the house. One might think that illustrates my procrastinating ways, since we’ve burned through a sixth of the year already (the crummiest sixth, I should add). But no, I hung an accurate calendar there around New Year’s. The 2018 Metropolitan Water Reclamation District of Greater Chicago calendar.

The year’s different, but so what? The first two months were the same as this year, but that changed on February 29, so I needed another calendar to avoid confusion, a year in which March 1 is a Friday. The most recent leap year to fit the bill (besides this year) would be 1996, but I didn’t seem to have one of those around or, oddly, any other calendar that qualified. No worries, I saw a wad of ’24 calendars at Ollie’s not long ago and picked one of the lot for $4, compared with a list price of $17. Nice discount, and I get 10 months at 40 cents each, instead of 12 months at about $1.40 each. Not much you can buy for 40 cents these days.

It’s a Plato calendar, an imprint of BrownTrout Publishers, which asserts that it is The Calendar Company. I had to look that up: headquartered in El Sugundo, California, BrownTrout published 1,500 unique titles as of 2020, according to the latest press release boilerplate issued by the company (recommendation, put a few newer releases on your site, BrownTrout). The site also says the company is the largest calendar publisher in the world, and it may be so, if that means calendars sold. Or does it mean days put on paper?

The one I bought at Ollie’s is called Magic Places. Handsome Rocky Places might be more like it. Mostly it pictures extraordinary rock features, natural and partly man-made, the kind of flawless and painterly pics you get from this kind of calendar, including sites in Scotland (three), England, Turkey, Greenland, Russia, and more. The likes of the Old Man of Storr, Cappadocia, Machu Picchu and Hegra in Saudi Arabia. One month wasn’t rocky but a monumental tree in Epping Forest in Essex, which I vaguely had heard of, but didn’t really know.

Just shows that Greater London is so vast, not even a month there is enough to hear of everything, especially in the days before the Internet. Once a royal forest, these days Epping is owned by the City of London Corp., even since – this isn’t hard to guess – the Victorian period.

Magic Places is a good-looking trilingual calendar, including Spanish and French as well to cover North America, and it has most of the standard holidays: U.S., Canada and Mexico civic, Christian, Jewish and Muslim, along with those days peculiar to American calendar-making tradition, such as Ground Hog Day, April Fool’s Day and Grandparents Day. There are also Low Countries holidays, which I suppose is a good market for the calendar maker.

It made my day to learn that besides being Cinco de Mayo, May 5 is Bevrijdingsdag in the Netherlands, Liberation Day. A holiday to celebrate ousting Nazis is one we can all get behind.

V.S. Pritchett ’83 (Part 2)

Posted on February 12, 2024 by admin

The VU class that V.S. Pritchett taught in 1983 was fiction writing, which makes sense, since he was a fiction writer of renown and, presumably, Vanderbilt’s attenuated reputation for literature was still important to the English Department at the time. It’s hard to recollect much about the class, though. It’s been 40+ years, of course, but it’s more than that. To undergraduates, professors seemed to ply their trade from the perch of an advanced age, one that was hard to imagine. That didn’t always interfere with a student’s ability to absorb the material, however, provided the professor had some skill as a teacher.

Pritchett was 82. That was more than advanced; that was positively antediluvian, in my youthful estimation. I still feel that way a bit, though I know that advanced age doesn’t necessarily — or even that often — cut into ability in the intellectual arts. Regardless, aged or not, he wasn’t one of the great teachers that one encounters along the way. I’m not even sure he was that good. He seemed to like to listen to students read each other’s stories out loud – we wrote stories for the class, and read them, but not our own. I think. Then we talked about the stories in a meandering sort of way. He made comments, but for a writer of stories, didn’t seem to tell that many in class.

VU prof Walter Sullivan (d. 2006, curiously at 82), whose fiction writing class I’d taken in the fall of 1982, read student stories himself, ones he’d picked to illustrate some point, and then led the discussion. Not with an iron hand precisely, but the firmness of the former Marine that he was.

One student wrote a story about (again, I think) about a little girl and the death of a baby bird, or some such. Dr. Sullivan read it, and then thundered: “Don’t write stories about animals! Or little children! Short stories should be about grown men and women.”

Sullivan was, as I recall, the better teacher. Still, we liked Pritchett. But being in his class was something of a squandered opportunity. We were dense youth, so we didn’t really ask him many good questions. No followup about Orwell, as I’ve mentioned, even though Pritchett did tell us a snippet or two about him.

But here was a man who, for instance, remembered World War I as a youth (though not in the fighting) and who went to Paris in the 1920s as a young man, and who took a ramble through Spain and Ireland during that same decade. I wish I’d thought to ask about those things. Or what about the other writers that he knew? Or his opinions on such luminaries as Chekhov – he must have been thinking about him when he taught us, since he published Chekhov: A Spirit Set Free in 1989. Ah, well. At this remote time, all I can do is shrug.

This is the second part of my interview, published February 11, 1983.

Television was killing the printed word in those days; had been since Howdy Doody started shilling for Wonder Bread. Seems almost like a quaint notion now, its dumbing down role famously usurped by social media, though I’d say that TV is still in the game.

I have a collection of Pritchett’s short stories somewhere or other, and I dimly remember reading some of them. I also have a book of his literary criticism, Myth Makers (1981). I know where that one is. That’s pretty close to the time I interacted with him.

“Essays on major European and Latin-American writers of the nineteenth and twentieth centuries, by the distinguished English man of letters, include lucid, sensitive interpretations of Tolstoy, Dostoevsky, Chekhov, Flaubert, Stendhal, Kafka, Borges, and others,” notes the Amazon squib. I ought to get around to reading it.

V.S. Pritchett ’83 (Part 1)

Posted on February 11, 2024 by admin

I’m not one to drop names. One reason is I don’t have many to drop. There was that time I was pretty sure I saw Neil Young having lunch at the International Market in Nashville, ca. 1985, or at least someone who was a dead ringer for the musician. I let the man eat his food in peace.

And of course there was the other time (spring 1980) two friends and I saw Gregg Allman and his entourage enter the same Nashville restaurant we were having lunch, making a bee line back to a private room. If one of my friends hadn’t pointed them out, I wouldn’t have known.

The same with Larry David. A colleague and I were passing through the lobby of the Boca Raton Resort & Club in 2004 and he (my colleague) made a startled announcement: “That’s Larry David,” referring to a fellow we’d just passed whom I’d scarcely noticed in the crowd. That was the first I’d ever heard of him. Later I discovered that his brand of humor isn’t really for me.

Which brings me to Sir Victor Sawdon Pritchett (1900-97), a British writer best known for his short stories. V.S. Pritchett, his byline is usually styled. I expect many (many) more people, Americans anyway, have heard of the other notables I’ve mentioned than him.

Still, I not only saw Pritchett, I met him, since I took a class he taught as a visiting professor at Vanderbilt in the spring of ’83. I’ve mentioned him precisely once in 21 years, so I can’t call knowing him earth-shaking or otherwise consequential to the course of my life. Even so, I’m dropping his name now.

Besides sorting postcards, I’m opening up old files – physical files, of which there are many – with a mind toward sorting them as well. One I opened this week was labeled “Clips Before 1984.” Most of them are items I wrote for The Vanderbilt Hustler, the VU student newspaper. I was its news editor in the spring of ’83, and one of the items I did was a longish interview with V.S. Pritchett.

I’d completely forgotten about it. But there it was in black and white, to use the cliché. A front-page interview, but below the fold.

The first part ran on February 8, 1983.

The second part was published on February 11. Not a bad interview for a college kid. But why – why – why didn’t I ask him about George Orwell? He knew Orwell. At least I know my degree of separation from Orwell is exactly two, a thought that pleases me for some reason.

Because of the nation’s absurd copyright laws, I suppose the article technically still belongs to Vanderbilt Student Communications, but I doubt they’d begrudge me posting it nonprofessionally after more than 40 years. If they do object, I’ll take it down. Until then, it represents an interview with Pritchett that probably isn’t posted anywhere else, a thought that also pleases me, though it surely doesn’t add or change anything about the record of his life.

RIP, Sir Victor.

September 13, 1975

Posted on September 13, 2023 by admin

A curiosity in my personal chronology: I remember what I was doing from 10 pm to 11 pm Central on Saturday, September 13, 1975. I was 14 and the start of high school was just a few weeks behind me, but that wasn’t so important that evening. During that hour, I was parked in front of our living room television, a black-and-white set because my mother didn’t convert to color until it was impossible to buy black-and-white. That didn’t bother me a bit.

Because the Internet never ceases to amaze, it took me only a few seconds to find the local TV schedule for San Antonio that day, to confirm what I already knew: the 10 pm slot on Channel 12, which was the ABC affiliate, was given over the Space: 1999. Not just any episode of that show – sold to U.S. markets in syndication, so not in prime time – but the first episode, “Breakaway.”

As the most expensive British television program up until that time, the show got quite a buildup, so it was no accident I tuned in. Martin Landau and Barbara Bain, as I recall, had plugged it on The Tonight Show not long before. (That too is online, at least as difficult-to-hear audio.)

So I watched that evening, and every week for a short time afterward. The physics of the premise — the Moon blown out of orbit and traveling the stars — was like something out of the Irwin Allen playbook, but even so the show started with some promise. As time passed, however, its essential dopiness became all too clear.

I think of this when I recall that I saw the first episode of Saturday Night Live on October 11, 1975. Or rather, the last two-thirds of it, switching channels after Space: 1999 was over at 11 Central. My reaction was, What is this? Then I think I remembered that a live comedy show had been slotted for that time, as it had been promoted as well. Within a few weeks, I didn’t bother with Space: 1999 any more, and took up SNL, as many of my peers did.

Despite its failure as science fiction, Space: 1999 did have one thing going for it, something I occasionally still enjoy. Namely, the kick-ass introduction.

Visually, it teases with quick-cuts of the episode ahead, as well as reminders of how the hapless residents of Moonbase Alpha got into their situation, and a sequence that fixed the fictional events of September 13, 1999 in one’s mind (and, lots of crashing space ships!). Aurally, there’s a rousing blend of orchestral passages, jazz and a funky electric guitar by British composer Barry Gray (d. 1984) that had early ’70s all over it.

Nichols Bridgeway ’23

Posted on May 8, 2023 by admin

Saw this headline in the WSJ late last week: ‘I’m Not Excited For Him to Become King’: American Royal Watchers Draw the Line at King Charles Coronation

Do we as Americans need to be excited about the coronation of Charles? No, we do not. Interested, if that kind of thing interests you, but I’ll bet even a good many Britons don’t have strong feelings one way or the other. As one of those things that doesn’t happen very often and which harkens back to a long history, the event interested me, but not to the point of distraction.

Reporting on the event makes it seem as if there are only two modes of thinking about Charles, and the British monarchy for that matter: slavish adoration and awe at the pomp, or bitter republican convictions that see the royals as posh parasites. I can’t muster enough emotion to feel either of those, though I could probably sit down and come up with reasons on each side of the monarchy, pro- and anti-, like any former high school debater.

Still, I did a little reading about the sceptre and orb, because who doesn’t like a little reading about orbs especially? Of even more interest, though, is the Stone of Scone, which for years I thought was pronounced the same way that the British refer to their biscuits (but no, it’s “skoon,” which does sound more Scottish). I understand that all it takes to see the stone these days is a visit to Edinburgh Castle. Its presence there since 1996 must count as a physical reminder of UK devolution.

All in all, the coronation didn’t interest me enough to get up at 4 or 5 am on a Saturday for live coverage. Plenty of video was available soon after.

While we were in Chicago on Saturday, we found ourselves on the Nichols Bridgeway, which runs from Millennium Park to the third floor of the Art Institute.

I couldn’t remember the last time we were there. Might have been back in 2011, when we attended my nephew Robert’s graduation from the School of the Art Institute. That’s when I took this picture of him with a faux nimbus.

The bridge still stands, of course. Looking north.

South.

We went for the views from the bridge. One thing Chicago has for sure is an alpha-city skyline.

Looking west on Monroe St.

Looking east.

Note how few cars there are (none) compared with the number of pedestrians. Turns out the Polish Constitution Day Parade had just finished. We missed it. Maybe next year; looks like a spectacle.

Fort Necessity National Battlefield

Posted on April 2, 2023 by admin

I walked about a quarter-mile from a parking lot to get to the reconstructed log palisade on the site of one hastily built by men under the command of Lt. Col. George Washington, age 22. Fort Necessity, he called it. These days, the site is called Fort Necessity National Battlefield.

It is the only battlefield associated with the French and Indian War preserved by the National Park Service.

By the time I got there, I’d worked myself into a counterfactual frame of mind. Just what didn’t happen here — that easily could have – that proved so important for the future course of events in North America? Affected the fate of the unborn United States in unknowable but profound ways?

Those are the kind of Big Thoughts you get alone, under a pleasant late afternoon sun, in a meadow amid the rolling hills of rural southwest Pennsylvania, with nothing but a paved footpath and the palisade ahead. I do, anyway.

Consider: Washington and his men had surprise-attacked a French force at nearby Jomonville Glen a few weeks before the battle at Fort Necessity, defeating them and resulting in the death the French commander, Joseph Coulon de Jumonville. Washington was well aware that the French weren’t going to let that incident go unanswered, so he ordered the completion of Fort Necessity to prepare for the counterattack.

Louis Coulon de Villiers, who was Joseph’s brother, led the French response and besieged Fort Necessity from an advantageous position and with a larger force. Many British — mostly members of the Virginia Militia — were cut down, dying in the mud from recent rain. It seems likely that the French could have killed most, if not all of Washington’s command, but Coulon asked for parley and ultimately gave Washington generous surrender terms. Essentially, get out of here, and promise not to come back for a while.

Would a man of a different temperament more aggressively ground the British to defeat, perhaps to the point of seeing its commander dead with his men? Washington, that is. Dead at 22. You can see how this line of thinking puts some counterfactual ideas in your head.

What motivated Louis Coulon to do what he did? Motive’s a hard thing to pin down even in someone alive today, much less a French military commander of the 18th century. From what I’ve read, he was under orders not to massacre the British, and his men were tired and low on ammunition even though the defenders of Fort Necessity were in much worse shape. Those seem like fairly compelling reasons. Still, a more aggressive or ruthless commander could have continued the fight, not really held back in the wilderness by mere orders. This was the force that had killed his brother, after all.

On the other hand, young Washington had a number of near-death experiences as he was surveying in the Ohio Valley before the war. What’s one more?

So many questions. Big history pivoting on small fulcrums. I got closer.

Inside the palisade.

The site isn’t just that. Worn earthworks linger nearby.

Maybe Coulon was intensely proud to be under French arms, which were magnificently powerful in those days, even at such a far-flung place, and wasn’t about to dishonor his command with a massacre. Or maybe he didn’t like his brother that much, and was inclined to be philosophical about his fate. C’est la guerre, dear brother.

Down the road from Fort Necessity, U.S. 40 that is, is the grave of Major Gen. Edward Braddock.

I won’t go into details about why he’s there, except that it’s only indirectly related to the battle of Fort Necessity. He’d been sent with a much larger British force to confront the French the year after that battle. Things didn’t go well for him, and he ended up buried under the military road he had had built as part of his campaign to take the Ohio Valley from the French.

The wooden beams mark the course of the road.

The monument was erected in the early 20th century. He’s probably under it, but we can’t quite be certain.

This plaque adds an extra layer of poignancy.

Nineteen-thirteen. It’s probably just as well that the officers of the Coldstream Guards didn’t know what was coming.

Art Institute Spaces, Small and Large

Posted on December 8, 2022 by admin

I’d like to say I visited this room recently — looks interesting, doesn’t it? — but I only looked into the room.

An English great room of the late Tudor period, 1550-1603, according to a nearby sign. I couldn’t get in because one inch within this room equals one foot in an actual room of that kind, so at best I could get a hand in.

The Art Institute doesn’t want anyone to do that, and for good reason, since random hands would completely wreck any of the Thorne Miniature Rooms. So they are behind glass in walled-in spaces, and not at eye level for someone as tall as I am.

Still, I leaned over to look in. The fascination is there. Not just for me, but for the many other people looking at the rooms on Saturday. Each room evokes a different place or time, heavily but not exclusively American or European settings.

English drawing room, ca. 1800.

French library, ca. 1720.

Across the Atlantic. Pennsylvania drawing room, 1830s.

Massachusetts living room, 1675-1700.

The fascination isn’t just with the astonishing intricacy of the work, which it certainly has, but also the artful lighting. Artful as the light-play on a Kubrick set. I know those are electric lights in the background, but it looks like the rooms are lighted the way they would have been during those periods. With sunlight, that is.

“Narcissa Niblack Thorne, the creator of the Thorne Rooms, herself had a vivid imagination,” says the Art Institute. “In the 1930s, she assembled a group of skilled artisans in Chicago to create a series of intricate rooms on the minute scale of 1:12.

“With these interiors, she wanted to present a visual history of interior design that was both accurate and inspiring. The result is two parts fantasy, one part history — each room a shoe box–sized stage set awaiting viewers’ characters and plots.” (More microwave oven–sized, I’d say.)

Thorne (d. 1966) had the wherewithal to hire artisans during the Depression by being married to James Ward Thorne, an heir to the Montgomery Ward department store fortune, back when department stores generated fortunes. Bet the artisans were glad to have the work.

It wasn’t my first visit to the Thorne Rooms, but I believe I appreciate it a little more each time. I know I feel that way about the Chicago Stock Exchange Trading Room, which I also visited on Saturday.

The Thorne Rooms are an exercise in constrained space. The Trading Room is one of expansive space. So much so that my basic lens really isn’t up to capturing the whole. Still, I try.

No one else was in the room with me. It is a little out of the way, in museum wayfinding terms, and it is the artwork, rather than being mere protective walls and climate control, so maybe people pass it by.

Not me. I spent a while looking at details.

Overhead.

Such a grand room. Victorian ideas at work, striving to add uplift to a space devoted to grubby commerce. I’d say they succeeded.

“Designed by Chicago architects Louis Sullivan and his partner, Dankmar Adler, the original Chicago Stock Exchange was completed in 1894,” the museum notes on a page that also extols the room as a place where as many as 300 people can meet.

“When it was demolished in 1972, sections of the Trading Room, including Sullivan’s elaborate stenciled decorations, molded plaster capitals, and art glass, were preserved and used in the 1976–77 reconstruction of the room here at the Art Institute.”

I attended an event there myself for some forgotten reason about 20 years ago. Suits and ties (a while ago, as I said), dresses, and drinks in hand, the room hosted such a crowd with ease. If I had 300 people to entertain, I’d certainly consider renting the place.

Judith with the Head of Holofernes, Postcard Version

Posted on December 4, 2022 by admin

I sent this card to my brother Jim in December 1994, on the day that we visited Windsor Castle.

The British postmark is where it should be. The USPS thoughtlessly postmarked the image. Nice going, USPS. Just another example of disrespecting postcards.

As this account of the 1992 Windsor Castle fire says, only two of the castle’s artworks were destroyed by the fire, not including the one depicted on the card, “Judith with the Head of Holofernes” (Cristofano Allori, 1613) which was part of the Royal Collection at Windsor. It still is.

At the time, I didn’t know anything about Allori or the painting. The Royal Collection Trust notes: “According to his biographer Baldinucci, Allori painted this work in part as an autobiographical account of his love affair with Maria de Giovanni Mazzafirri, which ended badly. The figure of Judith, Baldinucci claimed, resembles ‘La Mazzafirra,’ the servant in the background her mother, and the severed head of Holofernes is a portrait of the artist himself.”

I had seen “Judith I” (Gustav Klimt, 1901) in Vienna earlier that year, and of course the story of Judith came up in my studies, but I also didn’t really know how popular Judith was in artistic depictions. This I found out later. Nothing like a story of deception, a fetching feme, a drunken fool and a beheading to inspire art, I guess.

As for the work at Windsor, most recently — as in, last week — I read how it came to be in the Royal Collection. Acquired by Charles I, probably from the Gonzaga collection, Mantua, the trust says, which lead me to read further about the Gonzaga collection. If I had heard about it before, and I might had, I’d forgotten.

The long and short of it is that the House of Gonzaga, after much effort, put together a splendid art collection, only to sell it when they needed cash — to King Charles in the late 1620s, well before that monarch’s grim fate, in a deal facilitated by one Daniel Nijs.

The lesson here? Postcards are educational.

Windy Chill

Posted on November 30, 2022 by admin

As forecast, full-throated winter came barreling into northern Illinois last night as erratic gusts. The edge of same system that spawned tornadoes in the South? Our wind was brisk but, I’m glad to say, not deadly, unless you passed out naked and drunk outside in some hard-to-spot location, as visiting Florida Man might.

At least it will be a dry cold for the next week or more, weather scientists predict. Any winter day without ice underfoot isn’t half bad.

Late November dusk in these climes.

RIP, Christine McVie. I was much surprised to learn that her maiden name was actually Perfect. I heard years ago that that was her name before marrying John McVie but, in as much as I gave it any thought, believed it was a stage name. Dropping a stage name upon marriage might be a little unusual, but not inconceivable.

Who’s named Perfect? Christine’s father, Cyril Percy Absell Perfect, a concert violinist and music lecturer from near Birmingham, UK, for one. And I assume some generations of his paternal ancestors before him.

“This… name is an example of the common medieval practice of creating a surname from a nickname, in this instance one that originally denoted an apprentice who had completed his period of training,” notes the Internet Surname Database.

“The derivation is from the Middle English ‘parfit,’ meaning ‘fully trained’ or ‘well versed’, from the Old French ‘parfit(e),’ meaning ‘completed,’ ‘perfect,’ ultimately from the Latin ‘perfectus,’ a derivative of ‘perficere’ to finish, accomplish.”

Armistice Day 2022

Posted on November 11, 2022 by admin

It occurred to me not long ago, though it’s been true for a good many years, that every bit of writing, photography, film and other work created during the Great War is in the public domain. So I went looking for images of the first Armistice Day or thereabouts.

At the front. Really something to celebrate.

Paris.

London.

New York.

Actually, there’s some hint that the NYC pics are from November 7, when the AP erroneously reported that an armistice had been signed. No matter. The celebratory spirit is there.

Been There, Seen That

By Dees Stribling

Tag Archives: UK