Consider Philip Hendrik Nering Bögel, an 18th-century Dutchman who at one point in his career was collector general of taxes for the province of Friesland. The Texas State Historical Association takes up his story: “In 1793 he was accused of embezzlement of tax funds and fled the country before he could be brought to trial. After the Court of Justice of Leeuwarden offered a reward of 1,000 gold ducats to anyone who brought him back, Bögel adopted the title Baron de Bastrop.”
Those were the days, no Interpol butting into your business. No one ever collected those gold ducats, because the self-titled Baron de Bastrop spent the rest of his days in the New World, doing well for himself in New Spain and then Mexico, dying in 1827.
“One of his most significant contributions to Texas was his intercession with Governor Antonio María Martínez on behalf of Moses Austin in 1820,” TSHS continues. “Because of Bastrop, Martínez reconsidered and approved Austin’s project to establish an Anglo-American colony in Texas… Although his pretensions to nobility were not universally accepted at face value even in his own lifetime, [Bastrop] earned respect as a diplomat and legislator. Bastrop, Texas, and Bastrop, Louisiana, as well as Bastrop County, Texas, were named in his honor.”
Reminds me of the psychologically astute moment (one of a number) in Mad Men, when Bert brushed off Pete’s accusation that Don had stolen another man’s identity – which happened to be true – with, “Mr. Campbell, who cares?” Bert also quoted a supposed Japanese saying, “A man is whatever room he is in.” Give credit to the scriptwriter for inventing a saying that could well be Japanese, but apparently is not.
Bastrop’s location was an important spot, once upon a time, where the Old San Antonio Road met the Colorado River.
These days, Bastrop (pop. 9,600 or so) is only a short hop by modern vehicle from Austin or San Antonio. Day-trip material from those metros, that is. That was probably true the last time I visited Bastrop, sometime in the late ’80s, but maybe not with the same retail intensity you find near the intersection of Main and Chestnut in 2026.
This part of town has a good stock of late 19th- and early 20th-century buildings. Pleases the eye, pleases the day-trippers.
Around Main and Chestnut, you’ll see Paw Paws Catfish House, Simply Sweet Cupcakes, Bastrop Beer Company, flower designer Greenleaf Gatherings, Urban Beauty Bastrop, the Hobby Hub trading card store, another trading card store called Game Time Cards, DivineLites Soap Shop, Lost Pines Art Bazaar rug store, In The Sticks–Eclectic Gifts and More, Rhinestone Rattler Boutique, Monarch Art Gallery and Main Street Yoga Bastrop. A partial list. The town seems to be doing OK.
Looks like a newer building. The architect did a good job of blending it into its surroundings.
Plenty of these.
Advertising.
Not far from Main St. and next to the aforepictured Bastrop County courthouse is the old county jail.
In 1979, nearby Bastrop State Park, not the town itself, was the scene of Pine Cone Wars, Midnight Backgammon and our slightly older “chaperons” who holed up in a separate tent much of the time to make the beast with two backs. The youthful antics of two successive camping trips with high school friends that spring are something of a blur now, but a pleasant one.
This clown in your nightmare. What did he look like again?
Right, Jack from Jack In the Box fame. Old Jack, that is, maybe from the early days of the fast-food chain in the ’50s and ’60s. Has that tired mid-century look because the mid-century was quite a while ago now. On the whole, even later versions of the clown has been retired.
I was fully awake when I encountered Jack, an artifact at Roadside America Museum, Hillsboro, Texas, a wall-to-wall gathering of American roadside advertising, or at least items that were pretty close to the roads – a sign or novelty item or product you might see at a gas station or a diner or a bar or a small grocery store or any such mid-century service business for a nation newly on the road, and with great gusto. Items large and small.
Located on a modest street of Hillsboro, a town between DFW and Waco. Jay and I arrived around mid-day on February 23.
Jack is around, but there are also Big Boys in quantity and variety. If I were that first one, I’d watch out for the criminal element from McDonaldland, standing right behind him trying not to look suspicious. Sure, he’s a burglar, but he might be a pickpocket or even a stickup man, too.
Betty Boop. From a slightly earlier time, but still pulling her weight as a carhop.
Mr. Peanut. Didn’t something happen to him? Died of a busted goober?
Esso. I’m barely old enough to remember the Exxon brand consolidation. (Mad magazine parodied that as “Nixxon: Still the Same Old Gas.”)
Who is this? Why does anthropomorphic hot dog man, though the liberal application of condiments, encourage larger creatures to take a bite out of his head, indeed consume him as completely as unfortunate extras in Jurassic Park movies?
Admittance to Roadside America – no relation to the web site and (former?) book series of that name that I know of – is by making a phone call outside its door. The proprietor, one Carroll Estes, comes to the door, invites you in, and shows you around the place, pointing out things and sometimes recalling the acquisition of this or that, or letting you know how rare or not certain items are. An affable old fellow, grizzled if ever anyone was, probably in his 70s. So the commercial memorabilia all around us was no memorabilia when he was a lad, but part of the lay of the land. I came along in time to see some of those ads or at least characters myself, though they were fading.
He said he was particularly fond of Grapette items. Once he pointed that out, I started seeing them everywhere.
Been a long time since I had a passing thought about Grapette soda. It was available in north Texas in the mid-60s, and I’m sure I had more than a few Grapette bottle caps, once upon a time. I don’t remember its sister sodas, Orangette and Lemonette. According to Wiki at least, Grapette still exists as a house brand in Walmart’s beverage stable, and is popular even yet in Latin America.
I don’t remember O-So Grape.
Originated in Chicago and, like so many, has been revived at premium prices, which seems to go against the spirit of soda water you bought for coins in your misspent youth, but never mind.
There was much more. Mr. Estis has a sizable classic car collection in another part of the building, a much larger structure that had some industrial use at one time. He showed us around. He’d restored many of them himself, but he said he doesn’t do that as much anymore. He had some great ones, too. Wish I’d taken notes. But I was in the moment.
Even in the moment, you don’t notice everything. Especially at a chock-a-block place like Roadside America, where curios compete for your attention like a gaggle of souvenir-wallas in Delhi. It wasn’t until I looked at this picture that I noticed Wile E. Coyote sitting at the diner booth.
Stands to reason that Wile E. would patronize the few diners on the desert roads he haunts. He never managed to make a decent meal of the Roadrunner.
I’m always glad to spend some time peering into a tank where the moon jellies drift, but also somehow contract their entire selves to glide along in deep quiet.
We’d come to the Georgia Aquarium, which keeps company in downtown Atlanta with the World of Coca-Cola, the National Center for Civil and Human Rights, and a large parking deck on about 20 acres of a plaza known on maps as Pemberton Place. To its south is Baker St. and Centennial Olympic Park; to the north, Ivan Allen Jr. Blvd. and a massive substation behind walls. For just an instant I thought that was Irwin Allen Jr. Blvd., and was disappointed to realize otherwise.
At 11 million gallons – which is apparently how major public aquariums are measured – the Georgia Aquarium is listed on Wiki as the sixth largest in the world and the largest in the United States, and I believe it. The structure is hub-and-spoke, with an enormous, vaulting hall with sizable exhibit spaces radiating from that hall: Tropical Diver, Ocean Voyager, Explorers Cove, Cold Water Quest, Southern Company River Scout, Dolphin Coast, Truist Pier 225 and Aquanaut Adventure.
Five days before Christmas, much of the human population of Atlanta was there, gawking at the sea and land creatures. We did our own gawking.
The invertebrate collection included much more than moon jellies. There were other kinds of jellyfish, too, looking like the sort of thing that if you see on the beach in Australia (or anywhere), you’d better not to touch.
They puff along.
Other invertebrates. Such as the inspiration for Patrick Star.
And of course, fish. Many, many fish.
Including the inspiration for Nemo.
Small creatures can be intriguing or even enchanting, but what really packs ’em in are the likes of whale sharks, the largest fish species know to science, and one of the aquarium’s signature attractions. There’s no shortage of other kinds of sharks as well, it always being Shark Week at the facility: tiger sharks, silvertip sharks, blacktip reef sharks, and great hammerhead sharks.
More from the sea: Manta rays, goliath groupers, green sea turtles, Japanese spider crabs and weedy sea dragons. Freshwater creatures include, but are hardly limited to, Asian small-clawed otters; black spot piranhas — just how many kinds of piranhas are there, anyway? — snapping turtles; banded archerfish; discus fish; and shovelnose sturgeon.
A few birds are on hand, such as spoonbills and ibises. Ones that subsist on fish, in other words.
In case we hadn’t had enough gators in Florida, the aquarium had a few Georgia gators, including a rare albino. I take it Georgia gators were the inspiration for Albert in Pogo.
We saw the dolphin show. My still camera wasn’t the best for capturing the action, and there was a lot of jumping and splashing, but squint and the second shot looks like an impressionist work featuring a line of mid-air dolphins.
A separate show features seals and sea lions, doing seal and sea lion things for fish rewards.
About half as many people crowded into the aquarium would have made for a better experience, but I can’t begrudge the Georgia Aquarium its massive popularity, since it delivers the aquatic goods. Better a crowd than too few people. They’re out seeing real things. Often better, I believe, to see some part of the physical world than an electronic simulacrum.
We joined the other Key West tourists, and who knows maybe a few locals, for an spontaneous sunset viewing party. I know if I lived around there, I’d be out at least occasionally, taking in something that never gets old. No organizer at all, just people collecting at the right place at the right time to see the disk of the sun transition from yellow to red and other colors, as it visibly creeps lower toward the horizon. Down the sun went, in its predictable splendor, and then — green.
I’m pretty sure what I saw was an inferior-mirage flash, to use a technical term I learned later. I checked later, finding that one characteristic of such a flash is an oval of light lasting no more than 2 seconds (I’d say it was no more than a single second, if that). They tend to happen when the surface is warmer than overlaying air, and close to sea level.
All that fits for the green flash — a variety of green intense and completely new to me — as the sun set our first day in Key West. The flash came exactly as the top edge of the disk of the sun dipped below the horizon. You have to, I believe, be looking straight at the exact right place at exactly the right moment to see it, as I was, by pure accident. I’d heard about green flashes for a long time, but I’d never seen one. A really long time: I remember them being mentioned during a planetarium show in San Antonio as a kid in the early ’70s.
We hadn’t come to Mallory Square to see a green flash or any other meteorological optical phenomena. We hadn’t even come to see the sun go down. We just happened to arrive at Mallory, a large public plaza near the north end of Duval St. and right at the water’s edge, just at the right time, after gadding about that part of Key West.
It’s a mildly festive place around sunset. Also, people are waiting. The sun was not to be hurried.
Lots of people around, not an overwhelming crowd, more of a happy milling of vacation-goers.
Live entertainment was on hand.
The star attraction, however – make that the solar attraction – was the sunset. Mallory Square has a fine view of the westward horizon, where sea and sky come together like a hazy kiss out on the ocean.
So now I’ve seen a green flash. A total solar eclipse (two, actually), lunar eclipses, the transit of Venus, double rainbows, ground-to-sky lightning, sun- and moondogs, meteors, planets through telescopes including the moons of Jupiter and Saturn, the impressive whisp of the Milky Way in a dark sky, the Southern Cross and the Magellanic Clouds – add a green flash to the list.
But what other cool things to see in the sky that so far have eluded me? The aurora, for one. Aurora borealis would be great, and certainly more doable than aurora australis, but wouldn’t seeing the Southern Lights be a kick? I think I first learned about it in a Carl Barks Scrooge McDuck comic, and never forgot.
A theme park should have a theme, right? As far as I could tell, the theme of Universal Epic Universe, the most recently opened park in central Florida, is We Own These Valuable Intellectual Properties. Namely, such globally successful entertainment franchises as Harry Potter and Mario Bros. and How to Tame Your Dragon. I mean, How to Train Your Dragon. Shows you what I know about these properties, which is a lot less than many people.
For instance, Ann had to school me on who Bowser was, which she was happy to do as we waited in line for the first ride of the day at Universal Epic Universe, in the area of the park devoted the world’s most famous cartoon building supers. Even I know Mario and Luigi. I was around to see their arcade games appear in the early ’80s. I’d heard of Princess Peach. Word of damsels and their distress tends to get out.
Bowser is the main antagonist of franchise, turns out. The line snaked through his castle or lair or the Bowser secret scheming room, since he seems like a fellow that schemes a lot. But I will say this: Universal went to a lot of trouble to give you something to look at as you waited for the ride, including in this case giant faux library books with such titles as Why Good Things Happen to Bad People, The Second Place Banana and Other Horror Stories, and Sibling Rivalries and How to Exploit Them, and many more, all in-universe jokes, some of which were amusing even if you didn’t know the back story. A committee of Mario Bros. experts must have spent months on dreaming up the titles, marveling every day that they were paid to do so.
The overflow of things to see while you wait repeats itself in the other major rides: the Gothic detail that evoked the monochromic worlds of the early Universal horror pictures, and the positively palatial hall ahead — a long time ahead — of the Harry Potter-adjacent wizard swooshing ride.
We’d arrived fairly early on the morning of December 9 for our day at Universal.
The weather was ideal for the visit. The crowds were less than ideal, but not bad. I can’t imagine the hordes at the park, say, today – one of the days between Christmas and New Year’s, when many more people are off, and kids aren’t in school.
We opted not to do the line-skipping scheme, after I determined that adding it to the ticket prices for three people would involve roughly the same amount of money as the accommodation budget for the entire trip. Universal, which is to say Comcast, was already getting enough of my money.
But I carp. Regular tickets by themselves aren’t cheap, but the quality of the attractions is very high, even if you aren’t particularly interested in the franchises. Mario-world is pretty interesting, even before you do the ride, which offered sensory-overload that involved a blur of simulated kart racing. I can’t actually remember much more than that after more than two weeks, but there was a lot of light and motion and grabbing of that wheel.
The plaza outside the ride. Like stepping into the game, yes? A big hit, anyway.
Who knows? These very buildings might be the inspiration of a wildly popular architectural style in the 22nd century.
When we got to ride entrance, there was a posted 60-minute wait. Ann insisted we go right then. When we exited, we noticed that the wait time had more than doubled. Good call, Ann.
Our second ride involved a faux Transylvanian castle and the various monsters from Universal’s 1930s and ‘40s monster heyday. The style, amusement park Gothic. From the towering castle of Frankenstein renown to the details in faux stone and faux headstones.
Faux it may be, but that’s no cheap structure. Add to that the ride at the heart of the building, and you’ve got some impressive entertainment engineering.
We came back after dark for the roller coaster in the Frankenstein part of the park. Ann wanted to go back for the roller coaster, that is, a separate ride from the one in the Gothic castle. While Y and I waited on a nearby bench we saw, by chance, the burning windmill. Nice touch. It didn’t collapse, naturally, and would re-ignite every 15 minutes or so.
The Frankenstein ride wasn’t quite as intense, in lights or motion, as Mario Bros., but was it was about as loud, with a character purporting to be Victor Frankenstein’s great-granddaughter directing the monster to fight Count Dracula — or was it the Werewolf? The Creature from the Black Lagoon also made an cameo appearance, but the details of the ride are a little fuzzy. Entertaining hubbub, that’s what it was.
The line for the Harry Potter-ish ride was the longest. Around an old-fashioned amusement park waiting pen, down a long hall, though “portholes” foggy with dry ice emissions, into a vast hall, around a cluster of gigantic gilded statues, under several floors worth of faux offices, near another gigantic gilded statue (below) into another hall, and there you were. Ready to go up some stairs, along another couple of hallways, and down some more stairs. You did have things to read along the way, such as Wanted Posters for villainous wielders of the Dark Arts.
The ride was also ensconced in a faux Paris, in a building that was supposed to be the French magic ministry in the early 20th century (it is a prequel), down to a warren of small offices with lamps and typewriters of the period.
Why Paris? Even Ann wasn’t quite sure, but thought it had something to do with one of the prequels, which has something to do with the French Ministry of Magic or the like. Say, does the minister report to the President of the Third Republic? Or is he not part of representative government? Regardless, I was impressed by faux Paris – the most Parisian place I’ve seen except for the actual city of Paris.
The entrance, which led to —
— to a truly monumental arch, front and back.
Leading to faux Paris streets in their faux glory. I keep using that word, but it doesn’t mean I wasn’t impressed.
Details, details.
The 110-acre Universal Epic Universe, a name that doesn’t quite click, seems to have been designed to be compact enough to do in a day. There is a hub, there are spokes, the aforementioned themed areas, which included their main rides, but also other rides and plenty of shops and eateries. Yet none of the areas was overly large, and all of them were marked by a distinctive tower for each that could be seen from a distance. Nice bit of waymarking.
We had lunch at one of the faux-Paris restaurants. At a Olde World Europe-themed restaurant at which you ordered food via an app. The food was good, but that business with the app, which we had to figure out on the fly, didn’t please me at all. I can only hope that isn’t the future of food service.
Once we got to the Harry Potter ride — remember, it is located in Paris, for reasons, and Harry himself seemed to be only a minor presence — the long line was instantly forgotten in the shaking and lurching and whizzing. Characters etched of light came and went, following a script set down in computer code. It reminded me of a roller coaster, even though most of the sensation of motion was done via special effects, especially active lighting. Supposedly we were sitting in a jury box – one of the characters was on trial for something or other. I used to like roller coasters, but age has taken that pleasure from me.
I have to admit it, we bought gas at Buc-ee’s more than once on our trip to Florida. Turns out that the chain’s gas prices are comparable with Costco. That is, 20 to 30 cents cheaper per gallon than most standard gas stations. Costco tends to be on main thoroughfares in densely populated places, which is sometimes convenient, sometimes not. Buc-ee’s is the flip of that, tending to be on major highways at some distance from densely populated places. Sometimes convenient, sometimes not.
We gassed up at the Smiths Grove, Kentucky Buc-ee’s just off I-65 on December 5, early in our trip. We had to make a decision on how to proceed from there. One choice: continue on I-65 to Nashville, take I-40 east from there roughly to Cookeville, Tennessee, and take smaller roads into Jackson County, to reach our friends’ home in the holler. Or: take smaller roads across southern Kentucky and into Tennessee, bypassing metro Nashville and going through towns and hamlets and farmland and woods we’d never seen before, ultimately connecting to the appropriate small roads in Jackson County. It isn’t too hard to guess what we did.
Kentucky 101
It so happened that exiting from Buc-ee’s in Smiths Grove takes you to Kentucky 101, a two-lane highway that can either take you back to I-65 or south through Warren and Allen counties. Coming from the crowds of Buc-ee’s, people and cars, the contrast of heading south on Kentucky 101 is clear.
As of now, at least, Bro. Tim Meador is the Allen County Jailer, so I assume he won the most recent election.
I know that’s a county job that probably involves a fair amount of paperwork. Still, I picture the Jailer as an official who, like in a movie, puts offenders in the jug himself, turning a skeleton key (one of a few jangling on a big ring) to lock the cell.
Scottsville, Kentucky
The main traffic hub of Scottsville (pop. 4,300), the seat of Allen County, is the junction of Kentucky 101 and 98, known as Main and Court streets locally. Instead of a county courthouse, the hub is in the form of a square with businesses around it and a lot of traffic passing through. More than I would have guessed.
It was lunchtime. I can report that Thai Orchid is as good as you might find in a larger town. In our time, Thai has pretty much joined the tapestry of American cuisine as thoroughly as Chinese or Mexican food did in previous generations.
The main public library is near the square, sporting a local Wall of Fame.
The names include Lattie Moore, who sang, “I’m Not Broke but I’m Badly Bent,” a song with pretty much the same theme as Al Dexter’s “Wine, Women and Song.”
I won’t look all the names up, but the Scottsville Wall of Fame also includes Johnny Green, pioneer aviator, who did the first commercial flights between Florida and Cuba, apparently.
Red Boiling Springs, Tennessee
We drove on Kentucky 98 east to the near-border town of Gamaliel, pop. 391, still on the Kentucky side of the line. A lesser-known Biblical name, but I also can’t help thinking of the G. in Warren G. Harding.
South from there, Kentucky 63 turns into Tennessee 56 after a few miles. There’s no sign marking the border, just one announcing the Tennessee highway number. Pretty casual for a line that might have been an international border, had the secessionists had their way (unless, of course, Kentucky left the old US).
Besides a cool name, Red Boiling Springs (pop. 1,205), Tennessee, has a history. As the name suggests, people took the waters there.
“As recently as 1920, Red Boiling Springs had about a dozen places in which visitors could stay,” The Tennessee Magazinereported a few years ago. “The largest was the Palace Hotel, which had 180 rooms. Over the next several generations, business declined… and… a 1969 flood destroyed large parts of the town. However, three of the Red Boiling Springs resort hotels are still open. They were in (nearly) continuous operation throughout the 20th century and still reflect more of the lifestyle of the late 19th century than they do the 21st.”
Make that two hotels. One of those mentioned in the article, the Donoho, burned down in November.
The gray, chilly day somehow fit the scene of a wrecked historic hotel.
Damned shame. I can’t leave it at that. Soon after passing through Red Boiling Springs, we arrived at our destination in eastern Middle Tennessee. The next day, we enjoyed a Tennessee hootenanny.
Our hosts, Dave and Margaret, on guitar and drums.
Kids came in some numbers for Halloween here in the northwest suburbs yesterday, but I didn’t keep an exact count this year. The day was cool but not cold, without a hint of rain, so that might have encouraged turnout, like for voting. One time a passel of kids showed up, maybe a dozen or so, all under 10, with a smaller passel of parents off near the sidewalk.
We were giving away full-sized candy bars until they ran out, and the passel squealed with delight at receiving the various Hersey products. Even now, the costumes are a blur, maybe because I didn’t recognize a lot of the characters. Ones that I might have known weren’t familiar either. I asked the parents of a very small boy — ah, first-timers — what he was supposed to be. His shirt pattern reminded me of TMNT, but it was Hulk, they told me. “Hulk smash,” they said. “Hulk smash, all right,” I agreed.
All of the Halloween traffic, except for a handful of older kids, came before dark. My not-so-inner curmudgeon reacts: in my day, we trick-or-treated after dark, risking bodily injury on the streets, and we liked it.
But I am glad to report that the older kids – junior high and even high school – are far fewer than they were, say, 20 years ago. So it’s back to the way it should be. For older people, there are always such seasonal events as the Greenwich Village Halloween Parade. To this day, the ’06 iteration of that parade remains the only time I’ve encountered the band KISS live – they were the grand marshals (RIP, Ace Frehley). We also encountered Space Ghost then, or at least a fellow who was adamant about his Space Ghost identity.
Near Central Park on Fifth Ave. is 1 East 57th Street. We walked by last month.
A few years ago, luxe retailer LVMH Moët Hennessy Louis Vuitton added a faux facade to its NY flagship store there on the avenue, one that evokes its signature luggage trunks in a highly visible way. Redevelopment plans for the building behind the trunks were unveiled not long ago, so I suspect the trunk-appearance doesn’t have much longer to look down on Billionaire’s Row and its strato-priced residential properties (whose high rents and sale prices don’t necessarily guarantee high-quality construction, apparently).
As we neared Central Park, we spent a little time at Augustus Saint-Gaudens’ statue of William Tecumseh Sherman (dedicated 1903) in Grand Army Plaza. Life’s too short not to look at some Saint-Gaudens from time to time.
Not far away, something a little newer.
“First Sun,” a painted aluminum sculpture of a human-scarab figure by Senegalese artist Monira Al Qadiri, and slated to be in place until the end of next summer.
Visible from near the statues is the storied Plaza Hotel and an Apple Store, which is open 24 hours, Google Maps tells me. Storied in a different way.
I’m glad the Plaza acknowledges its fictional role in The Great Gatsby by featuring a lavish-beyond-the-dreams of Croesus Gatsby Suite. Of course. A smart hotel operator isn’t going to waste an opportunity like that. In this case, Fairmont Hotels and Resorts, a Canadian company, managing for owner Katara Hospitality – the large hotelier owned by the Qatari government. In the 21st century so far, the Plaza has been owned by an Israeli company and then an Indian one before Katara bought it. There’s something oddly American about an ownership trajectory like that.
We – Robert, Geof, Yuriko and I – charted ourselves a simple walking path through some of the southern reaches of Central Park. Manhattanites and visitors to the borough were out in Saturday-afternoon force. Saturday, in the park/I think it was the 18th of October. No, that doesn’t scan. A fair number of pitch-a-blanket cap and souvenir salesmen were out, too, but not nearly as many buskers as a great city park like Central Park should attract.
There’s an editorial right there: why America needs more buskers, and why some American cities need to chill when it comes to suppressing buskers. Europeans might not be right about everything, but about allowing buskers? Yes.
The leaves weren’t at peak just yet, with the greens still hanging on more than not. I don’t remember which visit to Central Park it was, but one time I wandered the park during peak coloration, whipped into even greater yellow-and-red glory by a brisk October wind. Temporary clouds of leaves came and went, even as the wind shook more leaves from their branches. Color, but also motion.
Eventually, we came to The Lake by way of Bethesda Terrace and Fountain.
But not all the way across The Lake to The Ramble, whose Wiki description drily states that “historically, it has been frequented for both birdwatching and cruising,” with hyperlinks articles about both of those activities. What about cruising birdwatchers? There’s a Broadway musical in that concept somewhere.
The Lake was clearly a good time and place for casual boating.
In that part of Central Park, it’s hard to miss Strawberry Fields. There is a fairly empty section.
That’s not the case when you get to the Imagine memorial. Among the visitors, a guitarist was noodling out one of the more famous Lennon-McCartney tunes, but I forget which. One of the usual ones. Not “Dr. Robert,” say, or “Happiness is a Warm Gun.” So that was one busker anyway, since I think he had a guitar case open in front of him. All you need is love, sure, but bills are bills.
Gone these 45 years and still packing ‘em in. Good for you, Mr. Lennon. In another 45 years? It would be interesting to know, and I sure I won’t.
I’m afraid the history of memorials doesn’t bode well for the longevity of any memorial, even the kind that people line up to pose with. I didn’t know the man, but I suspect somehow that the thought of fading into obscurity wouldn’t have bothered John Lennon.
At that point, you emerge from the park and are practically face-to-face with the Dakota.
We headed east to a subway station, and happened to walk by the entrance of the Dakota. In its grim way, it’s a kind of memorial too. The signs make it known with no uncertainty that no one unauthorized is getting in.
Driving down from the alpine wonders of Rocky Mountain National Park a couple of weeks ago on highway US 36, I realized we’d be passing through Boulder, Colorado. So during one of the moments of standstill traffic on that highway as it winds into Boulder — it’s a crowded road, especially on a weekend during warm weather — a thought occurred to me. More of a memory-thought, since it harkened back almost 50 years.
At zero mph, I had time to consult Google for more information. (Remarkably, the signal was strong.) Google Maps pinpointed the location I’d thought of, on a leafy street in Boulder. That day I expended some tourist energy, of which I don’t have quite as much as I used to, to find Mork’s house.
That is, the house used in establishing shots in Mork & Mindy to show their home, since the show was set in Boulder. I know I’d seen Boulder on maps. Funny name, I thought as a kid. Really Big Rock City. It’s still a little funny. But other than as a spot on the map, the show was probably the first time I’d heard anything else about the place.
The passengers in my car, Yuriko and Emi, having grown up outside of the orbit of ’70s American sitcoms, didn’t particularly appreciate the place. At least not until I conveyed the information that the show made Robin Williams famous. He’s a known quantity. I read a bit about the house later, and there seems to be no consensus about whether the owner cares whether anyone stops by the take a picture. My guess would involving factoring in a dwindling number of people coming by. You know, because the show went off the air over 40 years ago.
Then again, if my U.S. travels have taught me nothing else, it’s that retirees are out being tourists. They have the time they didn’t used to, and currently are just the right age to take a peek at Mork’s house at 1619 Pine Street, which is easy enough to find. Even if, like me, their fondness for that show was lukewarm at best.
Boulder and Mork came early in the second leg of my three-legged, 4,498-mile drive, which seemed to kill that many bugs on the windshield and front hood and bumper. The house counted as merely one spot in a trip that took me through hundreds of places. I spend most of September on the road, heading west from Illinois early in the month along I-80 and smaller roads, especially Nebraska 2 through the Sandhills, and spending time in western Nebraska and its rocky outcroppings and in southeast Wyoming, before going to Denver. That would be the first leg. Which, I’m very happy to say, included a good look at Carhenge.
Yuriko flew to Denver on the last of the points I got from SWA for the Christmastime FUBAR a few years ago and we met there. (New motto for the airline: Now We’re Just Another Airline!) After an overnight jaunt to Rocky Mountain NP in the company of our friend Emi, the two of us then spent more than a week taking a clockwise circle-(like) course — a lasso, you might call it, a straight line connected to a loop — from Denver to Colorado Springs to Pueblo to Walsenburg to Alamosa to (coming down from Wolf Creek Pass) Pagosa Springs to Durango to Silverton to Ouray to Montrose to Salida and back to Denver, where Yuriko flew home. That was the second leg. The drives were varied and gorgeous.
You’d think that would be enough, but I had to drive home, loosely following I-70 this time, making my way from Colorado through Kansas, Missouri and Illinois, and making a number of stops, big and small, such as Kit Carson, Colorado; Abilene, Kansas; and Kansas City, Missouri, for a third and final leg. No single small road took me through Kansas, but a series of them did, some as empty as, well, eastern Colorado and western Kansas. That’s some fine driving. Mountains are great, but after a week or so of their twisty ups and downs on two lanes, flat is all right. More relaxing, even.
For reasons that will soon be obvious, not long ago I looked up 2024 visitation statistics for the four national parks in Colorado: Rocky Mountain, Mesa Verde, Great Sand Dunes, and Black Canyon of the Gunnison.
Far and away the top national park draw in Colorado is Rocky Mountain NP, which received 4.2 million people last year, according to the NPS. In fact, it’s a top ten among most-visited U.S. parks. That isn’t so much of a surprise, considering the monster population that lives nearby in greater Denver and other parts of the Front Range. Indeed, for a lot of people, RMNP is easily a day trip.
That isn’t true for the other three national parks, but even so I was surprised to learn how few people actually visit any of them. They aren’t that remote. We aren’t talking Gates of the Arctic NP or American Samoa NP remote. Still, out of the 63 current U.S. national parks, last year Mesa Verde ranked 41st, Great Sand Dunes 44th, and Black Canyon 49th. The three of them combined saw only about 30 percent as many visitors as Rocky Mountain in 2024.
We set out to see all four of the national parks in Colorado. And we did. You could call it a national park trip, along the lines of the one a few years ago mostly on the Colorado Plateau. But the parks were only a framework, never the total picture, over mountains and across plains. We saw a lot else besides, such a male bear outside our window about 10 miles north of Durango, a female in a tall nearby pine snarling at him, and cubs higher up in the tree. More detail to come on that, in the fullness of time.
Rocky Mountain NP is an exercise in rising above the tree line, by vehicle but also on foot, up a path, into to a satisfying exhaustion before majestic mountains. The pale sand dunes of the Great Sand Dunes NP rise from a valley and back up against a mountain range, as if a giant broom swept it off to corner, and for visitors amounts to a giant sand box. Mesa Verde NP, where the stone dwellings of the Ancient Ones are tucked away in steep stone canyons, shows how much effort people will put into making a home for themselves. Black Canyon of the Gunnison NP is a scenic great unknown, a great dark crack in the earth that reminds you that gravity is in charge, its ragged cliff edges rife with opportunities to die for an Instagram image.
Something I’d never seen on a gravestone: a truck. I’ll bet most people can say that.
My best guess when I saw it was that Kenneth C. Remer was a trucking man who, among other things, lived through the short romanticization of trucking men in the mid-1970s. Something I’m sure is lost on later generations, as if that matters. If I were silly enough to say “That’s a big 10-4” to either of my daughters, I wouldn’t expect comprehension. That bit of code wasn’t invented by truckers, but even so.
I looked him up, as one can in our time. His obit says he was a “partner in Remer Milk Service.” So could be he drove a milk truck, at least sometimes. That is a liquid-hauling truck depicted on the stone. Not something celebrated in song and story, but useful work all the same.
Another thought on that: though “Convoy” was much more popular, C.W. McCall’s “Wolf Creek Pass” is by far the more entertaining song. (And it’s a real place.) A better song about driving a truck is “Willin’,” originally by Little Feat. Of all people, the inestimable Linda Ronstadt did a remarkable cover of it.
I encountered Mr. and Mrs. Remer at St. Mary’s Cemetery in Burlington, Wisconsin last month. A Catholic cemetery with a nice assortment of stones.
Unusual: two Air Force (I assume originally Army Air Corps) Master Sergeants, married to each other.
During my recent visit to Elkhorn, Wisconsin, I did no more than look for an “historic cemetery” on Google Maps to find Hazel Ridge Cemetery. Historic for sure, founded more than 150 years ago.
It too has a fine collection of memorials. The cemetery is also an arboretum, with more than 25 native species and ornamental varieties.
Hazel Ridge has a clutch of war dead memorials, including an 8-inch siege Howitzer as the centerpiece of a Grand Army of Republic memorial.
This particular cannon, according to a nearby sign, was made in 1862 at the Fort Pitt Foundry in Pittsburgh. I assume it did its part for the Union. Nearby are soldiers who did likewise.
And those who died in later wars.
The single word “Carpetbagger” on the stone tells quite a story. Operation Carpetbagger involved black-painted B-24s flying low and slow by night, dropping supplies and agents to the resistance in France before and after the Normandy invasion. Clearly dangerous work. RIP, Bud.
Something I didn’t know about Waukesha, Wisconsin, before we went there last month: that Les Paul (b. 1915) grew up around there. Waukesha certainly hasn’t forgotten.
A recent sign, since his birthday is in early June. Waukesha is a “GuitarTown,” because of its association with the famed musician and music technologist. Apparently there is more than one GuitarTown, since Gibson Guitars doles out the moniker, or at least used to.
“Waukesha was named a Gibson GuitarTown in 2012 and 2013, two years in a row, to honor the birth and resting place of electric guitar legend Les Paul,” The Freeman reports. “Other GuitarTowns include Austin, Nashville and London.”
As GuitarTown, Waukesha has 15 guitar statues in public places, each 10 feet tall and designed by local artists. Elsewhere in town, you can find Les Paul Middle School, Les Paul Parkway, the Les Paul Performance Center, and the Les Paul gravesite monument. Missed that, alas. Maybe some other time. But we did drive on his parkway. And see a few of the giant guitars.
Next to that particular guitar, a small garden is wedged between the sidewalk and a parking lot. The PEOPLE’S PARK Garden, says the sign.
The Wall Dogs also came to town and painted 13 murals. I assume this is one of them.
Across a parking lot from that mural rises Waukesha’s impressive stone clocktower.
On Main Street, a memorial.
Outrages by homicidal wankers are so common that I had to refresh my memory about that particular one, in late 2021. Then I remembered. The only good thing I can report is that the wanker, who went double wanker at his trial by asserting sovereign citizen nonsense, is now a permanent resident of a tightly locked state facility.
Upriver a half mile or so from downtown is the sizable riverside Frame Park.
Including the Frame Park Formal Gardens.
I hope the park and its garden weren’t damaged too much by the raging Fox, since it is flat most of the way from the garden to the river.
The Fox is large at this point. Not something you want to see described as “angry.”
