Young Mid-Century Doctor

Posted on December 11, 2022 by admin

I have in my possession — because I lifted it from the large collection of photos at the Stribling manse in San Antonio — this square black-and-white snapshot. I think I brought it back at the same time as my pre-1960 election Ken and Sue shot.

In light pencil on the back, my mother wrote, “V.A. Hospital Party 1958.” December is on the edge of the print, so a Christmas party would be a good bet. My father probably took it. He was handy with a camera.

Unfortunately, my mother didn’t write anything else on it. My father worked for the VA at the time, so I have to assume this is a picture of a colleague. I don’t know who he was. My recollections of 1958 are vanishingly small, after all. Zero, as it happens.

I suspect no one would have given much thought about cigar-smoking at a party, or cigar-smoking by a doctor, though I imagine that my mother didn’t care much for the second-hand smoke. As a matter of individual taste, that is, and probably not as a health concern.

Via the magic of easy photo enlargement, most of the bottles can be identified.

The big bottle on the shelf is Canada Dry, which must have been a mixer. Next to it is the familiar shape of a standard Coke bottle, recognizable down the decades. A mixer as well, at least for some partygoers. Good to see a bit of continuity with the present, even if it’s in the shape of a commercial object.

Not sure about that left-hand bottle in the row of four, or the right-hand one either, but there are clearly more Canada Dry bottles in between.

The lower shelf features more Coke and gin.

Hiram Walker’s gin, as it happens. I haven’t checked lately, but I expect that’s still in stores, too.

Thanks, Grandma

Posted on July 10, 2022 by admin

Fifty-five years ago, my grandmother — Grandma, always — took me on a train ride from San Antonio to Austin. I found evidence of it tucked away in an envelope at my mother’s house some time ago.

Grandma thoughtfully made a note of the fact that it was my first train ride, and the date: July 8, 1967. I was visiting Grandma for a while that summer, as I did in the years before we lived in San Antonio.

Come to think of it, the next summer while I visited her, my family moved from Denton to San Antonio. (Not the stuff of a sitcom; I knew perfectly well we were moving.) Grandma was the one who first took me to visit the house that my mother had bought, and would live in for nearly 50 years.

I find it amusing that a child counted as half a person for the purposes of train fare. Grandma thus paid fare $4.41 for one and a half riders. Adjust that for inflation, and she paid more than $38 in our current, beleaguered dollars.

Good old Missouri Pacific. Mopac.

We must have been visiting someone she knew in Austin, but I don’t remember anything about that. I do remember wisps from the ride itself, mostly the view out the window. I’m sure she knew a train ride would be a thrill for a six-year-old.

But there was more to it than that. I also remember that she told me that it might not be possible for me to ride a train when I was older, so she wanted to take me. Certainly Grandma knew, by 1967, that the writing was on the wall for U.S. passenger train service, or at least Mopac. Maybe she wanted a last ride herself, before passenger trains went the way of the buffalo.

(Outdated analogy. Like the buffalo, passenger trains came to a population bottleneck known as Amtrak, rather than total extinction.)

I imagine an older version of myself — not even now, but perhaps from mid-90s — appearing to her and saying, Grandma, I’ve ridden a lot of trains. In Europe and Asia — and once across Russia from Asia to Europe. I’ve taken the bullet train, and even Amtrak from San Antonio to San Francisco in 1990, though it was distinctly second rate.

And those are just the intercity trains. I’ve lost count of how many different subways and light rail lines I’ve taken, but it would be dozens.

She probably would have been a mite skeptical of those assertions.

It was a one-way ticket. We returned by bus the next day.

Go Greyhound. Grandma also noted that it was my first bus ride. She was being thrifty in not taking the train back, I think. The bus fare is recorded as $1.35 (just short of $12 now), though I don’t know whether that was for the two of us or just me. Even if she paid double that herself, that would have been less than the train.

She probably didn’t think buses would quit running. I don’t remember the bus ride at all.

Future me could pop up again: Grandma, I’ve been on a lot of buses, too, in lots of states and countries. I took one across Australia once. But even in America, I’ve gotten around — all the way from Boston to Los Angeles, once, and that was just part of the trip!

Isn’t that nice, she’d say, thinking at least that her grandson has a healthy imagination.

Down in Galveston, Up in Yellowstone

Posted on June 16, 2022 by admin

Back to posting on Tuesday, since of course Juneteenth is a holiday. I just found out that since last year, there’s been a mural in Galveston commemorating the issuance of General Order No. 3 by (Brevet) Maj. Gen. Gordon Granger, who would be wholly obscure otherwise. The artist, Reginald C. Adams, is from Houston.

Something to see if I ever make it back to Galveston, which is more likely than, say, Timbuktu. But I don’t believe I’ll go to Galveston in the summer again.

I downloaded a National Park Service image (and thus public domain) today of the road near the north entrance of Yellowstone NP, showing the damage from the recent flooding. Damn.

Many more pictures of the flooding in the park and in Montana are here, along with a story about the curious absence of the governor of Montana.

“Aerial assessments conducted Monday, June 13, by Yellowstone National Park show major damage to multiple sections of road between the North Entrance (Gardiner, Montana), Mammoth Hot Springs, Lamar Valley and Cooke City, Montana, near the Northeast Entrance,” the NPS says. “Many sections of road in these areas are completely gone and will require substantial time and effort to reconstruct.”

No doubt. We entered the park at the north entrance back in ’05 and spent some time in that part of Yellowstone. The Gardiner River was much more peaceful then.

“Just south of the park’s north entrance, there’s a parking lot next to the Gardiner River. Just beyond the edge of the lot is a path that follows the edge of the river, under some shade trees,” I wrote at the time.

“The river is very shallow at that point, with a cold current pushing over piles of very smooth stones… piles of rock moderated the current a little, so that you could sit in the river and let it wash over you. It wasn’t exactly swimming, but it was refreshing.

“Along the road, just at the entrance to the parking lot, there were two signs: ENTERING WYOMING and 45TH PARALLEL of LATITUDE HALFWAY BETWEEN EQUATOR and NORTH POLE.”

Wonder if that sign is still standing.

Uncle Walt’s Band, 1982

Posted on June 12, 2022 by admin

Nearly two years ago, media distribution company Orchard Enterprises provided 21 songs to YouTube, cuts on a collection called Uncle Walt’s Band Anthology. Subtitled — and it really captures the essence of that band — “Those Boys From Carolina, They Sure Enough Could Sing…”

Sure enough. The three-man band, Walter Hyatt, Champ Hood and David Ball, all originally from Spartanburg, SC, existed for a few years in the early 1970s and again in the late ’70s and early ’80s. They produced four original albums, did solo work, and played with a good number of other musicians in Austin and Nashville over the years. Those few reviews one can find about Uncle Walt’s Band tend to characterize them as Americana, and I supposed they were — a mix of American styles by South Carolina musicians who honed their skills in Nashville and Austin both.

Though fondly remembered by a few, especially other musicians, wider fame eluded Uncle Walt’s Band. I already knew that, but the point is hammered home by looking at the view count for some of their wonderful songs on Anthology — such as the fun “Seat of Logic” (only 533 views after two years, not 533,000 as by rights it ought to be); the winsome “Ruby” (only 569 views); and the sweetly melancholic “High Hill” (only 344 views); and on and on.

Forty years ago this evening I had the exceptionally good fortune of seeing Uncle Walt’s Band live in Nashville. “Crystalline sound,” I wrote in the diary I kept at the time, along with other unhelpful scraps when it comes to remembering it now. Still, the show was some of the best live music I saw in college, or ever really. A less fanciful way to characterize the gentlemen who played for us that evening would be near-perfect three-voice close harmony, with guitar, fiddle and bass.

I had taken a month-long trip not long before that evening, returning to Nashville less than a week earlier, with plans to attend summer school, but not take it all that seriously. That is exactly what I did and I don’t regret a moment of it. While I was away, my friend Dan had obtained the records Uncle Walt’s Band (a renaming and reissue of the 1974 Blame It On The Bossanova) and An American in Texas (1980, the same year the band appeared on Austin City Limits).

To put it in music biz terms, those records were in heavy rotation around the house where Dan and Rich lived, and where Mike, Steve and I were constant visitors that summer. As soon as I returned to Nashville, I heard it too. Then we got wind of the fact that Uncle Walt’s Band was playing live on Saturday the 12th at a place called The Sutler. We couldn’t believe our luck, and we weren’t about to miss that.

At time I called The Sutler “a tavern next to a bowling alley, a bakery and a restaurant,” which it was, though I didn’t record its address on 8th Ave. South in the Melrose neighborhood. That was further than we usually went, though (I know now), not that far from campus. Dive might not quite have been the word for the place, but it certainly wasn’t posh, and while I’m pretty sure I went there a few times in later years, I only remember seeing UWB there, and the joint’s last iteration closed only this year. It was standing room only for a while, but eventually we got a table. We stayed for the whole show. My mind’s eye can visualize it even now, and my mind’s ear can hear a crystalline echo of their sound.

UWB broke up for the last time the year after we saw them, but their musical presence that summer made an impression on me. Enough that in the late ’80s, when I was visiting Austin, I noticed a small poster somewhere advertising a show by Walter Hyatt at the famed Waterloo Ice House on on Congress Ave. We have to go to that, I told Tom Jones, whom I was visiting, and so we did.

During one of the breaks in that show, I asked Hyatt where I could buy copies of the two records that I remembered so fondly from the summer of ’82 — I think I even mentioned the show at The Sutler — since finding obscure music was more of a chore in those days. He gave me an address to send a check to, and soon after I did, I received an audio cassette of Uncle Walt’s Band and An American in Texas, which I listened to periodically over the years and own to this day.

Forty years is a long time, and time has taken its toll. Walter Hyatt died in the ValuJet Flight 592 crash in 1996 and Champ Hood died of cancer in 2001. David Ball has had a successful career as a country musician and is now pushing 70.

One more thing: I didn’t realize until the other day that the subtitle, “Those Boys From Carolina…” was no random pick. Lyle Lovett, Texan of distinct hair and winning ways with song, mentioned UWB in a song he recorded long after the band was gone, but before Walter Hyatt died, the amusing “That’s Right, You’re Not From Texas.”

Those boys from Carolina,
They sure enough could sing.
But when they came on down to Texas,
We all showed them how to swing.

Obscure Texas Memorials

Posted on April 3, 2022 by admin

In April 2014, I visited Texas, and among other things drove south from Dallas with my brother Jay, not by way of the congested I-35, a road I’ve driven too many times to count, but by I-45 in the direction of Houston. We diverted from that highway to College Station, home of Texas A&M, and spent a little while at Washington-on-the-Brazos State Historic Site, before heading to San Antonio.

Among other memorials at Washington-on-the-Brazos was a fairly new one. At the time, only five years old.

Ron Stone (1936-2008) was a highly regarded local news anchorman in Houston who also wrote books about Texas history.

A tribute to Ron Stone

Ron loved Texas history and delighted in teaching others about our great Lone Star legacy. An award-winning TV anchorman, “Eyes of Texas” reporter and Sons of the Republic honoree, Ron served as master of ceremonies of Texas Independence Day for over two decades.

Fittingly, the stone says it was dedicated on Texas Independence Day in 2009.

What fascinates me about obscure memorials? Most people don’t share that interest. Otherwise, they wouldn’t be obscure. The feeling goes back a long way, too. I might have taken this picture with our Instamatic 104 in the early ’70s, during a short family trip through the Hill Country; but even if my brother Jay took it, I found the image intriguing.

It’s a memorial to one Oscar J. Fox (1879-1961), just off the road on U.S. 281 near Marble Falls, Texas, with a view of the Colorado River. In pre-Internet days, finding out its story would have taken more research expertise that I could have mustered as a child or even an adolescent, so it remained an enigma for years, there with the more recognizable subjects in our family photo album.

“The Hills of Home”
Memorial to Oscar J. Fox
Composer of this song
1879-1961
This is the view which gave
inspiration for this beautiful song.

These days, it’s no trick to find out more about Oscar J. Fox (here and here), who was known as a composer of cowboy songs, or at least an arranger of traditional cowboy songs. It’s also not hard to find recordings of “The Hills of Home,” though I have to say Nelson Eddy’s recording doesn’t do anything for me. Must have been a sentimental favorite for some people long ago, though.

Lawless Roads, A Greene Enthusiast & The Pecan-Shellers Strike

Posted on January 24, 2022 by admin

Really nice sunset today, red-grays among the lingering clouds that had dropped snow earlier in the day. Too good, I decided, to capture in digital image form. Besides, it’s cold out there.

I picked up Lawless Roads again last night. It was the book I took with me to New York last month, reading about half. Very near the end of my outbound flight, a youngish fellow in the middle seat next to me spied the cover and told me he’d never heard of the book, even though he thought he’d read all of Graham Greene.

I told him it was one of his handful of travel books. He said he would find it and read it. We had to get off the plane pretty soon after that, so I didn’t discuss Greene any further with him. That may be just as well, since I’ve only read a few of his titles, such as The Quiet American, Journey Without Maps, The Third Man, and Travels With My Aunt. I liked all of them, but don’t count myself as an enthusiast.

Early in the book, Greene visits San Antonio, and mentions in passing the city’s pecan shelling industry, whose poorly paid and ill-treated workers were on strike at the time (early 1938).

One thing that struck me was the size of the industry: “Forty-seven pecan shelleries lying discreetly out of sight in San Antonio and they shell in a good year, twenty-one million pounds of nuts,” according to Greene.

“In the 1930s Texas pecans accounted for approximately 50 percent of the nation’s production,” the Handbook of Texas says, revealing an even larger industry than Greene thought. “San Antonio was the Texas shelling center because half the commercial Texas pecans grew within a 250-mile radius of the city.

“The pecan-shelling industry was one of the lowest-paid industries in the United States, with a typical wage ranging between two and three dollars a week. In the nearly 400 shelling factories in San Antonio the contracting system was prevalent; the large firms controlled the supply of nuts as well as the prices for shelling.

“Working conditions were abysmal — illumination was poor, inside toilets and washbowls were nonexistent, and ventilation was inadequate.”

It was a brief flowering for the labor movement in San Antonio, with mixed results, and in a few years the point was moot, with hand shellers generally replaced by machines. By the time I came along, all traces of the industry had vanished, at least as far as I knew. Its memory had vanished as well, again at least as far as I knew.

As labor actions go in San Antonio, that was one of the more memorable ones, yet somehow by the 1970s not even my former Wobbly high school U.S. history teacher, the spirited Mrs. Collins, mentioned it in class. She was from upstate New York, so perhaps had little knowledge of it herself. I had to hear about it from my Government teacher at UT Austin in the summer of ’81, who said he was an adherent of anarchism, but that’s a story for another time.

Cal-Tex ’21

Posted on November 1, 2021 by admin

My recent visit to Texas was old-fashioned in at least one way. Not in how I got there, namely a series of two airplanes, one to Houston and then another for the short hop to Austin.

Nor in how I got around: driven by a friend or driving a car rented for a few days, along with some long walks after the sun was low or down, since even for central Texas, the late October days this year proved quite warm. Nor even in my eating and drinking habits. I’m glad to report that the restaurants and (I assume) bars of central Texas seem fully open and attracting paying customers.

Rather, I took an old-fashioned approach in taking pictures and sharing them with others. I took almost none. I participated in no social media, including — what’s it called now, Meta? (derisive snort). The trip was a time to visit old friends in person in Austin, meet a new family member in person in that town as well, and visit family in person in San Antonio. There’s no substitute for in person.

Still, last Monday Jay and I happened to be passing through Seguin, Texas, and happened to see a sign pointing the way to the grave of Juan Seguin. I wasn’t about to pass that up. Or not take pictures. To post here, which barely counts as any kind of media, social or otherwise.

The grave itself. He was reinterred on the spot in 1976, some 86 years after his death.

My tourist activities picked up quite a bit during the three days I spent in the Bay Area, as a kind of appendix to the trip to Texas. Originally I planned to spend a day each in Oakland, Sacramento and San Francisco, but when the time came to catch a bus to spend the day in Sacramento, I decided I was too tired for it, and spent that morning doing nothing. Such is advancing age. So the trip ended up being about a day in Oakland and a day and a half in San Francisco, staying at a hotel in downtown Oakland.

Why there? It’s been more than 30 years since my last visit to San Francisco (and even longer since my first), and while I passed through Oakland in 1990, I’d never really seen that city. It isn’t the most charming city North America has to offer, and always exists in the shadow of San Francisco, but Oakland has its interests. These are two sights I happened upon in that city.

Ah, California.

Thursday Adds

Posted on October 14, 2021 by admin

RIP, Laura Ford, mother of two friends of mine in high school, Catherine and Melanie. I remember her fondly from the times we hung out at Catherine’s house in the late ’70s. She’s pictured here in May 1979.

More recently, she would comment occasionally on something I’d posted on Facebook — she really liked pictures of our dog — though I can’t remember the last time we met in person.

I didn’t know her exact age until I read the obituary, and was slightly startled to realize that when I met her, she wasn’t even 40 yet. Of course, from the vantage of high school, that seemed vastly old. Now, not so much.

One more pic from Normal, Illinois, last weekend.

As we drove toward Normal, Yuriko asked what kind of bird the ISU mascot was supposed to be — a cardinal? I told her I didn’t think it was supposed to be any particular species, though it does look something like an angry cardinal.

Later Ann said she thought “redbird” was picked since too many other places used cardinals. The dictionary definition of redbird (Merriam-Webster) is straightforward enough: “Any of several birds (such as a cardinal or scarlet tanager) with predominantly red plumage.”

I had to look further into scarlet tanagers. Only some of them are actually scarlet, it seems. Not sure that would be such a hot mascot name anyway. If you want an unusual bird mascot name, I’d go with the Andean cock-of-the-rock. Funny name, funny-looking bird.

I noticed that Dick Cavett had a small part in Beetlejuice. I don’t think I’d ever seen him in a movie in which he didn’t play himself, such as in Annie Hall or Apollo 13, which was a TV clip of him joking about sending a bachelor astronaut to the Moon.

In Beetlejuice, he played Delia’s agent, attending a dinner party she held. Delia was the story’s cartoonish antagonist, and among other things an artist who produces bad sculpture. Leaving the party, Cavett’s character got in a good parting shot:

“Delia, you are a flake. You have always been a flake. If you insist on frightening people, do it with your sculpture.”

Lone Star ’71

Posted on September 19, 2021 by admin

My brother Jay took this picture of me in the back yard in San Antonio, as I displayed a bit of regional pride. I have no memory of it, but it was about 50 years ago. This is the unretouched image.

This is a bit retouched, using the simple program I have on my laptop. It will never be a great image, but then again not bad for one taken with an Instamatic 104, the print of which has been sitting in a photo album for decades.

A monochromic version, which has its interests.

One more, using one of the buttons that comes with photo editing system. I played around with it until I found one I liked.

A nearby photo processing shop, Fox Photo, developed the film, and at that time always put the month and year on the edge, along with its red fox mascot. JUN 71 it says, but that doesn’t mean the photo was taken then.

I have another photo from the same batch taken at my grandmother’s house. That one had to have been taken before she died, which was in January 1971. So maybe the back yard image is from the same summer, I assume 1970. On the other hand, the camera could have easily taken pictures on the same roll of 24 or 36 images both summers. We didn’t take a lot of pictures, and sometimes the camera would sit around for a long time before a roll was used up.

Anyway, ca. 1971 is close enough. A nice, round 50 years. It occurs to me looking at my much younger self that a lot can happen to a fellow over that many years.

Southern Loop ’21 Scraps

Posted on May 2, 2021 by admin

Near-summer weather to a tee visited northern Illinois over the weekend — next week will be chillier, I read — with cloud puffs ambling along the completely pleasant warm air, except maybe for persistent strong gusts of wind, a mild sirocco. Those gusts didn’t keep us from walking the dog or me from idling on our deck, reading or resting my eyeballs, but they did put the kibosh on taking any meals as a family out there.

My stop in New Madrid, Missouri, on April 10 was brief, but long enough to get a look at the handsome county courthouse.

“Cornerstone ceremonies were July 4, 1915, for the Classical Greek Revival style building of white sandstone and porcelain brick with a copper box laid in the northeast corner containing copies of all New Madrid County and St. Louis newspapers and carefully prepared historical events, including the names of the citizens who contributed the $20,000, names of all county officers, etc.,” says the courthouse web site. Sounds like a dull time capsule, but never mind.

“Additional funds for finishing the courthouse and jail were authorized early in 1917, but no bids were received… Finally, W. W. Taylor, a master builder from Cape Girardeau, superintended final interior work, which included marble stairways with cast iron railings and a large rotunda with a stained glass window in the ceiling that was completed in January 1919.”

Closed on Sunday. Maybe closed for the pandemic, anyway, so the marble and stained glass and more weren’t visible to me. Hope the courthouse was built to resist seismic events (as much as possible 100 years ago), or refit in more recent years.

A survey marker at Fort Pillow State Historic Site, Tennessee. Always interesting to run across one.

A view of the Mississippi at Fort Pillow.

A retail scene from Clarksdale, Mississippi. Something Amazon cannot replace.

Despite the glowing neon, the shop — called Cat Head — wasn’t open on a Sunday morning.

A scene from rural Mississippi, where perhaps the landowner recognizes no political authority.

Even in small-town Mississippi, you’ll see these.

The American Rose Center is a 118-acre wooded spot just west of Shreveport, and home to the national headquarters of the American Rose Society.

I was a few weeks too early. A few roses were in bloom, but not many. Mostly still buds, and a lot of them. Even so, lovely grounds.

Including a Japanese-style pavilion.

As I said, a few blooms.

You don’t have to go all the way to Corsicana, Texas, to buy a fruitcake at the Collins Street Bakery. There’s a store just off I-20 in Lindale, Texas, with a cafe and a towering sign. I stopped and bought a big fruitcake, which is mostly gone now, eaten a bit at a time by me, Jay, Yuriko and Ann.

In Grand Saline, Texas, a town that salt built, is a structure called the Salt Palace Museum and Visitors Center, which is on Main Street.

Palace it is not, though it is built partly of salt, and there’s a big block of salt to examine out front.

When in Paris, Texas, what does one naturally go to see? The Paris, Texas, Eiffel Tower, of course. Despite the rain.

Less well known is a memorial to the Paris Tornado of 1982. It killed 10 people, injured many more, and did a lot of property damage.

It’s in the same park as this sad-looking memorial.

That’s the Bywaters Park Memorial, with a plaque that says: In grateful memory of J.K. Bywaters, who gave this park to the people of the city he loved so well. 1916.

In Fort Smith, Arkansas, I spotted this mural.

Which is on the backside of this building — First National Bank — next to the bank’s drive-through lanes.

In Bella Vista, Arkansas, which is in the extreme northwest part of the state just south of the Missouri line, is the Mildred B. Cooper Memorial Chapel, a structure dating from 1988, designed by designed by E. Fay Jones and Maurice Jennings. Jones is best known for the Thorncrown Chapel, also in Arkansas.

Sure, the sign said an event was in progress. A wedding, of course, since my visit was on a Saturday. But I saw people clearly dressed for a wedding pouring into the parking lot as I arrived, so I figured I might have caught the place between weddings.

No. People were still inside, with some kind of event going on, so I figure as soon as one wedding ceremony is over on a warm spring Saturday at Mildred B. Cooper, another gets underway. I took a good look at the exterior, anyway. Understated elegance.

In Collinsville, Illinois, you can see the “world’s largest catsup bottle.”

It has its own fan club and web site.

“This unique 170 ft. tall water tower was built in 1949 by the W.E. Caldwell Company for the G.S. Suppiger catsup bottling plant — bottlers of Brooks old original rich & tangy catsup,” the site says.

Philistines almost had it torn down. “In 1995, due to the efforts of the Catsup Bottle Preservation Group, this landmark roadside attraction was saved from demolition and beautifully restored to its original appearance,” the site continues.

The Pink Elephant Antique Mall in Livingston, Illinois, not far northeast of St. Louis, has a big pink elephant in front, as I’ve posted. But that’s not all. Not by a long shot.

This is the mall — a complex of buildings stuffed with antiques, collectibles and other junk. There’s a diner, too.

I didn’t inspect them closely, but I take the statues out front to be made of fiberglass (maybe cast in Wisconsin).

A sign under that fellow wearing the MAGA hat — now, what was his name again? — said NOT A POLITICAL STATEMENT. LOVE HIM OR HATE HIM.

Finally, the grounds included something I’ve long wanted to see, but never had gotten around to, a Futuro House.

The windows, some completely open, were at about eye level for me. Ever wonder what’s in a Futuro House?

Not much, at least this one.

Been There, Seen That

By Dees Stribling

Tag Archives: Texas