Fallingwater

Posted on March 29, 2023 by admin

On the grounds of Fallingwater, there is a path with signs that lead you to The View. That’s what the signs call it. When you get there, The View is there for you.

Search for “Fallingwater” in Google Images, and the vast majority of the images look something like the above. For good reason: it’s arresting. I will give Frank Lloyd Wright his due on that. The placement of the house was a stroke of genius from The Genius.

Originally the idea had been to build a house with a view of the falls, but he made it part of the view. Had the original idea prevailed, people might still visit if the house still existed — it would be a FLW design, after all — but it wouldn’t be nearly as distinctive as it is.

Before we visited Fallingwater, I wondered what other views there were of the famed FLW creation in rural Pennsylvania. The answer is, any number you care to see.

We arrived on the morning of March 20, the vernal equinox, though as far as I know that fact didn’t affect our experience in any way. The low season of March, on the other hand, definitely added to the experience. Guided tours, the only way for ordinary folk to visit Fallingwater, had begun for 2023 only nine days earlier.

We might not have seen the place clothed with the greens of summer or the multicolors of fall, but we did enjoy how few people were around. For a few minutes at The View, for instance, I had the place to myself, because you don’t actually visit it as part of the tour. That comes afterward, when you amble down there yourself.

If you’re so inclined, of course, there’s really more than one view even at The View. For instance, straight up. You’d never know you’re on the grounds of a World Heritage Site at that angle.

We took turns touring the house, while the other waited with the dog. Originally I’d scheduled a 10:30 tour and one at 2:30, with the idea that we’d have lunch in between. But not all of the tours in between were fully booked – as I’d think they are in the summer and fall – so after I went on the 10:30 tour, Yuriko was able to move up to the one starting at 11:30 without any issue.

Signs greet you in front of the visitors center.

It’s a short walk from the visitor center to the house, but enough to get a sense of the surrounding Laurel Highlands.

Amazingly, the Western Pennsylvania Conservancy, which has owned the property since 1963, allows photography inside Fallingwater. Actually, only in the first-floor living room, but still. That’s one of the few FLW properties I’ve visited that does so.

Once upon a time, owning a successful urban department store (in Pittsburgh, in this case) meant that you could hire a starchitect to design your summer house in the woods, even as the Depression lingered. After quarrels with said starchitect and vast cost overruns, naturally, Fallingwater was completed in the late 1930s, including the main house, but also adjacent guest quarters.

A portrait of the original owner, Edgar Jonas Kaufmann (1885-1955), looks out into the living room, but as a young man – before Fallingwater ever came to be.

Because Kaufmann’s son, Edgar Jonas Kaufmann Jr. (1915-89), oversaw the transition from family summer home to house museum in the early ’60s, the family’s furnishings and artwork are largely still there, another novelty for a FLW house.

I was happy to see an orrery. It’s actually a Trippensee Planetarium, a brand that vanished with the 20th century.

From the main balcony, you get a view of The View. That is, you can see the spot downstream on Bear Run creek where people stand to see The View.

Note the people gathered down at The View, looking up. They’re hard to see in the image, but they are there.

At that moment, for them anyway, I was part of The View.

Tri-State Appalachian Equinox Road Trip

Posted on March 26, 2023 by admin

Old Chinese proverb, I’ve heard: even a journey of 1,000 leagues begins by backing out of the driveway. That we did on Friday, March 17. We pulled back into the driveway on Saturday, March 25. In between we traveled 2,219 miles, using the ragged marvel that is the system of roads in the United States.

My fanciful name for the trip refers to three states that were the focus: Ohio, Pennsylvania and West Virginia. We actually passed through seven states, also including Illinois, Indiana, Michigan, and very briefly, Maryland.

We saw a lot of places, but two in particular motivated the trip as a whole. One was Fallingwater, the Frank Lloyd Wright sculpture – I mean, house – perched over an irregular drop on Bear Run, a creek in rural Pennsylvania. Visiting Fallingwater had long been an ambition of Yuriko’s, maybe since before she lived in this country, since FLW is known far and wide; but I needed no persuasion to go myself.

The other was New River Gorge National Park and Preserve in eastern-ish West Virginia. This was my suggestion, since I keep up on national parks. But I’ve wanted to go there a good while, long before Congress promoted it to national park, which only happened in 2020. Besides, it was high time I spent a little more than a few minutes in West Virginia which, for whatever else it has, is known for its surpassing scenery. This reputation, I can confirm, is deserved.

Weather-wise, spring travel is a crap shoot. The day we left a cold, unpleasant wind blew in Illinois, Indiana and Michigan, and it followed us under the same gray skies and at temps barely above freezing the next day, into central Ohio.

By last Monday, in southwest Pennsylvania, temps had moderated with the appearance of the sun, and each day was more pleasant than the last as we headed south into West Virginia, where the grass had greened and some bushes had too, though most trees were at the barely budding stage. Thursday, March 23 proved best of all, with sunny skies and temps in the 70s, allowing us to enjoy the best meal of our trip — ricebowl meals — at a picnic table in Fayetteville, W.Va.

A cold rain came calling on Friday as we headed from West Virginia back to Ohio. On Saturday, again in central Ohio, it wasn’t bitterly cold, but the wind was so strong at times that it jostled my car as I drove and my body as I walked. Rain squalls came and went, with a spell of sleet I actually enjoyed, sitting in our parked car listening, knowing that the ice was too small to do any damage. Returning home yesterday, Illinois was pretty much as we’d left it, chilly and not-quite-spring.

The upshot of it all is to pack for the weather variety you’re going to encounter, and I was more than glad – as I returned to the car in a stiff wind, crossing a green field in small-town Ohio, feeling wind chill that must have been around zero (and I mean Fahrenheit) – that I’d brought the coat I use most of the winter.

We brought the dog. We don’t want to leave her at a kennel any more, and no one was at home to mind her. Having your dog along is something like traveling with a small child you can’t take into restaurants or a lot of other places, but we don’t regret a bit of it. Long drives in the car don’t faze her at all, since after the first few minutes, that’s like lying around the house and, as the comedian said, a dog’s job is lying around the house.

She had her energetic moments too, more than you’d think for an ancient dog, such as walking the trail to Diamond Point overlooking the New River Gorge, with its smooth straightaways through forests giving way to patches of mud, large rocks or tightly packed tree roots underfoot, sometimes all of those in a single stretch. Our reward for the sometime-slog was a vista of rare beauty. Her reward? I don’t think it was anything so visual. Maybe following the pack is its own reward for her.

Companion dogs also mean you acquaint yourself with the look and feel of the front office and main entrance of limited-service hotels during the empty early a.m. hours, well lit as a Broadway stage but without any players. Except maybe for the night clerk, just outside the door, who is peering into his phone, cigarette in other hand. Probably our dog, as any dog, could be trained to pee on a disposable rug in the room during the small hours, but somehow we’ve never wanted to do that. There’s something appealing somehow about the ritual of dressing as simply as possible a few minutes after waking at 2:30 or 3, or 25 or 6 to 4, hitching a leash to the dog’s collar and repairing to the first patch of green, or pebbles ringed by a curb, outside the hotel door

Take me home, country roads. I’ll say this for West Virginia, it’s got some crazy-ass serpentine roads through its ancient and forested mountains. The Laurel Highlands in southwest Pennsylvania was no piker in that regard, either. You need to keep an intense focus on the road as it winds this way and that, rises and falls, and passes ever so close to boulder walls, massive trees and wicked ditches. If you don’t mind thinking about your mortality every now and then, that’s some good driving.

Mostly good driving. There are moments when a red sedan, or a black pickup truck, decides that tailgating you at roughly the speed limit as you wind around and navigate switchbacks, is a good idea, and blasts around you at the first marginal opportunity, double solid stripes be damned.

Yet I only got the smallest sampling of the twisty roads. No roads without pavement this trip, though plenty enough didn’t bother with details such as guardrails. Another, entirely unpaved and mostly unregulated network of roads and tracks, many perhaps pre-New Deal, must exist in West Virginia. Out away from the nearest town, while we were parked a national park site on a small paved road, three ATVs buzzed past, each with two people. They were headed toward town after emerging from the woods, their vehicles streaked with mud. I was just close enough to see in their faces they’d had a fine time out in the unpaved network.

Also, if you really wanted to get home to West Virginia, wouldn’t you take the Interstate?

We made stops in Ohio going and coming.

On Saturday, March 18 we made our way south from Ann Arbor, where we’d spent the first night, to Columbus, Ohio, to spend the second. On the way is the Basilica and National Shrine of Our Lady of Consolation, a Byzantine edifice rising in a small town, which we visited, but also sites associated with Warren G. Harding: his memorial and burial site, and also his home, in the large town of Marion, Ohio.

Our return home, beginning on Friday, March 24, took us back through Ohio, to Columbus for the last night of the trip. Saturday morning, after takeout breakfast at Tim Horton’s – for that part of Ohio is in the Tim Horton’s orb, we were glad to learn – we visited downtown Columbus and the Ohio Statehouse in a howling cool wind. Ate lunch, Korean-style chicken and salad, sitting in the car in a clearly gentrified neighborhood, the bricked-streeted German Village. We spent the rest of Saturday driving back, via Indianapolis.

On the morning of Sunday, March 19, we left Columbus and made our way east through the remarkable town of Newark, Ohio, then Wheeling and Moundsville, West Virginia and from there to Uniontown, Pennsylvania, a mid-sized far outer suburb of Pittsburgh. Or at least it will be in a few years.

On Monday, we paid our visit to Fallingwater, taking turns on tours, after which we had lunch in a low-season tourist town and took an impediment-rich hike in Ohiopyle State Park, along the rocky shore of the Youghiogheny River, at that point boasting a highly picturesque waterfall. That was enough for one day for Yuriko, who napped in the car (along with the dog) as I walked the much shorter and smoother path to Fort Necessity National Battlefield late that afternoon.

On Tuesday, we made our way back west a short distance, to visit the Palace of Gold in rural West Virginia, in the peculiar north panhandle of the state (which I’ve long thought of as a conning tower). We returned that day to Uniontown by way of Moundsville, W. Va., home of an ancient mound of remarkable height, a former penitentiary of remarkable solidity, and a bridge across the Ohio River of remarkable elegance. Those things, and some tasty if not remarkable barbecue.

The next day, we left for West Virginia, but not by the most direct route, because I wanted to see the Flight 93 National Memorial in deep rural Pennsylvania. Progressively smaller roads lead there, including – as we traveled it, which I figured would be the quickest route – a short stretch of I-68 through the oddity that is the Maryland panhandle. Late that day, Wednesday, we arrived in Beckley, W. Va.

We spent almost all of Thursday at the national park, at one sight or another, driving and hiking and pondering historic and sometimes crumbled structures. But that wasn’t quite enough. On Friday morning, before we left for Ohio, we went back to the park. Around noon, we headed west, passing through Charleston long enough to visit the West Virginia State Capitol and eat Chinese takeout, though not at the same time. A little north of Charleston, we crossed back into Ohio after gassing up near the small town of Ripley, West Virginia. Believe it or not.

One other thing: this was a vacation from the news, which following is part of my job. Except for the briefest snippets on the radio, when sometimes I didn’t change stations out of habit for some seconds, I ignored the news of the world, or even smaller parts of it. I think that’s a good thing to do.

But of course, a few things got through. I heard the opening bars of The Dick Van Dyke Show theme on a news program one day, and I jumped to the conclusion that he had died. That isn’t a big jump, since he’s 97. But no, merely a one-car accident.

Image being that well regarded, that your minor auto accident as a nonagenarian is national news. Anyway, glad not to say, RIP, Dick Van Dyke.

Anticipating Arctic Air

Posted on December 15, 2022 by admin

Cold rain well into the night yesterday, enough to wake the sump pump. The good thing was, it didn’t ice everything over today.

Still, we’re on the cusp of a chill. Cold enough by Christmas Eve to snap off bits of Santa’s beard, looks like.

But that’s nothing to the jolly immortal elf. Has he ever got some stories about the Little Ice Age.

In the course of my day today, I was reading about the Lehigh Valley distribution market, which is one of the nation’s largest in square feet (and throughput, I assume). Distribution, as in the system of warehouses that concentrate and store goods until they’re shipped to stores or otherwise delivered to customers. You know, the agglomerations of mostly characterless but highly efficient and valuable buildings that most people drive by without a passing thought. But they’re buying in stores and elsewhere, keeping the whole distribution system in motion.

Then it occurred to me that otherwise I didn’t know jack about the Lehigh Valley. So a little reading followed. The area’s industrial history is deep.

How is it I didn’t know anything about the Lehigh Canal?

Now I do. Glad I got out of bed today.

Another reason I’m glad I made the commute downstairs to my office was my discovery early this evening of Allison Young singing “When I’m With You (Christmas Every Day).”

“I’m hearing some delightful strength and control that wasn’t there in years past,” says one of the YouTube comments. I’ll second that, but add that she was delightful enough in years past (and not too many years past).

Art Institute Spaces, Small and Large

Posted on December 8, 2022 by admin

I’d like to say I visited this room recently — looks interesting, doesn’t it? — but I only looked into the room.

An English great room of the late Tudor period, 1550-1603, according to a nearby sign. I couldn’t get in because one inch within this room equals one foot in an actual room of that kind, so at best I could get a hand in.

The Art Institute doesn’t want anyone to do that, and for good reason, since random hands would completely wreck any of the Thorne Miniature Rooms. So they are behind glass in walled-in spaces, and not at eye level for someone as tall as I am.

Still, I leaned over to look in. The fascination is there. Not just for me, but for the many other people looking at the rooms on Saturday. Each room evokes a different place or time, heavily but not exclusively American or European settings.

English drawing room, ca. 1800.

French library, ca. 1720.

Across the Atlantic. Pennsylvania drawing room, 1830s.

Massachusetts living room, 1675-1700.

The fascination isn’t just with the astonishing intricacy of the work, which it certainly has, but also the artful lighting. Artful as the light-play on a Kubrick set. I know those are electric lights in the background, but it looks like the rooms are lighted the way they would have been during those periods. With sunlight, that is.

“Narcissa Niblack Thorne, the creator of the Thorne Rooms, herself had a vivid imagination,” says the Art Institute. “In the 1930s, she assembled a group of skilled artisans in Chicago to create a series of intricate rooms on the minute scale of 1:12.

“With these interiors, she wanted to present a visual history of interior design that was both accurate and inspiring. The result is two parts fantasy, one part history — each room a shoe box–sized stage set awaiting viewers’ characters and plots.” (More microwave oven–sized, I’d say.)

Thorne (d. 1966) had the wherewithal to hire artisans during the Depression by being married to James Ward Thorne, an heir to the Montgomery Ward department store fortune, back when department stores generated fortunes. Bet the artisans were glad to have the work.

It wasn’t my first visit to the Thorne Rooms, but I believe I appreciate it a little more each time. I know I feel that way about the Chicago Stock Exchange Trading Room, which I also visited on Saturday.

The Thorne Rooms are an exercise in constrained space. The Trading Room is one of expansive space. So much so that my basic lens really isn’t up to capturing the whole. Still, I try.

No one else was in the room with me. It is a little out of the way, in museum wayfinding terms, and it is the artwork, rather than being mere protective walls and climate control, so maybe people pass it by.

Not me. I spent a while looking at details.

Overhead.

Such a grand room. Victorian ideas at work, striving to add uplift to a space devoted to grubby commerce. I’d say they succeeded.

“Designed by Chicago architects Louis Sullivan and his partner, Dankmar Adler, the original Chicago Stock Exchange was completed in 1894,” the museum notes on a page that also extols the room as a place where as many as 300 people can meet.

“When it was demolished in 1972, sections of the Trading Room, including Sullivan’s elaborate stenciled decorations, molded plaster capitals, and art glass, were preserved and used in the 1976–77 reconstruction of the room here at the Art Institute.”

I attended an event there myself for some forgotten reason about 20 years ago. Suits and ties (a while ago, as I said), dresses, and drinks in hand, the room hosted such a crowd with ease. If I had 300 people to entertain, I’d certainly consider renting the place.

Verschiedene Artikel (Donnerstag)

Posted on December 10, 2020 by admin

Still above freezing most of the time, and no snow or ice. My kind of winter. But rain is slated for the weekend, devolving into snow. Maybe. That might interfere with getting a Christmas tree.

Not long ago I visited a high floor of an office building here in the northwest suburbs, something I don’t do to much these days. The view included the roof of a major retail location.Not very green, that roof. Besides whatever sustainability might be achieved, a roof that includes plants is more interesting to look at. Such as can be seen here and here. I don’t get to visit green roofs that often — ones such as the Chicago City Hall are inaccessible — but I did see one in suburban Toronto during my green press tour in that metro area. Didn’t take any pics.

Just behind the retailer is the office building’s nigh-empty parking lot.

Parking takes up a lot of space, no doubt about it. This study only focuses on a few cities, however, not the endless suburbs.

I set the background of my laptop to change every minute, and to keep things interesting, and I change the collection of images the computer uses every few days, if I remember to. Yesterday I directed the computer to use the images in the file July 5, 2019, which was our first day in Pittsburgh last year.

This popped up as part of the cycle. I’d forgotten I’d taken it.
That was in the Andy Warhol Museum.

Ann and I are still watching Star Trek roughly once a week. I’d say she’s seen about half of the original series. The most recent ones were the “Immunity Syndrome” and “A Private Little War,” both of which hold up reasonably well, though in strict storytelling terms, “Immunity” is better, since the concept is simple and the execution fairly taut. It’s the crew of the Enterprise vs. a whopping big space amoeba.

Best of all, it doesn’t turn out that the whopping big space amoeba is actually a sophisticated intelligence that the heroes eventually learn to communicate with and peacefully coexist with, a la Roddenberry.

That can be an OK track for a story — such as in “Devil in the Dark” — but for sheer space pulp drama, what you want is a mindless menace that needs to be destroyed by the last act. Star Trek did an even better job of that in “The Doomsday Machine,” in which the Enterprise fights a massive bugle corn snack that shoots death rays.

At first I thought “A Private Little War” was the (stupid) episode with the Yangs and the Cohms, in which Capt. Kirk recites the Pledge of Allegiance, among other looniness. No, that’s “The Omega Glory,” which we haven’t gotten to.

“War” is a jerry-built metaphor for the Vietnam War, involving as it does war among alien rustics, a Klingon plot to arm the natives, Kirk’s “balance of power” response, etc. Also, there was a raven-haired femme fatale with a bare midriff that got the attention of the 13-year-old I once was, and a creature that looked like a man in an albino gorilla suit, because that’s what it surely was. Spock bled green from a gunshot wound and Nurse Chappell got to slap him around. Why didn’t we ever see more of Dr. M’Benga? (Seems he was in another episode briefly.) Here’s why: actors cost money, as much as showrunners might wish otherwise.

One more item for today. Not long ago we got takeout at Asian Noodle House, a wonderful storefront that seems to be surviving on the takeout trade. We go there every other month or so. Fortune cookies come with each order, one per entre. Each wrapped in its own little plastic bag.

Today we got three little bags. One of them had two cookies tightly packed within. Is that like getting a double yolk? Does it mean extra good fortune or extra bad chi? Maybe one cookie is ying, the other yang.

Twelve Pictures ’19

Posted on December 19, 2019 by admin

I always take many more pictures than I post in any given year. Here are some from this year to close out the decade. Back to posting around January 5, 2020. That year sounds so far in the future, at least for those of us who vaguely remember Sealab 2020 — and yet here it is.

Near North Side Chicago, January 2019

San Antonio, February 2019

Downtown Chicago, March 2019

Elmhurst, Illinois, April 2019

New Orleans, May 2019

Arcola, Illinois, June 2019

Pittsburgh, July 2019

Oak Park, Illinois, August 2019

Midland, Michigan, September 2019

Charlottesville, Virginia, October 2019

Schaumburg, Illinois, November 2019

Millennium Park, Chicago, December 2019Good Christmas and New Year to all.

More Bits of Pittsburgh & West Virginia Too

Posted on July 18, 2019 by admin

The street that follows the edge of Mt. Washington in Pittsburgh is the aptly named Grandview Ave., featuring some truly grand views overlooking downtown and the three rivers. There are some multifamily properties and office buildings on the road that take advantage of the vista. But not that many. Am I missing something about the Pittsburgh market? Why, for instance, is this building in such a prime spot?

Maybe the lot’s too narrow for an apartment tower — like the one behind it — but what about a large house? I’d imagine that would command a handsome price.

The March 1936 flood in Pittsburgh was a bad one. How do I know this, beyond it being in the historical record? In downtown Pittsburgh, I encountered this wall. Note the plaque way up there.

“Nearly two inches of rain fell on March 16, which added to the 63 inches of snow that came throughout the winter,” the Heinz History Center says. “Warm temperatures melted the snow, swelling creek beds along the upper Allegheny and Monongahela Rivers.

“On St. Patrick’s Day, the rising rivers reached the North Side and washed into the streets of Downtown, wiping out historic businesses within hours. River levels reached a peak of 46 feet at the Point, more than 20 feet over flood stage, leaving more than half of Downtown businesses under water.”

In front of the Andy Warhol Museum is this street sign.
Not sure whether the museum had anything to do with that, but it’s a nice sentiment anyway.

PNC Park was on the way to the Warhol. July 5 was a game day.
The Pirates played the Brewers that day, losing 7-6 in 10 innings. But that was still in the future when we wandered by. If you look closely, you can see a statue of J.P. “Honus” Wagner, beloved Pirate of yore, just in front of the main entrance.

On Independence Day weekend, Pittsburgh is always host to Anthrocon, a national convention I’d never heard of before we took our Pittsburgh walking tour. Anthrocon attendees were out and about that day, and they were easy to pick out.

Here’s an attendee waiting to cross the street.
He had his headpiece off at that moment, but others walked by in full costume, defying the heat. Just what is Anthrocon?

The organization’s web site says: “Anthrocon began as Albany Anthrocon in 1997, and since then has grown into one of the largest anthropomorphics conventions in the world with a membership in 2018 of over 8,400 attendees… All of the finer aspects of anthropomorphic, or more commonly, ‘Furry’ fandom, are celebrated here.”

For local hotels, including the storied Omni William Penn Hotel, a convention’s a convention.
That other black-and-gold flag, by the way, is the Pittsburgh city flag.

The Frick Pittsburgh includes an exhibit of antique carriages and auto-mobiles. Cool little collection. Including the likes of a 1909 Stanley Steamer Model R Roadster.
And a 1929 Ford Model A, open to sit in. At some point, my mother’s father had a Model A. She told me about riding short distances — in their driveway — on its running board. I told that to Ann, not just to tell her about her grandmother, but also so she might know what a running board is. Seems like a good detail to know about the world.
I’m sitting in the back of the Model A because I’m too fat for the driver’s seat. Americans generally were more svelte 90 years ago.

A 1940 Bantam Roadster. I doubt that I’d fit in there either.
In a suburban Pittsburgh grocery store — the local brand, Giant Eagle, because you should visit grocery stores wherever you go — I saw local greeting cards.

On the way to Randyland, I stopped at a parking lot on the North Side to consult my map, and noticed an intriguing former church.
Until 2015, it housed the New Bohemian, an arts venue. The last time it housed a religious organization was 30 years ago. From the looks of it, nothing is going on there now.

At the Cathedral of Learning of the University of Pittsburgh, the International Rooms weren’t the only interesting features. At one point we entered a classic early 20th-century academic auditorium.
The kind of place where Indiana Jones might teach Archaeology & Derring-Do 101. Even he had to teach freshmen sometimes.

Missed Weird Al, who played Pittsburgh’s Benedum Center the evening we left town. Sold out anyway.
I think I’d pay money to see him, once anyway. But probably not as much as the tickets are priced now, in these gouging days for top acts. The time to see Weird Al would have been ca. 1981. I’m pretty sure “Another One Rides the Bus” was the first song of his I ever heard.

We returned home on July 7 via Columbus, Ohio, and Indianapolis — only a little longer than the all-tollway route we used to get to Pittsburgh from metro Chicago. The main consideration: I was especially annoyed by the Pennsylvania Turnpike, which charged $7.90 to go 11 miles. To compare, the entire Indiana Toll Road, about 136 miles, cost $8.70. Is the Pennsylvania Turnpike paved with gold? If only. I’ll never drive that road again.

I-70 west from Washington, Pa., takes you across the northern panhandle of West Virginia, a route of about 15 miles. We stopped and I put my feet on W. Va. soil for only the second time.

In 1988, I spent Labor Day weekend tooling around parts of Virginia — Shenandoah NP, Staunton, Monticello, etc. A meandering drive along back roads back to greater D.C. took me briefly into West Virginia. No one else was on the road, so I stopped and relieved myself. That was my total experience in W. Va. until 2019. What did we do at the West Virginia Welcome Center near Wheeling? Relieve ourselves.

Randyland

Posted on July 17, 2019 by admin

After a heavy downpour cooled down the hot afternoon on July 6 — Pittsburgh seemed awfully tropical this time of the year — we made our way to Randyland. When I was poking around before the trip for Sights To See, I discovered Randyland. Yep, that looks like a sight to see, was my instant conclusion.

“Randyland is the labor of love of Pittsburgh artist Randy Gilson, a local artist and neighborhood renovator,” Atlas Obscura says. “Over the years Gilson has almost singlehandedly turned a blighted neighborhood corner in Pittsburgh’s Mexican War Streets into one of the most colorful spectacles in the city.”

The exact boundaries of Randyland are a little vague. But I know that it includes this colorful building at the corner of Jacksonia and Arch streets.

Maybe this colorful building on Jacksonia.
And the space in between those buildings. Most definitely that space.
Drizzle was still coming down when we reached Randyland, but that didn’t stop us from entering the space — a sign welcomes all — for a look-see. There’s something colorful everywhere you look.

Randy greeted us and we spent a few minutes talking. Though this video might be scripted, it gives you a pretty good idea about how Randy behaved: he was effusive. He seemed genuinely glad to see us, the nth group to wander into his colorful compound. He asked our names and where we were from. He told us it was important to be ourselves and be happy.

In case the isn’t there, Randy greets you anyway in life-sized cutout form.

Later, he went next door, which he said was his studio, but we did see him again before we left, since we bought a couple of t-shirts and a button from him. They were reasonably priced, especially when compared with the merch at the Andy Warhol Museum gift shop. Besides, Warhol is dead, as opposed to effusive and very much alive Randy Gilson. It’s good to support living artists when you can.

Rivers of Steel: Carrie Blast Furnaces National Historic Landmark

Posted on July 16, 2019 by admin

It seems to be a misnomer, “Rivers of Steel,” at least as it applies to the Carrie Blast Furnaces National Historic Landmark, yet that’s part of the official name. The Carrie Blast Furnaces produced pig iron, not steel. The facility, which is just outside Pittsburgh, then sent the iron across the Monongahela River to the vast steel works in Homestead, Pa., site of the 1892 battle between strikers and company goons (professional goons: Pinkertons).

So I’d call it Rivers of Iron. Or maybe Rivers of Molten Iron, which sounds more badass. But never mind, that’s just me picking the sort of nits that allow me to be a half-way decent editor.

We arrived at the Carrie Blast Furnaces in time for the 11 a.m. tour on July 6. The day was blazing hot. Fitting for visiting a place whose heat must have been hellish year-round when it was in operation.

The furnaces were originally built in 1881 and acquired by Andrew Carnegie in 1898, becoming part of U.S. Steel a few years later. They closed in 1978. These days, Allegheny County owns the site and a nonprofit manages it, including tours.

The abandoned pig iron foundry — actually two surviving furnaces along the river, #6 and #7, with the rest razed — is a hulking empire of rust and dust and bricks and voids. Enormous pipes rise into the sky. Twisted metal goes this way and that. Our guide’s constant reminder on pebble paths peppered with debris: watch your step. We watched our step, but when standing still, peered as much as possible into Pittsburgh’s, and America’s, industrial past.

Some soaring elements.

Closer to the ground.

Rusty fixtures.

The king of the complex: one of the blast furnaces.

I listened to the explanations of what certain things were, and how the process moved along, but I don’t have a knack for metallurgy, so most of it didn’t stick. I did get the message about how dangerous and hard the work was, especially in the early days.

The site is also a nexus for graffiti and outsider art. The largest piece of outsider art was created some decades after the foundry was abandoned.

“In 1997, when the furnaces were in the hands of the privately owned Park Corp., a group of local artists entered the site, illegally, with the intention of constructing something from the materials that stayed when industry left: steel tubing, copper ties and wire from electrical conduit,” the Pittsburgh Post-Gazette says.

“Every Sunday for a year, the crew crawled through a hole in the fence, carrying their lunches and a few tools… The artists, whose seven head shots are posted on the exterior of the pump house, fastened the deer’s head on the ground and then lifted it atop the neck using a boat winch.”

Graffitists also roamed the site in its abandoned days. Inside a large shed (where the tour began), the walls are covered with it.

Elsewhere in the complex is a wall on which graffiti is now officially allowed.

“On this wall, it’s art,” the guide said. “Everywhere else, it’s vandalism.”

The Andy Warhol Museum

Posted on July 15, 2019 by admin

The earliest memories I have of Andy Warhol are probably him being mocked by comedians, which I must have internalized somewhat. I didn’t give him much thought in my youth, and if I did, he was the weirdo who painted soup cans and oddly colored portraits of movie stars. Later I regarded his work is stuck in ’60s, as dated as go-go dancing or Hair.

More recently his work has grown on me. Maybe in part because he didn’t stick in the ’60s. That was his heyday, certainly, but half a century later, and more than 30 years after the artist’s death, Warhol is still packing ’em in at the Andy Warhol Museum in Pittsburgh, which originally opened in 1994.

But I’ve come to appreciate him for more than enduring popularity. I’m no authority of any kind on his art, but I understand a little about its context now, and see that he was doing new and intriguing things, or sometimes just odd or strange things. Taking his considerable talent as an illustrator in all sorts of curious directions. Making things that are still interesting to look at and think about, which is one of my crude baselines for judging an artist.

Though footsore from a day of tourism, we joined the crowd at the museum on the evening of July 5. The extra Friday hours and half-price admission helped attract us, but we probably would have gone anyway. Pittsburgh has a number of worthwhile fine arts museums, as do a lot of other places. Nowhere else has a museum devoted to Andy Warhol.
Richard Gluckman, who is known for his museum work, redesigned the building to be a museum. Originally built in 1911 as a multistory warehouse, the structure now sports seven floors of galleries and exhibition space, with the permanent Warhol exhibits taking up the top four floors.

Warhol’s early and student work, as well as his time as a commercial artist in the 1950s, takes up the seventh floor. On the sixth floor are ’60s works; the fifth floor features ’70s works; and the fourth floor exhibits works from the ’80s.

In some ways, his early works are the most interesting, simply because they are less familiar. On display on the seventh floor, for instance, are ink drawings of women and produce trucks (1946), “Seven Shoes” (third image down), which Warhol did for a shoe brand in the 1950s, and the risque “Female in Corset and Stockings,” which probably wasn’t for a client.

Equally interesting are items about Warhol’s childhood and youth. Such as a large, blown-up photo of his high school graduation picture. The face is him, and yet not any Warhol you’re used to seeing. Turns out Andrew Warhola of Pittsburgh had a childhood and an adolescence, as opposed to the comedian-fodder artist who appeared fully formed in New York with frizzy white hair, painting Brillo boxes.

Also interesting to learn about Warhol: he was the son of Lemko immigrants and he remained a practicing Ruthenian Catholic all his life.

The sixth floor displays the most familiar Warhol output: soup cans and other consumer product-inspired items, celebrity portraits in assorted hues, and clips from his early movies, all 1960s vintage. Most of these are so well known — so absorbed into the tapestry of 21st-century American culture — that I don’t feel the need to link to any images. Even so, I look at the soup cans now and think, interesting idea for 1962. Also, who eats Pepper Pot?

Google Image “soup can” and one of the things high in the results offers a silk screen of “Tomato Soup” for sale. For $500. Not even a limited edition. Presumably the Warhol Foundation is getting a cut. Warhol was an astute businessman as well as an artist, and I think that would make him smile.

All that said, I’m not paying that much for an open-edition silk screen of “Tomato Soup,” however interesting the original concept might have been.

The ’70s and ’80s galleries sported such interesting, or amusing, items such as the “Vote McGovern” (1972) and “Space Fruit: Lemons” (1978). An entire gallery wall featured “Mao Wallpaper,” which he created in 1974 but which the museum reprinted a few years ago, probably to put on the wall. Anyway, it’s there, along with “Skulls” on the same wall (individually, not in a group of six). I like to think that’s a comment on the millions Mao murdered, but I’m not sure the museum would say that.

One gallery display of late-life Warhol output was a complete surprise: computer-generated art. Specifically, Amiga generated.

According to the museum: “In the summer of 1985, Warhol was given his first Amiga 1000 home computer by Commodore International and enthusiastically signed on with the company as a brand ambassador.

“For their launch, Commodore planned a theatrical performance, which featured Warhol onstage at Lincoln Center with rock ’n’ roll icon and lead singer of Blondie, Debbie Harry. In front of a live audience, Warhol used the new computer software ProPaint to create a portrait of Harry. He later made a series of digital drawings including a Campbell’s soup can, Botticelli’s ‘The Birth of Venus,’ and flowers.”

These images are on display in the gallery, though for most of the past decades, they languished on obsolete Amiga floppy disks. “In 2014, we collaborated with Carnegie Mellon University and Carnegie Museum of Art to extract the saved files from Amiga floppy disks held in our archives collection,” the museum notes.

That was something I knew nothing about, since I wasn’t paying attention to Warhol or the Amiga in 1985, though I knew a fellow in my office who still had one of the machines in the mid-90s that he said was still working.

Warhol died in 1987. The Amiga display made me wonder what he would have done on the Internet, had he lived only a few years longer. Probably odd and maybe interesting.

After we left the museum, we walked across what used to be the Seventh Street Bridge, which is mere feet away. In 2005, it was renamed the Andy Warhol Bridge. Dating from the ’20s, it’s a self-anchored suspension bridge that has held up better than the original Silver Bridge, which was of a similar design.

I don’t know how Pittsburghers feel about that name; maybe hardcore Yinzers didn’t take to it. But it’s a fine name for a bridge — goes somehow with the neighboring bridges, named for Roberto Clemente (Sixth St.) and Rachel Carson (Ninth St.) — and I was happy to walk across it.

Been There, Seen That

By Dees Stribling

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