Category Archives: Public Art

Artists Monument, UIC

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My walkabout through the University of Illinois at Chicago campus on Sunday wasn’t exhaustive, so I can’t say for sure, but I got the impression that UIC could use a few more works of public art or fountains or memorials. That was one reason I was glad to see the Armistice memorial unveiled that day.

Just as I was about to leave — I’d arrived by taking the Blue Line to the UIC-Halsted station and so headed back toward the station — I noticed some public art on campus. A fairly large piece, too. Multicolored.

And long.

Eighty feet long, as it happens, and eight feet on each of the other two dimensions. It reminded me at once of a high cube shipping container, though with more color. The work is called “Artists Monument” (2014), by retired University of Illinois at Chicago art professor Tony Tasset. Acrylic panels on steel and wood.

The work was installed at this location only last year, after spending time at the Whitney Museum of American Art in New York and Grant Park in Chicago. According to the university, the work isn’t going anywhere else.

Up close, it’s easy to see the many names on the work.
All together the names of 392,485 artists. How the artist came up with that number, and how long it took to compile them, I couldn’t say. Best not to inquire too closely.

I picked one at random to look up: Atilla Atar, a living Turkish artist, it seems.

Armistice Day 2018

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Has it been 100 years? That milestone might merely be a quirk of the fact that we use base 10, but I still think it’s worth an extra measure of reflection on the man-made cataclysm that came to a halt on Armistice Day.

But the Great War wasn’t that long ago. Not really. All of my grandparents were alive for it — were grown men and women, and in one case, my mother’s father, in France when it ended.

I took this picture a few years ago at Cantigny Park, former estate of Robert McCormick, who was so deeply affected by his experience in the Great War that he preferred to be known as Col. McCormick even in civilian life, and named his property after the Battle of Cantigny, in which he participated.

I probably didn’t mean to capture Ann in that picture, but I did. A child amusing herself within sight of a memorial to bravery in the face of a bloodletting she could not imagine, and that her father can only dimly imagine, as informed by books and movies.

Somehow, though, I know November 11, 1918, is a special moment in the history of mankind, and we would do well to remember it. In Breakfast of Champions (1973), Kurt Vonnegut wrote a remarkable passage about Armistice Day:

It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.

Kohler in the Fall

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Ten years ago this month I went to a conference in Kohler, Wisconsin, famed for its plumbing equipment but also enlivened by colorful trees, if you time your visit right. One afternoon I had a little while to take a walk near the American Club, site of the conference.

Across Highland Dr. from the club are buildings that belonged to the Kohler Co., and still do, according to Google Maps. This is the front-office building of the company’s enormous factory.

The street offers a leafy walk at the edge of the Kohler plant.

Also on Highland Dr. is the Village of Kohler Fire Dept. headquarters. On the side of the fire department building is this curious bit of artwork. Curious enough for me to take a picture, anyway.

St. George and the Dragon, looks like. Maybe the dragon is a metaphor for fire. Still, the patron saint of firefighters isn’t St. George, but rather St. Florian. The Florian cross is the basis of the logo of the International Association of Firefighters.

Further down the street is a railroad crossing.
Before long Highland Dr. turns into Riverside Dr., with views of the Sheboygan River available.
The Sheboygan flows directly into Lake Michigan. I also saw it in Sheboygan Falls during that trip.

Near Riverside is parkland.

It was a good place for an October walk.

Turner Hall, Milwaukee

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From the Encyclopedia of 1848 Revolutions, part of an article on the German Turnverein: “Founded amid the nationalist enthusiasms of the War of Liberation, the German gymnastic movement, or Turnverein, had fundamentally changed by the time of the 1848 revolutions in the German lands.”

Ah, a branch of the physical culture movement. Maybe the main branch; I’m no expert. But I do blame the physical culture movement for the indignities of PE in 20th-century America.

To continue from the encyclopedia: “Although Friedrich Ludwig Jahn, the gymnasium instructor who had originated the idea of nationalist gymnastics in Berlin in 1811, was still venerated in the organization, his anti-Semitism, hatred of the French, and loyalty to the Hohenzollern dynasty left him out of step with an organization committed to national unification and political liberalism…

“These gymnastic clubs were often closely aligned with workers’ organizations and democratic clubs with whom they shared a desire for reform and a rejection of traditional hierarchies…

“In contrast to the organization Jahn had founded, almost one-half of the membership in the 1840s were non-gymnasts, the so-called ‘Friends of Turnen,’ and because of this, the new clubs engaged in more non-gymnastic activities, such as funding libraries and reading rooms, and sponsoring lectures, often of a politically liberal nature.

“Given the radicalization of the movement in the 1840s, it is not surprising that the German gymnasts were directly involved in the 1848 revolutions…

“The aftermath of the 1848 revolutions devastated the German gymnastic movement. Clubs were disbanded, property confiscated and leaders lost to jail or exile.”

One place exiled Turners went was Milwaukee. By 1882, they had completed Turner Hall, which stands to this day on 4th Street in downtown Milwaukee. Remarkably, the Milwaukee Turners are still around, and for a paltry $35, anyone can join. No German language skills or even gymnastic aptitude seem necessary.

Our Turner principles are as follows [their web site says]:
Liberty, against all oppression;
Tolerance, against all fanaticism;
Reason, against all superstition;
Justice, against all exploitation!

The hall was open as part of Milwaukee Open Doors, so we visited.
That’s not the building’s best side, which was in the shadow when we visited. Here’s a good picture of the front.

The building’s a fine work by Henry Koch, himself a German immigrant who also did Milwaukee City Hall. Built of good-looking Creme City brick, which is now going to be the subject of another digression.

“Like the road to Oz, much of Milwaukee is made of yellow brick – Cream City brick, to be precise. But how, exactly, did it end up here? And why is it such a source of local pride?” asks Milwaukee magazine.

“Clay found along Milwaukee’s river banks was naturally high in magnesia and lime, giving the brick its unique color and durability, according to Andrew Charles Stern, author of Cream City: The Brick That Made Milwaukee Famous.

“Its popularity extended well beyond Wauwatosa. Local manufacturers shipped Cream City bricks to clients around the United States and as far away as Europe, until production ceased in the 1920s, when the clay supply was depleted and builders began to favor stone and marble…”

Talk about enjoying a local sight. A building built for Milwaukee Turners from a material created locally.

Inside, we joined a tour group and saw the restaurant space, which I believe was a beer hall once upon a time. After all, they might have been physical culture enthusiasts, but they were also Germans.

Murals dating back to the early days of the Milwaukee Turners grace the walls in that part of the building. Such as one featuring Turnvater Jahn and assorted allegories.
The aforementioned Friedrich Ludwig Jahn (1778-1852), that is, the father of gymnastics, and possibly a godfather of National Socialism, though that point is disputed, and in any case the NSDAP never had much traction in Milwaukee.

A detail from another Turner Hall mural whose subject is the founding of Milwaukee.

Pictured are Solomon Juneau and a Native American. Juneau founded the city in the early 1800s.

I feel another digression coming on. From the forward of Solomon Juneau, A Biography, by Isabella Fox, published in 1916:

The name of Solomon Juneau has long been honored, alike for the sterling integrity, the true nobility of the man, and for his generous benefactions in the upbuilding of the city he founded nearly a century ago, near the Milwaukee bluff on the shore of Lake Michigan. He was the ideal pioneer — heroic in size and character — generous by nature, just in all his dealings, whether as a fur trader with the red man, or in business transactions with his fellow townsmen, through the trying times when early settlers often required fraternal assistance, and the embryo city in the wilderness was ever the gainer through his benevolence, for selfishness was non-existence in him…

They don’t write ’em like that any more.

The star attraction in the Turner Hall is the ballroom.

The ballroom was damaged by fire at some point, but it’s stabilized enough — including netting covering the ceiling — for public events, such as the wedding that was going to be held there sometime after we visited last Saturday.

Eventually, the room will be restored. Bet it’ll be a marvel.

Milwaukee Doors Open ’18

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We went to Milwaukee on Saturday for this year’s Milwaukee Doors Open, a fine event that more cities in this country would do well to emulate. Doors Open and Open House have a fair number of participating cities around the world, but by my count only Atlanta, Chicago, Denver, Milwaukee, Lowell, Mass., and New York in the U.S.

Last year during the event, we visited five Milwaukee churches and one secular building, City Hall. After visiting six churches just last week in Chicago, we took a break from religious sites and focused on other kinds of buildings: a theater, an arena, a former clubhouse that’s now an event venue, a library and a planetarium.

The Doors Open buildings weren’t the only things we saw. For instance, in downtown Milwaukee I noticed this memorial on the grounds of the Milwaukee Fire Dept. HQ, called “The Last Alarm.”Words on one side the plinth explained: Traditionally, in the Milwaukee Fire Department, when a fire fighter dies in the line of duty, his-her boots, topped by a fire fighting coat and helmet, are placed in the procession. As the funeral cortege of the fallen firer fighter approaches, the on-duty crew comes to attention and offers a final salute. This empty turnout gear not only symbolizes the missing fire fighter, but also the emptiness felt by family, friends, and fellow fire fighters who share the loss.

On another side of the plinth is a list of Milwaukee FD firefighters who died in the line of duty.

A few blocks away is an historical marker about the typewriter. It’s pretty much self-explanatory, at the least to the aging part of the population that grew up with typewriters.

Also downtown is the Milwaukee County Courthouse, and imposing neo-classical edifice by McKim, Mead, and White, finished in 1931. From the east.

Another view, from the southeast, roughly.

In the afternoon, we left downtown to visit the campus of the University of Wisconsin- Milwaukee, which is in the northern reaches of the city, not far from Lake Michigan. Though not open for a tour, I thought this building was interesting.

It’s the Kenwood Interdisciplinary Research Complex, which includes labs, classrooms, offices and meeting spaces for the university’s physics, chemistry and the Environmental Health Sciences doctoral program within the Zilber School of Public Health. Finished in 2015.

Postmodern, I suppose. According to Flad Architects, who designed it, “the exterior expression of yellow terracotta, exposed concrete and metal panels is rendered as an assemblage of components, a metaphor for the research and innovation happening within.” That is to say, pay attention, Science is happening here.

Not far away is a sizable concrete sculpture.

Not the most aesthetic assemblage of material, or even concrete, that I’ve ever seen. But it has a cool name: “Jantar-Mantar,” which I suppose is an homage to the astronomical observatories in India of that name, though without the hyphen. Erected in 1995.

Narendra Patel, who used to teach art at the university, is listed on the plaque as the sculptor, with the piece otherwise “created and completed through the hard work and direction of Dennis Manley and the following students of sculpture [lists 14 names].”

Stray Thursday Items

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Various things my computer has told me lately:

Object reference not set to an instance of an object.

Description: An unhandled exception occurred during the execution of the current web request. Please review the stack trace for more information about the error and where it originated in the code.

Sure, whatever you say.

Tremendous loud thunderstorm yesterday evening. Short but dramatic. The yard needed the water. Been a dryish August so far. But not too hot. I try to enjoy lunch on my deck daily, and sometimes breakfast, because soon the air will grow cold. All too soon.

Cicadas are in full voice during the day now. Crickets are on the night shift, singing their songs. Sounds just the same — to my human ears — as it did in 2015. But for all I know, the songs have morphed since then, and are as different to the insects as Middle English compared with Modern English.

Presidential sites are pretty thin on the ground up on the north shore of Lake Superior, but I did find one place during our recent trip that has the vaguest connection to a U.S. president. Its name: Buchanan.

Here it is.
That might look like undeveloped shore on Lake Superior, and it is, but not far from shore a plaque says: This town site, named after President Buchanan, was laid out in October 1856. From September 1857 until May 1859 the place, though little less than wilderness, was the seat of the U.S. land office for the northeastern district of Minnesota. After the removal of the land office, the settlement disappeared.

This sizable sculpture is on the campus of University of Minnesota Duluth, near that school’s planetarium. It’s called “Wild Ricing Moon.”“The sculpture… was designed by John David Mooney, a Chicago sculptor with an international reputation,” the university says. “The piece is 89 feet tall. The first half of this large-scale outdoor sculpture was erected in October 2005. The first installation, a large steel circle, 40 feet in diameter, represents the full, rice-harvesting moon of late summer.

“A ‘rice stalk’ section and bird was included in the pieces that arrived in June. Mooney described the sculpture as reflecting the North Shore of Lake Superior and natural features of the region.”

Here’s the pleasant open area behind the Allyndale Motel in Duluth.

One morning I ate a rudimentary breakfast there as the girls slept. One night I went there on the thin hope that the northern lights would be visible. No dice.

I spent a few minutes tooling around Eau Claire, Wis., on the Saturday morning on the way up to Minnesota. One thing I saw in passing was the impressive Sacred Heart-St. Patrick Parish church.
Unfortunately, the church was closed.

A little later that day we stopped at Leinenkugel Brewery in Chippewa Falls. The tourist-facing part of the operation is known as the Leinie Lodge®, which “is filled with historical photos, vintage brewing equipment and plenty of Leinie’s wearables and collectibles to take home,” notes the brewery web site. There’s also a bar. Guess what it serves.

Boy, the Leinie Lodge was crowded. That’s the result of years of clever advertising (autoplay) and what we get for going on a Saturday morning. But that wasn’t the irritating part, not really. Leinenkugel Brewery tours cost $10. Admission for a brewery tour?

I’ve been on brewery and vineyard and distillery tours all over the world, including a beer brewery in Denmark, a bourbon maker in Kentucky, a winery in Western Australia and a sake brewery in Japan, and that’s one thing I haven’t run across. Because, you know, the tour is marketing — building goodwill — introducing new customers to your product — not a damned revenue stream. For the birds, Leinenkugel, for the birds.

But I have to confess that Lilly wanted a Leinenkugel shirt, so I got her one. Her souvenir for the trip. I got a couple of postcards.

On the way back from Minnesota, as I’ve mentioned, we ate lunch in Madison, Wis., at the excellent Monty’s Blue Plate Diner.

Across the street from Monty’s is the Barrymore Theatre. I like its looks.

Various live acts play at the Barrymore. Looking at the upcoming list, I see that They Might Be Giants will be there in October after dates in the UK, Germany and Canada. Maybe I should see them again — it’s been almost 30 years now — but it’s a Tuesday show, so I don’t think I’ll make it.

One more thing. At a rest stop on I-94 near Black River Falls, Wis., there’s a state historical marker honoring, at some length, the passenger pigeon. Among other things, the marker says: “The largest nesting on record anywhere occurred in this area in 1871. The nesting ground covered 850 square miles with an estimated 136,000,000 pigeons.

“John Muir described the passenger pigeons in flight, ‘I have seen flocks streaming south in the fall so large that they were flowing from horizon to horizon in an almost continuous stream all day long.’ “

Wow. 136 million pigeons more or less in the same place? A marvel to behold, I’m sure. That and an amazing amount of noise and a monumental torrent of droppings.

Leif Erikson and His Rose Garden

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According to Wiki, which cites a book called Vikings in the Attic: In Search of Nordic America by Eric Dregni (2011), there are statues of Leif Erikson in Boston, Milwaukee, Chicago, St. Paul, Duluth and Seattle.

According to Leif Erikson.org, there are also statues of him in Reykjavik, as well as Newport News, Va.; Trondheim, Norway; Minot, ND, Eiríksstaðir, Iceland; Brattahlid (Qassiarsuk), Greenland; Cleveland (a bust); and L’Anse aux Meadows, Newfoundland.

That’s not counting the more generic Viking Big Ole, who stands in Alexandria, Minn., home of the pretty-sure-it’s-a-hoax Kensington Runestone.

I’ve seen the Chicago Leif Erikson myself; it’s in Humboldt Park. Now I’ve seen the one in Duluth. Here it is.

Carved on the plinth are the Viking’s name and “Discoverer of America 1000 A.D.” Also that the statue, designed and executed by John Karl Daniels, was erected by the Norwegian American League (no hyphen) of Duluth and “popular subscription.” It was “presented to the city” on August 25, 1956.

I wonder what Leif, an obscure chieftain from a remote island 1,000 years ago, would make of his current modest fame, which came to his name more than 800 years after his death. Modest fame, but then again, how many other 10th/11th-century figures are so well known in the 20th/21st century?

Who among the teeming billions on the Earth now, through some completely convoluted and unpredictable set of circumstances across the centuries to come, will be remembered at the beginning of the fourth millennium, for reasons impossible to imagine?

A stout iron fence surrounds the statue, I guess to discourage casual vandalism, but ardent vandals, statue revisionists, or garden-variety wankers could climb the fence without too much trouble. As far as I know, there hasn’t been much grumbling about old Leif, though skinhead lowlifes apparently try to co-opt a statue of the lesser-known Icelandic explorer Thorfinn Karlsefni in Pennsylvania each October 9.

That being Leif Erikson Day. Time And Date.com says: “October 9 was chosen because it is the anniversary of the day that the ship Restauration arrived in New York from Stavanger, Norway, on October 9, 1825. This was the start of organized immigration from Scandinavia to the USA. The date is not associated with an event in Leif Erikson’s life.”

Some context for the Leif Erikson statue in Duluth: it’s in Leif Erickson Park (sometimes styled Erikson) and next to the Leif Erikson Rose Garden, also known as the Duluth Rose Garden. It has some fine plantings.
The garden “was begun by Mrs. John Klints, a native of Latvia, who wanted to give her adopted home of Duluth a beautiful formal rose garden similar to those she’d known in Europe,” says Public Gardens of Minnesota. “It opened in 1965 within Leif Erickson Park, with 2,000 roses, all arranged in gently curving beds surrounding an antique horse fountain. Here it remained for 25 years….

“A vast and ambitious city redevelopment project, and a clever Department of Transportation solution to the termination point of the freeway entering Duluth, resulted in the new location of the rose garden. The garden reopened in 1994 after four years of construction… again as part of the new Leif Erickson Park.

“The six acres are still formal in nature and still have the fountain and gazebo from the original garden, but the beds are now two long beds and four circular beds. There are now in excess of 3,000 roses and 12,000 non-rose plantings, including day lilies, evergreen shrubs, mixed perennials and an herb garden.”

Good to see the garden’s gazebo. It has a nice view of Lake Superior. That’s what this country needs, more public gazebos.

Two Harbors and Gooseberry Falls State Park

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It occurs to me that it’s been 40 years this week since I visited Wisconsin for the first time — and Minnesota for that matter, though I only passed through that state. I was on a bus full of other San Antonio high school kids on the way to the 1978 Mu Alpha Theta national meeting in Stevens Point, Wis.

So our recent trip up that way was a 40th anniversary tour for me. More or less. More less than more, since I didn’t go near Duluth in ’78, but never mind.

Northeast from Duluth, Minnesota 61 hugs the coast of Lake Superior, offering a number of sites to see. More than we had energy for, unfortunately, since a drive up 61 all the way to the Canadian border — all the way to Thunder Bay, though it’s Ontario 61 up that way — would make for an excellent few days, not an afternoon.

Still, on the afternoon of July 29, we made our way to the town of Two Harbors and Gooseberry Falls State Park. At Two Harbors, we spent time at the rocky shore.
3M was founded in Two Harbors. Unsurprisingly, the company has no presence there any more, though the corporate “birthplace” is a small museum that we didn’t visit.

Rather, we spent a few minutes at the Two Harbors Light Station. Or Light House, depending on the source.
Up the road from Two Harbors is Gooseberry Falls State Park, reportedly the most-visited state park in Minnesota, and I can see why. The place is drop-dead gorgeous even before you get to the falls.
As promised, the park sports plenty of falls as the Gooseberry River cascades toward Lake Superior. Here are the Upper Falls.
The Middle Falls.
The Lower Falls.
I understand that the flow of the falls depends entirely on runoff, since the relatively small Gooseberry has no headwaters. So I guess it’s been a rainy summer in this part of Minnesota.

Who developed much of the park infrastructure? Here’s a clue.
The lads of the CCC, of course.

Near the Upper Falls is an unusual, and sad, plaque. It’s both a warning and a memorial.
I looked up Richard Paul Luetmer, who has missed out on being alive these last 40 years. He went diving in the river and hit a submerged log. RIP, Richard, but I have an editor’s nit to pick with the plaque editor: In Memoriam, not In Memorium.

The Amy & V.H. McNutt Sculpture Garden

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Just outside the Briscoe Western Art Museum in downtown San Antonio is the Amy & V.H. McNutt Sculpture Garden. It’s shady, so even on a hot day it was pleasant for a short visit.
V.H. McNutt was a mining engineer who made a fortune in potash in New Mexico in the 1920s. Later he and his wife owned a large ranch near San Antonio. The McNutt Foundation is in San Antonio even now.

Many of the sculptures involve Native American themes. Such as “Strength of the Maker” (1990) by Denny Haskew.
“Bird Woman” (2001) by Richard Greeves.
“Rainmaker” (1998) by John Coleman.
“Dance of the Eagle” (1986) by Allan Houser.

“Crow Brave with Fan” (1985) by Doug Hyde. Unlike most of the other pieces in the courtyard, a work in granite.

“Chief Quanah Parker” by Jim Reno. No date noted that I could see, but I suppose before 2008, since the artist died that year.
Quanah Parker had a prominent place at the small museum at Palo Dura Canyon State Park that I visited earlier this year. He was one of the leaders the last of the Comanches’ big raids, the Battle of Adobe Walls, in 1874.

The statue’s a good one, and he certainly looks like a Comanche war chief, though it would be more interesting if Quanah Parker’s statue looked like this.

This is “Thank You Lord” (2011) by Harold Holden.

And a detail from “El Caporal” (2015) by Enrique Guerra.
Detail because he appears to be driving some bronze cattle, not pictured here, ahead of him.

Oz Park

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Oz Park is a mid-sized green space on the North Side of Chicago, bounded by W. Webster Ave. on the north and W. Dickens Ave. on the south, though there’s a patch of it south of Dickens; and N. Larrabee St. on the east and N. Burling St. on the west, which is a block east of Halsted.

After strolling north on Halsted recently, I visited Oz Park. Baseball fields and tennis courts take up much of the park, and people were using them to the fullest the day I wandered by. A fair share of the park is wooded or grassy, with walking or bicycling paths snaking through. Occasionally life is a walk in the park.

Oz Park is a successful example of urban renewal. That movement gets a bad rap, and it mostly should, but there are worthwhile spots as a result.

“In the 1960s, the Lincoln Park Conservation Association approached the City of Chicago in efforts to improve the community, and the neighborhood was soon designated as the Lincoln Park Urban Renewal Area,” the Chicago Park District says.

“The urban renewal plan identified a 13 acre-site for a new park, and in 1974, the Chicago Park District acquired the land. In 1976, the park was officially named Oz Park in honor of Lyman Frank Baum (1856-1919), the author of The Wonderful Wizard of Oz.”

Baum didn’t live in Lincoln Park, but he did live in Chicago, so close enough. Certain aspects of the park honor his work, such as the Emerald Garden.

In more recent decades, Wizard of Oz characters have come to the park, such as the Scarecrow, who’s at one of the Emerald Garden entrances.
“In the early 1990s, the Oz Park Advisory Council and the Lincoln Park Chamber of Commerce commissioned artist John Kearney to create a Tin Man sculpture, installed in October 1995, the Cowardly Lion, installed in May 2001, and the 7 ft., 800 lb. cast bronze Scarecrow, installed June 2005,” the park district says. “In Spring 2007 Dorothy & Toto joined their friends in the park.”

Being first, the Tin Man is the most prominent, standing in a highly visible spot where Larabee, Webster and Lincoln Ave. meet (Lincoln’s a diagonal that passes by the northeast corner of the park).

West of the Tin Man are Dorothy and Toto, standing back a bit in the shade.
Note the Ruby Slippers, not Silver Shoes. Artist’s prerogative, I guess.

I didn’t see the Cowardly Lion, but I figured he was elsewhere was in the park. As he is.