Leominster, Massachusetts

The highway Massachusetts 2 – locally called Route 2 – traverses the northern reaches of the commonwealth, from the Boston Common to the border with New York more than 140 miles away, or vice versa. I went west, fortunately not starting in Boston itself, but still slightly inside Route 128.

Once you leave the thickest of metro Boston headed westward, the route becomes more casually picturesque, mildly winding through mildly hilly territory, providing access to Massachusetts towns more and less pleasant, depending I suppose on the vagaries of their economic history. Not an epic drive of the kind you encounter high in some mountains or across wide bodies of water, but a satisfying one all the same.

Eventually you come to the western part of the state, as mountainous as it gets, and the road acquires appropriate twists and vistas. My favorite moment on the road was when I first drove it in 1989. I took one of those twists, and saw a suddenly appearing sign that said Entering Florida. Of course someone has posted a picture.

Florida, Massachusetts, that is, a town (pop. 671) in the Berkshires.

That was another drive. In April I traveled on Route 2 as far west as Shelburne Falls, but I’m getting ahead of myself. First I stopped at a rest stop on the way that reminds us that Johnny Appleseed hailed from these parts.

Indeed, John Chapman was born in Leominster, Massachusetts before the Revolution, though he came to fame in the wild-and-woolly Northwest Territory (and its spanking-new states) and now reposes in Fort Wayne, Indiana under some apple trees.

I was inspired to stop in Leominster (pop. 43,800). First stop, St. Cecelia’s Church, whose construction began in 1931 and which was restored in 1983.

Good to see a church of that name; reminds me of Santa Cecilia in Trastevere, a favorite part of Rome for me (40+ years ago), though the Massachusetts church itself is rather different.

Some fine stained glass, designed in Spain, created in New Jersey.

Leominster has the sort of long economic arc (for America) one finds in the Northeast: agriculture to manufacturing to services, though those first two economic activities are to some degree ongoing even now. The town is prosperous enough to support well-kept and still-used downtown buildings.

I liked the handsome former train station, now retail.

Another church.

Not as vaulting as the Catholic church down the road, but still a handsome brick structure. I had to look into it: this church is affiliated with the Assemblies of God, the largest Pentecostal association in the U.S.

Manufacturing in the case of Leominster meant a remarkable specialty in the 19th century and into the 20th: combs. Even more remarkable, a history of American comb making, published in 1925, is posted online, namely Comb Making in America, “An Account of the Origin and Development of the Industry for which Leominster has Become Famous to which are added Pictures of Many of the Early Comb Makers and Views of the Old Time Comb Shops.”

That publication date puts it in the public domain. Ah, there’s another setting for a streaming service limited series costume drama — among the cutthroat world of comb making in 19th-century Leominster. I don’t know that “cutthroat” is accurate at all, but who cares. Maybe two brothers fighting for control of their dying father’s comb empire, and their love for the same upper-class woman (who is anachronistically feisty), amid a backdrop of bitter labor agitation, with two labor leaders pushing for unionization, and their love for the same woman (a different woman, that is, one of the comb makers, but also feisty.). See, that wasn’t hard at all. Who needs AI to come up with ridiculous ideas?

The Forward of Comb Making in America calls Leominster the “present seat” of the industry in America: “The industry has changed this thriving town, which is about fifteen miles from Worchester and forty-five miles from Boston, from a small agricultural hamlet into an industrial center of more than twenty thousand people whose products are known throughout the world.”

In the early days, of course, making combs from animal horn and the like was a labor-intensive effort. A more modern industry arose with the invention of celluloid. Later came more sophisticated plastics and molding tech, and the expansion of the industry into other molded items. Such as Foster Grants and Tupperware, both of which originated in Leominster. A simple Google search reveals that there is still a plastics industry in Leominster.

I didn’t spend a lot of time in Leominster, so maybe I missed it. But where’s the giant comb or Foster Grant or Tupperware container in a prominent public place? Leominster officials and private boosters, get on it. Or at least invite the Wall Dogs to town to whip up some local history murals.

Mount Auburn Cemetery: The Stones

The main gate of Mount Auburn Cemetery, an Egyptian Revival structure, was behind a temporary fence the day I dropped by. That’s only reasonable, as an object that needs periodic renovation.

I took a paper souvenir from the cemetery, one that’s given away: a detailed map and guide. An exceptionally detailed map and guide, I should add, including not only the vehicular roads that twist around the grounds (something like the roads in greater Boston), but all of the many, many footpaths, all of which seem to have names. Also noted are special features, including chapels, ponds, named knolls, the sites of 62 notable people buried on the grounds, plus the sites more than 20 notable memorials or works of funerary art. It’s more than anyone could take in during a short visit, or even a lot of longer visits.

That’s never deterred me. I parked near the entrance and set out, picking up the map at the visitors center and spending a moment at Story Chapel.

The chapel is named for Joseph Story (d. 1845), associate justice of the Supreme Court, colleague of John Marshall and, in as much as I know about the subject (not much), a titan of early U.S. jurisprudence. He was also first president of Mount Auburn and, when his time came, he was buried there, though that was among the many memorials I didn’t happen to see.

So many memorials. Some more conventional, but no less beautiful or impressive for it.

Some less conventional. Any grand cemetery needs a component of the unusual or odd.

A number of mausoleums, though perhaps not as many as you’ll see at Green-Wood or Woodlawn in the Bronx.

More modest stones.

Men who died for the Union.

A good many couples.

Mount Auburn Cemetery

A sad story, one of many.

Maybe a sad story. A little enigmatic, anyway.

Looking at the map’s list of famous permanent residents, one thinks: “Right, I know him. And him. And him. And her. There’s another person I’ve heard of. And another. And I think I know that one – I do…”

On it goes. A short selection of those I didn’t have to look up: Louis Agassiz, John Bartlett (of Quotations fame), Edwin Booth, Charles Bulfinch, Dorothea Dix, Mary Baker Eddy (“discoverer” of Christian Science, the map says), Edward Everett (spoke at Gettysburg, was upstaged), Fannie Farmer, Felix Frankfurter, Buckminster Fuller, Charles Dana Gibson, Curt Gowdy, Oliver Wendell Holmes Sr., Julia Ward Howe, Henry Cabot Lodge, Henry Wadsworth Longfellow, Bernard Malamud, Arthur Schlesinger Jr., B.F. Skinner, I.F. Stone, and Charles Sumner.

I could have spent all day looking for them, but mostly I didn’t. I did see Charles Sumner’s stone. People leave smaller stones. I found one and did too.

Near Sumner. I’d never heard of him, but I like that name.

Solomon Sias Sleeper (d. 1895), successful Cambridge merchant and local politico and philanthropist.

The map also lists impressive memorials. I found a number of those. Such as the Rev. Hosea Ballou Monument, honoring a Universalist clergyman (d. 1852).

A Civil War memorial, erected in 1872 — the only time I’ve seen a sphinx used for that purpose.

“The sphinx was chosen because of its ideal personification of intellect and physical force and its representation of the combined ideas of beauty and strength,” the notes on the map say. I know the sphinx has a very long history and comes with a lot of encrusted lore, but that sounds like a peculiar Victorian interpretation that didn’t really stick.

The Scots’ Charitable Society Lot.

An organization founded in 1657 in Massachusetts. It “aims to help people of Scottish heritage by providing relief to Scottish-American individuals and families in need, and by granting undergraduate scholarships to the Scottish-American community,” says its web site because it is still around.

Bigelow Chapel.

Named for Jacob Bigelow (d. 1879), second president of Mount Auburn.

Washington Tower. The highest point on the grounds, honoring George Washington. Designed by Bigelow in collaboration with architect Gridley J. F. Bryant. I didn’t have the energy to climb the hill and then the tower at that moment. Too bad. I understand the view of the Boston skyline from there is terrific.

A cenotaph for four members of the U.S. Exploring Expedition who didn’t return from the Pacific.

I was delighted to see it. In its way, as important as Lewis and Clark’s journey, and something I’m certain 99-point-more percent of Americans have never heard of.

Back to Joseph Story. He gave the dedication speech at the cemetery on September 24, 1831. It’s a long one, per custom of the time. Per custom of my time, a short quote:

Here, let the brave repose, who have died in the cause of their country. Here, let the statesman rest, who has achieved the victories of peace, not less renowned than war. Here, let genius find a home, that has sung immortal strains, or has instructed with still diviner eloquence. Here let learning and science, the votaries of inventive art, and the teacher of the philosophy of nature come. Here let youth and beauty, blighted by premature decay, drop, like tender blossoms into the virgin earth; and here let age retire, ripened for the harvest. Above all, here let the benefactors of mankind, the good, the merciful, the meek, the pure in heart be congregated, for to them belongs an undying praise.

Downtown Bangor

“If you’re taking pictures of buildings, you should take one of that building over there,” an old man said to me, pointing at a building partly obscured behind the curve of the street. I had been taking pictures of buildings. A spring day had come to Bangor: the air was a pleasure, so was the friendly warm sun, and I was out and about among the short downtown blocks.

“Thanks,” I said, adjusting my position on the sizable downtown plaza, so that the building came into view.

Wow. As I often do, I looked into the building later. A little gem of the brick arts known as the Circular Brick Building, a no-nonsense Maine sort of name, or the Merchants National Bank building, after a long-time occupant. Part built in the 1900s, part in the 1920s, a bank till the 1980s, a mix of apartments and ground-floor retail since the 2010s, after some decades vacant.

A random old man’s recommendation was a winner. He was idling on a bench in the plaza, so I went back and told him I agreed that it was an impressive building. The man could have been from central casting: Get me an old Mainer in ordinary but not shabby clothes, and don’t forget the bushy white beard and pale pink face. It was a missed opportunity when I asked him whether he’d lived in Bangor his whole life. The comic Mainer answer would have been, “Not yet.”

Instead the old Mainer told me he had. Wouldn’t live anywhere else. Couldn’t imagine living anywhere else. Didn’t want to go anywhere else. He implied he’d had enough of that during his time in the Army, exact years unspecified, and I didn’t ask when, though there’s a distinct chance a shooting war was going on then. That doesn’t mean he was anywhere near it, however. For all I know, he could have been a PFC excrement sanitation specialist (PFC-ESS) in Louisiana, to put it in the way the cinematic Patton didn’t, but the ’60s Army might have.

Anyway, he asked me where I was from, and long experience has taught me to say “Chicago,” and not something in any detail like, “Texas, but I haven’t lived there in a long time, and then I lived some other places like Nashville and Osaka, yes, the place in Japan, but it’s been Chicago for a long time now, except I actually live in the northwest suburbs.” Few people would hear any of that. Everyone pays attention when I’ve said Chicago (or Texas, the times I’ve said that). Somewhere years ago, I think it was a pudgy middle-aged Briton – you know, he looked a little like Benny Hill – who asked me where I was from. At hearing “Chicago,” he pantomimed shooting a Tommy gun.

When old man Mainer heard Chicago, he told me that soon after his discharge from the Army, he found himself in Chicago, in fact at the lakefront. He threw his Army ID into Lake Michigan. “Felt great to be out, but it was a problem, since that was the only ID I had right then,” he said. Obviously he made it back to Bangor.

The city’s got some fine streetscapes.

Some other handsome Bangor blocks and buildings.

Early examples of the art of the steel-framed highrise.

Paul Bunyan isn’t the only mural subject. This one is bees.

Because Bangor is known for honey production? I had to check and probably not much, the sort of thing that gets lumped in with “other” in the ag census for Penobscot County. These bees are bees for the sake of being bees. (Try that three times fast.)

“Bangor Beautiful partnered with Bangor Greendrinks to create a large bee-themed mural in Downtown Bangor during the summer of 2023,” notes the nonprofit Bangor Beautiful.”The artist Matt Willey is the founder of The Good of The Hive, a global mural project with the goal of hand-painting 50,000 honey bees, the number in a healthy, thriving hive. He has painted bee murals all over the world, including at the Smithsonian.”

I knew I got out of bed for a reason today: to find out that there is an artist whose obsession is bee murals. More than 11,780 painted bees so far, according to the artist. Eccentricity of the first order, and I salute it.

You can’t call Bangor bustling, but I’ve seen plenty more vacant downtowns. Business details, former and existing.

Temple of the Feminine Devine, eh? Not to be confused with the Temple of the Devine Feminine, an outfit in Seattle. I could make a Life of Brian reference here, but if you know that reference, you’ve already thought of it.

The unofficial Maine flag, and variations.

That flag failed to become official in the last election in a ballot question. No one in Maine cares what I think, but I think it should be made official again, but without disestablishing the current flag. Co-official, you could say. Maine would be unique that way. Also, no fixed pattern beyond a single pine tree and a single star to the upper left. Let a loose a proliferation of lone pine flags begin.

Bangor as a whole hugs the Penobscot River, but downtown clings to the much smaller Kenduskeag Stream, a tributary of the Penobscot.

A small island in the stream is a park.

The park sports a cannon captured at Fort Toro, Guantanamo Bay, Cuba in 1898.

It so happened that Rep. Charles A. Boutelle was the chairman of the Committee on Naval Affairs in the U.S. House at that moment, facilitating the war prize cannon’s permanent move to Bangor. Quite the career Boutelle had, per Wiki: “American seaman, shipmaster, naval officer, Civil War veteran, newspaper editor, publisher, conservative Republican politician, and nine-term Representative to the U.S. Congress from the 4th Congressional District of Maine.”

That’s not all. Vice President Hannibal Hamlin, Bangor favorite son, stands in bronze not far from the cannon.

“After Lincoln took office and even with the outbreak of the Civil War, however, Hamlin had almost no role in the administration, as was common for this period in history. Hamlin despised his new position as vice president. He missed being part of the political process and controlling patronage but felt it was his duty to serve. He also found presiding over the Senate boring and was frequently absent. Still, he was disappointed when the Republican Party dropped him from the ticket in 1864.” A curious, but all too familiar quirk of human psychology, in that last sentence.

The “diplomat” on the plinth refers to his posting to Spain in the early 1880s, named to the job during the brevity of the Garfield administration.

Village Burying Ground, Bar Harbor

A month from now, Main St. in Bar Harbor is going to be a busy place, sidewalks thick with shoppers and walkers with their coffee and ice cream cones. People will gather at the well-trimmed Village Green. The park at the end of Main, Agamont Park, named for a storied 19th-century hotel on the site that burned down long ago, will be alive with the pleasant sounds of people on vacation, taking in the view of the harbor. Boats will ply the harbor. Lobsters will die en masse to make their appearance on the menus of Bar Harbor restaurants.

One place in town that will not be busy come high season, just as it wasn’t busy a month ago when I visited — and was the only living person there — is the Village Burying Ground, which is a minute’s walk from Main St., tucked away on a small slice of land between two churches, Bar Harbor Congregational and St. Saviour’s Episcopal.

“Established before 1790, this cemetery holds in many unmarked and unknown graves the remains of those courageous men and women pioneers on the frontier of Downeast Maine,” says a sign on site, put there by the Bar Harbor Village Improvement Association.

“Sea captains, fishermen, shipwrights and hotelmen, selectmen and legislators, their wives and children, and the occasional sailer [sic] dying far from home also rest here.”

One of those sea captains, Israel Higgins (d. 1823).

Capt. Higgins, son of Eden (later called Bar Harbor) founder Israel Higgins, was lost at sea. “Israel was considered a master mariner and served as an Eden selectman in 1802, 1803, and 1809,” notes the blog Adventures in Cemetery Hopping. “He was in command of the schooner Julia Ann (his son Seth was also aboard), thought to be the first ship built in Bar Harbor in 1809. Israel and Seth died at sea on March 29, 1823 about 25 miles south of Sandy Hook, N.J., which is about 600 miles south of Bar Harbor.”

His son Stephen seems to have escaped his father and brother’s fate. At least, no mention of perishing at sea.

Capt. James Hamor (d. 1873).

Lived to be 89. In those older days, an old sea dog who liked to hang out in the technically illegal bars in Bangor and tell harrowing and probably exaggerated stories about his seafaring youth? One of those old sea dogs who didn’t discuss the old days much? Did he regard steamships as unworthy of real seamen, or take positive joy in hearing about progress in seafaring?

Stones two by two. Maybe not coupled in life, but they are now.

Many stones are on their way to disintegration, as usual with a cemetery that goes back this far.

Dark rectangular slate, as seen in a lot of New England, though no others in this cemetery that I noticed, except for a handful of lighter-colored rectangles.

A memorial to Union soldiers from Eden, erected in 1897, ordered from a catalog. Attributed to Cook & Watkins of Boston, memorial makers.

The village paid for most of it, though the public at large donated. Their efforts were probably pushed along by the idea that we’d better get around to this now, what with all the graybeard vets.

Stockbridge, Massachusetts

Not long ago, I wondered how accurate the lyrics of “Alice’s Restaurant Massacre” were on one specific point. I had my reasons.

You can get anything you want at Alice’s Restaurant
Walk right in, it’s around the back
Just a half a mile from the railroad track

Seems like a convenient rhyme, but that’s not all. Google Maps tells me that the site of Alice’s Restaurant is about a half a mile from a railroad track. I didn’t save the scale on this map, but the distance is correct. This is mildly amazing. Who expects geographical accuracy from a song lyric?

That morning, April 14, I’d extracted myself from Midtown Manhattan via various sorts of transport, retrieving my car at long-term parking at Newark International, and planned to spend the night in Portsmouth, New Hampshire. Though New England isn’t large, it is molasses when it comes to driving through its densely settled areas, and first I had to get out of New Jersey and New York, then cross Massachusetts. All that meant an all-day drive. Stockbridge, Massachusetts, former home of Alice’s Restaurant, was a stop along the way.

Near the eastern edge of New York state, I cruised north on the Taconic State Parkway.

That sounded good, I thought when I noted the name on a map. It was. Budding greenery, smooth driving, no trucks. Or that many other cars, the further north you go. Construction started about 100 years ago, at the urging of then private citizen Franklin D. Roosevelt. The parkway is in the same league as the Natchez Trace Parkway or the Blue Ridge Parkway, though only about a quarter as long as either.

Once I’d gone far enough north, I took connecting roads to the Massachusetts Turnpike. Stockbridge, which is slightly south of the turnpike, counted more-or-less as a midway point on my day’s drive. As I entered town via Massachusetts 102, I noticed a tower. A stone tower, exuding 19th-century New England sturdiness. Its clock was wrong.

The Children’s Chimes Tower, a 19th-century bell tower built on the site of the town’s original church. A 19th-century replacement for that church stands near the bell tower, looking as New England as can be.

The First Congregational Church UCC. Remarkably, it was open.

Musicians were practicing, or rather seemed to be wrapping up a practice. They paid no attention to me as I looked around.

Jonathan Edwards was the church’s second pastor. “Sinners in the Hands of an Angry God” Jonathan Edwards? Yes.

Across the road from the church and freestanding bell tower – which doesn’t chime, except in the summer – is the town cemetery.

“One of the earliest burials was the first minister, John Sergeant, who died in 1749,” says the Stockbridge Library. “Members of the Mohican tribe who joined the church also were buried here. Twenty years later, discussions began about ways to enclose the burial area to keep out cattle, horses, and pigs. It wasn’t until 1853, however, that a new organization in town, the Laurel Hill Association, took on the responsibility to clean and protect the area.”

Route 102 turns into Main Street, with its shops, hotels, and other establishiments.

And, around the back (off Main St., that is), just a half a mile from the railroad track, is Theresa’s Stockbridge Café.

Closed for the day.

The Pennsylvania State Capitol

Pennsylvania has a handsome capitol, no doubt about it. At its dedication in 1906, TR called it “the handsomest building I ever saw.”

That must have been satisfying for the architect, Joseph Huston (d. 1940), to hear, or hear about.

But he didn’t have long to bask in the glory of his design. A few years later, Huston was in prison. Specifically, Eastern State Penitentiary in Philadelphia, back when that was a functioning stony lonesome.

“Huston eventually was charged with conspiracy to defraud the State of Pennsylvania by accepting bribes for the work on the Capitol and by charging the State more than was proper for the contracts required to complete the structure,” says Philadelphia Architects and Buildings. “Convicted on 29 April 1910, and after an unsuccessful attempt to mount a new trial… he served six months and 20 days in prison but was paroled on 20 December 1911 and returned to an architectural practice which was significantly affected by his legal difficulties.”

I’ll bet his practice was affected. An unusual tale for an architect, something you’d associate more with a contractor, but I suppose the temptation was too great for Huston and besides, grand buildings throughout the ages all had cost overruns, right? All the way back to the Ziggurat of Ur. That clearly didn’t cut any ice with the jury.

Whatever his side interests, Huston promised a palace of art to the commonwealth, and he delivered.

I arrived in Harrisburg fairly late in the afternoon of April 8, on my second day driving east. Pennsylvania is a long drive across, and I’d started in Cleveland, with the goal of reaching Trenton, New Jersey that evening. I did, but it didn’t leave much time to stop and see things. I was glad to learn that the capitol building was open until 6 pm, so I made time for it.

The grand staircase, flowing down to, or up from, the distinctive tile floor under the rotunda.

Art flourishes not just on the vaulting dome or the ornate walls, but even underfoot.

Henry Chapman Mercer mosaic

Henry Chapman Mercer, a Pennsylvania artist, did the mosaics grouted into the floor – scenes from the history of the commonwealth, from pre-history to the dawn of the 20th century. A good introduction to Mercer, one of the more interesting people I’ve first heard about lately. Among other achievements, he left behind his home, Fonthill; the Mercer Museum; and the Moravian Pottery and Tile Works, all in Doyleville, Pa., which is suburban Philadelphia these days. As if I needed another reason to revisit metro Philly.

A lot of scenes, it turns out, more than I could photography or even see. Including one that might not have made the cut in later times.

The House and Senate chambers weren’t open late that afternoon. I understand they are important parts of the art palace. More can been seen here about the decorative arts of those rooms, and the rest of the capitol.

Not art, but this was good to see. I figure it isn’t literally for newspaper reporters any more, but I like to think when you open the door, you step into the press room of The Front Page.

Statuary out front: two groups consisting of 27 figures. The artist in this case is George Grey Barnard (d. 1938), born in Pennsylvania, but I believe Chicago can claim him. Wouldn’t be a palace-of-art from 100+ years ago without larger-than-life statues in profusion. I’m glad the commonwealth has seen fit to keep them clean.

The upper couple would seem to be Adam and Eve; and wags might call the other couple Adam and Steve.

In the sidewalk in front of the capitol: The Keystone. You can see that in various parts of the state, but I remember it most from the keystone-shaped signs in Pennsylvania that tell you that a garage will do state inspections for your car.

The view down State Street from the entrance. Off in the distance, the Susquehanna.

Couldn’t very well leave Harrisburg without a stroll down that street.

Two monumental churches rise on the street. The Cathedral Parish of Saint Patrick.

Grace United Methodist Church.

I had to be on my way afterward. But any trip that starts off with a grand capitol is going to be a good one.

GTT ’26 Details

Time for spring break. Back to posting around April 26, when it might actually be spring in northern Illinois. There have been a few days recently when I’ve been able to sit out on my deck comfortably, which is my idea of spring, but not that many.

The recent trip to Texas seems like a while ago now. As usual, though, there were many details. A lot more than I can convey, but here are a few more.

Faces

At the National Funeral Museum in Houston, one display featured, chronologically, 20 photographs of Abraham Lincoln. The third to last one, from February 1865, is one you don’t see much.

On a wall in downtown Nacogdoches, familiar figures from Texas.

I didn’t work out who this was supposed to be, in downtown Houston. Better that way, I think.

Signs

This place in Austin, well known to Tom, serves most delicious tacos.

Bastrop: Cobbling runs in the family.

Belton.

Structures

A re-creation of an ancient Caddo home.

Durst-Taylor Historic House & Garden in Nacogdoches.

The Old Stone Fort Museum in the same town, which is made of stone, but was never a fort. On the campus of Stephen F. Austin State University. Recommendation to the university: if you want people to visit the place, provide just a little unrestricted parking. A little visitor parking anywhere on campus would be good.

Then again, the university seems determined to move the structure anyway — which might mean taking it apart, and then not putting it anywhere where because such a move would cost too much.

A place that has seen better days in Houston.

Downtown Lockhart.

The Southwest Museum of Clocks & Watches is permanently closed, alas.

Items

Cosmic in Austin is a bar and a collection of food trucks that surround an informal plaza with a lot of tables and chairs and shade. It’s a very pleasant place, and within walking distance of Tom’s home.

Houston manhole covers.

An artifact at the Old Stone Fort, but from San Augustine, and a hyperlocal soda bottle.

The New Mexico flag near Carlsbad NP.

Landscapes

Not just any landscapes, but within the Sierra Madera Astrobleme in West Texas. US 385 cuts right through the ancient crater for about eight miles, on the way to Marathon. You’d never know but for signs telling you that you’re entering the astrobleme, and one telling you that you are leaving it.

Memorials

The Houston National Cemetery.

RIP, Richard Allen Wilson. I don’t think that I’d ever seen an infinity symbol on a national cemetery stone. That, of course, made me curious, and I checked: it is one of the 98 various symbols that the National Cemetery Administration allows. The list is here.

I’m familiar with most of them, but not quite all of them, such as the Church of World Messianity, which is a Japanese new religion – it’s hard to keep track of all of those – and the Aaronic Order Church, which may or may not be part of the LDS movement, but in any case is an American sect. Hard to keep track of all those, too.

The NCA says: “No graphics (logos, symbols, etc.) are permitted on Government-furnished headstones or markers other than the available emblems of belief, the Civil War Union Shield, the Civil War Confederate Southern Cross of Honor, and the Medal of Honor insignias… Emblems of belief for inscription on Government headstones and markers do not include social, cultural, ethnic, civic, fraternal, trade, commercial, political, professional or military emblems.”

So (for example) symbols for the Loyal Order of Moose or some odd emoji or maybe a grawlix will not be considered, though as a comment about the Army, the latter would be funny.

Finally, a less formal memorial, but I’m sure just as heartfelt.

A memorial for Francisco Lin Herrera happens to be near the Giant paintings outside of Marfa. He died in an accident along that stretch of US 90. RIP, Francisco.

Stephenville & Ballinger, Texas

Regards for Easter. And Maundy Thursday and Good Friday and Easter Saturday. Back posting on Easter Monday.

This seemed like a fitting set of images for the occasion.

A 100-foot steel cross rises on a small hill a few miles south of Ballinger, Texas, seat of Runnels County. Couldn’t very well pass that up, considering that we were passing through Ballinger (pop. about 3,600) anyway, toward the end of our drive that day from metro DFW to San Angelo, Texas.

“The Ballinger cross was built by a local construction company and commissioned by Jim and Doris Studer, owners of Buddy’s Plant Plus,” notes the Austin Chronicle. “The company is the only U.S. factory making water-soluble fertilizer for Miracle-Gro. After 20 years of making fertilizers in Florida, the Studers went looking for a drier climate. In 1988, they moved the company to Ballinger, where it quickly became one of the largest employers in the county.”

Jim Studer reportedly had been considering the construction of a cross about half that height, as a token of gratitude for a successful business. Then, during a visit to Florida, he was nearly electrocuted in what could easily have been a fatal accident – and decided to roughly double the size of the structure. A thanks to the Lord for not being offed at that moment, perhaps, but no doubt sincere gratitude regardless, for his thriving business. The cross went up in 1993.

We’d left Dallas that morning in mid-February, skirting the cities on I-20 West, except for a brief stop in the Fort Worth museum district. Specifically, at the Modern Art Museum of Fort Worth. Yuriko had heard about my visit in 2019 and been slightly miffed, since she too wanted to see the Tadao Ando-designed structure. So we shoehorned a visit for a look at the structure on the day’s itinerary, though not the museum collection. It loses nothing on a second viewing. Gets better.

Go southwest from Fort Worth on US 377 and soon enough you’ll arrive in Stephenville (pop. 20,800 or so), seat of Erath County.

A dairy industry in Erath County? Yes, indeed: sales of $350.9 million in 2022, according to the USDA, by far the largest ag product in the county, and third highest for milk sales among all the 254 counties in Texas, and 24th in the nation. Meat cattle in Erath County are a distant second at $82.7 million that year, so a milk cow standing in the shadow on the Erath County courthouse is just about right.

I had to look it up: number one county in nation for milk production by dollar volume is not in Wisconsin, but rather Tulare County, California, at more than $2.8 billion in 2022. First out of 1,770 counties nationwide producing milk. Now there’s a Jeopardy answer to stump everyone.

We ate lunch in Stephenville at Greer’s, which served a chicken-fried steak to beat all, then took a constitutional around the Erath County courthouse. Starting with one hefty former bank building, vintage 1889.

For Texas county courthouses, James Riely Gordon (d. 1937) is a starchitect, but of course that wasn’t all he did. When he designed this bank, he was 26.

Every town worth its late 19th-century salt has to have an opera house.

Also, a musical favorite son: Milton Brown.

Wiki: “Brown began his musical career in 1930, when he met Bob Wills and guitarist Herman Arnspiger. They were performing at a local Fort Worth dance and Brown joined the duo on a chorus of ‘St. Louis Blues.’ The trio decided to team up to play medicine shows around Texas and Brown landed a regular radio spot on WBAP for the group, where they played a show sponsored by Aladdin Lamp Company, which had the band change its name to the Aladdin Laddies.”

Man, there’s another streaming platform limited series for you: the founding of western swing. Add a fictional love triangle between Bob Wills and Milton Brown and a fictional fetching woman, and some fictional tension between Bob and Milton, who nevertheless produce terrific music to enthusiastic audiences early in the Depression, until Milton dies suddenly in the last episode in a car wreck, as the real musician did in 1936 at age 32. Bob is left to carry on.

Milton’s not the only one honored near the Erath County courthouse.

There were a fair number of plaques like this, too many to read, so I picked one.

Chicago had its art cows (that was in 1999?!?) and Sturgeon Bay, Wisconsin, has its sturgeons, so Stephenville had boots?

You’d think maybe, considering the importance of dairy locally, there would also be — do dairy workers wear special boots? If so, there should be one of those on display too.

More Stephenville.

US 67 joins US 377 for a run southwest of Stephenville, through such burgs as Dublin, Comanche and Brownwood. Then US 377 peels away to the south; but we followed US 67 west to Ballinger. That town was mostly a stop to get our bearings, really, but I also did a short walkabout while Yuriko napped in the car.

I made the acquaintance of Charles H. Noyes (d. 1917).

Charles was a young Runnels County man who died by being thrown from his horse while minding cattle. His parents tasked no less than Pompeo Coppin to do the sculpture honoring his memory. Nice work, Pompeo. RIP, Charles.

Palestine, Texas

Terrific lightning storm rolled by to the south last night at about 11. Little rain but a prodigious amount of cloud-to-cloud lightning, unlike anything I’ve seen in years. The last time might have been when we were under such a near-rainless storm in North Dakota nearly 20 years ago. After watching in fascination from the back door, I got my phone and recorded about 30 seconds of the spectacle.

As usual, video only conveys a fraction of the visual power of the moment. But, in spite of the channel it’s on, it isn’t AI.

I was curious today which volume of the Encyclopedia Brown books — whose protagonist is a sharp grade-school boy who solves crimes and mysteries — mentioned the town of Palestine, Texas. Even though I grew up in Texas, I’d never heard of the place until I read an EB story in the early ’70s that mentioned a string of places that some international jewel thief was traveling to: Moscow, Odessa, London, Paris, Palestine and Athens. The boy detective determined that the criminal would be in Texas, since those are all places in that state, and especially because “Palestine” is called “Israel” now, as he said.

You might wonder (I do now, anyway) what business an international jewel thief would have in a place like Moscow, Texas (pop. 170) or London, Texas (pop. 180), but never mind. It didn’t take long for me to find a YouTube review of Encyclopedia Brown Keeps the Peace (Book 6, originally published 1969), including the case that mentions the Texas towns. The reviewer takes the book to task, asking “can grade-schoolers be expected to know this information?” No, of course not. They can be expected to learn it, however.

Now I know exactly where I learned about Palestine (Pal-es-TEEN) more than 50 years ago. I didn’t arrive in Palestine in person until this February, on my way to Dallas from Nacogdoches. During my visit, I made the acquaintance of this fellow.

The sculpture is called “Chuggin’ ” (2020), created by Dewane Hughes, a sculpture professor at the University of Texas in Tyler. Railroads are important in the history of Palestine, so much so that one terminus of the Texas State Railroad – a linear state park along a former short line RR – is in the town. The other terminus is in Rusk, about 25 miles away. Not running in February, unfortunately.

“Chuggin’ is near the town’s visitor center, a former RR depot.

Also nearby is “Forging History” (2014) by Dale Montagne, with the base made of three actual rail car wheels.

Parking was easy to find in downtown Palestine, traffic light. Parallel parking was available right across from the splendid Sacred Heart Catholic Church, as it happened, an 1890s creation by Nicholas Clayton, who was most active in Galveston before the hurricane. Originally many of the congregation were workers on the International-Great Northern Railroad Co., which had a major presence in Palestine.

Palestine still has a sizable rail yard south of downtown.

Took a walk around downtown. Like most large towns, or small cities, there is a mixture of ongoing businesses –

— with vacancies.

Got some buildings with really good bones, as it’s been said in the real estate biz.

The Palestine City Cemetery is to the east of downtown, but not very far. Nowhere is that far in town.

City Cemetery, Palestine Texas

The crumble is on.

Something you don’t see that often. Not just the Stars and Bars, but the very first version with seven stars. In the fullness of not much time, six more stars were added.

Unknown CSA soldiers.

I assume United Confederate Veterans, the Southern equivalent of the GAR, placed this stone and those like it.

The cemetery has an impressive number of worn, broken stones, soldiering on through the elements.

Victorian sentiment in stone, said with due respect.

Would that kind of soft decay, the romanticism of stones worn by time and the elements, have appealed to Victorian sensibilities? Could be.

A Little More Houston: Tu Viện Phước Đức & Chùa Linh-Sơn

I arrived at Tu Viện Phước Đức in Houston a few days ahead of the Vietnamese New Year, but the monastery was getting ready.

Some kind of planning meeting – I guess – was ongoing in the main sanctuary – I guess again – but no one took a second look at me as I took a look around the place.

Parts of Tu Viện Phước Đức were also under construction, hinting at a thriving Vietnamese diaspora community woven into the fabric of Houston. And I like all those diacriticals, sprinkled on the name like croutons on a salad. I have copy and paste to thank for their presence here.

Google Maps had been my assistant that afternoon. “Buddhist temples” was my search term, and a number of them came up not far from my airport-area hotel. The other one I made it to happened to be Vietnamese as well: Chùa Linh-Sơn.

Vietnamese Buddhist temple, Houston

No one else was around that I saw or heard. But the grounds were open for a stroll. Plenty of Buddharūpa around.

Chùa Linh-Sơn was also preparing for the New Year.

Too bad I didn’t have the chance to wish anyone a tip-top Tết, though I probably would have forgotten to do so.