Italian 50 Lira, 1951

Posted on January 29, 2020 by admin

If this banknote could talk, I’d imagine it would say, “We just lost a major war and can barely afford such luxuries as currency.”
Italy, 1951. Small in value — 50 lira, or the equivalent of about 8 U.S. cents, at least as of the mid-50s, which is when my parents picked it up in change. Must adjust for inflation, however, so theoretically in today’s money that many lira is the equivalent of a whopping 75 U.S. cents, or about 0.68 euros. Apparently this note and the 100-lira were replaced by coins not much later in the 1950s.

The Italian lira was a famously small currency. I checked the 1983 exchange rate not long ago, and found that the lira gradually lost ground to the dollar that year. In July, when I was in country, it was about 1,500 lira to the dollar.

I recorded a few prices in the diary I kept that summer, noting (for example) that the admission to the Forum was L 4,000, or about $2.60, which seemed reasonable (and would be about $6.70 now). I wondered how much the price has been jacked up since then. But I didn’t have to wonder long. I looked it up, and now it’s 12 euros, or about $13.20, though that includes admission to the Colosseum as well. I don’t remember whether I paid separately for that, or at all.

The note is also small in size. Interestingly, exactly four inches long and two-and-a-half inches tall. Odd, I would have thought that the sides measure evenly in centimeters rather than inches.

Lithuanian 10-Litų Note, 1993

Posted on January 28, 2020 by admin

I have in my possession, as part of my collection of worthless or nearly worthless banknotes, 35 Lithuanian litai, one each of a five-, 10- and 20-litų note.

They are accidental souvenirs. The litas was pegged four to the U.S. dollar in 1994, so when we arrived in Poland from Lithuania that fall, I had a mind to exchange our $8.75 in litai for złoty. That was probably enough for a decent lunch for two in either Lithuania or Poland in those days.

But if it weren’t U.S. dollars or DM, the exchange office in Poland didn’t want to hear about it. I came to understand that at the time, the Poles considered Lithuanian currency as no more than scraps of dirty paper. Time flies, things change, and now my litų notes are just dirty paper even in Lithuania, since that nation joined the euro zone in 2015. Oh, well.

This is obverse of the 10-litų note, issued in 1993.
Who are these gentlemen who look so much alike, except the eyes of one are closer together than the other?

Darius and Girėnas, that’s who: Steponas Darius and Stasys Girėnas. Lithuanian aviators of renown in the early 20th century, except that both had immigrated to the United States in their youth. Even so, they count as Lithuanian heroes for a number of reasons, but mainly for their attempt to fly nonstop from New York to Kaunas in the summer of 1933. They made it across the Atlantic, but died in a crash in what was then Germany, about 400 miles short of their goal. Bad weather or engine trouble or both.

I was curious about the insignia on Darius’ cap (on the left). Further investigation didn’t disappoint. In fact, I came up with a connection to the Chicago area. Apparently a later version of the note, issued in 2001, made it clear that the insignia honors the Palwaukee Municipal Airport, in north suburban Wheeling, where Darius spent a lot of time. This article, originally published by the Michigan Coin Club, details that association and a lot more.

The reverse features their plane, Lituanica, a Bellanca CH-300 Pacemaker.

“The duo purchased a used Bellanca Pacemaker plane from the Chicago Daily News (which had purchased a newer model) in 1932, dubbed it the ‘Lituanica’ and modified it for their flight,” the coin club article says. “Money was raised from numerous Lithuanian clubs and organizations to finance their operation. In their publicity photographs, Darius was always seen wearing his Pal-Waukee Airport patch on his cap.”

A newspaper had its own airplane? And traded in for a newer model during the Depression? Damn, how the mighty have fallen.

Australia Day, Bush Fire Edition

Posted on January 26, 2020 by admin

Australia Day has come around again, but it doesn’t seem fitting to post pictures of me standing near wallabies in New South Wales or recalling how they call Rice Krispies Rice Bubbles in Oz or my Christmas Day walk around in Canberra in a T-shirt.

Seems like one damn thing after another for the Lucky Country this year. Some choice recent headlines:

“Australia’s Wild Weather: First Fires, Now Baseball-Size Hail” — New York Times, Jan. 20

“Australia Rains Bring Relief From Fires — and a Surge in Deadly Spiders” — Smithsonian, Jan. 24

“Coronavirus: first Australian case confirmed in Victoria as five people tested in NSW” — The Guardian, Jan. 24

“Record 81 days of bad air quality in Sydney” — Sydney Morning Herald, Jan. 24.

Curious, I took a look at the web site of NASA’s Fire Information for Resource Management System, which (as it says) “distributes Near Real-Time (NRT) active fire data within 3 hours of satellite observation from both the Moderate Resolution Imaging Spectroradiometer (MODIS) and the Visible Infrared Imaging Radiometer Suite (VIIRS).”

Took a screenshot of the Fire Map of Australia on the site as it appeared on Friday. Fires in the previous 24 hours, it says.

I can see why the air is bad in Sydney and why parts of Canberra — which is a small city practically plopped down in the bush — have been evacuated.

Still, I’m not sure the map helps me grasp the magnitude of the bush fires. Maybe that’s not really possible. I wondered about that even more when I looked at Africa at the same time.
Looks like central Africa is burning to a crisp. But do the many points of fire denote blazes regardless of size? That way a lot of small fires — which could be entirely normal for central Africa right now — wouldn’t be a catastrophe on the order of a smaller number of much larger fires in Australia.

Another NASA page hints at an answer. First, it says, “The colors are based on a count of the number (not size) of fires observed within a 1,000-square-kilometer area.” Also: “Across Africa, a band of widespread agricultural burning sweeps north to south over the continent as the dry season progresses each year.”

I’ve changed my mind. I think I will post a picture of wallabies. In hopes that better times are ahead for Australia.

December 1991: We’re feeding wallabies at Pebbly Beach on the NSW coast, which was damaged by fire recently, according to local reports. The other fellow is Peter, a friend I stayed with for a while in Canberra. Lost touch with him long ago; hope he’s well.

Springtown Cemetery

Posted on January 14, 2020 by admin

Near the entrance to Marengo Cave in Marengo, Indiana, is a patch of land called Springtown Cemetery. Some of the cave runs further underneath, I think.

A sign outside the cemetery fence says: This cemetery, one of the first in this area, dates back to the early 1800s, when Marengo was known as Springtown. Oris Hiestand, one of the discoverers of Marengo Cave, is buried here. The land for the cemetery was given to the town by Mr. Samuel M. Stewart, the first owner of Marengo Cave.

The rain had just slacked off when I took a look around. It isn’t overcrowded with stones.
The stones might or might not represent everyone who’s buried there. Someone may know for sure. Or not.

A few unexpected touches of green in late December.
Mossy, wet stones honoring obscure people in an obscure corner of the world.If that’s not a momento mori, I don’t know what is.

Marengo Cave

Posted on January 13, 2020 by admin

Here’s something in the category of Things You Find Out Later: the Marengo Warehouse Distribution Center. It’s in Marengo, Indiana, and according to its web site, it’s “one of the largest underground storage facilities in the United States… The complex is located 160 feet (49 m) underground in a former limestone quarry and comprises nearly 4 million square feet of space.”

Elsewhere on the same page, its total storage capacity is said to be “more than 3 million square feet,” but never mind. Sounds like an impressive underground storage facility. About 20 years ago, I visited another such place, SubTropolis in Kansas City, Mo., which at 6.5 million square feet is king of the underground storage facilities, at least the ones we know about.

When we visited Marengo Cave on the afternoon of December 29, I had no idea about the nearby Marengo Warehouse Distribution Center, a complex of storage chambers and roadways carved out of the same Indiana limestone as the naturally forming cave. I found out about the warehouse later, when looking for further information about the cave. Reportedly the U.S. Defense Logistics Agency stores vast numbers of MREs (Meals Ready to Eat) there.

Marengo’s a small town in Crawford County, population somewhat over 800, and about 40 miles from Louisville. If that city someday becomes more robust in its growth, Marengo might be exurban or even an outer suburb, but for now it’s a small Indiana town with one main attraction: a show cave discovered in the late 19th century and measuring about five miles of known passages.

We took the mile-long Dripstone Trail walking tour, by spots with fanciful names, such as Sherwood Forest, Looking Glass Lake, Washington Avenue, The Masher, Music Hall and Penny Ceiling. That last one features a muddy roof to which pennies, or other objects, will stick if you throw them hard enough. The guide invited us to throw pennies up to the ceiling, noting that cave management would eventually remove them to donate to charity, something like pennies in a fountain, so many of us heaved our coins ceiling-ward. Me too. Mine stuck.

The place has some nice features.

Including historic graffiti. Unlawful to do now, but not for much of the cave’s history after its discovery.

According to our guide, the deepest point of the tour was 200-plus feet below the surface. But, she said, we might have noticed that we hadn’t descended very far on our walk. Indeed we hadn’t — after the initial climb down some stairs, and a few other drops, most of the trail was level. At the same time, she said, the ground above was rising. It’s hilly terrain, after all.

Divers Southern Indiana Courthouses &c

Posted on January 12, 2020 by admin

Bloomington is the county seat of Monroe County, Indiana, and sports an impressive downtown courthouse, a 1908 Beaux Arts design by Hoosier architects Wing & Mahurin.

The building was closed for the weekend, but I took a look at the exterior just before dusk. While I stood there, strings of lights lit up.
What’s a county courthouse without some allegories?
Or a war memorial? At first glance, it looks like a Civil War memorial only, but it specifically honors veterans of the war with Mexico, the Civil War, the Spanish-American War and World War I.
While in Nashville, Indiana, I took a quick look at the more modest, but also handsome Brown County Courthouse, a structure from the 1870s.
Nashville has some other interesting buildings as well, such as the Nashville United Methodist Church.

This looks to be a former Masonic building, though I’ve only looked into the matter enough to know that the Nashville, Indiana, Masonic Lodge #135 isn’t in that building, but a newer-looking one. But the older building does say LODGE on the front facade in large letters, along with Masonic symbols on either side.

Nashville isn’t a very large town, but there are streets away from the main tourist drag, Van Buren St. On just such a street we happened across a tree-carving studio.
Besides Elvis and a bear, you can also find Willie Nelson in wood there.
And one of the popular ideas of a space alien.
One more courthouse: a good-looking structure in Paoli, Indiana, county seat of Orange County. We passed through town on the way to West Baden Springs, but didn’t stop in the intense rain. Even so, the courthouse caught our attention.

West Baden Springs Hotel

Posted on January 9, 2020 by admin

Tibetan-style structures and T.C. Steele’s property and all the other places we saw in southern Indiana near the end of December were worth seeing, but none were the main reason we went down that way.

That would be the West Baden Springs Hotel, one of the grand old hotels of the nation, revived in our time to an astonishing degree. Magnificent as the Hotel del Coronado or the Waldorf-Astoria, historic as the Fordyce at Hot Springs National Park or the Boca Raton Resort & Club.

We drove south from Bloomington in intermittent rain on the morning of December 29 to the town of West Baden, in Orange County, Indiana, an otherwise rural place with a county population of a shade less than 20,000. The hotel was impossible to miss driving into town. Even at some distance, it cuts an impressive figure.

More so closer in.

There’s been a hotel on the site since 1855, at first called the Mile Lick Inn. Why in this obscure part of Indiana? The waters, of course. Indians knew about the springs and so did Frenchmen, who lent their national name to the nearby French Lick Springs Hotel, about a mile from the West Baden Springs Hotel.

Eventually a branding impulse kicked in, and Mile Lick became West Baden Springs, to capture some of the Victorian cachet of Baden-Baden in Germany, where the Euro-elite took the waters. I learned pretty quickly, by the way, that the Hoosier way to say the name is West BAY-den, not BAA-den.

The original West Baden Springs burned down just after the turn of the 20th century. The owner, Lee W. Sinclair, wanted something even grander replace it — something to best the rival French Lick Springs Hotel — and so he built the current hotel.

“Sinclair… envisioned a circular building topped with the world’s largest dome, decorated like the grandest spas of Europe,” notes the hotel web site. “Architect Harrison Albright of West Virginia [who designed the U.S. Grant Hotel in San Diego, too] accepted Sinclair’s commission and agreed to complete the project within a year. The new hotel, complete with a 200-foot diameter atrium and fireplace that burned 14-foot logs, opened for business in June of 1902.”

Later, Sinclair’s daughter and son-in-law redesigned the hotel a new level of opulence in the ’20s that characterized West Baden Springs Hotel until the Depression crushed its business model. The rest of the 20th century was unkind to the property, especially the last years of the century.

“In January 1991, a buildup of ice and water on the roof and in drainpipes caused the collapse of a portion of the exterior wall,” the web site says. “In 1992, Indiana Landmarks spent $140,000 to stabilize the hotel, matching a $70,000 contribution from an anonymous donor. In May 1994 the hotel was sold to Minnesota Investment Partners (MIP) for $500,000. Grand Casinos Inc., an investor in the purchase, optioned the hotel from MIP. The Cook Group Inc., a global medical device manufacturing company headquartered nearby in Bloomington, stepped in to preserve both the French Lick and West Baden Springs Hotels.”

That is to say, the Cook family — medical-device billionaires — took an interest in the place. Eventually they oversaw the renovation of West Baden Springs, as well as French Lick Springs, at great expense. But not without what I imagine must be a healthy return, now that a major new Cook-owned casino (next to French Lick Springs) is open for business. All of the properties (West Baden Springs, French Lick Springs and the new casino) are part of the French Lick Resort Casino, an operation licensed by the state of Indiana in 2006.

I’ve read variously that the West Baden Springs Hotel dome was the nation’s largest freestanding structure of its kind until the completion of the Charlotte Coliseum in 1955 or the Astrodome in 1965. Whatever the case, the thing to do in our time is wander into the hotel atrium, stand under the dome, and be amazed. Ordinary photos can’t convey the sweep of the place or the its grand scope, but never mind.

Other parts of the hotel have their own flourishes, such as the stained-glass windows near the front entrance, added by Jesuits when they owned the property in the mid-century. Quite a story.

We rode a trolley over to French Lick Springs for a look. Posh, certainly, and also a historic hotel — that’s where Pluto Water used to come from, and walls are covered with glossy pics of famous guests — but it’s only worth seeing, not worth going to see, like West Baden Springs is.

T.C. Steele State Historic Site

Posted on January 8, 2020 by admin

Back in March 2002, we visited Columbus, Indiana, and took a foray west from there to visit Nashville (Indiana), Brown County State Park and the T.C. Steel State Historic Site. That last one was still closed for the winter.

These days, the site is open year-round. So around noon on December 28, we drove east from Bloomington, less than 30 minutes out of town, into hilly, rural Brown County and on to the state historic site.
In the early 20th century, Theodore Clement Steele and his second wife Selma acquired acreage — played-out farmland — in Brown County and set about building a hilltop house. After various modifications and additions, including a few other buildings, the place became their full-time residence and his main studio space. Even as a museum, the place is homey, full of furniture and other items the Steeles owned, with little roped off from visitors.
The view from downhill.
T.C. Steele is best remembered now for landscapes, but also did a lot of portraits, since that’s where the money was. Numerous examples of both hang in the main house, as well as the larger building nearby (“Big Studio”), well lit by an enormous window.
No doubt about it, Steele had a gift for landscapes. One I especially liked was “Selma in the Garden,” which is hanging in Big Studio. Other examples of his work are here. While T.C. painted, Selma gardened, as nicely depicted by the above-mentioned painting. The land might not have been great for farming, but Selma apparently had the knack for making her gardens flourish.

Gardening isn’t so much in evidence in winter. Still, the grounds are inviting.
We spent time tramping around the woods near the house. Since this was previously farm land, the trees are mostly second growth, some of which the Steeles planted.
Thick with leaves. At that moment, the ground was too warm for snow cover.
T.C. Steele State Historic Site In a poetic touch, the Steeles named their place The House of the Singing Winds. Our visit wasn’t on a windy day, so that isn’t what we heard out on the hillside. Rather, the crunching of leaves underfoot. Without the sound of traffic coming from all directions, and with birds and insects quiet or gone for the season, that was about all we heard. That by itself was a good reason to get out of town.

Yellow Hat in Indiana

Posted on January 7, 2020 by admin

That the Tibetan Mongolian Buddhist Cultural Center is on the outskirts of Bloomington, Indiana, seems like it ought to be a surprise. But no. Diasporas of all stripes come to North America to enrich our tapestry.

But why Bloomington? More than 50 years ago, Thubten Jigme Norbu (d. 2008), the Dalai Lama’s brother and also an exile, accepted a position at Indiana University, founding one of the United States’ first Tibetan Studies programs.

“In 1978, a donation of 108 acres of land in southeast Bloomington enabled Norbu to found the Tibetan Cultural Center…” Bloom Magazine says. “With the help of volunteers and donations, multiple structures have been built over time, among them the only stupa (religious monument) dedicated to the more than one million Tibetans who have died since the beginning of the Chinese occupation of Tibet in 1950, as well as other structures rarely found outside of the Himalayan region, including a mani korlo (prayer wheel house).”

We arrived at the TMBCC on the morning of December 28. There’s more than one stupa on the grounds.
The prayer wheel house. It reminded me of the Gandantegchinlen (Gandan) Monastery in Mongolia.

The grounds wind through wooded land and eventually you come to the Kumbum Chamtse Ling Monastery.
Behind the monastery is another structure — and a lot of prayer flags.
While inside the monastery, we were told that a fire puja ceremony was in the offing behind the building. I’ve read about them since, but find the concept hard to get my head around, so I’ll leave the details for others to explain.

I just know what I saw and heard. Monks chanted, built a fire and burned a variety of materials, such as grain and flowers. Under a tent to one side, more monks chanted. People watched from another tent, and under yet another stood a table arrayed with the items to be burned.

Not quite sure how long we watched and listened to the chanting. I didn’t understand a lick of it, yet somehow it was mesmerizing.

The Haan Mansion Museum of Indiana Art

Posted on January 6, 2020 by admin

We didn’t go to St. Louis just after Christmas, much less time travel to St. Louis to see the 1904 Louisiana Purchase Exposition. But in a way, we did.

“Occupying two square miles on the western side of St. Louis, the 1904 World’s Fair was the largest in history, with 1,272 acres containing more than 1,500 buildings,” Serious Eats tells us.

“At the heart of the exposition were 11 monumental ‘palaces,’ each dedicated to a subject, such as Electricity, Fine Arts, Horticulture, or Machinery. Sixty-two countries and 42 American states had their own halls or buildings, where they displayed the highest achievements of their cultures and economies… They were designed not to endure for the ages but to captivate the crowds for a brief moment.”

With a few exceptions. The former Palace of Fine Arts is now the St. Louis Art Museum in Forest Park, which we visited during one of our trips to St. Louis. The Connecticut Building at the fair is now the Haan Mansion Museum of Indiana Art in Lafayette, Indiana. That’s where we went during our end-of-December trip.
We arrived about 30 minutes before closing on December 27, but decided pay the admission and look around anyway. Glad we did. Time was short, but one of the volunteers gave us a tour. Spontaneously, since (I think) admission normally gets you a self-guided tour.

She took us from room to room, each well appointed, noting some of the museum’s highlights — paintings by Indiana artists, ceramics, bronzes, towering grandfather clocks, a wide array of other antique furniture, a model train that traversed between two rooms, and this time of the year, Christmas trees and wreaths and other elaborate seasonal decor. Especially prominent on the walls were works by T.C. Steele, Hoosier landscape painter of renown, with numerous other Indiana artists represented as well. Though it’s a fine house museum, the Haan’s specialty is art created in Indiana.

Our guide also told us the story of how the house ended up in Indiana after its stint at the 1904 World’s Fair. The tale began in Connecticut.

“The Charles and Lydia Sigourney mansion in Hartford provided the inspiration for the building,” writes the the Connecticut Historical Society’s Karen DePauw. “The Connecticut commissioners to the Exposition felt the house represented colonial ideas, as well as stood for cultural and social life in present-day Connecticut. Edward T. Hapgood was hired as the architect, and H. Wales Lines Co. served as builders.”

A wealthy fellow from Lafayette, one William Potter, visited the fair and liked the house so much he bought it. Or rather, his wife liked the house so much he bought it and had it rebuilt in Indiana for them to live in: three full floors, a basement, seven fireplaces, five-and-a-half bathrooms, a 26-light brass-and-crystal chandelier, and a double staircase leading to the second floor, among other posh features.

Closer to our time, the Haans, who made their money selling sewing kits to junior high schools, acquired the property in the 1980s as a residence. They’re also collectors of Indiana art, which accumulated over the decades — as things do in a house — and a few years ago they deeded the house to a nonprofit to display their collection.

Behind the house is more art: a sculpture garden sporting Indiana-created work. Such as “Venus Rising” by Tuck Langland of Granger.
“The Miner” by Peter Rujuwa.
Rujuwa, originally from Zimbabwe, now of Indianapolis, also did “The Guitarist.”
“Metal Menagerie” by Roy Patrick of Lafayette.
“Garden Art” by Kathleen Kitch of Lafayette.
Pretty soon we noticed something moving in the sculpture garden. A little cat.
He followed us around for a while, but then lost interest and spent time climbing trees behind the artwork.