Tag Archives: 1970s

Once Upon a Time in Quentin Tarantino’s Childhood

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We went to see Once Upon a Time in Hollywood not long ago. Been a while since I’d seen a new movie, or a Quentin Tarantino movie, for that matter. Come to think of it, I don’t think I’d ever seen one of his movies in the theater — everything’s been on tape or DVD or demand, to list formats chronologically.

I left Once Upon a Time wondering how old Tarantino is. I knew next to nothing about him, except for his fondness for putting ultraviolence in his movies. From the way he depicted the period of the movie, 1969, I got the sense that he remembered it, but not as an adult. Like me.

Sure enough, he was born in 1963. That makes us contemporaries. Later he must have filled in some of the gaps his own memory might not have retained, as one does. I can’t imagine, for instance, that a six-year-old would have paid much attention to Sharon Tate or any of the movies she was in, least of all a bomb like The Wrecking Crew. (Matt Helm movies are best forgotten.) On the other hand, Tarantino probably saw old TV westerns on reruns or shows like the FBI or Mannix in the early ’70s, just as I did.

Yuriko came away baffled by many of the references. She’d come to see Brad Pitt, whom she enjoyed seeing — he had a good part — but it isn’t a past she shares. Neither of our daughters went, but come to think of it, most of the references probably would have been strange to them as well.

Despite including the Manson family and some other unsavory aspects of the period, the movie was an exercise in nostalgia — of a kid who watched American movies and TV beginning in the late 1960s. For a time when Americans watched roughly the same TV shows and movies, because options were much more limited than they are now.

What will be the basis of pop-culture nostalgia for the 2010s in 50 years, if there’s any? I’d think it would be as fractured as entertainment is now. Well, so what? Can’t say that I care. Not my circus, not my monkeys.

Pitt, as stuntman Cliff Booth, had my favorite line in the movie. In a flashback, Booth was on the set of The Green Hornet with Bruce Lee, who is characterized as a preening, vain fellow, and they’re rehearsing a fight scene.

Bruce Lee: My hands are registered as lethal weapons. We get into a fight, I accidentally kill you? I go to jail.

Cliff Booth: Anybody accidentally kills anybody in a fight, they go to jail. It’s called manslaughter.

The House of Prime Rib, 1973

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I went with my family to the House of Prime Rib on Van Ness Ave. in San Francisco in August 1973, picking up a souvenir postcard at the same time.
House of Prime Rib postcard ca 1973I remember the place seemed dark. Low-light restaurants weren’t something I knew except maybe from TV. More exotically, servers carved the meat at a cart near our table. There was a dessert cart as well. Every now and then around the dim room, flambé erupted. Quite a place for a 12-year-old with ordinary tastes.

The House of Prime Rib, which is still open, wasn’t the sort of restaurant we usually patronized. The only place we visited remotely like it (that I can think of) was Old San Francisco — which was in San Antonio, and still is. We went there two or three times.

Except for the fact that Old San Francisco served upmarket beef like the House of Prime Rib, there wasn’t much similarity. Old San Francisco wanted to evoke those giddy Barbary Coast days before 1906; the House of Prime Rib had a Old England vibe. It was a midcentury fancy restaurant.

We were on vacation, hence the indulgence. My mother and brothers and I flew to Los Angeles that August, spent a few days there, drove up the coast on California 1 in a rental car, and spent a few days in San Francisco, flying back to San Antonio from there.

I remember it well: Disneyland in the days of A-E tickets, the Huntington Library, a side trip down to see Mission San Juan Capistrano, perhaps because my mother remembered one version or another of the song, the smoggy LA air, the winding coastline, our disappointment in not getting to see the Hearst Castle, Big Sur, climbing the hills of San Francisco, crossing the Golden Gate Bridge, Chinatown, the Cannery, the cable cars, my brother Jay ordering octopus at a Fisherman’s Wharf restaurant, a boat trip around the Bay (Alcatraz was still closed at the time). A nothing out-of-the-ordinary tourist week in California. What a good time.

A Festival of Music, 1973

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I found this bit of ephemera at my mother’s house last year. She had saved it, tucked away in a envelope. I’d forgotten about the event, but it jogged my memory.

Jog might be too strong a verb. I still don’t remember much about the event, including why I participated. I was in the sixth grade, toward the very end of that year, and didn’t usually participate in choruses. Mainly, I think, because I can’t sing. But somehow or other I decided to do it, and there I am along with scores of other kids.
At the time, Alamo Heights had four elementary schools that fed into a single junior high and high school. Among the names of the kids at the three other elementary schools that I didn’t attend, I recognize a lot of people I didn’t know in 1973, but whom I would know by the time I finished high school six years later.

Considering the structure of the district’s schools, and the passage of time, and the way social interaction goes, that isn’t really so strange, and yet it feels strange when I think about it.

Another irrational feeling that comes to me when looking at the list is how normal most of the first names sound. Especially the girls’ names, like Amy, Barbara, Caroline, Laura, Lisa, Lynn, Mary, Melissa, Patricia, Sharon, Susan and variations on Deborah, Julia, Rebecca and Sandra.

The evening’s program.

Three of the four songs by the elementary chorus were from Up With People. I didn’t know that until reading the program recently. Guess they produced the kind of anodyne songs considered good for elementary school children in the early ’70s.

I’ve read a little about that organization, though I can’t say that I know much about it. But I can’t shake the lingering idea that if Ned Flanders founded a cult, it would be something like that.

Champaign Stroll & Digressions From Kung Fu to the Match King

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After visiting the University of Illinois Arboretum on Easter, we returned to Lilly’s apartment briefly and took a walk from there a few blocks to the UIUC campus. Blocks heavy with businesses supported by students. Along the way everyone else went into one of them, Kung Fu Tea, for bubble tea to go, while I waited outside with the dog.

Kung Fu Tea is a chain I’d never heard of. Lilly didn’t understand why I was amused by the name. But she’s unable to imagine the following variation on an old TV narrative.

“Grasshopper, when you can take the tapioca pearl from my hand, it will be time for you to leave.”

I just found out that Kung Fu is available on Amazon for no extra charge. I was an intermittent viewer when the show was originally on the air, which was 45 years ago anyway, so I might give it another go.

From Kung Fu Tea, it was a short walk to Altgeld Hall, which I’ve seen before, but not from this vantage.

On we went. A fine day for a walk. The sunny warmth had drawn a number of students to the Main Quad, where they parked themselves on the grass. That’s the Illini Union in the distance.
Some students lolled in hammocks. That’s something I don’t ever remember seeing at any of the green fields of Vanderbilt.

We circled back around the other side of Altgeld Hall and happened across this statue.
That’s the goddess Diana.
A nearby plaque says: The Diana Fountain is a creation of the Swedish sculptor, Carl Milles. It was designed for the court of a building at 540 North Michigan Avenue, Chicago, where it remained from 1930 until it was generously presented by Time Incorporated to the University of Illinois at the request of the Class of 1921.

The Fountain was dedicated here on October 23, 1971, as a class memorial, at the Fiftieth Anniversary Reunion of the Class of 1921.

Then there’s a list of “members and friends” of the Class of ’21, all of whom presumably ponied up some money for moving the statue, as well as the site work and installation. It’s a long alphabetical list from Allman to Zimmer: eight columns of 35 names each. More, actually, since some of the names represent married couples.

Fifty years plus nearly 50 more. Safe to assume all of the Class of ’21 have shuffled off this mortal coil. As has Carl Milles (d. 1955).

Here’s a digression. Another Diana Fountain by Milles is in Stockholm, at a place called the Matchstick Palace. Who built the Matchstick Palace?

The Match King, Ivar Kreuger, that’s who. I ran across him years ago in the wonderful Webster’s New Biographical Dictionary. Wiki gives a fuller description of his activities. His is an astonishing story.

Thursday Whatnots

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News I missed, and I miss a fair amount, which I figure is actually healthy: “For the second time in history, a human-made object has reached the space between the stars,” a NASA press release from December says.

“NASA’s Voyager 2 probe now has exited the heliosphere — the protective bubble of particles and magnetic fields created by the Sun…

“Its twin, Voyager 1, crossed this boundary in 2012, but Voyager 2 carries a working instrument that will provide first-of-its-kind observations of the nature of this gateway into interstellar space.”

Voyager 2 is now slightly more than 11 billion miles (18 billion kilometers) from Earth. Or 16.5 light hours. That’s still in the Solar System, though. “It will take about 300 years for Voyager 2 to reach the inner edge of the Oort Cloud and possibly 30,000 years to fly beyond it,” NASA says.

Not long ago, the original Godzilla — Gojira, to be pedantic — appeared on TV, in Japanese with subtitles. Not that the famed atomic beast needs any subtitles. I had my camera handy.
I didn’t watch it all, but that’s one way to approach televised movies. Not long ago, I watched the first 15 minutes or so of The Sting, a fine movie I’ve seen a few times all the way through. But other tasks were at hand, so I quit after Luther is murdered.

Later, I had the presence of mind to turn the TV back on and watch the last 10 minutes or so, when the sting is put on gangster Doyle Lonnegan. It’s a satisfying ending, but it got me to thinking.

A con with that many people would surely generate rumors. Just as surely, the rumors would make their way to the murderous Lonnegan, who wouldn’t rest until Henry Gondorff and Johnny Hooker were dead. But that’s overthinking things.

Here’s another example of a dim algorithm. Just about every time I use YouTube, I see anti-teen smoking PSAs. Or maybe they’re blanketing the medium, regardless of audience. Still, if I didn’t take up smoking 45 years ago, I’m not going to now.

That brings to mind the first time I remember seeing one of my contemporaries with a cigarette. That was about 45 years ago at a place called the Mule Stall.

The Mule Stall was a student space on the campus of my high school with a few rooms, chairs, a pool table and I don’t remember what else. It was tucked away about as far as you could get from the rest of the school, opening up to the street behind the school.

High schoolers used it, but junior high kids from the district had gatherings there occasionally as well. The event I remember might have been the wrap party for one of the plays I was in. Besides not acquiring a taste for smoking back then, I also discovered the theater wasn’t for me, except as an audience member. But ca. 1974, as a junior high school student, I did a few plays.

There we were, hanging out at the Mule Stall, when we noticed a girl named Debbie, who was in our class, pass by with a cigarette between her fingers. I didn’t know her that well, and I don’t remember much about her now, though she had curly hair, glasses and the sort of development adolescent boys pay attention to. At that moment, I guess she was on her way out to smoke the thing, though we didn’t see that.

I don’t know anything about her later life. She attended high school with us for a while, but either moved away or dropped out before the Class of ’79 graduated. I wonder if even now, she holds her cigs in yellow-stained fingers and spends part of the night coughing.

As for the Mule Stall, we had occasional high school band parties there later. One in particular involved almost everyone lining up to dance to the “Cotton-Eyed Joe.” That was fun. As Wiki accurately says, the dance was very much alive in Texas in the 1970s.

In fact, the Wiki entry has a description of the style of dance we did. Someone who did the dance seems to have written it, because this is exactly right.

“This dance was adapted into a simplified version as a nonpartner waist-hold, spoke line routine. Heel and toe polka steps were replaced with a cross-lift followed by a kick with two-steps. The lift and kick are sometimes accompanied by shouts of ‘whoops, whoops,’ or the barnyard term ‘bull s–t.’… The practice continues to this day.”

We used the barnyard term. An administration with no sense of history apparently razed the Mule Stall in the 1990s. Now the site is parking.

Hulk Smash Nixon? No.

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As a lad, I didn’t read The Incredible Hulk. I didn’t watch the TV show with Bill Bixby more than a time or two. I had no interest in movies featuring the character. I’m also pretty sure my older brothers didn’t care much about the comic, though it’s possible Jim bought The Incredible Hulk No. 147 (January 1972) on a whim. Or maybe one of my friends brought the comic into the house and left it. Tom T., whom I hung out with a lot at that time, probably read Hulk.

Whatever the reason, I spotted the comic at my mother’s house during our most recent visit. It’s missing its cover, which looks like this (oddly, the text describes the second story in the issue, rather than the first). I might not have paid it any further attention, but then I noticed a couple of characters on the opening page not usually associated with comic books of the time.

img463No fictional president for this comic. Though not named, Nixon’s clearly making a cameo, along with Agnew, who is called “Spiro” a few times.

So I read the thing, just to see how Nixon and Agnew fared at the hands of the Hulk. The disappointing truth is that the comic had very little use for them. As the action unfolds, they’re at the periphery, though the boss bad guy vaguely mentions kidnapping them, or something. They appear in a few more panels, mostly it seems so the writer, Gerry Conway — apparently when he was very young — could have some fun with Nixon catch phases and Agnew alliterations.

img468img464Got in a mention of Kissinger, too.

img465

All this made me look at the long Wiki article on the Hulk, and I read some of it, but not even an appearance by Richard Nixon and Spiro Agnew could spark enough interest in the Hulk for me to read all of it. I did learn that at first he was gray-skinned rather than green, which I guess is a factoid worth knowing.

Billy Beer Now Counts as an Antique?

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First things first. Remember the Alamo.

Not long ago we visited an antique mall in another northwest suburb that we go to occasionally, though this was the first time in a few years. On the whole it’s a likable place stuffed to the gills with debris from across the decades. I like looking around, just to remind myself how much stuff there is in the manmade world. The establishment frowns on photographing its wares, so I have no images.

The mall’s postcards, unfortunately, tend to be $1 or more each. It has to be a special card for me to pay that much. Got enough of them anyway. Several drawers full of old photographs of random strangers were also available, at a lower cost per item. Many were easily taken 100 years ago. That only goes to prove that for most people, any images older than their grandparents might as well be cave paintings.

The most amusing find: a six pack of Billy Beer, apparently unopened. I don’t ever remember actually seeing any, only hearing about it, as everyone did in 1977. A short history of the risible brand, posted in 2010, is at Mental Floss, whose key line is: “That’s about the best summary of Billy Beer that we can find; it was so noxious that not even Billy Carter would drink it.”

As for later: “Billy Beer perfectly fit the mold for a worthless collectible. It was made in giant quantities. Hordes of people had speculatively saved some. It had no intrinsic value.”

I think the price on the cans was $30. Who knows, maybe Billy Beer’s time as a collectible will come someday, as those giant quantities waste away across the decades. But I’m not going to buy any in hopes of finding out.

Snaps of Early ’76

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In late 1975, the Witte Museum in San Antonio opened an exhibition of Fabergé eggs that extended some time into ’76. I went to see the eggs with my family. That must have after Christmas but before New Year’s, before Jay went back to law school for the spring semester, since he took this picture.

Witte Museum Faberge Exhibit 1976

We’re hard to see, but that’s my mother (holding a white purse), brother Jim and me standing next to the museum’s front entrance. Above the double eagle the banner says, FABERGE, and I believe Фабержe across the eagle.

According to Fabergé Eggs: A Retrospective Encyclopedia, as accessed by Google, the exhibit displayed the Danish Palaces Egg (1890), the Caucasus Egg (1893), and the Napoleonic Egg (1912), beginning on December 14, 1975. The Witte exhibit was over before September 12, 1976, when the same eggs opened at the Huntsville Museum of Art in Alabama.

I have to say I don’t remember much about seeing the eggs, but it has been more than 40 years. I was probably as impressed as a 14-year-old boy could be.

At some point in early 1976, we also went to Inner Space Cavern, which is just north of Austin.

Inner Space Cavern, Texas, 1976That’s about as good an image as I was going to get with my Instamatic 104. The exact same formation is pictured here.

Among Texas show caves, Inner Space was fairly new then, since it was discovered only in 1963 during construction of I-35, and open to the public three years later.

“Inner Space is situated in Edwards Limestone (Mesozoic Era) and is estimated to be sixty to 100 million years old,” says the Handbook of Texas Online. “Geologists attribute formation of the cave to the action of underwater currents when the Permian Sea covered the area. Ninety-five percent of the highly decorated and complex cave is still active.” Inner Space billboards call to passersby on I-35, as I sometimes am, but I haven’t been back since.

One more snap from early ’76: David Bommer.

David Bommer 1976

We were goofing around in my back yard and, as you can see, I caught him my surprise with the camera. David, a friend of mine since elementary school, has been gone now nearly 10 years.

The Flight 191 Memorial, Des Plaines

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After lunch on Friday, I realized I was fairly close to the Flight 191 Memorial, so I went to take a look. It might be February, and it definitely was cold, but the sky was sunny and the ground without any ice or slush to wade through.

I remember hearing about the crash, which happened the week before I graduated from high school. Probably most people old enough to understand what had happened remember hearing about it, so terrible was the accident. Almost 38 years later, it’s still the worst U.S. aviation accident in terms of fatalities, 273, unless you count all the crashes on Sept. 11, 2001 together, but those were no accidents.

The memorial is tucked away in a park in the large suburb of Des Plaines. From a distance, the site is unassuming, between the road and a jogging path.

Flight 191 Memorial, Lake Park, Des Plaines 2017

I imagine that most people driving by on Touhy Ave. just to the south of the site don’t know it’s there. Closer up, the memorial reveals itself. It’s a low wall with names of the victims inscribed, one to each brick.

Flight 191 Memorial, Des Plaines ILFlight 191 Memorial, Des Plaines ILFor a long time, more than 30 years, there was no memorial to AA 191 anywhere. In 2011, the Chicago Tribune reported that the effort to build a memorial “started with [Kim] Jockl, an assistant principal at Decatur Classical School in Chicago’s West Rogers Park neighborhood whose former students learned she had lost her parents on the Los Angeles-bound flight.

“The group pushed for two years to build the memorial. Finally, American Airlines agreed to foot the $21,500 cost, according to officials at the ceremony, and a location for the memorial was found inside Lake Park in Des Plaines.”

A plaque mounted on a short pole behind the wall says:

WE REMEMBER FLIGHT 191

Let us not forget the victims of May 25, 1979, who helped assure the safety of all who have boarded an airliner since that tragic event.

“When someone you love becomes a memory, the memory becomes a treasure.” — Author Unknown

A special thanks to all who helped make this memorial possible, especially: Decatur Classical School, Chicago Public Schools; US Representative Jan Schakowsky; IL State Sentator Dan Kotowski; the Des Plaines Park District; American Airlines; Project Citizen; Thomas A.Demetrio; Constitutional Rights Foundation Chicago; Center for Civic Education; and Nilco, Inc.

Xmas Oddities

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From the December 21, 1976 episode of Laverne & Shirley, “Christmas at the Booby Hatch” or “Oh Hear the Angels’ Voices.”

Featuring Michael McKean (Lenny) and David L. Lander (Squiggy). I don’t think I saw it 40 years ago — I only watched the show intermittently — but nothing every really goes away on the Internet.

Next, “Ríu Ríu Chíu,” as sung by the Monkees on their show on Christmas Day 1967.

I’m pretty sure I didn’t see that when originally shown either. But it was an inspired choice for the Prefab Four.

Finally, something not about Christmas: “Sailing to Philadelphia” (2000), sung by Mark Knopfler and James Taylor. It’s about Jeremiah Dixon and Charles Mason.

We are sailing to Philadelphia
A world away from the coaly Tyne
Sailing to Philadelphia
To draw the line
The Mason-Dixon Line

Just how many songs are there about the Mason-Dixon Line? One, anyway. I happened across it not long ago. A delightful discovery.