Hotel Boom

Posted on April 26, 2017 by admin

The Chicago Architecture Foundation calls one of its new tours Hotel Boom. “Learn how and why a former athletic club, bank, chemical company, motor club and more were transformed into first-class hotels,” the description promises. I was game. So we (all of us, including Ann) took the tour on Easter Saturday, a warm, pleasant spring day in Chicago.

I suspected that I’d been in many of the properties, and I was right. But some of them weren’t even hotels the last time I visited, and it’s always good to hear about a property from a knowledgeable docent, which CAF docents tend to be. In order, we visited the Silversmith Hotel, Virgin Hotel, Hampton Inn (formerly the Chicago Motor Club Building; I got an international drivers license there), London House, Hard Rock Chicago, and the Chicago Athletic Association Hotel.

Mostly we got a look at the exteriors, and then at the lobbies, though at one property we didn’t enter the lobby, and at another we saw the rooftop.

My friend Geof Huth stays at the Silversmith Hotel, 10 S. Wabash Ave., when he’s in town. The exterior is an historic arts-and-crafts facade dating from the 1890s, done by one of Daniel Burnham’s men. I assume that silversmiths were once tenants, since that part of Wabash was Jewelers Row (and still is). When I met Geof there in previous years, the lobby interior — which is not a protected historic feature — looked like this, with brown predominating. Not any more. Now black and off-white is the thing in the Silversmith’s public areas.

Next up was the Virgin Hotel. Virgin as in one of Sir Richard Branson’s properties, and in fact the first hotel with that flag, opened only in 2015. This was a surprise. I used to work across the street, more-or-less, and I remembered the Old Dearborn Bank Building at 203 N. Wabash Ave. being an interesting but aged art deco building.

The exterior has been spiffed up, the better to appreciate some of the details.

We had to skip the interior. One of these days I might take a look.

There’s a Hampton Inn in what used to be the Chicago Motor Club Building at 68 E. Wacker Pl., originally developed in 1928 and converted into a hotel only a few years ago.
Blair Kaiman writes: “All of Art Deco’s defining characteristics are compressed into this fabulous, 15-story package just west of Michigan Avenue: A trim silhouette with strong vertical lines; stylish geometric decoration; and a superb integration of art and architecture, especially in the lobby where a freshly restored mural map of the continental United States reigns with regal understatement.”

It’s a splendid mural. Done by an Illinois artist named John Warner Norton (1876-1934), who favored this kind of large work. More about him here, by a writer who doesn’t understand paragraphs.

I like this detail, too. It’s over the hotel’s main entrance.
The Hard Rock Hotel Chicago at 230 N. Michigan Ave. is a Hard Rock. With that, you get musical embellishments, such as guitars on the wall and an express checkout station that’s fashioned out of a 45 record player.

The hotel is the Carbide and Carbon Building, yet another fine deco building, finished in 1929, just before the Depression ground building to a halt, deco or otherwise. Burnham Bros. did the original building (Daniel Burnham was long dead by then); Lucien Lagrange Architects did the conversion into a hotel, finished in 2003.

You might even call it noir deco, since carbon black is the motif.
Further south, fitting very nicely in the Historic Michigan Boulevard District, is the Chicago Athletic Association Hotel at 12 S. Michigan.
The building, a Henry Ives Cobb design, goes all the way back to 1893, so it was spanking new at the time of the World’s Fair. No art deco for him. He was of a previous generation. He also did the Newberry Library, which I’ve always liked, and the fine Yerkes Observatory.

The redevelopment of a posh men’s club into a posh hotel by Hartshorne Plunkard Architecture was finished only in 2015. “Many of the building’s elaborate architectural details were preserved, as the ornate millwork and tiled floors throughout the interior and the stained glass and cast-iron exterior relief have all been restored,” says Curbed Chicago. “However, one of the greatest highlights of the new hotel is its rooftop restaurant’s deck space that offers sweeping views of Michigan Avenue and Millennium.”

On a pleasantly warm Saturday, the line to get to the elevator to the rooftop was long indeed. Some other time, maybe.

We did see the large bar on the first floor. It features a lot of games and a sports theme on the walls. Sports of an earlier time: leather football helmets, baggy golf knickers, and medicine balls.

The space also included a bocce ball court. People were playing it. I’d never seen anyone play bocce ball.
Guess I don’t hang around enough Millennial bars. Or any bars, come to think of it.

Model Chicago

Posted on April 25, 2017 by admin

Most Chicago Architectural Foundation tours begin at 224 S. Michigan Ave., where the foundation is located and which is also known as the Santa Fe Center or, originally, the Railway Exchange Building. It’s a handsome structure by Daniel Burnham, dating from 1904.

“A building around a light well, a form common to Daniel H. Burnham’s work from the mid-1880s onward, received an undulating white-glazed terra-cotta skin, oriel bays, and a top floor of distinctive porthole windows,” notes the AIA Guide to Chicago. “As in the Rookery, there is a two-story covered court at the base of the light well dominated by a grand staircase.”

The view from near the grand staircase.
Note the model of Chicago taking up much of the floor. At 25 by 35 feet, it’s an exact model of every building in more than four square miles of the city, or more than 1,000 of them. The obviously skilled Columbian Model & Exhibit Works created it for the Chicago Architectural Foundation in the late 2000s.

The Tribune reported in 2009 that the “model buildings came from Columbian’s workshop. The exhibit is broken down into 400 city blocks, in squares the size of dinner plates carried in food caterer’s serving carts. With the buildings already glued in place, the blocks were placed into the exhibit like waiters carefully placing food plates into a buffet table.

“[Foundation VP Gregory] Dreicer said the first step in the process was creating a digitized three-dimensional computer model of the city that could be manipulated on a screen. The designers did it using architectural drawings or drawings purchased from commercial firms that collect such information.

“To make each building, they went to firms that use the three-dimensional printing process called stereolithography, used to make design prototypes of various products like plastic containers for food, cleaning or pharmaceutical products.”

Wow. That’s impressive. And right there, for anyone to walk in and see, no charge. It’s not a static display, either. I’ve read that the CAF updates it periodically, as buildings come and go in Chicago.

Lou Mitchell’s

Posted on April 24, 2017 by admin

On Easter Saturday, which was clear and pleasantly warm, we took our first Chicago Architectural Foundation tour of the year, more about which later. To get there, we took a train to Union Station, timing things so that we could eat before the tour. I figured the place to go was Lou Mitchell’s. It had been a while, though more recently than 2005.

I might be misremembering, but I think my friend Rich took me to Lou Mitchell’s for the first time during my first visit to Chicago in 1981. Or if not then, sometime during a visit in the 1980s. Even then it was an institution of a diner, and Lou Mitchell himself was still around, giving away either doughnut holes or tiny packs of Milk Duds to patrons as they came in.

So much of an institution that the National Park Service devotes a page to the restaurant as part of its Route 66 series. “Built in 1949, Lou Mitchell’s is located at 565 West Jackson Boulevard, a few blocks west of Lake Michigan and the eastern terminus of Route 66,” the page notes.

Lou Mitchell’s itself claims a 1923 founding by Lou Mitchell’s father, but presumably that was a different location. In ’49, the Mitchells probably thought nothing of the fact that W. Jackson happened to be US 66 at that point, just that it was a good city street to be on. These days, there’s a bit of Route 66 decor on the walls, but not too much.

“Visitors immediately focus on the original aluminum and glass storefront,” the NPS continues. “Rising up from the upper front façade and extending the entire length of the building is the eye catching, original 1949 neon sign that proudly states ‘Lou Mitchell’s Serving the World’s Best [sic] Coffee.’
“Another original sign, this one extolling the restaurant’s handmade bakery goods, is still hanging on the front façade. Aside from timely upgrades of the kitchen and bathrooms, the interior of Lou Mitchell’s has not been significantly altered since 1949. The dining room retains its original black and white terrazzo flooring, and most of the dining and counter areas are unchanged.

“The booths have their original wood tables, coat racks, and seats, although the seats sport new upholstery. The multi-sided counters with individual stools are original but have newer laminated surfaces and upholstery. Much of the wood and Formica wall paneling dates to 1949.”

Add to these things the hum of talking people, the clink of silverware and the distinct pleasant smell of a diner, and that’s the atmosphere you get at Lou Mitchell’s. None of that would matter without the food, which has been uniformly good over the years I’ve eaten there. Mostly breakfast items for me, such as the sapid ham and cheese omelette I had recently, which comes with cubed potatoes and toast. My kind of eats.

March for Science, Chicago

Posted on April 23, 2017 by admin

I figured the March for Science, which happened on Saturday, was something I could support. Not just because of some vague notion that science is mostly a good thing. Rather, that spending by the U.S. government supporting scientific inquiry is mostly a good thing.

Speaking only as someone who does his little part to support such spending, I think there ought to be more of it, not less. It gets results. Examples are numerous, but my own favorite is the exploration of each and every planet in the Solar System and other celestial objects as well over the last 50 years or so.

According to various reports, the March for Science was held in over 600 locations worldwide — the main one being in DC — and included a “march” by sympathetic scientists in Antarctica, who must be facing the beginning of a long, awful winter about now (and what other kind would there be?). In Chicago, the day was cool, in the 60s F., with thin clouds overhead.

The Tribune tallied the Chicago march as one of the larger ones, with about 40,000 participants. I don’t know how the crowd was counted, but I believe it. When Ann and I arrived, at the intersection of S. Columbus Dr. and E. Congress Dr. — just west of Buckingham Fountain — the crowd looked like this.

The event stage was north of that point, on E. Jackson, but we didn’t bother trying to move toward it, because the crowd in that direction was thick.
Pretty soon, the crowd filled in around us. As crowds go, it was good-natured and patient. The speakers were difficult to hear, since the event’s loudspeakers weren’t working that well. I caught some of a Field Museum employee’s speech, which was essentially about her cool science job at the museum.

I also spent time reading the signs.

I have to like a reference to Nineteen Eighty-Four.
This one got to the heart of the matter: Science Serves Our Nation.
Or, to put it in more negative terms, something that even the dimmer lights in Congress might respond to: If We Don’t, The Chinese Will.

Anti-Trump signage was common, as you’d expect —

— along with a sprinkling of other causes, such as straight-up socialism and vegan advocacy.

At about 11, word spread that the march itself was starting. So everyone headed south along Columbus. The crowd had to move around a group of women in costume, dancing on stilts. Ann got a short video of it.

I’m not sure how that was a pro-science message, but it was fun to watch.

Along the way, chants broke out sometimes. The most common one was:

What do we want?
Evidence-based research!
When do we want it?
After peer review!

Nothing Mark Slackmeyer would have ever said, but it caught the spirit of the march. Ann got a video of that, too.

It was a slow march, because ultimately everyone had to funnel into the narrow path that leads to the Field Museum campus, through an underpass below Lake Shore Drive. (Closing Columbus was one thing, but Lake Shore Drive generally remains open.)

Afterwards, participants sat around on the Field Museum lawn and elsewhere.

There were booths on the other side of the museum, but we’d had enough for the day and soon caught a bus back into the heart of the Loop. Some other marchers were on the bus, too, along with their signs. Not something you see all the time on mass transit.

Two Churches & One Temple in Old Town

Posted on April 20, 2017 by admin

Towering over N. Cleveland and W. Eugenie Sts. in the Old Town neighborhood of Chicago is St. Michael’s, a Romanesque Catholic church dating from just before the Great Chicago Fire. Not good timing, since the building was thus in the path of the conflagration.

“As the fire moved past Holy Name Cathedral, religious from nearby institutions rushed to St. Michael’s for respite, but they knew that the fire was just a few hours away,” the church tells us at its web site. “Priests, brothers, and nuns, helped by parishioners, packed parish treasures onto an oxcart and fled. Soon, flames tore into all the parish buildings, leveling all of them. Only the walls of the church remained standing.”

By 1873, the church had been rebuilt, though various modifications have occurred since then.

Look closely up there and you see the Archangel Michael, sword drawn, ready to do battle with Old Scratch and his minions.
The interior looks like this: Bavarian Baroque, according to the AIA Guide to Chicago.

The archangel is also depicted outside on the plaza, facing the church. His sword is at his side, after vanquishing Old Scratch (at least, I assume that’s Satan underfoot). Good thing none of the nearby telephone wires were damaged in the struggle.
The plaza itself is a pedestrian zone that cuts the flow of cars on that section of Eugenie St. That’s unusual. I can’t think of another church in Chicago that has one. It helps make that part of Old Town distinct.

A few blocks to the north, at Wisconsin and Orleans, is the less distinct — at least as a building — Church of the Three Crosses, which is affiliated with both the United Church of Christ and the United Methodist Church.
Around back, however, is a sign of the times.
Roughly between St. Michael’s and the Church of the Three Crosses, on W. Menomonee, is the Midwest Buddhist Temple, a temple of the Jodo Shinshu school of Buddhism.

“Jodo Shinshu, also referred to as Shin Buddhism, was founded in Japan by Shinran Shonin (1173-1262),” explains the temple’s web site. “It was Shinran Shonin who made Buddhist teachings accessible to people of all walks of life — in contrast to the traditional, primarily monastic practice of Buddhism.

“Between 1900 and 1940, many Jodo Shinshu temples were founded along the West Coast of the United States. But it wasn’t until 1944 that the Midwest Buddhist Temple was founded in Chicago by Rev. Gyodo Kono — its beginning linked to the ‘resettlement’ of many Japanese-Americans who moved to the Midwest to start new lives as World War II came to a close.”

At the edge of the property is a small but lovely garden, designed by Hoichi Kurisu of Portland, Ore., who also did the Anderson Gardens in Rockford.

“The boulders, set into place by a 30-ton crane, were especially important in representing the topographical features of Shinran Shonin’s walk from Mt. Hiei to the people in the Japanese villages as he spread the teachings of Shin Buddhism.”

Luckily, these days there are funiculars connecting Mt. Hiei with the rest of Japan.

Old Town Ramble

Posted on April 19, 2017 by admin

Been going to the city more than usual lately. One destination for a recent walkabout was Old Town, a near North Side Chicago neighborhood that I’ve passed by at the edges countless times. Walked through it, not so much. On a warm day this month, when I did finally take a walk in the neighborhood along such streets as Cleveland, Hudson, Sedgwick, Orleans, and Menomenee, all north of North Ave., I had the strange feeling that I wasn’t quite in Chicago any more.

“There is a scale to Old Town, a closeness of building to street and street to cross street and curb to curb that you simply don’t find anywhere else in the city,” one Vince Michael wrote in the limited but informative blog Renown Old Town.

“It is not so much about the rope mouldings above the windows or the paired brackets and dentils at the eave or even those Furnessian ornaments on Adler & Sullivan’s Halstead Houses. It is about a premodern relationship of buildings and streets and narrow alleyways – something not unusual in Rome or the old part of Edinburgh but exceedingly rare in Chicago.”

I didn’t think of Rome during my Old Town walk, and I’ve never wandered Edinburgh, but even so something about the alignment of the neighborhood is atypical for Chicago. It doesn’t really come through in pictures, though you can get a sense of some of the area’s handsome buildings that way.

Every interesting neighborhood worthy of that adjective has its spots of whimsy. So too with Old Town.

Then there was this charming building, Schmidt Metzgerei. Butcher’s shop, though the it looks like Mitzgerei, except there’s no dot over the first i. (Vince Michael posits that Mitzgerei is an older variant spelling; I couldn’t say).
It stands out now, but probably didn’t when it was new, as a butcher’s shop with dwelling space on the second floor for the butcher and his family. “The mitzgerei, built in the classic German fachwerk style, utilizing heavy timber framing, was established in 1903,” writes Vince Michael. “Today it is the home of the Sullivan Law firm. It is a fine example of the early German immigrant construction that at one time was quite common throughout the Old Town Neighborhood.”

There’s a broader context, of course. The AIA Guide to Chicago tells us that Old Town “was settled by German produce farmers, who were numerous enough to establish St. Michael’s parish in 1852. After the devastation of the Fire of 1871, wooden cottages sprang up to house the homeless. Most of the ‘relief shanties’ are long gone… The area remained heavily German throughout the following decades, and by 1900, North Ave. as far west as Halstead St. was known as German Broadway.”

The Clan-Na-Gael Guards Monument, Mount Carmel Cemetery

Posted on April 12, 2017 by admin

An obscure monument to obscure men fighting for a now-obscure cause. That’s what I found at Mount Carmel Cemetery last week when I spied the Clan-Na-Gael Guards Monument. What a find.

Obscure isn’t meant as a pejorative. People besotted with fame might think it’s one, but obscurity is the common fate of almost everyone and everything. Life’s still worth living. In future millennia, we’ll all be as distinctive as grains of sand on a beach. It won’t even take that long. That’s probably as it should be.

Yet we memorialize. In stone sometimes, no doubt since mankind learned to carve. I’m no expert on the psychology of memorials, but I’d guess they’re mostly for those who already remember: family, friends, colleagues, comrades-at-arms, or a public who read the newspaper stories, saw the newsreels, recalled the special bulletin interrupting a radio or TV show. Memorializing for posterity might be given lip service, but that’s all it is.

The front of the Clan-Na-Gael Monument says (in all caps, but that screams):

Erected by the
Clan-Na-Gael Guards
To the memory of their
Departed comrades

The Clan-Na-Gael was, of course, dedicated to Irish independence. Any enemy of the British was a friend of theirs, such as Imperial Germany 100 years ago, though this memorial goes back a little further. I shouldn’t have been surprised to read the side of the memorial, yet I was:

Dedicated to the memory of
Lieut. Michael O’Hara Co. A
Lieut. Thos. Naughton Co. B
Who died in South Africa
While serving in the
Irish Brigade
Of the Boer Army 1900

Irishmen in the Boer War? Yes, indeed. Not just any Irishmen — though I’ve read there were a fair number in South Africa at the time, working in the mines — but Irishmen from Chicago who headed out to Africa for a chance to stick it to the British.

Soon, I came across a digitized version of an anti-British polemic, Boer Fight for Freedom, written in 1902 by Michael Davitt (an associate of Charles Stuart Parnell, and interesting in his own right). In the book, there’s a passage about the Chicago Irish who fought for the Boers:

The CHICAGO IRISH-AMERICAN VOLUNTEERS

This small contingent of volunteers was spoken of in Pretoria as the “finest-looking” body of men that had yet reached the Transvaal capital from abroad. They numbered about forty, excluding the medicos and non-combatants, and were all young men of splendid physique and of the best soldierly qualities.

They were under the command of Captain O’Connor, of the Clan-na-Gael Guards, and joined Blake’s Irish Brigade. President Kruger extended a special reception to the company, and addressed them in complimentary terms before they started for the front.
Lord Roberts was on the point of advancing from Bloemfontein when the Chicago men arrived, and they were hurried forward to Brandfort along with other reenforcements for De la Rey, who was in command until the arrival of Botha.

O’Connor and his men acquitted themselves most creditably in all the rear-guard actions fought from Brandfort to Pretoria; Viljoen’s Band Brigade, Blake’s and O’Connor’s men, with Hassell’s scouts, doing their share of fighting in all the engagements during events and occurrences which were well calculated to damp the enthusiasm of the allies of the Boer cause.

It is, however, under trying circumstances, offering little or no compensation for services or sacrifice, save what comes from the consciousness of a duty well performed, that men are best tested in mind and metal, and the work done during that most disheartening time was worth many a more successful campaign fought under brighter hopes for the cause of liberty.

But what of the memorial itself? I found digitized information about that, too, in The Reporter, a Chicago-based national trade publication “devoted to the granite and marble monumental trade,” the masthead says (man, Google wants to digitize everything).

The October 1914 edition of the magazine tells us that, “Sunday, September 27th, there was unveiled with due ceremony, in Mt. Carmel cemetery at Hillside (a suburb), a Barre granite monument to the memory of Lieutenants Michael O’Hara and Thomas Naughton, who lost their lives while serving with the Boers against the British in South Africa. They were the only ones killed out about 40 Clan-na-Gael guards who went to the war from Chicago.

“The monument is a shaft with conventional bases, die, plinth and shaft, and was furnished by the Moore Monument Co., the price being about $1,800.”

That was fairly serious money, about $43,800 in 2017 dollars. I don’t doubt that the surviving members of the Clan-na-Gael Guards’ foray to Africa got their money’s worth.

Mount Carmel Cemetery, Hillside

Posted on April 11, 2017 by admin

Demographic note: a lot more people reside in Mount Carmel Cemetery in west suburban Hillside, Ill., than in the village itself. The cemetery has about 226,000 permanent residents, while the village has only about 8,100 (living) people. But the advantage goes to the living, of course. For instance, they can vote in Cook County elections; most of the dead people can’t.

I’ve known about Mount Carmel for years, but only got around to visiting last week, on a cool and partly cloudy afternoon. The cemetery is thick with upright stones —

… funerary art —

… and mausoleums. In fact, there are a lot of family mausoleums there, about 400, including these three.
At Mount Carmel, one learns that the Lord is a Cubs fan.
On a hillock in the middle of the cemetery is the Bishops’ Chapel, or Bishops’ Mausoleum, but in full the Mausoleum and Chapel of the Archbishops of Chicago, complete with Gabriel blowing his horn.
Inside are the remains of seven bishops, archbishops and auxiliary bishops of Chicago, mostly recently Joseph Cardinal Bernardin, who was entombed in 1996. I remember in the fall of ’96 seeing his funeral procession cross the Michigan Ave. Bridge from an office window in 35 E. Wacker, where I worked. Presumably they were headed for Mount Carmel.

The book Mount Carmel and Queen of Heaven Cemeteries by Jenny Floro-Khalaf and Cynthia Savaglio gives quite a lot of detail about the Bishops’ Mausoleum, which was completed in 1912. The cemetery itself was established with the new-born century in 1901, long before the Eisenhower Expressway ran to its north, and probably when Roosevelt Road to the south — not yet called that, but 12th St. in the city at least — was very rudimentary indeed.

“[The chapel] was the brainchild of Chicago’s second archbishop, James Quigley, who oversaw its construction,” Floro-Khalaf and Savaglio write. “He engaged a local architect, William J. Brinkmann, who came up with the simple, Romanesque style that embodies the building’s outline. However, in keeping with the aesthetic tastes of his predecessor, Patrick Feehan, Quigley engaged one of the most famous architects of the day, Aristide Leonori, who designed the building’s breathtaking interior… Leonari executed a design reminiscent of Rome in marble and mosaic.”

A locked door was as close as I got to the breathtaking interior, for which I blame wankers who would do harm to it. But over the door, you’re reminded that Quigley built the place.

Many Italian names dot the cemtery’s landscape. Benedetto, Bernardo, DeVito, DiGiovanni, Felicetti, Gazzolo, Genna, Mazzitelli, Salerno, Serritello, Truppa, Perazzo, Porcaro, Porzio, and Viviano were among those I saw, though there was a fair number of Irish names and others mixed in.

One name I didn’t see was Capone. If I’d done any research beforehand, I would have known where to look for Al Capone. The cemetery doesn’t guide visitors to his grave, unlike the signs posted to direct you to the Wright Bros. at the Woodland Cemetery in Dayton or the Hunley crews in Magnolia Cemetery in Charleston. Maybe some other time.

Other mafioso are buried in Mount Carmel, though not as well known as Capone any more. But their stories are no less lurid. Such as Joseph “Hop Toad” Giunta, who ran afoul of Capone in a particularly bloody way, or so the story goes. I didn’t see his grave, either.

Find a Grave says, “He was a high ranking member of the Capone gang who formed a secret alliance with Al Capone enemy Joe Aiello. Giunta planned to kill Capone and take over his operations, and enlisted the help of Capone triggermen John Scalise and Albert Anselmi with the promise of higher positions when Giunta was in power.

“Capone found out about the plan and invited Giunta, Scalise and Anselmi to a dinner party. During dinner Capone brought out an Indian club he’d received as a gift and proceeded to beat the three men to near death. Capone then allegedly finished the job with gunshots…”

Eda Wade’s Malcolm X College Doors

Posted on April 10, 2017 by admin

After leaving the Aon Center, but before leaving downtown last week, I popped over to the Chicago Cultural Center on Michigan Ave., originally completed in 1895 as Chicago’s main public library.
It’s a fine old repurposed building. Whenever I have a few moments and I’m in the area, I like to go in. For the striking staircase at the south entrance, for one thing. Or the building’s splendid GAR Memorial Hall.

The Cultural Center also features a changing assortment of art exhibits. By chance this time I happened across the murals of Eugene “Eda” Wade, which he painted on the steel doors at Malcolm X College, one of the City Colleges of Chicago, from 1971 to ’73.

According to the exhibit, “the inner-staircase door murals at the former Malcolm X College are one of the hidden gems of the Black Arts movement in Chicago, and a remarkable public-art achievement that went largely unnoticed at the time — except to the college’s students, faculty, staff and administrators.

“The 32 double-sided sets of 10′ x 4′ steel doorways were pained by artist-in-residence Eugene “Eda” Wade… At the behest of Malcolm X College president Dr. Charles G. Hurst Jr., campus projects coordinator Rosa C. Moore invited Eda, later a longtime art professor at Kennedy-King College, to paint the institution’s doors ‘so they wouldn’t look like solid black prison doors.’ ”

Solid black, not at all. More doors should be this interesting.

“Along with images that related to department floors (architecture/engineering, sports/athletics, etc.), jazz, and militancy, many of the murals depict the links between ancestral heritage — expressed through ancient Egyptian and West African figures — and an urban present…”

As I was looking at the doors, I wondered, why are they here? Why aren’t they at Malcolm X College still? Then I read a little closer, and found out that the 1968 Miesian building at 1900 W. Van Buren St., long visible from the Eisenhower Expressway, was demolished last year, replaced by a spanking new building nearby. Somehow I missed hearing about that. Glad the doors were saved.

More about them is posted by the indefatigable Jyoti Srivastava at Public Art in Chicago.

Views from Aon

Posted on April 9, 2017 by admin

Recently I attended an event at the Mid-America Club, which happens to be on the 80th floor of the Aon Center, formerly known as the Amoco Building, and if you go back far enough, the Standard Oil Building (for some time after ’73, when it was completed). At 83 floors and 1,136 ft., it’s the third tallest building in Chicago, but that makes it only the 52nd tallest in the world in our time, when China and the UAE have decided that really tall buildings are just fab.

Getting to the 80th floor, I encountered an elevator system I’d never experienced before. There are touchpads at each elevator bank, and you press the number of the floor you want to go to. Then the machine tells you which of the elevator cabs to board to go express to that floor. There are standard elevator buttons inside the cab, but they’ve been covered over by a hard plastic case and are inaccessible. Guess this makes inter-floor transit more efficient. For all I know, this kind of system could be common and not exactly new; I don’t go into that many very tall buildings any more.

I’d been up to the Mid-America Club before, though I couldn’t remember exactly when. Probably as long ago as the early 2000s. It offers a mighty 360-degree view, though this time around it was obscured some by overcast skies.

This is looking west, down at the top of the Prudential Center. Pru II, vintage 1990, has the pointy spire, maybe for zeppelin mooring. Pru I, vintage 1955, is the shorter structure immediately to Pru II’s left, though it was the tallest building in Chicago when new.
Up and to the right, and on the river, with the cupola on top, is 35 E. Wacker, a handsome ’20s building in which I had an office for a few years.

Also seen from this vantage is 150 N. Michigan. Years ago, I ventured onto the exterior of that building, at a place marked by the red oval. It’s a lot safer than it looks like here.

To the northeast, the entirety of Navy Pier, with part of Chicago’s massive Jardine Water Purification Plant behind it. Largest in the world by volume, I’ve read: nearly one billion gallons of water goes through per day.
One of the pictures posted here is shot from Navy Pier, looking back in the direction of the Aon Center (and a lot of other buildings).

To the north, a large chunk of downtown off in the distance: North Michigan Ave. and Streeterville.
To the south, and looking nearly straight down, is Pritzker Pavilion. As seen from ground level in this posting.
The ribbon snaking off to the left is a pedestrian bridge. Officially, the BP Bridge, one of the projects funded by the oil company before its really big sponsorship of a hole in the Gulf of Mexico. Frank Gehry, who did the Gehry-like bandshell, did the bridge too.

Finally, the Bean, or “Cloud Gate.”
From this vantage, looking like a bead of quicksilver surrounded by ants.

Been There, Seen That

By Dees Stribling

Category Archives: Chicago