Artists Monument, UIC

My walkabout through the University of Illinois at Chicago campus on Sunday wasn’t exhaustive, so I can’t say for sure, but I got the impression that UIC could use a few more works of public art or fountains or memorials. That was one reason I was glad to see the Armistice memorial unveiled that day.

Just as I was about to leave — I’d arrived by taking the Blue Line to the UIC-Halsted station and so headed back toward the station — I noticed some public art on campus. A fairly large piece, too. Multicolored.

And long.

Eighty feet long, as it happens, and eight feet on each of the other two dimensions. It reminded me at once of a high cube shipping container, though with more color. The work is called “Artists Monument” (2014), by retired University of Illinois at Chicago art professor Tony Tasset. Acrylic panels on steel and wood.

The work was installed at this location only last year, after spending time at the Whitney Museum of American Art in New York and Grant Park in Chicago. According to the university, the work isn’t going anywhere else.

Up close, it’s easy to see the many names on the work.
All together the names of 392,485 artists. How the artist came up with that number, and how long it took to compile them, I couldn’t say. Best not to inquire too closely.

I picked one at random to look up: Atilla Atar, a living Turkish artist, it seems.

(Formerly) Like Going to School in Brasilia

Back in the late 1980s, I knew a fellow who was pursuing an MFA at the University of Illinois at Chicago. Academically, the place was strong, he told me. “But it’s also like going to school in Brasilia,” he said.

The last time I spent much time on the UIC campus was at roughly the same time, though I’ve visited places on the edges since then. So both before and after the Armistice Day event, I took a stroll through campus to revise my mental image of the place.

Turns out that UIC isn’t quite the brutalist wonder that it was 30 years ago or, presumably, in the mid-60s heyday of brutalism when Walter Netsch designed the school. In recent years the campus has been softened somewhat, especially with the addition of green space and trees.

But the campus still has its brutalist bones. Such as the vaulting University Hall, one of the original buildings and apparently home to some peregrine falcons since the late ’90s. As brutalism goes, not bad.

The Student Residences & Commons South, while also considered brutalist, has some style to it as well.

So does the campus’ latest structure, a residential hall that’s still under construction overlooking the Eisenhower Expressway on the north end of the east campus. More of an homage to brutalism than the thing itself, I’d say.
It’s a 550-bed project, designed by SCB, that will be completed next summer. The university is eager to have more students live on campus, it seems. Back in the days of a hardcore brutalist campus, I doubt that was a priority, but it is now.

The Dedication of the Armistice Centenary Memorial at UIC

On Sunday morning I went downtown to the University of Illinois at Chicago campus and attended a short ceremony to commemorate the 100th anniversary of the Armistice, held by the university’s Honors College as the end of a series of events marking the occasion.

My old friend Neal mentioned it last summer and as it happened, Michele, his wife, organized the November 11 event. She did a good job.

The event included the posting and retrieval of the colors, some short remarks, poetry from the period, and of course at 11:00 a moment of silence, followed by the playing of Taps.

Michele read the two poems. This is her preparing to read.
One was “Grass” by Carl Sandburg, dating from 1918.

Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work —
I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.

Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?

I am the grass.
Let me work.

Also, verse by Dame Mary Gilmore, lesser known in this country, but renowned in Australia. Also 1918.

They are not dead; not even broken;
Only their dust has gone back home to the earth:
For they — the essential they — shall have rebirth
Whenever a word of them is spoken.

About 30 people attended the event, which was held at the campus’ Memorial Grove, a renovated green space. A small tent had been erected in case of rain, but Armistice Day this year in Chicago was sunny, though fairly cold, just above freezing. So I parked myself just outside the tent, where I could sit in the sun.

Guillaume Lacroix, Consul General of France in Chicago, said a few words, echoing those of President Marcon during Armistice Day ceremonies at the Arc de Triomphe only a few hours earlier. Words about the dangers of nationalism, which doubled as a pointed rebuke against you-know-who, a subtext that was lost on no one.

Also speaking were a representative of the Italian consulate and the dean of the Honors College, Ralph Keen.

A Peking lilac (Syringa pekinensis) tree had been planted near the sidewalk a few days earlier, next to the new memorial. During the event, the memorial was covered with black cloth topped by poppies.

The Morton Arboretum says that “The Peking lilac is a dependable urban tree and a great choice even for parking lot, boulevard, and parkway plantings. Native to Asia, it is both hardy and beautiful, with attractive, amber-colored, peeling bark. In early summer, when many shrubs and trees are done blooming, it has large, creamy-white, honey-scented flower clusters.”

Toward the end of the event, the French Consul General, the dean of the college, and the Italian representative lifted the black cloth from the memorial.

A granite block with a burnished aluminum plaque.
According to Neal, the block had once been part of the former skywalk system around campus. When the skywalk was dismantled in the early 1990s, the removed materials were stored. They are still being recycled for newer structures, such as the memorial stone but also some nearby benches installed when the Memorial Grove was renovated a few years ago.

Big Lou’s Really Big Pizza

The evening after the funeral all of the family members in town got together for dinner at a place in east San Antonio, way down on W. W. White Road, Big Lou’s Pizza. My nephew Sam had heard about it and took care of the logistics.

The logistics involved ordering a 42-inch pizza ahead of time. Here is everyone at the table posing with a 42-inch pizza.

I’d never seen a pizza that large with my own eyes. I’m certain that went for everyone else at the table. According to one source anyway, it’s the second-largest restaurant pizza in Texas: bested only by a larger one that Big Lou’s makes.

I’m glad to report that it was a good New York-style thin pie. For my part, I ate about a piece and a half. I don’t think anyone else at the table ate any more than that, so there was pizza enough for two boxes of leftovers.

More October Scenes

Heavy rains today, but nothing like the Florida panhandle’s getting. Looks like heavy damage in the area.

I have some fond memories of the likes of Seaside and Apalachicola and Port St. Joe. I even think we stopped for lunch in Mexico Beach, which is where Michael’s eye came ashore today. That town is essentially a cluster of buildings along US 98 as it runs next to the ocean. Mexico Beach might not be there any more.

Here in the North, geese forage for food in the suburbs, making their noise and leaving their droppings.

Halloween decorations are going up. I haven’t spotted many inflatables, which is a welcome reversal of that trend. A deflating of it. Most of the decorations don’t involve lights, but there are a few on our block.

This particular house has always been decked out for Halloween, including the faux cemetery. The residents have never been inclined toward inflatables.

Kohler in the Fall

Ten years ago this month I went to a conference in Kohler, Wisconsin, famed for its plumbing equipment but also enlivened by colorful trees, if you time your visit right. One afternoon I had a little while to take a walk near the American Club, site of the conference.

Across Highland Dr. from the club are buildings that belonged to the Kohler Co., and still do, according to Google Maps. This is the front-office building of the company’s enormous factory.

The street offers a leafy walk at the edge of the Kohler plant.

Also on Highland Dr. is the Village of Kohler Fire Dept. headquarters. On the side of the fire department building is this curious bit of artwork. Curious enough for me to take a picture, anyway.

St. George and the Dragon, looks like. Maybe the dragon is a metaphor for fire. Still, the patron saint of firefighters isn’t St. George, but rather St. Florian. The Florian cross is the basis of the logo of the International Association of Firefighters.

Further down the street is a railroad crossing.
Before long Highland Dr. turns into Riverside Dr., with views of the Sheboygan River available.
The Sheboygan flows directly into Lake Michigan. I also saw it in Sheboygan Falls during that trip.

Near Riverside is parkland.

It was a good place for an October walk.

Sōunkyō (層雲峡), 1993

The usual markers of fall are here. Spots of yellow and other fall colors are appearing in the trees. Sometimes we use the heater to keep temps above 68 F during the day and 65 F at night, the non-summer settings. The days are notably shorter, but at least the Summer Triangle is still up. Orion is not. Won’t be long.

We visited Hokkaido in late September, early October of 1993, including Sōunkyō, part of Daisetsuzan National Park, and which is known for its gorges. The colors were autumnal.

October 4, 1993

Rented bicycles early and rode around most of the day. Went to O-dake and Ko-dake, two narrow gorges at some distance from the resort complex. Ko-dake was the best — a bike path runs through it, while the road, a little crowded with cars, is diverted through a tunnel.

The gorge walls are reams of gray rock, bristling with all-color foliage like wild beards. Saw an assortment of waterfalls en route, including a multi-stream cascade.

Ate roasted corn on the cob and ice cream, two regional specialties, at the wayside shacks of O-dake. 

The fall colors… throughout this part of Hokkaido equal in variety and mass anything I’ve seen in autumn excursions in East Tennessee or New England.

The American Geographical Society Library (Or Wow, Look at All the Globes!)

At the University of Wisconsin-Milwaukee’s Golda Meir Library, which is the school’s main library, it isn’t hard to find a bust of the fourth Prime Minister of Israel. She was an alumna of the university’s predecessor institution, Milwaukee State Normal School.
Behind the bust is a mounted Milwaukee Sentinel article, dated August 27, 1987, about the sculptor, Maurice Ferstadt, whom I’ll give credit for not trying to idealize the prime minister’s face. On the morning of February 19 of that year, Ferstadt — who was 75 –finished the sculpture. That evening, he died of an aneurysm.

Part of the library participated in Milwaukee Doors Open last weekend. Special Collections is on the fourth floor. We spent some time there, looking at some of the old and rare books on display. Interesting.

Then we went to the third floor, which is home to the American Geographical Society Library.

The closer I got, the more excited I felt. That’s not a verb I use much in my well-established middle age. But as soon as I entered the library, that rare feeling came over me. This is best thing ever!

You know, that kid on Christmas morning feeling. The giddiness passed, of course, but I remained vastly impressed by the collection all the same.

According to the library’s web site, it “contains over 1.3 million items supporting instruction, research and learning. The collection is global in scope — ranging from the 15th century to present — and includes maps, atlases, books, periodicals, photographic and film media, and geospatial data.”

And I have to add, globes. Look at all the globes! That’s what we looked at most, though there were some fine maps on exhibit too. Old globes, new ones, globes in various languages, small orbs, much larger ones, thematic globes, and globes of the Earth, Moon, the Skies and probably Mars and some other planets that I missed.

What a beaut: a geological globe.

Here’s a relief globe, made in Italy ca. 1950.
I could have looked at and taken pictures of globes all day. Here’s one more. The granddaddy of all the globes in the collection.
The Library of Congress says, “In 1942 in the midst of World War II, U.S. Army Chief of Staff Gen. George C. Marshall sent a large globe to both President Franklin Roosevelt and Prime Minister Winston Churchill as Christmas gifts from the U.S. Army. The U.S. Office of Strategic Services had compiled the maps, and the Weber Costello Co. constructed the globes. It is reported that 12 to 15 of these globes were produced between 1942 and 1955.

“The globe measures 50 inches (127 centimeters) in diameter, 13 feet in circumference, and reportedly weighs 750 pounds. It consists of two interlocking halves made of bent bands of wood over which the printed paper gores are pasted.”

One of the library staff confirmed to me that this indeed was one of those 12 to 15 globes — though not either of those given to Roosevelt or Churchill, since they are at Hyde Park and Chartwell, respectively.

In recent years, the American Geographical Society’s had its globe refurbished. Looks good for its age, I’d say.
As I mentioned, there were maps on display from among the library’s vast collection, laying flat on tables for a convenient look.
There were all kinds of maps, such as one of the rayon acetate (silk-like) escape maps that helped Allied POWs escape during WWII, highway maps, non-English maps, space maps, hobbyist maps, historical trend maps, and comedy maps, such as the MAD Pictorial Map of the United States from 1981, with artwork by the inimitable Sergio Aragonés (who’s still alive).

As fun as that was — and I spent several minutes looking at it, since any Sergio Aragonés work is going to be incredibly detailed — my favorite was a Swiss map: Die Eroberung des Weltraums.

Or rather, a schematic depicting the progress of space exploration as of the publishing date in 1968. Here’s a detail.

Not shown in my detail are the Moon, or Venus and Mars, though spacecraft had voyaged there by ’68. There had been no exploration of the outer planets or Mercury yet, so those weren’t depicted at all. What a remarkable lot of information the artist, whose name I don’t have, was able to pack into the image.

Turner Hall, Milwaukee

From the Encyclopedia of 1848 Revolutions, part of an article on the German Turnverein: “Founded amid the nationalist enthusiasms of the War of Liberation, the German gymnastic movement, or Turnverein, had fundamentally changed by the time of the 1848 revolutions in the German lands.”

Ah, a branch of the physical culture movement. Maybe the main branch; I’m no expert. But I do blame the physical culture movement for the indignities of PE in 20th-century America.

To continue from the encyclopedia: “Although Friedrich Ludwig Jahn, the gymnasium instructor who had originated the idea of nationalist gymnastics in Berlin in 1811, was still venerated in the organization, his anti-Semitism, hatred of the French, and loyalty to the Hohenzollern dynasty left him out of step with an organization committed to national unification and political liberalism…

“These gymnastic clubs were often closely aligned with workers’ organizations and democratic clubs with whom they shared a desire for reform and a rejection of traditional hierarchies…

“In contrast to the organization Jahn had founded, almost one-half of the membership in the 1840s were non-gymnasts, the so-called ‘Friends of Turnen,’ and because of this, the new clubs engaged in more non-gymnastic activities, such as funding libraries and reading rooms, and sponsoring lectures, often of a politically liberal nature.

“Given the radicalization of the movement in the 1840s, it is not surprising that the German gymnasts were directly involved in the 1848 revolutions…

“The aftermath of the 1848 revolutions devastated the German gymnastic movement. Clubs were disbanded, property confiscated and leaders lost to jail or exile.”

One place exiled Turners went was Milwaukee. By 1882, they had completed Turner Hall, which stands to this day on 4th Street in downtown Milwaukee. Remarkably, the Milwaukee Turners are still around, and for a paltry $35, anyone can join. No German language skills or even gymnastic aptitude seem necessary.

Our Turner principles are as follows [their web site says]:
Liberty, against all oppression;
Tolerance, against all fanaticism;
Reason, against all superstition;
Justice, against all exploitation!

The hall was open as part of Milwaukee Open Doors, so we visited.
That’s not the building’s best side, which was in the shadow when we visited. Here’s a good picture of the front.

The building’s a fine work by Henry Koch, himself a German immigrant who also did Milwaukee City Hall. Built of good-looking Creme City brick, which is now going to be the subject of another digression.

“Like the road to Oz, much of Milwaukee is made of yellow brick – Cream City brick, to be precise. But how, exactly, did it end up here? And why is it such a source of local pride?” asks Milwaukee magazine.

“Clay found along Milwaukee’s river banks was naturally high in magnesia and lime, giving the brick its unique color and durability, according to Andrew Charles Stern, author of Cream City: The Brick That Made Milwaukee Famous.

“Its popularity extended well beyond Wauwatosa. Local manufacturers shipped Cream City bricks to clients around the United States and as far away as Europe, until production ceased in the 1920s, when the clay supply was depleted and builders began to favor stone and marble…”

Talk about enjoying a local sight. A building built for Milwaukee Turners from a material created locally.

Inside, we joined a tour group and saw the restaurant space, which I believe was a beer hall once upon a time. After all, they might have been physical culture enthusiasts, but they were also Germans.

Murals dating back to the early days of the Milwaukee Turners grace the walls in that part of the building. Such as one featuring Turnvater Jahn and assorted allegories.
The aforementioned Friedrich Ludwig Jahn (1778-1852), that is, the father of gymnastics, and possibly a godfather of National Socialism, though that point is disputed, and in any case the NSDAP never had much traction in Milwaukee.

A detail from another Turner Hall mural whose subject is the founding of Milwaukee.

Pictured are Solomon Juneau and a Native American. Juneau founded the city in the early 1800s.

I feel another digression coming on. From the forward of Solomon Juneau, A Biography, by Isabella Fox, published in 1916:

The name of Solomon Juneau has long been honored, alike for the sterling integrity, the true nobility of the man, and for his generous benefactions in the upbuilding of the city he founded nearly a century ago, near the Milwaukee bluff on the shore of Lake Michigan. He was the ideal pioneer — heroic in size and character — generous by nature, just in all his dealings, whether as a fur trader with the red man, or in business transactions with his fellow townsmen, through the trying times when early settlers often required fraternal assistance, and the embryo city in the wilderness was ever the gainer through his benevolence, for selfishness was non-existence in him…

They don’t write ’em like that any more.

The star attraction in the Turner Hall is the ballroom.

The ballroom was damaged by fire at some point, but it’s stabilized enough — including netting covering the ceiling — for public events, such as the wedding that was going to be held there sometime after we visited last Saturday.

Eventually, the room will be restored. Bet it’ll be a marvel.

The Milwaukee Theatre

On October 14, 1912, former President Theodore Roosevelt took a bullet in the chest at the Gilpatrick Hotel in Milwaukee, but went on to deliver his presidential campaign speech at the Milwaukee Auditorium across the street soon afterward.

“Friends, I shall ask you to be as quiet as possible,” TR said. “I don’t know whether you fully understand that I have just been shot; but it takes more than that to kill a Bull Moose. But fortunately I had my manuscript, so you see I was going to make a long speech, and there is a bullet — there is where the bullet went through — and it probably saved me from it going into my heart.”

In later years, especially during an early 21st-century renovation, the Milwaukee Auditorium evolved into the Milwaukee Theatre, which is officially the Miller High Life Theatre these days, because beer money bought the naming rights recently.
Never mind that. What I want to know is, where is the plaque commemorating TR’s speech?

Maybe there is one, but I didn’t see it. Or why didn’t our tour guide through the theater on Saturday mention this remarkable event? I knew the story of the attempted assassination, but didn’t connect it with the Milwaukee Theatre until today.

In any case, the theater looks like a first-rate venue, seating more than 4,000. The view from the stage.

Here’s the view from the stage when space aliens started kidnapping people standing there, via tractor beams (and how do those work, anyway?).

Or maybe I jiggled the camera during a relatively long exposure.

We toured other parts of the venue as well, including the elegant side halls Kilbourn and Plankinton — named for long-ago donors — with the former decorated by murals depicting Milwaukee history. We also saw the green room.

Where Miller High Life Theatre-themed cupcakes were offered for our refreshment. I have to say that’s something I’d never seen before.
You’d think a light shade of green would be the thing for the green room walls, for tradition’s sake, but no. Then again, I’ve read it isn’t clear that most green rooms ever were really green. Just another phrase origin lost to time.

Next to the theater is the UW–Milwaukee Panther Arena, which seats as many as 12,700. That too was open for the Doors Open Milwaukee event.

These days the arena is home to the Milwaukee Panthers men’s basketball team of the NCAA, as well as the Brewcity Bruisers, a roller derby league based in Milwaukee. For the record, the Bruisers are a member of the Women’s Flat Track Derby Association.