Category Archives: Entertainment

Philip Glass 1985

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Thirty years ago this evening, I went with some friends to see Philip Glass conduct some of his music in Nashville. At least I think that’s what he did. I have an image in my head of him standing in front of musicians, waving his hands, and them playing. But maybe he sat down at a keyboard. It’s a been a long time.

Glass85I can’t remember why I went, but I’m sure it was worth $2. At some point, I owned Glassworks on CD, which is considered his most popular recording, but I don’t remember when I got it. Since I didn’t own a CD player until ca. 1988, I didn’t have it when I saw the concert. One of my housemates during my senior year in college might have had it on vinyl, or possibly even reel-to-reel. A lot of odd things were floating around that house.

Also, I saw Koyaanisqatsi sometime in the mid-80s. That might have been before this concert. Or after. Things get jumbled over the decades.

Oddly enough, I heard a little of a Philip Glass interview last week on the radio. He must be making the rounds to talk up his memoirs, which have just come out. The NYT reviewer of the book asserts that “enough time has passed for him to sell his own distinct musical language, developed through a blending of Western and Indian traditions, in which repeated musical cells form patterns to hypnotic effect. To many listeners it remains perplexing and even infuriating, but the influence of Mr. Glass’s music, called Minimalist despite his protests, is pervasive in all genres of music.”

Sure. If you say so. I like the idea of his music better than the music itself, though I haven’t spent much time with the likes of “Satyagraha” or “Einstein on the Beach” in the last 30 years. Philip Glass composes the kind of music that you start playing, listen to for a few minutes, and then realize 30 minutes later that it’s been in the background for nearly 30 minutes.

I didn’t fall asleep during the concert — like I dozed off at a Pat Metheny concert once — but I vaguely remember being tired. After the concert, it being a Friday night, we repaired to a nearby Italian restaurant. Who then showed up for dinner, a few tables away? Philip Glass and a small entourage. We noticed his presence, but didn’t approach him. Just as well not to pester publicly known people in public — can’t say he was exactly famous in this case, but still.

The Blue Beetle

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After Saturday’s small comic con event (see yesterday), and completely by coincidence, I was listening to WDCB’s old-time show radio, Those Were the Days, and learned about the The Blue Beetle. The name made me laugh.

The theme of this particular Those Were the Days edition was successful radio and programs and their imitators. The Blue Beetle was paired with the The Green Hornet, which it clearly imitated.

Later, I looked up this oddball imitator. Apparently the character, especially as a comic book hero, was more successful than it had any right to be, and he’s still kicking around. One of these days, maybe he’ll get the big-screen CGI treatment. Not that I would pay money to see it, or even watch it for free. But I like the idea. Lesser-known characters (e.g., Captain Canuck) should get their 15 minutes.

Along the same comic-book hero lines, this is a good use of YouTube: The Complete 14 Batman Window Cameos.

Comic Book Characters at the Library

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On Saturday, Ann asked to go to our local library’s Comic Con, an event held in its main lobby and various rooms, so I took her. I’d never thought of it before, but it seems that “comic con” is generic. I’m a little surprised that it isn’t anyone’s trademark, such as the organizers of big event in San Diego, but I guess it’s too late for that.

I took a look at some of the displays. One fellow had a nice collection of 1950s and ’60s comics, professionally graded according to a number system, which speaks to the fetish for mint-condition collectibles. I also took a few pictures. Such as this display.

TardisAnd of costumed characters wandering around, posing for pictures. I didn’t recognize some of them, but the storm troopers were easy to pick out.

Schaumburg Township Libary March 21, 2015The right line for that fellow would have been, “Aren’t you a little short to be a storm trooper?”

Schaumburg Township Library, March 21, 2015Ann and her friend, with a storm trooper. I don’t know who the ones in red and orange are supposed to be. The girls enjoyed the event, spending about two hours there. After about 10 minutes, I couldn’t muster any further interest in the goings-on, but we were in a library, so I found much else to do, looking at various books and reading.

The Yeomen of the Guard

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The Gilbert & Sullivan Opera Co. drew a solid crowd for the matinee of The Yeomen of the Guard on Sunday afternoon. Not a full house, but a decent turnout, including a small busload of seniors from somewhere or other. But unlike at some events, I wasn’t one of the younger members of the crowd. There was a good mix of ages.

Yeomen of the Guard 2015Mandel Hall was the venue. A handsome place on the University of Chicago campus — I’d like to see it in this light — and almost as old as Yeomen, since it was originally designed in 1903 by Shepley, Rutan and Coolidge. Not the Savoy, but what is?

Though done at a college, the show wasn’t collegiate. The highly accomplished company goes back to 1960, and, according to the program notes, “has a policy of alternating the signature operas with the obscure, taking into consideration anniversary years and programming by other local companies.” This was its seventh production of Yeomen, with HMS Pinafore, The Mikado, and The Gondoliers also done that many times over the years. (At the other end of the spectrum, Utopia, Limited and The Grand Duke have been done once each in 55 years.)

Good fun, as G&S should be, but also not quite as much levity as you’d expect in a romantic romp of switched identities, instant attractions, and lines like this: “These allusions to my professional duties are in doubtful taste. I didn’t become a head-jailer because I like head-jailing. I didn’t become an assistant-tormentor because I like assistant-tormenting. We can’t all be sorcerers, you know.”

Spoken by Wilfred, the head jailer and assistant tormentor of the Tower, portrayed by Brad Jungwirth, a bald slab of a baritone, whose voice and character I enjoyed the most. The rest of the cast turned in fine performances as well, in as much as I’m qualified to judge, as did the University of Chicago Chamber Orchestra.

Maybe there should be more romantic comedies in which love doesn’t quite conquer all, as in Yeomen. After all, it ends with three couples paired up, two of which involve less-than-enthusiastic participants, and one of which leaves a sympathetic character (the merryman Jack Point) as the odd man out, much to his anguish. Then again, I guess a movie that ended that way wouldn’t test very well among focus groups.

Spock Makes a Funny

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By chance today I saw about ten minutes of “The Naked Time,” the Star Trek episode in which a pathogen of some kind invades the Enterprise and lowers inhibitions among the crew. At one point, famously, a shirtless Sulu brandishes a sword at various extras, and then shows up on the bridge to point it at the captain. The fiction of Dumas is clearly Sulu’s inspiration.

SULU: Richelieu, at last.

KIRK: Sulu, put that — [discovers that the point is sharp] — put that thing away.

SULU: For honor, Queen, and France! [lunges]

UHURA: Sulu.

SULU: Ah.

UHURA: Sulu, give me that.

SULU: I’ll protect you, fair maiden.

UHURA: Sorry, neither.

SULU: Foul Richelieu! [Distracted by Uhura’s escape, Kirk is able to grab Sulu and Spock does a neck-pinch]

KIRK: I’d like you to teach me that sometime.

SPOCK: Take D’Artagnan here to Sickbay.

Take D’Artagnan here to Sickbay. Nimoy delivered the line as almost an aside, while a lot else was going on, so I thought for a moment: did he really say that? He did. That was worth a chuckle. I must have seen this episode a dozen times — more than 30 years ago, but still — and I don’t think I ever noticed that line. (Or Uhura’s pithy line; think about it.) I wouldn’t have known D’Artagnan in junior high, but later I did. Even so, I missed it.

So the writers gave Spock a joke, or at least a witticism. Not, “Take Mr. Sulu to Sickbay,” or “Take him to Sickbay,” which would be the unadorned, hyperrational thing to say. Nice touch. Nice delivery. RIP, Mr. Nimoy.

Rachmaninoff & Tchaikovsky on a March Evening

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Here’s an argument that not everything of historic or archaeological significance should stay in its place of origin: “ISIS destroys ancient site of Khorsabad in northeastern Iraq.” Had the University of Chicago left everything in place, some of the artifacts you can see at the Oriental Museum would be rubble about now, thanks to barbarians.

ESO3.15Yuriko and I made it to far suburban Elgin on Saturday for the Elgin Symphony Orchestra, which offers high-quality performances. The ESO, besides being good at what they do, has a number of other advantages for people who have the temerity to live in the suburbs. It isn’t that far to drive; it’s easy to park there; and tickets don’t cost as much, say, as the Chicago Symphony Orchestra. All reasons the ESO sells most of its seats.

On tap this time: Rachmaninoff’s Piano Concerto No. 2 in C minor, and “The Tempest” and “Romeo and Juliet” by Tchaikovsky. A Russian-born American, Natasha Paremski, was the guest pianist, displaying an astonishing amount of skill and energy at it. Unfortunately, we were sitting on the right side of theater, so it was hard to see her (and the conductor) during the performance, because of the bulk of the piano. I have a hard time warming up to Rachmaninoff — I can’t really say I try that much, though — but her rendition kept my attention.

A casual search doesn’t show Paremski playing any Rachmaninoff, but this is her having a go at Tchaikovsky’s Piano Concerto No. 1, displaying a similar intensity at the keyboard.

Speaking of Tchaikovsky (sort of), this early TV clip also has a lot of (maniacal) energy to it. Such was Spike Jones. Stay to the end for an appearance by Jim Backus and an impersonation of a certain well-known figure on the world stage at the time.

Phil Plait at the Cernan Center

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On Saturday evening, we – all of us but Lilly, who had other things to do – went to the Cernan Earth & Space Center to see “Bad Astronomy,” a show mostly narrated by Phil Plait. It pretty much encapsulated what he has to say: there’s a lot of bad astronomy in movies, astrology is nonsense, of course men went to the Moon, and so on.

Ann Feb 10, 2015Not much new for me, though Ann probably got something out of it. In fact, she said she did, but also that she already knew there’s no sound in space. Not many movies or TV shows set in space bother with that, usually for sensible dramatic reasons – imagine the Enterprise passing by without that swoosh — though I can think of a few exceptions: 2001, Firefly.

Plait also mentioned in passing, without naming it, that there’s a place on the Moon where the Sun (almost) always shines. Never heard of that before, and it intrigued me. He must have been talking about the Peak of Eternal Light, which besides sounding like a cult, is an actual place near the south pole of the Moon.

We also got Ann a shirt from the small gift shop (which has no postcards): a map of the constellations.

Execution of Justice

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Execution of Justice was the first play I saw in Chicago after moving here in 1987. I’d seen a number of plays in the city before, such as Vicious, Rap Master Ronnie, and All My Sons, because it was a good thing to do when visiting town. Chicago’s got first-rate theater. Once I came to live there, I went to the theater every other month or so.

ExJustice87The play, by Emily Mann, is about the trial of Dan White, assassin of George Moscone and Harvey Milk, and the reaction to his absurdly light sentence. White had been in the news again not too much earlier, in late 1985, for committing suicide.

The “Twinkie defense” was part of the play, but I don’t remember if it was treated as the myth it is or not. As Scopes puts it, “better to believe the jury was hoodwinked by some pseudo-scientific nonsense about junk food than to acknowledge the fact that our legal system sometimes absolves defendants of responsibility for the most heinous of crimes.”

I best remember the depiction of the White Night riots, with a dark, quiet stage suddenly exploding with light and noise and the motion of actors. You could tell the audience was startled.

The Going Away Party

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In January 1987, I moved from Nashville to Chicago to change jobs and my surroundings. It was also the only time anyone’s ever held a going away party for me. (I went to a pre-deportation party in Osaka for a gaigin once, but I wasn’t that gaigin.)

DaveStephDees1.16.87Anyway, on January 16, 1987, Stephanie — she’s the one in the middle, flanked by Dave and me — hosted my going away party. There was actually a theme: sleepwear. Some people came dressed that way, some didn’t.

PaulSteveJonPaul, with his eyes closed; Steve, whom I don’t remember much about; Jon up in the corner; and way in the back, Raggedy Ann. Some of the attendees were coworkers of mine, others were part of a poetry reading group that I attended from time to time in Nashville. It was an informal group that met in members’ apartments. After all this time, the only verse I remember from those events was ahead of Christmas one year, when one of us (not me) recited some of Walt Kelly’s “Boston Charlie.” First verse below. It’s not as easy as you think.

Deck us all with Boston Charlie,
Walla Walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley-garoo!

SusieLibbyOne the bed, Suzie, and on the floor, Libby. Others in attendance were Wendy, Mike, Barbara, Donna and Tanya, and maybe more I’ve forgotten. Note that someone brought doughnuts, and not just any doughnuts. Krispy Kreme, back when that treat wasn’t available at every gas station from here to Timbuktou.

Also, on the right side of the picture, a blue strip. That was part of the design of the movie guide that Sarratt Cinema at Vanderbilt published once a semester. Remarkably, because of my pack-rat nature, I still have some of them, including Spring 1987, which was hanging on the wall. The movie we weren’t seeing that night was Aliens.

Even more remarkably (but not really), I used to record the movies I saw at Sarratt in the Day Minders I used to use. The last one noted before I left for Chicago: My Beautiful Laundrette, January 8. That’s probably the last movie of many I ever saw there — all of which formed part of my informal collegiate and post-collegiate education.

Thursday Stew

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A bit of meltage today, with temps around freezing, and the sunshine doing the melting where it hit snow directly. Compared with last week, the air felt good. But hard winter will be back, count on it.

Started working my way through Deadwood around New Year’s. When the show was still fairly new, the profanity put me off it. Not the profanity itself, but the fact that I considered it grossly anachronistic. Now I understand it as an intentional anachronism, done for good reasons. The show’s impressive: one that helps make the argument that now is a golden age of television, or at least the 2000s were.

Ann’s been reading Through the Looking-Glass lately, and looking for our copy of Alice’s Adventures in Wonderland, which has gone missing. Not long ago she read The Wizard of Oz. And she’s asked me to find our copies of The Hobbit and the first Harry Potter book, so she can read them. The kid’s got some kind of bug.

I have an ambition to scan more coins, specifically those I’ve encountered lately that don’t feature any Roman letters or even Arabic numerals. In the old days, it was a chore figuring out the origin of coins like that, so much so that for some time as a youngster I had a 1 yen coin that I thought was a 1 yuan coin. These days, all it usually takes is a focused Google search.

But I’ve alternately been too busy and too indolent to do much coin-scanning. I did get around to this one. Forgot to check the box that would correct for dust (the scanner’s got some impressive features for a cheaper model; guess the tech’s improving).

Ethiopian 10 SantimIt’s a well-worn brass 10 santim piece from Ethiopia. 100 santim = 1 birr. The lion, I suppose, is the Lion of Judah.