Seaside, Florida 2007

Posted on October 8, 2017 by admin

Has it been 10 years since I roamed the New Urbanist streets of Seaside, Florida? It has. Did a whole week’s posting about it, including Seaside, Florida Part 1 and the Last Photo Series of Seaside. Hope the recent winds and rain didn’t cause the place too much harm.

I stayed in WaterColor during that visit, a newer planned community next to Seaside. So close, in fact, that it’s an easy walk between the two.

Almost immediately Seaside offered up pleasant buildings to look at. These were along County 30A, which ran between the town and the Gulf.

Other structures were further into the town. In this case, commercial.

Near the beach.

Water’s edge near Seaside.

The easily walkable brick streets of Seaside.

Easy mainly because there was no one else around. I wrote at the time that “I saw only one or two other pedestrians, a couple of bicyclists and one car drive by in the hour or so that I spent on the streets, looking at things and taking pictures.”

Even the golf carts were idle.
There’s no golf course around that I know of, but such carts would be a good way to get around a town this size. I expect things are a lot busier starting around November and finishing in around April. Perhaps only the die-hard Seasiders stay for the sticky summers and the thrill of hurricane season.

I took a close look — zoomed it on in — at the last picture and saw that the house’s name (Seaside houses have names) is Apple Pie A La Mode.

Milwaukee City Hall

Posted on October 5, 2017 by admin

After spending much of the day in churches, we ended Milwaukee Doors Open by visiting a structure of the state. More specifically, Milwaukee City Hall, which is as palatial in its way as any ornate church.

The view of the building from the corner of E. Kilbourn Ave. and N. Water St.

“From 1895 until 1899, the tallest inhabited structure in the world was Milwaukee’s City Hall, a building noted for its Flemish design and landmark qualities,” says the Wisconsin Labor History Society. “Towering more than 300 feet, it was a pioneering building in an era as elevators finally were becoming practical. The building’s design has been heralded and it still stands as a trademark [sic] of Wisconsin’s largest city.”

The clock tower, from Water St. south of E. Wells St.
I didn’t realize until I read more about the building, designed by local architect Henry C. Koch, that City Hall was featured in the introduction of Laverne & Shirley, probably because I haven’t seen that show in nearly 40 years. At the time, large letters midway up the clock tower said WELCOME MILWAUKEE VISITORS. A nice sentiment, but déclassé on your city hall, and the letters were removed at some point.

The first floor lobby offers a good first impression of interior.
“The building was one of the first to feature an extensive open atrium, of 20 by 70 feet, rising eight stories in the building’s center,” the city’s web site says.
“During the Great Depression, seven people jumped to their deaths, and an eighth died of a stroke after one of the jumpers nearly missed him. Afterwards, in 1935, protective wiring was placed around the center rails of the floors to prevent accidents and suicides and remained in place until Mayor John O. Norquist took office in 1988.”

A view from the third floor, looking toward the mayor’s office on the second floor.
“The building measures 393 feet from the base of the bell tower to the top of the flagpole, making it Milwaukee’s sixth largest. The flagpole measures 40 feet in length.

“The 22,500-pound bell – named ‘Solomon Juneau’ after Milwaukee’s first mayor – was fabricated from melted copper and tin from old church and firehouse bells around the city, and was hoisted to the tower in 1896, first chiming on New Year’s Eve.

“While Milwaukee’s Allen-Bradley building (Rockwell Automation) features the world’s second largest four-sided clock, City Hall’s 18-foot clock was believed to be the world’s third largest when it was fabricated.”

On the third floor is the Common Council chamber. A lot of natural light fills the room from behind the dais.

People were taking turns sitting at the dais, holding the gavel, so why not?
Churches have their stained glass. So do municipal buildings, at least this one, at the entrance to the Common Council.
Tours of the upper reaches of the clock tower were booked by the time we got there. Too bad. Just another reason to go back next year.

Three East Town Milwaukee Churches

Posted on October 4, 2017 by admin

East Town is part of Milwaukee’s urban core, characterized by upmaket apartments and condos, smaller office buildings — the larger commercial properties are just to the south — and large churches. The district, also known as Juneautown, or the Juneau-Cass Historic District, or Yankee Hill, is east of the Milwaukee River (various sources give it various names).

Two large churches are on Juneau Ave. One is Summerfield United Methodist Church.
A handsome sandstone and limestone Gothic church, it dates from 1904, when it was occupied by the First Community Church. Later that church and Summerfield Methodist merged. Summerfield, as a congregation, goes back to the 1850s, when they were abolitionist to the core.

Coming from a Catholic basilica, the church seemed like an exercise in Protestant restraint.
But it isn’t completely unornamented.
With one of the more interesting church ceilings I’ve seen lately.
While reading about Summerfield, I discovered that its immediate post-Civil War pastor was Samuel Fallows. I’d met him before, in a way. I saw his grave at Waldheim Cemetery more than a decade ago.

Less than a block away from Summerfield is All Saints’ Cathedral, or more formally, the Cathedral Church of All Saints, seat of the Episcopalian Bishop of Milwaukee.

Edward Townsend Mix, a busy 19th-century Milwaukee architect, designed the building for Olivet Congregational Church in 1868, but it wasn’t long (1871) before the Episcopal diocese bought it, consecrating the structure as a cathedral in 1898.

I’ve read that the congregation there is Anglo-Catholic, and we found the interior traditionalist in one way at least: no air conditioning. That made the place warm on the day we were there. But that wasn’t so bad. We sat and listened to part of an organ concert at the cathedral, an all-J.S. Bach program by Canon Joseph A. Kucharski, cathedral precentor.

Interesting note from the handout that the cathedral gave us: “1825: The first Episcopal priest was brought to the Wisconsin Territory at the request of the Stockbridge (NY) Oneida (a.k.a. the Mohican tribe of the Algonquin nation), who moved first to the lands along the Fox River in 1818, then to the east shore of Lake Winnebago. To this day, the Cathedral Church of All Saints has active Oneida members.”

On N. Waverly Pl., near the other churches, is Immanuel Presbyterian Church.
The church asserts that it was the first congregation in Milwaukee, organized in 1837. The building dates from 1875, except that it burned down in 1887 and was rebuilt by 1889. Various other changes followed in the 20th century. Edward Townsend Mix again.

Spare indeed, but elegant.
With many fine stained glass windows.
There was one more church nearby open for Milwaukee Doors Open, but we wanted lunch, and besides, five is probably enough for any one day. Aesthetic overload begins to set in: Gee, look, another beautiful church, with magnificent stained glass. Wow. You know, I’d really like a hamburger.

Return to the Basilica of St. Josaphat

Posted on October 3, 2017 by admin

The last time we visited the Basilica of St. Josaphat in Milwaukee, the sky was slate gray and drizzly. This time, an unusually hot September sun in perfectly blue skies bore down on the church. The basilica looked as imposing as ever.

Back in 2011, I related the story of how the church was built of recycled bricks from a massive Chicago post office, and a bit about the saint, so I won’t repeat myself. The visit this time was mainly about getting a longer look at the opulent interior, patterned after St. Peter’s in Rome, only smaller.

The splendid dome.
And more.

The rose window.

Other fine windows.

Downstairs is the relic room. A big stash of them in many reliquaries. The room looks open, but I put my camera between iron bars to capture the image.
There’s one from St. Josaphat, which seems appropriate, as well as St. Francis of Assisi, St. Nicholas of Myra, St. Sebastian, St. Maximilian Kolbe, St. Stanislaus Kostka, St. Bridget of Sweden, St. Pius X, and St. John Paul II, among others.

There’s also a Relic of the True Cross, according to one of the signs. More easily obtainable than I would have thought. Well, you know what Calvin, who of course had his own agenda, said about that.

Annunciation Greek Orthodox Church & Stalin’s Tattooed Granddaughter

Posted on October 2, 2017 by admin

I had a short talk with one of the volunteers at Annunciation Greek Orthodox Church in near-suburban Milwaukee during the Open Doors event. That was the first place we visited. She was roughly my age, and knowledgeable about her church. I asked her about the church’s pews. That’s not something you usually see in the Orthodox tradition.

The pews arrayed in a semicircle, with all of them facing the sanctuary. Each pew is lined with sky blue cushions — with gold carpet underneath — and a fish is carved into the end. Interesting detail, I thought.

Yes, she said, pews are unusual for an Orthodox church. In all the others she’d seen, including in the United States and Europe, the congregation stands. Are pews normal in other churches? she asked me. Catholic and Protestant ones?

I answered yes, even as the implications of the question sunk in. Someone so informed about her church, and with plenty of years behind her, had never visited any other kind of church? That couldn’t be. Not even for a look? Not even in the great cities of Europe, where you can wear yourself out visiting churches of renown?

That’s just about inconceivable to me, who will enter a church or any other religious site that’s open, without hesitation. Especially unusual places such as Annunciation.
Genius or otherwise, Frank Lloyd Wright’s work is almost always worth a look. Interesting how he incorporated Byzantine elements such as the dome, and crosses in circles, into something that doesn’t look like other churches, Eastern or not. And doesn’t the church have that Space Age look as well? Like the Jetsons might have attended there.

This is facing the iconostasis. The pews are partly visible.
Rachel Minske writes in Wauwatosa Now: “The altar area, once carpeted, is now marbled. Egg tempera two-dimensional depictions of church icons surround it. The church choir normally sits high above the altar, on the second floor, and its members view the service using a video monitor as they are somewhat hidden from view, [Father John] Ketchum said.

“Stained glass windows are found throughout the church, which also were additions after the building was completed, Ketchum said. Glass bulbs line the church’s perimeter, up high near the dome. There are more than 200 bulb-shaped windows, each letting in a significant amount of natural light.

“…The original ceiling was tiled, but that was replaced with paint after changing temperatures inside the church caused the tiles to fall off the ceiling.

“To access the church’s bottom floor, there are three spiral staircases that wind downstairs. Each has a whimsical design and is lined with gold carpet.”

On the upper level, I got a few decent images of the stained glass.
And a look at this sign.
Curious that the church would draw attention to Stalin’s granddaughter’s baptism there. More current information about Ogla, now Chrese Evans, is all too easy to look up. I’ll take the NY Post as authoritative in this case.

Milwaukee Doors Open ’17

Posted on October 1, 2017 by admin

Temps have cooled down some, but it’s still warmer than usual for this time of year. At about 12:30 this afternoon, I saw an ice cream truck drive down our street. I can’t ever remember seeing one in October.

Last weekend, Yuriko and I drove up to Milwaukee to participate in Milwaukee Doors Open. Ann couldn’t make it, even if she’d wanted to, because she was attending her first high school speech tournament.

That’s a good thing. Her joining speech inspired me, while in Texas recently, to open up one of my high school yearbooks, the 1979 edition, to the page devoted to the National Forensic League. I was a member.
I discovered when Ann signed up for debate that it isn’t the NFL any more, but the National Speech & Debate Association, only since 2014. What kind of name is that? Hopelessly bland. It’s as distinctive as the name of a suburban office park in a mid-sized market.

Note in the picture above: the club’s officers (I was one of those, too) had fun with belonging to the NFL. We lined up like football players for the picture.

First we went to Annunciation Greek Orthodox Church, which is in the near suburb of Wauwatosa. It’s best known for being one of Frank Lloyd Wright’s last works, and in fact was completed after he died. As I read, and as I saw, this 1950s church is informed by traditional Byzantine forms. But I also couldn’t help thinking of space age forms.

From there, we went into the city and revisited the Basilica of Saint Josaphat. Last time we were there was Good Friday 2011, and as you’d guess, the church was fairly busy that day. This time, it was open just for a look, so we were able to do that at some length.

East Town, the part of downtown Milwaukee east of the Milwaukee River, was next. A number of churches along or near Juneau St. were open, so they became the focus. Doors Open features a lot more than churches, but with so many clustered together, I figured that would be a good theme for this year.

They included All Saints’ Cathedral (Episcopal), Summerfield United Methodist Church and Immanuel Presbyterian Church. All were worth seeing.

At one of them, a U.S. flag and another flag graced the entrance. The other one, which I’d never seen before, intrigued me. Y held it so I could take a picture, since the wind wasn’t up.
I asked the volunteer inside the door about it, and she told me it was the new flag of Milwaukee. I took that to mean officially, but that’s not so. There’s a movement to make it the official flag, to replace this embarrassment, but it hasn’t happened yet.

Currently it’s the People’s Flag of Milwaukee. Sounds like the banner under which the proletariat would storm City Hall, but I don’t think the organizers of online poll to pick a new design had that in mind. I’ll go along with it, though I don’t live in Milwaukee. It’s a good design. Vexillologists hate the current flag, and I agree with them.

Speaking of Milwaukee City Hall, that was the last place we went for Doors Open Milwaukee after a late lunch at the downtown George Webb, the local diner chain with two clocks. I interviewed the mayor of Milwaukee in his office at City Hall in 2003, but I really didn’t get to look around. It’s a splendid public building, dating from the Progressive Era.

Denver Debris

Posted on September 28, 2017 by admin

No matter how much you prepare to visit a city you don’t know well — and I try not to overdo it — surprises will turn up. Details you’ll only encounter in person. Such as Denver’s Rainbow Row.

That’s just my name for it, borrowed from the genteel Rainbow Row of Charleston. Denver’s version is not genteel. For one thing, it’s across the street from the 488,000-square-foot Denver Justice Center. That is, the city/county jail.

The colorful buildings all house bail bondsmen. It’s only speculation, but I’d guess that one of them painted its building a bright color to stand out, then the others did.

Speaking of colorful structures, not far away is the Denver Central Library.
More of a pastel effect. Though maybe “pastel” is too banal a term when you’re aiming to challenge assumptions about public spaces and discourse, or fracture public library paradigms, or something.

Anyway, Michael Grave Architecture & Design, which designed a major expansion of the library in the 1990s, notes: “This project, won through a design competition, included the preservation and renovation of the 1956 147,000 SF modernist library by Burnham Hoyt, and a 390,000 SF expansion. The expansion is composed as a series of elements to allow the existing building to read as one part of a larger composition.”

The library is across the street from the Denver Art Museum. Outside the museum is this sculpture.
Looks familar. Yes indeed, it’s a Claes Oldenburg and Coosje van Bruggen work, “Big Sweep” (2006). (What, that wasn’t the name of one of Raymond Chandler’s best books?)

Art etiquette is right there in bronze, next to the work.
After visiting the museum, I spent a while at the Friendship Powwow and American Indian Cultural Celebration just outside on the plaza. Featuring dancers.
And drummers. Cool.
Outside of Union Station, I saw a Tesla Model X. Haven’t seen those very often. Ever, actually.
Close inspection shows that it belongs to the Crawford Hotel, which is part of Union Station. An upper-crust guest shuttle, no doubt.

On my last day in town, I worked in some shared office space — all the rage right now. I prefer my own office most of the time, but it was pleasant space. I didn’t mind working there for a few hours. Had a nice outdoor component, for one thing, with the Front Range off in the distance.
I worked at this counter. People came and went, preparing light eats for themselves.
Above the counter was this. A hell of a light fixture, I’d say. Machine Age chic for Millennials.
In the same room were old machines made into illuminated works of art. Such as this typewriter + light bulbs, the likes of which I’d never seen before.
A semi-circular, very old (late 19th century) Hammond machine. Looks like a 1b. Non-qwerty. Light bulbs added for effect, presumably.

Then there’s this curiousity. Again, light bulbs added.
A 19th-century medical device. Reminds me of the Museum of Questionable Medical Devices in Minneapolis, now unfortunately closed.

I had the good fortune to visit that museum in 1998, and retain a pamphlet from it to this day.

The machine I saw in Denver is a specific device. The Wood Library Museum says: “In 1854, manufacturer W.H. Burnap produced a well-known electrotherapy device that was purchased by the general consumer as well as some physicians and hospitals: The Davis & Kidder Patent Magneto-Electric Machine for Nervous Diseases.

“The operator of this electromagnetic generator would place handles in the patient’s hands or elsewhere on the patient’s body and then turn a crank to deliver a ‘mild’ alternating current to the patient. The force of the current depended upon the speed with which the crank was turned.

“The makers claimed that it could relieve pain, as well as cure numerous diseases, including cancer, consumption (tuberculosis), diabetes, gangrene, heart disease, lockjaw (tetanus), and spinal deformities.”

One more thing. No Double Turn? What’s that supposed to mean? I saw several of these signs downtown.

I think I figured it out. No left turns except from the left lane. Denver is the only place I’ve ever seen such a sign.

Fairmount Cemetery, Denver

Posted on September 27, 2017 by admin

A handy list of “notable burials” at the Fairmount Cemetery in Denver is posted at Wikipedia. So handy that the cemetery web site doesn’t bother with its own list, it merely links to the Wiki site.

Like the list of interred notables at Mount Holly Cemetery in Little Rock, I didn’t recognize any of them. Like Arkansas history, I’m shockingly ignorant of the details of Colorado history, particularly the names of governors, Denver mayors, U.S. Senators and Congressmen from the state, local judges, newspaper editors, businessmen, ranchers and others. All those classes of achievement are represented by the Fairmount dead.

Some are intriguing. Such as Arlene White Lawrence, (1916–1990), bishop and the third president and general superintendent of the Pillar of Fire Church. Great name, that. Seems that the Pillar of Fire International is a Methodist sect. Methodists have splinter sects? This one goes back to one Alma Bridwell White.

Encyclopædia Britannica on White: “An intense experience of personal sanctification in March 1893 induced White to organize a series of revival meetings at which she attempted to recover the fervour and piety of primitive Methodism.

“Her zealous emotionalism, together with her outspoken criticisms of the decorous accommodations of the Methodist hierarchy, brought the wrath of conservative churchmen down on White and her husband [a Methodist minister], who was transferred to a still-less-desirable pastorate. She eventually persuaded him to resign altogether.”

Ah, those “decorous accommodations.” Not Where Jesus Would Live, she probably believed. Or Wesley either. The couple then founded what would become the Pillar of Fire Church. Arlene White Lawrence was their granddaughter, who obviously went into the family business eventually. The church, headquartered in New Jersey, is an ongoing thing.

That’s a digression from a Denver cemetery, but cemeteries are good places to digress, as you ponder the stones and the names and the dates. I didn’t happen to see Lawrence’s stone, but never mind. There was a lot else to look at Fairmount, founded in 1890 and sprawling over 280 acres.

A sizable mausoleum.

An even bigger one.
Eben Smith was a Colorado mine baron of the late 19th century. I can only imagine that meant he was a ruthless bastard. Something the position called for.

“Destined to be grand from the start, Fairmount was designed by Reinhard Schuetze, whose success at Fairmount immediately became the talk of Denver,” the cemetery web site says. “He subsequently designed City, Congress and Washington Parks, as well as the areas around the Capitol. Today, Schuetze is known as the father of Denver’s park system.

“Fairmount is home to Colorado’s most extensive arboretum, filled with numerous Champion Trees and one of the largest collections of Heritage Roses in North America.”
Didn’t see any roses, but the trees were all around. Probably some Champions and a lot of also-ran trees too.

“The cemetery’s two original buildings, the Little Ivy Chapel and the 1890 Gate Lodge, are designated historic Denver landmarks. And the Fairmount Mausoleum contains one of the largest stained glass collections in Colorado.”

The charming Little Ivy Chapel, with a French Gothic look.
The nearby Chapel in the Pines.
The stately Fairmount Mausoleum. The aforementioned stained glass must be those windows, but I didn’t have time for a closer look.
I spotted a less conventional grave site, of fairly recent vintage, near one of the cemetery entrances. A young woman named Jessica, 1986-2009, a victim of a modern plague.
Sculptor Sutton Betti writes about the memorial: “The project was installed… March 29, 2012, and is my second permanent installation in Colorado. Although there is [sic] no figurative elements in the piece, I enjoyed making it, as this is something quite unique from my past work.

“Commissioned by Jessica’s mother, the memorial is designed to show the young woman’s love of snowboarding. Being a snowboarder myself, I was able to understand her daughter’s love of the sport.”

A Few Views From the Wells Fargo Center, Denver

Posted on September 26, 2017 by admin

During my stay in Denver, I had an event to attend in the Wells Fargo Center, the third tallest building in Denver, big enough (about 1.2 million square feet) for its own zip code: 80274.
The 1983-vintage building’s distinctive curving roof, a Philip Johnson touch, was barely visible from where I stood, near 17th Ave. and Sherman St. The neighboring streets there are Lincoln, Sherman, Grant and Logan. I sense a postbellum naming scheme.

The event was about mid-way up the tall tower, high enough for views of the city and surrounding territory, though glare from the window glass and haze in the sky obscured things a bit. Still, here’s another view of the capitol.
Some neighboring tall buildings.
This caught my eye.
It’s the prosaically named Sherman Street Event Center, 1770 Sherman St., catching the late summer morning sun. It used to have better names: in order, the Mosque of the El Jebel Shrine, the Rocky Mountain Consistory, and the Scottish Rite Temple. The Shriners had it built in 1907, onion domes and all.

Denver Under Construction

Posted on September 25, 2017 by admin

Yesterday I gushed about adaptive reuse of historic buildings in Denver. That’s worth gushing about, but it’s also good to see new construction rising in a city. I saw a lot of that in Denver.

For example, the Golden Triangle Apartments on 13th Ave. (in the foreground, and not yet out of the ground).
The Coloradan, behind Union Station. A condo development.
The Grand, also near Union Station (two apartment towers).
DaVita’s new corporate headquarters. DaVita owns dialysis centers nationwide.
Further afield, there’s suburban development. I know it’s out there. I saw this on the RTD.
Note that it promises only the gateway to the “life you deserve.” It’s up to you to get through it.