RIP, Jim Ridley

I didn’t know Jim Ridley, but I knew of him, and had I lived in Nashville longer than I did, I might have easily made his acquaintance. Lately he was the editor of The Nashville Scene, the alternative paper in that city, but was best known as a film critic. Stricken with heart attack late last month, he died Friday at the unnerving age of 50.

As it was, I also just missed knowing him at Vanderbilt, which he attended as a freshman the year after I graduated. He wrote for both Versus (the student magazine) and The Hustler (the student newspaper) that year, both of which I had just finished writing for. This is the picture of the Versus ’83-84 staff from the ’84 yearbook.

Versus Staff 1983-84Jim Ridley’s the large fellow toward the right of the picture with his hand on his head. As I said, I didn’t know him, but I did know more than half of the other people in that picture, all of whom were involved in one way or another with VU student publications when I was there.

Here’s his obit from his own publication, and an appreciation from another film critic. RIP, Mr. Ridley.

Also: a fellow named Archie Dees has died. I didn’t know him either, but Indiana University remembers him as a basketball star whose heyday was in the 1950s (he was 80 when he died). I noticed that he was originally from Ethel, Mississippi, though he went to high school in Downstate Illinois. His central Mississippi roots and his surname very likely mean we’re cousins of some kind. Go back far enough — a century and a half, maybe — and we’re sure to have some common ancestors.

The G.I.’s Guide to Travelling in Europe

Among the many books at my mother’s house, I found a copy of The G.I.’s Guide to Travelling in Europe, by Pfc. Arthur Frommer, first printing, dated August 1955. The book isn’t crumbling yet, but at 60 years of age it’s distinctly yellow, and at risk of falling apart if I handle it too much. Probably the only reason it hasn’t fallen apart already is that no one has handled it much since my parents came home from Europe in 1956.
GI's Guide to Travelling in EuropeAt the risk of damage, I took a look inside the book. It’s precisely what I’ve read it is — the first modern travel guide for a mass audience. In this case, U.S. military personnel stationed in Europe in the mid-50s. In the case of its successor title by Frommer, Europe on $5 a Day, American civilians traveling to Europe during that decade who had neither the time nor funds for a Grand Tour-style trip. Which would be most people.

The focus is on how, rather than what. Chapters include: Army Travel Regulations, Free Air Force Flights, Train Travel in Europe, the G.I. and His Auto, Cities, Hotels & Restaurants, Army-Run Resorts, Talking Through Europe, Menu Translations, Changing Your Money.

GI's Guide to Travelling in Europe backThe book’s done in a conversational, nuts-and-bolts sort of style, and quite well written. Besides the fact that Frommer was filling an unfilled niche, I can see why his books succeeded: useful content, done well.

“But where do I, as the author of this thing, get off posing as an expert on the subject?” Frommer wrote in the book’s introduction. “I’m a G.I. about to rotate home after more than a year of Army service in Germany. This was my first trip to Europe, and I wanted to see lots of it. During that year, therefore, I’ve taken the full allotted leave period of 30 days. I’ve requested and received, in addition, a 3-day pass per month. I’ve also traveled on several 3-day weekends resulting from Army holidays.

“In this manner, during a year of busy Army duty, I’ve been able to spend a full 3 to 10 days at every one of the following places: Paris, Rome, Madrid, Berlin, London, Barcelona, the Island of Mallorca, Vienna, Florence, Venice, Zurich, Munich, Frankfort, Innsbruck, Copenhagen, and Amsterdam.

“The entire amount of this travelling has been done solely on the proceeds of an Army salary that has never been higher than a Pfc’s pay. No money from home has ever defrayed any of these costs. Nor have I gone without coffee, razor blades and fresh laundry during the on-post portions of my Army life.

“Nor have I endured any grinding discomfort on any of the trips described… as the miles piled up, I learned; and the ordinary accumulation of experience was supplemented by a constant search for the gimmicks and short-cuts of European travel. I wrote for regulations and interrogated everyone I met. I was a pest, but I was able to accomplish a type and amount of travelling on the continent which — without fear of exaggeration or boasting — would’ve cost the ordinary civilian tourist over a thousand dollars, as well as months of free time. All at the expense of our benevolent Uncle.”

I hope my parents got their 50 cents’ worth out of the book. I’ll wager they did. I know they went to London, Paris, Strasbourg, Rome, Venice, and some other places from a posting in Germany. I rarely used any of Frommer’s later books myself in Europe or Asia, but I consulted others in the same style, and so have benefited from his work as well.

I’m also reminded of something my friend Dan, stationed in Germany as a Army lieutenant in the mid-80s, told me. By then, of course, getting around cheaply was easier (and there was no euro to mug you in places that should be cheap, like Italy and Greece). A handful of his men, Dan said, made an effort to go as many places as free time would allow, a la Frommer. A good many others, however, were content to hang around nearby and drink Bud.

Frommer, by the way, is still alive at 86. A few years ago, my friend Ed met the man in New York and did some walking around with him there. He says that was quite an experience, and I believe it.

The Seven Wonders, Overheard

Today I overheard another conversation, this time in line in an ordinary store in the ordinary suburb I call home. A man and a boy were taking, father and son, I assume. They too were about as ordinary as could be, both wearing sports logo shirts (Backhawks and Cubs).

“There was the Great Pyramid,” the father said.

“And the lighthouse and statue of Zeus,” the son said.

“Yes, and the mausoleum and the hanging garden and the lighthouse, and what else?”

“I already said the lighthouse.”

“Right. Now let’s see…”

They were talking about the Seven Wonders of the World. Maybe the boy, about 10, had been studying them, though I’d be hard-pressed to imagine they come up in school any more. Or in living memory. I didn’t learn about them in school. Maybe the boy had his own interest in them, or maybe the father did. Anyway, it isn’t something you overhear in line every day. Or ever. Until now. It made me smile, though I didn’t say anything.

I’m reminded of them time when some friends and I were in line to see a movie in Nashville, ca. 1986, and somehow the subject of the Frisian languages came up, including the notion that Frisian is as close to English as any language is, without actually being English. We’d heard that was the opinion among linguists.

A fellow behind us in line — this was at the movie theater at Vanderbilt — was visibly astonished. He felt he had to speak up, apparently, and he asked us how we’d heard about Frisian. He was from the Frisian Islands, he said, though at school at VU.

I don’t remember what we told him. I’d heard of Frisian somewhere before, maybe first in my American Heritage College Dictionary, which has a fine family tree diagram of Indo-European languages, with Frisian on it as a close cousin to English. No doubt he’d resigned himself to not bothering to tell Americans he was from the Frisians, but rather from the Netherlands or Germany.

See You Later, Alligator

While walking the dog during the most recent warm day — a few days ago now — I passed a knot of grade-school kids and their bicycles across the street. I didn’t pay them much attention, but after I’d passed by, I clearly heard one of the boys say, directed at one or more of the others, “See you later, alligator! After a while, crocodile!”

People still say that? Kids still do? It sounded old even when I was young, though I can’t say I heard it much. Later I heard the mid-50s song of that name, recorded by Bill Haley, which seems to have popularized the phrase, but not invented it.

I’d always imagined it was from the ’20s. It sounds like it belongs in the same league as the bees’ knees or 23 skidoo or the like, but after looking around a little, its exact origin and timing remain elusive. One source speculates it started with Swing devotees of the late ’30s, which is plausible, but who knows?

On the other hand, I do know that the phrase lives on in the 2010s. Maybe some celebrity who appeals to kids is saying it now.

Wisconsin, Home of Funny Hats

Various presidential candidates have been stumping just north of here recently, and when I opened Google News this morning, a Washington Post item, complete with Mars Cheese Castle photo, was prominent. I’ve never seen the junior Senator from Texas in person, but I have seen that cheesehead mouse.

The Senator reportedly declined to wear a cheesehead. Wearegreenbay.com quoted him as saying “there is an ironclad rule of politics which is no funny hats… And any hat is by definition defined as a funny hat.”

This from the man who wants to (ultimately) be in charge of the Bureau of Funny Hats, which is part of the Commerce Department, along with the Silly Walks Administration. I don’t think Ronald Reagan was afraid to wear funny hats.

The Manliest Vegetable

Today was one of the days that should be warm, but isn’t. Winter doesn’t want to let go. It even snowed a little, with cold rain predicted for the rest of the week. Bah.

I don’t have what it takes to be a drinking man, but I did visit a large liquor store not long ago, along with my brother Jay. That’s where I learned that potatoes are the manliest of all vegetables. Who knew? That’s a promotion for the humble spud, I think. Jay documented the evidence with his phone.
Total Wine & More San AntonioDeutsch Family Wine & Spirits imports the vodka into the United States, and its web site says: “Luksusowa Vodka (pronounced LOOK-SOO-SO-VAH) was created in 1928 in Poland. Luksusowa means ‘Luxurious’ in Polish… A smooth, rich, high-quality imported vodka that beats the competition in terms of flavor, mouthfeel & price.”

Mouthfeel? I’ve never heard of that before, but it’s one of those words that instantly explains itself.

Miyajima (Itsukushima) During Cherry Blossom Season

Here in northern Illinois, the grass is greening, small buds are budding and birds are making more noise. A few new-generation insects are in view. It’s even warm and sunny on some days, such as today, which followed a miserable, dank, cold Saturday. Such is the seasonal seesaw.

As this map and chart explain, early April is peak cherry blossom season in the Kansai and a few other parts of Japan. That’s when I saw the blossoms in Kyoto — the first year I was there — plus in parts of Osaka, including the crowded National Mint grounds but also the little-known but strikingly beautiful Osaka Gogoku Shrine in Suminoe Ward (which everyone simply called Suminoe Shrine).

In early April 1993, we went to Hiroshima for a weekend, and visited Miyajima (宮島), an island in the Inland Sea near the city. Formally called Itsukushima (厳島), it’s home to a Shinto shrine complex and best known for its monumental torii out in the water, which happened to be behind scaffolding when were were there.

Fortunately, the cherry blossoms were in full, unencumbered view. Temple deer were around, too.

Miyajima - near HimoshinaMiyajima - near Hiroshima 1993I didn’t know until recently that Itsukushima is a World Heritage Site, put on the list after we were there, in 1996. UNESCO notes: “The present shrine dates from the 12th century and the harmoniously arranged buildings reveal great artistic and technical skill. The shrine plays on the contrasts in colour and form between mountains and sea and illustrates the Japanese concept of scenic beauty, which combines nature and human creativity.”

The Force Awakens

We went to see Star Wars: The Force Awakens recently, since I’m not the sort who rushes out to see the newest thing in the theaters, though that did happen with the first movie of the series those long summers ago (more than a dozen of us went together; it was an event). On the whole, the most recent yarn had everything it needed to: sympathetic characters, old and new, lots of action, lots of spaceships and exotic sets, lots of improbabilities and coincidences, lots of homages — many homages to the original movies, some simply visual, others in bits of dialogue — and so on. My favorite homage was the discussion of throwing a captured First Order minion into a trash chute, though you don’t actually see the heroes do it.

All in all, worth second-run prices. Some quibbles: Interestingly, Finn said that his bad-guy job was in sanitation, which set up the homage to the trash chute. Certainly a necessary function, but if so, why was he part of the death squad detail at the beginning of the movie? Do all of the storm troopers rotate into death squads now and then, just to keep them murderous? If so, why are they such lousy shots?

Why is the armed force defending the presumably re-established Republic called the Resistance? Sure, resistance has a noble undertone, but it implies trying to overthrow tyranny, not protect a government. Shouldn’t it have been the Galactic Force or the Republic Defenders or the like? (Or the Force Force?) Guess the Republican Guard wouldn’t work, the Iranians having taken that one.

And how is it that the Jedi were so thin on the ground that the retirement of just one of them, namely Luke Skywalker, shut down the whole enterprise? Weren’t there others? You know, a second string? Maybe these things are explained in the expanded universe, but I’m grown man. I refuse to have anything to do with that.

Also, I wonder just how much dough Mark Hamill got paid, along with top billing, to stand there for a few seconds and look old? Maybe that sum is a balm for his, shall we say, not-as-stellar-as-Harrison Ford’s career. By contrast Ford had a meaty-ish part in the latest movie, but then again he clearly signed up only for this one, unless there’s some movie resurrection magic ahead for Han Solo.

The supreme bad guy was malformed and ugly, or at least his hologram/projection/whatever of him was. But of course. Ugly = Evil. As I wrote a good many years ago, when I was busy ignoring one of the prequels, I pictured the unseen evil emperor in the first movie as “a handsome yet ruthless tyrant, a spellbinding demagogue, a despot who made the hyperdrive trains run on time, and who had an intensely loyal following in parts of the galaxy that got public works contracts. But no. He turned out to be a drooling, hissing, ugly fellow who ruled by channeling the Dark Side, rather than bread and circuses (and maybe a gulag).

“Better still would have been a despotic Emperor with some virtues, someone who offered peace to a Republic torn by civil war, someone along the lines of Augustus. In that case, the rebel alliance might still be fighting for freedom, but with less purity of motive — and willing to blow up a planet or two itself…”

Christopher Orr in the Atlantic did a reasonably good review of the movie, except for this line toward the end: “The original Star Wars was in almost every way an original, a movie that forever changed filmmaking for both good and ill.” Maybe original if you were 10, as he was.

But it was fully known and commented upon at the time that, aside from the remarkable special effects, very little about the first movie was original, and not just in the sense that all Hero With a Thousand Faces on a Journey of a Thousand Leagues stories tap into archetypes. Still, that didn’t make the first movie any less enjoyable or important in the history of summer blockbusters. Obviously the thing struck a chord. I remember reports of people going to see the first one many, many times. Then again, people also went to see The Rocky Horror Picture Show many, many times. That struck a somewhat different chord, I figure.

The Next Generation

Best wishes and congratulations to my nephew Sam and his wife Emily, who are expecting their first child in October. Another Stribling in the world, huzzah.

I doubt that Sam will mind me borrowing his drawing for the occasion, posted recently on Facebook. He and Emily are both architects, practicing in Dallas. He’s always had a talent for drawing.

Next Generation StriblingThis makes me a great-uncle. As far as I can tell, a great-uncle’s main role is to appear now and then and look scary old to the child. At least, that’s what my grandmother’s brother, Uncle Ralph (d. 1971), looked like to me. Well, not too scary, except for the fact that he was confined to a wheelchair and had only one functioning eye, conditions I hope to avoid. But you never know.

The Krannert Art Museum

Time to praise university art museums: generally unpretentious, inexpensive and not so large that you can’t have a good look-see in a short time. One of the places Lilly and I visited at the University of Illinois Urbana-Champaign was the Krannert Art Museum, which has ten galleries and art ranging from ancient Egypt and Pre-Columbian to much more recent items.

One so recent that it was created using an iPhone: “A Lexicon of Dusk.”
The Krannert Art MuseumOver the last six years, a Houston artist named Ruth Robbins took her iPhone out and took pictures at dusk. From these, she made a series of 26 different postcards, copies of which were on a long shelf at the gallery. That’s the artwork.

“Printed as postcards for the viewer to take away — a distributed work of art in line with conceptual art practices — the images show richly colored ambiguous skies and whatever else she happened to have seen at the time: lights low on the horizon, an electricity pole, a snow-covered landscape, an equestrian statue,” the sign near the cards says. “Longitude and latitude coordinates are documented on each image…” That, and an exact date and time when the image was made.

The best part? Postcards are free to take, adds the sign. I took one of each. I’ve already mailed a few.

In the room adjoining the postcard exhibit was an amusing series called “The First and Last of the Modernists,” by Lorraine O’Grady, pairing images of Baudelaire with Michael Jackson.

The Krannert Art MuseumI’ve had a soft spot for Baudelaire since an entertaining acquaintance of mine recited “Be Drunk” — I think it was this translation — at a party at our house late in my college years, ca. 1982. As for the King of Pop, I can’t claim to be a fan, but I respect his reach. I heard his songs walking down the streets of the 10 European countries I visited in the summer of ’83, even East Germany, but maybe not the Vatican City, and even then I might have heard something from a transistor radio someone was carrying at the Piazza San Pietro.

Another room sported some African art. Not just pre-Scramble works from lost states and misty kingdoms, but more modern items. These are two of a particularly striking series, “Seven Lines From Djwartou” by Yelimane Fall.

Krannert Art MuseumKrannert Art MuseumI appreciated these visually, not as someone who can read Arabic. The artist-calligrapher hails from Senegal, and is a devotee of one Sheikh Amadou Bamba, founder of the Sufi brotherhood Mourides in that country, and who wrote the poem “Djawartou” in the early 20th century, among many other things.

As the BBC notes, “Senegal’s most powerful men are not politicians, but the leaders of the country’s Islamic Sufi brotherhoods, to which a very large proportion of Senegalese belong, and whose influence pervades every aspect of Senegalese life.”

Seems that the Mourides are a very big deal in their corner of the world and, from what I can tell from a brief look, eschew the poisons of Wahhabism, and stress hard work among their members (work hard, make money, support the sect). And there are enclaves of them elsewhere. According to Religion News, “Their dictum, ‘pray as if you will die tomorrow and work as if you will live for ever,’ has brought the Mourides economic success wherever they have settled. In New York, the Mourides established their own community, Little Senegal, and July 28 has officially been designated Sheikh Amadou Bamba day.”

Remarkable the things that go into making an image on the wall. I never knew any of that. I don’t expect to make a detailed study of Senegal, but it’s good to be reminded that there are whole other worlds here on Earth yet beyond one’s experience.