One fine day in the Kansas State Capitol last month, I turned a corner and found myself looking up at Old Testament John Brown. Larger than life, as he has loomed these 160+ years.

The mural, actually called “Tragic Prelude,” is more than 11 feet tall and 31 feet long, taking up an entire wall in the capitol. The lighting isn’t particularly good for taking images of the whole work – a ceiling light in particular washes out much of John Brown’s (let’s say) emphatic expression. Luckily, the image seems to be in the public domain.
A plaque under the mural says:
Sponsored by Kansas Press Association, aided by Kansas school children, these murals were painted in 1940-41 by John Steuart Curry, who was born near Dunavent, Kansas. In John Brown’s outstretched left hand is the word of God. In his right, a “Beecher’s Bible.” Beside him, facing each other, are contending Free Soil and Pro-Slavery forces.
The plaque does not say that the many members of Kansas legislature hated the painting at first, and refused to hang it in Curry’s lifetime (he died in 1946). Curry had had the temerity to depict Bleeding Kansas, by far the most interesting period in the history of the territory and state; the interesting times no one wants to live through. Maybe they thought it glorified John Brown — which it half way does, but with more than a tinge of madness in him as well. Bottom line, the work apparently didn’t sit well with those who might have wanted a Kansas of doughty farmers and hardy pioneers and fertile landscapes.
Eventually, to its credit, the legislature did have the work installed. Whatever you think of John Brown, it’s a striking piece. I’d seen depictions of it, but either never knew or had forgotten that it hangs in the Kansas State Capitol, which made coming across it all the more memorable.
I almost missed it, having dawdled in Salina and Abilene for most of that day (September 24), but I made it to Topeka and the capitol about 30 minutes before it closed.

Like any number of monumental edifices, this one took time: construction finished in 1903 after 37 years in the works, not counting renovations or the comparatively recent addition of the 4,420-pound, 22-foot tall bronze “Ad Astra” on top of the dome, which was in 2002. The figure is an acknowledgment of the Kaw Nation (Kansa), who lent their name to the state.

Architect E. Townsend Mix (d. 1890) designed the capitol, though he didn’t live to see its completion. Most of his work is in Milwaukee, where he lived the longest, including St. Paul’s Episcopal in that city.
A fine dome.


Well-appointed chambers.


The capitol interior is fairly art-intensive. Not all capitols are. For instance, there are limestone statues in large niches — native limestone, a sign says — of famed Kansans, by Peter “Fritts” Felten Jr. of Hays, Kansas. Such as one of the aviatrix from Atchison.

Amelia Earhart is immediately recognizable, which is no mean feat for someone who is (very likely) been dead for nearly 90 years.

This figure is also more-or-less recognizable – though a depiction of him that’s a little strange, looking for all the world like Mr. Clean. Only a little like that Ike fellow on an Eisenhower dollar.
The fellow below’s fame has, I’m afraid, shriveled up like a balloon that lost its helium: William Allen White (d. 1944) Probably not even known in Kansas any more, since he was a noted journalist, a profession whose posthumous fame tends to be brief. Editor, Pulitzer Prizewinner, his plaque says. A Progressive Through-and-Through, it does not say. That might not play in Kansas at the moment.

Not one, but two time capsules reside with the capitol walls. At least two that I saw.


This is a digression, but one thing still leads to another on line, and I came across a list published in 1991 by the International Time Capsule Society: “10 Most Wanted Time Capsules.” That is, a list of time capsules whose location had been lost and thus were (up till then) unrecoverable. The page notes that two have been found over the last 30+ years, but eight are still beyond the ken of man. Such as:
MIT Cyclotron Time Capsule.
In 1939 a group of MIT engineers placed a brass capsule beneath an 18-ton-magnet used in a brand new, state-of-the-art cyclotron. The capsule was to be opened in 50 years but was not. No one remembered the time capsule was there (the cyclotron had long since been deactivated). But when reminded of its existence, MIT was faced with another problem: how do you get a time capsule out from under a 36,000-pound lid?
Bicentennial Wagon Train Time Capsule.
This capsule was supposed to hold the signatures of 22 million Americans. But on July 4, 1976, when President Gerald Ford arrived for the sealing ceremony in Valley Forge, Pennsylvania, someone stole the capsule from an unattended van in the bicentennial wagon train. The capsule’s maker, the Reynolds Company, had broken the mold. The thief’s identity and the whereabouts of the capsule are unsolved mysteries.
Further investigation reveals that the whereabouts of the papers that Americans signed in 1976 – a good many pounds of it – mysteriously disappeared, and that theft from a van was one idea, though organizational misdirection sounds more plausible to me. To the same warehouse as the Ark of the Covenant, in other words. Anyway, there’s a 12-episode streaming service comedy in that incident.
Back to capitols. It’s now easier to keep track of the ones I haven’t seen than otherwise.

Green for an interior visit, orange for exterior only, gold representing uncertainty, and white no visit.



































