Alliance, Nebraska

Posted on November 20, 2025 by admin

The highway Nebraska 2 passes through the town of Alliance, as do the BNSF railroad tracks paralleling the highway. During my drive across the Sandhills, I saw train after train headed east from Alliance. Long trains, the seemingly endless sort, even though they’re going the opposite direction you are, so they’re passing by at your speed plus their speed: well over 100 mph probably.

Every single one was a coal train. The industry isn’t what it used to be, but it isn’t dead, and much extraction takes place in the Powder River Basin, with rail from there converging in Alliance and then heading to the markets in the east. For a fairly small place, Alliance (pop. 8,150 or so) has a large rail yard.

Back up a little further, and the region reveals clear signs of circle-pivot irrigation.

In ag terms, most production in Box Butte County – a favorite of mine among county names – is actually livestock, raised on non-irrigated grassland, which you can also see driving in. As for the irrigated places, that’s corn and wheat, with a smattering of alfalfa, beans, sunflowers and sugar beets. Somewhere up north is a rock formation called Box Butte, a name that I understand the railroads were using in promoting settlement this way, before it was ever official.

I didn’t come to town to learn all that, but I did later. Mainly I came to see Carhenge. The weather that day, September 7, was clear and very warm, which inspired some further looking around. First stop, Alliance Cemetery.

“Bury me in old Box Butte County.” There’s a western swing title in that.

Something I’d never seen on a gravestone before: Scooby-Doo.

Go figure. Maybe Richard “Red” Hardy is the one who wanted it on the stone, since he would have been almost 10 when that cartoon premiered (September 13, 1969), and that’s about the right age to get hooked on such a thing. Then again, I was eight — saw the first episode myself — and yet somehow I’ve remained immune to its charms.

As for the Huskers, I saw them on some other stones in this cemetery. Hardly the only example of fandom from the grave.

I’ve seen cowboy churches and I’ve seen cowboy graves.

The cemetery is east of downtown Alliance, but not that far away. The Box Butte County Courthouse is on Box Butte Ave.

Along with a number of other vintage buildings. Newberry’s Hardware Co., once upon a time, which seems to be 1888 and then maybe an enlargement in 1914? Looks like it needs an occupant.

The 1927 Fraternal Order of Eagles Building.

Slacker that I am, I didn’t take many detail shots, but one of this particular building is available (public domain) that shows how seriously the local FOE took its eagles about 100 years ago.

Hardware Hank is a hardware cooperative. New to me, but that only means I need to get out more.

More murals.

Rhoads’ was a local department store. Gone but not forgotten, at least if you read the mural, which looks refurbished recently. The tag at the bottom says it was a gift of the Alliance High School Class of 1962.

An art deco theater. Nice.

A really cheap way to advertise.

You never know when (and where) Dali will show up. Enigmatic fellow.

And who is poor Jerry?

Antique shop within? A simple desultory Google search doesn’t reveal much. Street View puts the sign’s appearance between 2007 and 2012 (Google didn’t come that much to Alliance.) Even the Library of Congress wants to know.

I found lunch in Alliance that day at Golden Hour Barbecue, which promised (and provided) Texas-style ‘cue. I enjoyed it thoroughly. Same league as Salt Lick, though a little expensive, considering how close the cattle are. Then again, everything seems expensive these days, and it was such a large lunch that I barely needed to eat that evening in my room in Scottsbluff, so that mitigated the upfront cost.

Before heading to the big rocks near Scottsbluff on the morning of the 8th, I took a look around that town as well.

Can’t have too many art deco theaters. When I’ve done image searches for Scottsbluff, the Midwest theater comes up often as not.

A car to match. At least that morning.

Another former small department store, now private offices.

Just outside Scottsbluff is a single grave.

The grave of Rebecca Burdick Winters (d. 1852) She died a faithful Latter-Day Saint, her stone says, on her way to Utah. Officially, it is Rebecca Winters Memorial Park.

“Seven miles northeast of Scotts Bluff National Monument lies a solitary grave,” says Find a Grave. “This site marks the final resting place of Rebecca Winters, who died of cholera on August 15, 1852. Rebecca was only one of thousands of people who succumbed to disease as they made their way west on the overland trails, but her grave is one of only a few that remains identifiable today.”

Seward, Nebraska

Posted on November 19, 2025 by admin

There I was, in Seward, Nebraska, parked on a side street lined with single-family houses. Interrupting the pattern of houses was a large open space, with buildings behind it — a large house, and maybe a workshop. In the open space, which was a green lawn, stood a sigma-shaped structure, and behind that, a white pyramid.

Both taller than a grown man. A plaque was fixed to the sigma. From the point of view of the time capsule, the sigma shape could be a 3. So – third millennium?

World’s Largest Time Capsule.

I wasn’t quite sure what to make of that claim. The world’s largest time capsule would surely be the one entombed in 1939 at the New York World’s Fair for an opening in the year 6939, an exercise in official optimism if I’ve ever heard of one. Wouldn’t it? No. It grew in my memory, but was actually quite small. The Crypt of Civilization instead might be a candidate for largest.

Anyway, there’s no doubt Seward’s is a whopper among time capsules.

The capsule, buried by Seward resident Harold Davisson, had more modest ambitions, time-wise, than the NY time capsule: only 50 years. Looking at the plaque, I wondered if the opening, promised for this year, was going to happen.

Later I learned that it had already happened, earlier in the summer. NBC reported that the opening revealed “letters, pet rocks, artwork, a groovy teal suit and even a yellow Chevy Vega.” A video of the opening of the time capsule, and the removal of its contents, has been posted to Facebook. The opening including removal of the car, by means of an enormous wench. News reports suggested that Vega was going to be reconditioned and run during the town’s bang-up Fourth of July festivities. Hope so.

The pyramid lid had been put back on. If you look closely, you can see the line marking the bottom of the lid. Put it back on expertly, since you have to look closely to see there was a separation. So I missed the grand opening by a few weeks. As they say in those parts of Nebraska, c’est la vie. Hard to attend an event you’ve never heard of, though not impossible, as I found out years ago when I happened across Northalstead Market Days one summer day. That one was an eye-opener.

Seward honors the Seward of Alaska purchase fame, though if pressed I’d bet most Americans have sort of maybe heard of him, but don’t remember anything about him, even though he (likely) still gets passing mentions in school.

Seward, seat of Seward County, there in the populous (for Nebraska) southeast corner of the state, is close to Lincoln – fitting, isn’t it? – and I-70.

Seward County built itself a handsome courthouse, once upon a time. Classical Revival when the getting was good for that style, in the first decade of the 20th century. It was a popular style around this part of Nebraska at the time, with the National Register of Historic Places Registration Form telling us there are 18 buildings like it still extant in Nebraska. Architect George Berlinghof (d. 1944) designed a lot of them, including this one.

On the grounds, Seward in bronze. I know there are other statues of Sec. Seward, but not that many.

Sporting a cape. How many bronze figures honored with public statues are in capes? More than I know, probably. The Maid of Orleans in New Orleans comes to mind; she’s wearing a cape, over that armor.

A plaque identifies the artists, brother and sister David and Judith Rubin, and the vintage, recent. Alaska commissioned them to do one of Seward for the 150th anniversary (2017) of the sale of Alaska to the United States. Interested parties in Seward, Nebraska, wanted one for the their town, and so commissioned another one.

The square is right handsome, too.

Cattle National Bank. Reminds me of Gary Larson, somehow. I’m glad to report that it’s one of four locations for Cattle National Bank & Trust, a community bank owned by the Cattle family. Has been since 1881. If I lived in Seward, I’d bank there just for the name.

One more thing about Seward. This isn’t the one further north.

Seward was a flyby on September 5 on the way to Grand Island, Nebraska, that evening, which would be the jumping off point for my drive through the Sandhills. The highlight of my short stay in Grand Island wasn’t the false alarm that got us all out of our rooms at the motel around 10, thrilling as that was, but the next morning, on my way out of town.

John Cattle and his sons, Robert, John and Walter, were farmers in England and came to Nebraska in the 1870’s, lured by the chance to invest in inexpensive land. The British Steamship Company and the Burlington Railroad promoted land on the Great Plains, and the oldest Cattle son, Robert, took advantage of the company’s offer of a free trip to come to Nebraska and see the prospects for himself. Robert thought the land and opportunities looked good and the rest of the family followed him to Seward County where they bought railroad land north and west of Seward.

I’ll give credit where it’s due: I found Fred’s Flying Circus on Google Maps. Attaboy, algorithm.

The work of body shop proprietor Fred Schritt (d. 2016), on his place of business, with the shop now run by his daughter and son-in-law. An informal sort of memorial to the old man, I hope they believe. One of the more cheerful memorials you’ll see.

The Maryland State House

Posted on November 12, 2025 by admin

Yesterday I asked ChatGPT a question. I had my reasons.

Human (me)-generated question: How many U.S. state controllers or comptrollers have been honored with bronze statues?

Machine-generated answer (entirely sic): As of my knowledge cutoff in 2023, two U.S. state controllers or comptrollers have been honored with bronze statues:

William S. “Billy” McKeller (Tennessee) – McKeller was the Comptroller of the Treasury for Tennessee from 1923 to 1953. He was honored with a bronze statue that stands at the State Capitol in Nashville. The statue was unveiled in 1956, following his retirement.

Edward J. “Eddie” O’Neill (Massachusetts) – O’Neill was a longtime Comptroller for the Commonwealth of Massachusetts. He was known for his tenure and service, and a bronze statue of him was placed at the Massachusetts State House.

Both statues honor the legacy of these public servants for their dedication and leadership in state finance and governance.

However, it’s worth noting that statues of public officials in general tend to be more common for governors, senators, or prominent historical figures, so the specific recognition of state comptrollers or controllers through bronze statues is quite rare. There may have been updates or new statues since my last update, so I recommend checking local state records or news sources for the most current information.

Wow, that’s a solid example of an AI hallucination. There may have been human beings named William S. McKeller and Edward J. O’Neill living at some point in Tennessee and Massachusetts, respectively, but neither of them held that office. See the Tennessee Blue Book for a list comptrollers of the treasury in that state. As for Massachusetts, comptroller isn’t a constitutional office, so a list of them is a little elusive. (The commonwealth has an elected “treasurer and receiver-general.”)

Just as dispositive is a list produced by the commonwealth that lists the artwork at the Massachusetts State House. A bronze honoring Edward J. “Eddie” O’Neill isn’t one of them.

That said, the machine is probably correct that “specific recognition of state comptrollers or controllers through bronze statues is quite rare,” but, considering that the machine’s examples are bogus, that ranks as nothing but educated speculation that I didn’t need ChatGPT to create for me. I can guess that myself.

Just as damning, however, is that the machine missed a perfectly real example.

During my visit to Annapolis, Maryland in late October, I chanced to meet Louis L. Goldstein. His memorial, that is, a bronze at the corner of Bladen and Calvert streets, about a block from the Maryland State House.

The statue is in front of the office building occupied by the state comptroller. Goldstein was comptroller of Maryland from 1959 until his death in 1998 and, it seems, a character. A character who was also a successful politician, which is an increasingly rare combination, unless you count those pretending to be wingnuts.

“Many recognized Goldstein as the state’s white-haired, robustly outgoing goodwill ambassador, a handshaker’s handshaker, passing out fake coins as souvenirs and bestowing his trademark greeting, ‘God bless y’all, real good,’ “ the Washington Post reported at the time of his passing.

More politicos should pass out fake coins. I have fond memories of the aluminum Silber Dollar we had around after the 1970 election in South Texas. It’s probably still around.

Admittedly one ChatGPT answer is a small sample size, but still – how is it that three years have passed since I asked the machine to come up with examples of a certain kind of real estate deal in the past, and it spat out five completely make up ones? Shouldn’t this kind of thing be less likely by now? Apparently not.

Never mind, Maryland has a handsome capitol, one built remarkably enough in the 1770s – beginning before the Revolution and completed in the throes of that war, in 1779.

The view from the steps. The small rally below, at a place called Lawyers Mall, is demanding that Maryland Gov. Wes Moore to kick Avelo Airlines out of BWI airport, for its deportation flights for ICE.

Detail on the exterior: the obverse and reverse of the Great Seal of Maryland.

A cool seal, if you asked me. Including an Italian motto used, for obscure reasons, by the Calvert family. Fatti maschii, parole femine has drawn criticism, enough that the state has an innocuous “official translation,” which is fine, if a little silly.

Of course, Maryland also has a cool flag, the heraldic banner of arms of Cecil, Second Baron Baltimore, acknowledging the state’s founding as a proprietary colony of the Calvert family. It’s also worth noting that the flag wasn’t official until 1904, by which time the family had become merely a colorful part of History.

Unlike Delaware, Maryland’s capitol was open on a Saturday.

With a few volunteers talking to visitors.

The Maryland State House has the distinction of being the capitol of the United States, from November 26, 1783 to August 13, 1784. Two important events happened in the building during that narrow window: George Washington came before the Confederation Congress to resign his commission as commander-in-chief of the Continental Army, and Congress ratified the Treaty of Paris, which acknowledged U.S. independence.

Maryland doesn’t want you to forget that Washington stepped down in the state house. On display are artifacts and artworks to illustrate the point.

Including portraits of those who were there for the event. Some of those who were, I assume.

The scene itself, depicted later, and on display at the state house.

The speech. Washington had a gift for brevity. A more prolix (and vain) fellow might have gone on at length about the virtuousness of Cincinnatus — hint, hint, like a certain other man you might know — but I suspect he knew that his audience, and maybe posterity, would make the comparison without it being explicit.

Central Park Ramble ’25 (Strawberry Fields For Now)

Posted on November 1, 2025 by admin

Kids came in some numbers for Halloween here in the northwest suburbs yesterday, but I didn’t keep an exact count this year. The day was cool but not cold, without a hint of rain, so that might have encouraged turnout, like for voting. One time a passel of kids showed up, maybe a dozen or so, all under 10, with a smaller passel of parents off near the sidewalk.

We were giving away full-sized candy bars until they ran out, and the passel squealed with delight at receiving the various Hersey products. Even now, the costumes are a blur, maybe because I didn’t recognize a lot of the characters. Ones that I might have known weren’t familiar either. I asked the parents of a very small boy — ah, first-timers — what he was supposed to be. His shirt pattern reminded me of TMNT, but it was Hulk, they told me. “Hulk smash,” they said. “Hulk smash, all right,” I agreed.

All of the Halloween traffic, except for a handful of older kids, came before dark. My not-so-inner curmudgeon reacts: in my day, we trick-or-treated after dark, risking bodily injury on the streets, and we liked it.

But I am glad to report that the older kids – junior high and even high school – are far fewer than they were, say, 20 years ago. So it’s back to the way it should be. For older people, there are always such seasonal events as the Greenwich Village Halloween Parade. To this day, the ’06 iteration of that parade remains the only time I’ve encountered the band KISS live – they were the grand marshals (RIP, Ace Frehley). We also encountered Space Ghost then, or at least a fellow who was adamant about his Space Ghost identity.

Near Central Park on Fifth Ave. is 1 East 57th Street. We walked by last month.

A few years ago, luxe retailer LVMH Moët Hennessy Louis Vuitton added a faux facade to its NY flagship store there on the avenue, one that evokes its signature luggage trunks in a highly visible way. Redevelopment plans for the building behind the trunks were unveiled not long ago, so I suspect the trunk-appearance doesn’t have much longer to look down on Billionaire’s Row and its strato-priced residential properties (whose high rents and sale prices don’t necessarily guarantee high-quality construction, apparently).

As we neared Central Park, we spent a little time at Augustus Saint-Gaudens’ statue of William Tecumseh Sherman (dedicated 1903) in Grand Army Plaza. Life’s too short not to look at some Saint-Gaudens from time to time.

Not far away, something a little newer.

“First Sun,” a painted aluminum sculpture of a human-scarab figure by Senegalese artist Monira Al Qadiri, and slated to be in place until the end of next summer.

Visible from near the statues is the storied Plaza Hotel and an Apple Store, which is open 24 hours, Google Maps tells me. Storied in a different way.

I’m glad the Plaza acknowledges its fictional role in The Great Gatsby by featuring a lavish-beyond-the-dreams of Croesus Gatsby Suite. Of course. A smart hotel operator isn’t going to waste an opportunity like that. In this case, Fairmont Hotels and Resorts, a Canadian company, managing for owner Katara Hospitality – the large hotelier owned by the Qatari government. In the 21st century so far, the Plaza has been owned by an Israeli company and then an Indian one before Katara bought it. There’s something oddly American about an ownership trajectory like that.

We – Robert, Geof, Yuriko and I – charted ourselves a simple walking path through some of the southern reaches of Central Park. Manhattanites and visitors to the borough were out in Saturday-afternoon force. Saturday, in the park/I think it was the 18th of October. No, that doesn’t scan. A fair number of pitch-a-blanket cap and souvenir salesmen were out, too, but not nearly as many buskers as a great city park like Central Park should attract.

There’s an editorial right there: why America needs more buskers, and why some American cities need to chill when it comes to suppressing buskers. Europeans might not be right about everything, but about allowing buskers? Yes.

The leaves weren’t at peak just yet, with the greens still hanging on more than not. I don’t remember which visit to Central Park it was, but one time I wandered the park during peak coloration, whipped into even greater yellow-and-red glory by a brisk October wind. Temporary clouds of leaves came and went, even as the wind shook more leaves from their branches. Color, but also motion.

Eventually, we came to The Lake by way of Bethesda Terrace and Fountain.

But not all the way across The Lake to The Ramble, whose Wiki description drily states that “historically, it has been frequented for both birdwatching and cruising,” with hyperlinks articles about both of those activities. What about cruising birdwatchers? There’s a Broadway musical in that concept somewhere.

The Lake was clearly a good time and place for casual boating.

The view from the Bow Bridge.

An Upper West Side backdrop.

In that part of Central Park, it’s hard to miss Strawberry Fields. There is a fairly empty section.

That’s not the case when you get to the Imagine memorial. Among the visitors, a guitarist was noodling out one of the more famous Lennon-McCartney tunes, but I forget which. One of the usual ones. Not “Dr. Robert,” say, or “Happiness is a Warm Gun.” So that was one busker anyway, since I think he had a guitar case open in front of him. All you need is love, sure, but bills are bills.

Gone these 45 years and still packing ‘em in. Good for you, Mr. Lennon. In another 45 years? It would be interesting to know, and I sure I won’t.

I’m afraid the history of memorials doesn’t bode well for the longevity of any memorial, even the kind that people line up to pose with. I didn’t know the man, but I suspect somehow that the thought of fading into obscurity wouldn’t have bothered John Lennon.

At that point, you emerge from the park and are practically face-to-face with the Dakota.

We headed east to a subway station, and happened to walk by the entrance of the Dakota. In its grim way, it’s a kind of memorial too. The signs make it known with no uncertainty that no one unauthorized is getting in.

A Few Manhattan Churches

Posted on October 31, 2025 by admin

After the General Society of Mechanics and Tradesmen we headed for Park Ave., location of a famed Byzantine revival Episcopal church. Before we got there, we noticed a much smaller church, not actually part of the Open House New York event, at 5 E 48th Street.

Church of Sweden in New York

We’d come to the Svenska kyrkan i New York, where services are still held in Swedish. Not only was the church open, there was a cafe on its first floor. The sanctuary is on the second floor. Elegant little place, suitable for the small congregation that Swedish services might attract.

Under the Historik section of the church’s web site, you’ll find this helpful information: När svenskarna började flytta till USA och hur Svenska kyrkan på olika sätt velat vara närvarande i New York. A fuller history in English is on the Wiki page.

St. Bartholomew’s Church

St. Bartholomew’s Church, an Episcopal congregation on Park Ave., was participating in the Open House. That meant it was sure to be not only open, but lighted. The first time I went there, many years ago, I compared it to a cavern. Later I visited when more lights were on. Twenty years ago I wrote: “This time, it was better lighted, the better to show off the church’s superb Byzantine-style mosaics.”

During my 2025 visit, now joined by my nephew Robert, we were able not just to gaze at the lit sacred space, but we had the benefit of a knowledgeable docent, a woman of a certain vintage with a hobbled gait and a raspy voice. She knew the history of the congregation, and its slice of Manhattan. She had the artistic detail down cold. She knew her ecclesiastical styles. From the depth of detail about the many artists who worked on the church, it sounded like she knew some of the artists personally, though that couldn’t be literally true for most of them, since the church was built more than 100 years ago, with certain later design additions.

At the direction of the docent, Geof unveiled the altar for a moment.

It might have been interesting to know Hildreth Meière. Hers was an astounding career: “Working with leading architects of her day, Meière designed approximately 100 commissions, both secular and liturgical,” the International Hildreth Meière Association says. “Her best-known commissions include Radio City Music Hall, One Wall Street, St. Bartholomew’s Church, Temple Emanu-El, and St. Patrick’s Cathedral in New York. She also decorated the Nebraska State Capitol in Lincoln, the National Academy of Sciences in Washington, D.C., and the Cathedral Basilica of Saint Louis.”

The mosaics didn’t photograph well – that is, I’m too lazy to carry around a better camera – but good images are at the association web site.

Emerging from St. Bart, we agreed that heading back to the cafe at the Swedish church would be a good idea. It was.

Sated with Swedish-style open-faced sandwiches, our walk soon continued, up Fifth Ave. to St. Patrick’s Cathedral, which was its usual crowded splendor. I think I spotted some new, or newish murals, just inside the nave. A wedding was in progress. One must come after another every Saturday not in Lent, with ropes closing off a large part of the nave, making for extra crowding in the side aisles.

We didn’t stay. Not far away was a church far less crowded but with its own splendor.

St. Thomas Church

Namely, St. Thomas Church, another major Manhattan Episcopalian congregation. Inside, lights were low. The reredos stood out in the dark, a glowing presence above the altar populated by more than 60 stone carved figures, I’ve read. A Christian crowd: saints, prophets and reformers in an ivory colored stone from Wisconsin. I’d have needed a telephoto lens to have any hope of identifying any of them, but that didn’t make them any less striking.

Ralph Adams Cram and Bertram Grosvenor Goodhue of Cram, Goodhue and Ferguson designed the church, completing it in 1914. They were another of those prolific architects now out of living memory who seemed to design a long list of churches in a short time. The duo did St. Barts, too, and the Cathedral of St. John the Divine, and Rockefeller Memorial Chapel, just to name a few famed sacred spaces of near-palatial character.

Fifth Avenue Presbyterian Church

Just steps away from St. Thomas, as real estate press releases like to say about two close buildings, is Fifth Avenue Presbyterian Church. It was our last Open House church for that day.

With its auditorium style and balconies, it reminded me of the Moody Church in Chicago, though Fifth Avenue Pres is much older: 150 years this year, as it happens.

A hallway and some rooms extend beyond the front of the nave, including a columbarium.

Waiting for occupants. All it will take is time.

No Kings, Many Watches

Posted on October 30, 2025 by admin

We arrived in Manhattan by the Long Island Rail Road late morning on Saturday, October 18. We walked the short distance from Penn Station to Times Square, where a crowd was in motion.

We hadn’t come to New York for No Kings, but Open House New York. Some days earlier, I’d read about the protest was scheduled for late morning on Saturday, October 18. Well now, that’s good timing.

About 100,000 came out in the city’s five marches, one for each borough, according to the NYPD, which is probably as good an estimate as any. Maybe 75,000 of those were in Manhattan?

A small number compared, say, with New Year’s Eve in Times Square – an event not to be found on any list of the things I dream of doing. They say that pulls in a million souls. Of course, it’s easier to draw a crowd for a drunken holiday revel than a sober civic rally. Also, that million people are far more regimented than any mere anti-administration march. Regimented by the police, that is. No Kings, though informal in most ways, was self-regimented. Seems that the NYPD made no arrests associated with the NYC marches.

March? More of a mass walk. Considering some of the egregious behavior being protested, the walking crowd was cheerful. Cheerfully angry, you might call it. As Spock might say in observing such peculiar human emotion, “fascinating.” Then again, it was a middle-class protest, largely attracting people (like me) who would have been nowhere near if they thought a riot was even a little likely.

Do these or any protests make any difference in short- or longer-term policy? Who knows. It is pretty to think so, but the notion wasn’t going to keep us at No Kings more than about a half hour, some of which was spent navigating upstream – which happened to be uptown – against the downstream human tide – who happened to be going downtown.

We numbered three by the time we got to Times Square. The train that Yuriko and I took from Syosset Station on Long Island went to Penn Station, and by the marvel that is texting, we were able to arrange a meeting there with Geof Huth, resident of Astoria these days, in the terminal’s new great hall.

I was astonished by the new hall, called the Moynihan Train Hall and completed only in 2021. Clearly I hadn’t kept up with major redevelopment projects in New York. SOM did the design, knocking it out of the park. I’d been fully prepared for the dowdy experience that Penn Station has been since the notorious destruction of the previous one in the 1960s.

Instead, we entered an open, elegant, fully modern space, crowned by the glass and steel of an expansive skylight and watched over by a four-faced clock on a pole. I was even more surprised when we headed outside and realized that the Moynihan Train Hall was created inside the city’s former main post office, the James A. Farley Building. The last time I thought about that massive, remarkable Beaux-Arts structure (McKim, Mead & White) was the last time I walked around this part of NYC, when it was still a post office.

The Farley exterior gleams the gleam of a newly restored facade, and happily kept the post office faux-motto: Neither snow, nor rain, nor heat, nor gloom of night stays these couriers from the swift completion of their appointed rounds. Good to see.

After leaving the No Kings crowd, we made our way to 20 West 44th Street, an 1899-vintage building and home of the General Society of Mechanics and Tradesmen of the City of New York.

General Society of Mechanics and Tradesmen of the City of New York

It was open for the Open House.

“The second-oldest library in the city includes a light-filled atrium that is used as a vibrant programming space by the General Society and other nonprofits,” notes the OHNY web site. “Overlooking the library on a striking wrought iron balcony is the John M. Mossman Lock Collection, which contains more than 370 locks, keys, and tools dating from 2000 BC to the early 20th century.”

Nothing like a handsome pre-war (Great War) building in which to spend some time. The enormous lock and key collection attests to the fundamental dishonesty of a fraction of mankind, and the ingenuity brought to the task of coping with that fact.

As for the General Society, it provides training and other assistance to skilled craftsmen, beginning in the late 18th century (at different locations) and down to the present. Its motto: By hammer and hand all arts do stand. That accounts for the hammer and hand emerging from the wall in its space.

As for the other nonprofits in the building, they include the Horological Society of New York, keeper of all things related to timekeeping since 1866.

It too was open, and we visited the impressive collection of watches and clocks and horological tools and books.

This is no fusty org relegated to the part-time care of antiquarians. HSNY has the organization heft (and scratch) to put on enormous annual galas, with the next one slated for the Plaza Hotel next year to celebrate its 160th anniversary. That will certainly be a picture to behold.

The Basilica of St. Fidelis, Cathedral of the Plains

Posted on October 12, 2025 by admin

Today I let Google finish “Cathedral of the…” and got the following responses, top to bottom (capitalization sic): Sea, deep, Holy Angels, holy angels photos, forsaken, immaculate conception, incarnation, Madeleine, deep ds3, pines.

Cathedral of the Sea is La catedral del mar, a “Spanish drama series” that I’d never heard of, though I have been to Santa Maria del Mar. The Cathedral of the Deep and of the Forsaken appear to be aspects of electronic games, and the others are churches in various places.

Not on the list is the Cathedral of the Plains. But it’s out there, in central Kansas.

That’s a nickname, since the church isn’t actually a cathedral, but the wording does appear on its point-of-interest spot on road maps – and naturally that got my attention. Formally, the church is the Basilica of St. Fidelis, said to be the largest church west of the Mississippi by seating capacity (1,100) upon completion in 1911 in Victoria, Kansas. Conveniently (for me), some decades later I-70 was built not far away.

John T. Comès (d. 1922), a Pittsburgh architect, designed the church for a congregation of Volga German immigrants. Who had come to greater Victoria starting in the 1870s. Why Victoria? Why not? No doubt they looking for flat farmland.

Comès, an incredibly prolific specialist in Catholic churches, did a fine job.

Nice.

The Volga Germans aren’t forgotten. No doubt their descendants are all around this part of Kansas. In 1976, the townspeople erected a memorial to their immigrant ancestors, across the street from St. Fidelis. A work by Pete Felton, a “Kansan limestone carver,” according to this posting, which also mentions limestone fenceposts as important in Kansas — something else to look into sometime.

After nearly 50 years, the statues are looking a little weatherworn, but they abide.

The woman and daughters caught the light at that time of day, the afternoon of September 23.

The man and sons did not. Would sunlight have made him less – Stalinesque?

Never mind. St. Fidelis Cemetery isn’t far to the north of the basilica, and I stopped by.

A good variety of memorials in a nice setting, even if the land lacks contour and there’s no flora beyond grass and cut flowers.

Then I started to notice iron crosses.

A lot of them. That called for further investigation, and it wasn’t long before I found out that Volga Germans were known for their wrought-iron crosses.

“German-Russian blacksmiths began making wrought-iron crosses in North Dakota as early as 1884,” says an article posted by North Dakota State University. “The hand-made crosses were most prevalent in central North Dakota from the late 1880s to about 1925, when marble and granite became more popular for grave marking. Most wrought-iron crosses appear in Catholic graveyards, although a few of these markers are also found in German-Russian Lutheran graveyards.”

The article talks of their crosses in North Dakota, but notes that they are also found in the “Northern Plains.” Such as Kansas, apparently.

Sacred Heart Cathedral, Salina, Kansas

Posted on October 11, 2025 by admin

The in-motel breakfast on September 24 in Salina, Kansas (pop. 46,800 or so) had been less than satisfactory, so Google Maps guided me to a doughnut shop on one of the wide, lightly traveled streets of downtown Salina. I ate in the car parked on just such a street, and soon started out for the highway (I-70) to head east.

Then I noticed Sacred Heart Cathedral.

I had to take a closer look.

If that structure doesn’t say midcentury, I don’t know what would. Indeed, the cathedral was built in the 1950s. But it isn’t quite like any other church building I’ve seen, even of that period. Also, it isn’t mid-century concrete, which it looked like from a distance, but limestone.

Note the Kansas elements.

The cathedral’s web site says: Sacred Heart Cathedral is a distinctive building that draws upon rural Kansas imagery and uses it in the service of Christian mythology. It is a noteworthy example of the work of Edward J. Schulte [d. 1975], a prolific designer of Catholic facilities across the Midwest through the greater part of the twentieth century.

Its most striking features are what appear to be a row of cylinders thirty feet in circumference extending the full height of the eastern and western facades, which resemble the grain elevators that dominate the skyline of most towns in western Kansas.

The allusion to grain elevators helps to link the church to its place in Kansas. It can also be seen as a symbol — the Cathedral is a place where the faithful come to receive the sustenance of the Eucharist.

It was open. That was unexpected, but I didn’t let the opportunity pass.

The baptismal font in the narthex.

The nave.

That part of downtown Salina was thick with churches. Another is First United Methodist, across the street from Sacred Heart.

About a half block away, Christ Cathedral Episcopal. The other churches weren’t open.

Later that day, at an exit just east of Abilene, I went looking for one more church — a kind of church I’d only ever driven by before.

Google Maps told me that this Cowboy Church was open for a few hours that day. I was skeptical, but went anyway, on the off chance that I’d get to see the inside of a Cowboy Church. As expected, it wasn’t open. Still, I got to look around in all directions.

Informality, I’ve read, is important to the nondenominational Cowboy Churches, whose number seems to be large, but without an exact count. (And some individual churches are pretty large.) I can only hope that at one or more of them, somewhere and at sometime, Yippee-Ki-Yay, Lord! is part of their prayer.

The Kansas State Capitol

Posted on October 10, 2025 by admin

One fine day in the Kansas State Capitol last month, I turned a corner and found myself looking up at Old Testament John Brown. Larger than life, as he has loomed these 160+ years.

The mural, actually called “Tragic Prelude,” is more than 11 feet tall and 31 feet long, taking up an entire wall in the capitol. The lighting isn’t particularly good for taking images of the whole work – a ceiling light in particular washes out much of John Brown’s (let’s say) emphatic expression. Luckily, the image seems to be in the public domain.

A plaque under the mural says:

Sponsored by Kansas Press Association, aided by Kansas school children, these murals were painted in 1940-41 by John Steuart Curry, who was born near Dunavent, Kansas. In John Brown’s outstretched left hand is the word of God. In his right, a “Beecher’s Bible.” Beside him, facing each other, are contending Free Soil and Pro-Slavery forces.

The plaque does not say that the many members of Kansas legislature hated the painting at first, and refused to hang it in Curry’s lifetime (he died in 1946). Curry had had the temerity to depict Bleeding Kansas, by far the most interesting period in the history of the territory and state; the interesting times no one wants to live through. Maybe they thought it glorified John Brown — which it half way does, but with more than a tinge of madness in him as well. Bottom line, the work apparently didn’t sit well with those who might have wanted a Kansas of doughty farmers and hardy pioneers and fertile landscapes.

Eventually, to its credit, the legislature did have the work installed. Whatever you think of John Brown, it’s a striking piece. I’d seen depictions of it, but either never knew or had forgotten that it hangs in the Kansas State Capitol, which made coming across it all the more memorable.

I almost missed it, having dawdled in Salina and Abilene for most of that day (September 24), but I made it to Topeka and the capitol about 30 minutes before it closed.

Like any number of monumental edifices, this one took time: construction finished in 1903 after 37 years in the works, not counting renovations or the comparatively recent addition of the 4,420-pound, 22-foot tall bronze “Ad Astra” on top of the dome, which was in 2002. The figure is an acknowledgment of the Kaw Nation (Kansa), who lent their name to the state.

Architect E. Townsend Mix (d. 1890) designed the capitol, though he didn’t live to see its completion. Most of his work is in Milwaukee, where he lived the longest, including St. Paul’s Episcopal in that city.

A fine dome.

Well-appointed chambers.

The capitol interior is fairly art-intensive. Not all capitols are. For instance, there are limestone statues in large niches — native limestone, a sign says — of famed Kansans, by Peter “Fritts” Felten Jr. of Hays, Kansas. Such as one of the aviatrix from Atchison.

Amelia Earhart is immediately recognizable, which is no mean feat for someone who is (very likely) been dead for nearly 90 years.

This figure is also more-or-less recognizable – though a depiction of him that’s a little strange, looking for all the world like Mr. Clean. Only a little like that Ike fellow on an Eisenhower dollar.

The fellow below’s fame has, I’m afraid, shriveled up like a balloon that lost its helium: William Allen White (d. 1944) Probably not even known in Kansas any more, since he was a noted journalist, a profession whose posthumous fame tends to be brief. Editor, Pulitzer Prizewinner, his plaque says. A Progressive Through-and-Through, it does not say. That might not play in Kansas at the moment.

Not one, but two time capsules reside with the capitol walls. At least two that I saw.

This is a digression, but one thing still leads to another on line, and I came across a list published in 1991 by the International Time Capsule Society: “10 Most Wanted Time Capsules.” That is, a list of time capsules whose location had been lost and thus were (up till then) unrecoverable. The page notes that two have been found over the last 30+ years, but eight are still beyond the ken of man. Such as:

MIT Cyclotron Time Capsule.

In 1939 a group of MIT engineers placed a brass capsule beneath an 18-ton-magnet used in a brand new, state-of-the-art cyclotron. The capsule was to be opened in 50 years but was not. No one remembered the time capsule was there (the cyclotron had long since been deactivated). But when reminded of its existence, MIT was faced with another problem: how do you get a time capsule out from under a 36,000-pound lid?

Bicentennial Wagon Train Time Capsule.

This capsule was supposed to hold the signatures of 22 million Americans. But on July 4, 1976, when President Gerald Ford arrived for the sealing ceremony in Valley Forge, Pennsylvania, someone stole the capsule from an unattended van in the bicentennial wagon train. The capsule’s maker, the Reynolds Company, had broken the mold. The thief’s identity and the whereabouts of the capsule are unsolved mysteries.

Further investigation reveals that the whereabouts of the papers that Americans signed in 1976 – a good many pounds of it – mysteriously disappeared, and that theft from a van was one idea, though organizational misdirection sounds more plausible to me. To the same warehouse as the Ark of the Covenant, in other words. Anyway, there’s a 12-episode streaming service comedy in that incident.

Back to capitols. It’s now easier to keep track of the ones I haven’t seen than otherwise.

Green for an interior visit, orange for exterior only, gold representing uncertainty, and white no visit.

The Wyoming State Capitol

Posted on October 9, 2025 by admin

No skeletons were to be found at the Wyoming State Capitol last month, but you can hardly expect too many bone collections on display at state houses. The state of Wyoming does, however, want to remind visitors that they are in Wyoming.

The work is called “Spirit of Wyoming,” and it stands on the capitol grounds, created by artist Edward J. Fraughton (d. 2024). The more I look at it, the more there is to think about. Which I suppose is at least one indication of a good work of art. So the Spirit of Wyoming involves the immediate risk of catastrophic injury by being thrown from a horse? Probably not what the legislature had in mind.

Rather, it might be the determination to hang on, no matter how much or madly the horse bucks. Especially in territorial and early statehood days, that sort of determination applied to a lot of Wyomingites, whether they were cowboys or not.

I had the opportunity to walk all the way around the capitol after arriving on the cloudy but warm afternoon of September 8.

Golf leaf on a copper dome. Gold probably because it’s gold, not because Wyoming has ever produced that much. As of 2025, the state isn’t even among the top 10 all-time U.S. state producers.

I think this was the front.

It faces a long avenue. It was a Monday. Cheyenne isn’t, just yet, cursed with heavy traffic.

Also, the Wyoming state seal was to be found on that side of the building, in the sidewalk. Like in Virginia, except that you can walk on that one, like the slain tyrant it depicts. No treading on Wyoming.

Adopted in 1893, not long after statehood, and revised in 1921, the seal lists four sources of wealth and livelihoods, unusually (I think) for a state seal. They go with the cowboy and miner figures: livestock, grain, mines and oil. In our time, farming and mineral extraction, at least in terms of employment, are declining industries in Wyoming. Maybe the seal will be revised someday to include data centers, as they sprout in the Equality State.

On the other hand, Wyoming is still a major energy producer among the several states, especially when it comes to coal: 41.1 percent of the total nationwide (EIA stats), though national coal output is a much smaller pie – a dirty pie, to be sure – than it used to be. Also worth mentioning: a quarter of net electricity generation in the state is by renewables, roughly the same percentage as nationally. There is no nuclear power generation in Wyoming. When those data centers eventually get small modular reactors, that would change.

Another distinction of the Wyoming capitol is that work started on it before statehood, with ground broken in 1886. David Gibbs – later mayor of Oklahoma City, of all things – and the prolific William DuBois (a Chicago trained architect) did the design, one of restrained elegance.

This is one of the four statues at the capitol known as the Four Sisters: Truth. The others are Justice, Courage and Hope.

Though they look vintage, their niches remained empty for 131 years “for reasons that remain unclear,” according to a sign in the capitol. In more recent times, the state tapped the mononymous sculptor Delissalde to fill the niches, and the works were unveiled only in 2019.

They’re way up there.

One more thing to note: a display in the capitol lauds the state – actually the territory – for its enfranchisement of women in 1869, the first place anywhere to do so. Why Wyoming? You could chalk it up to the toughness of frontier women, but certainly women in all the other 19th-century territories were plenty tough. The broader movement to expand the franchise was already underway, though early in the game – and from the sound of things in this article at least, the territory’s move was something of a retroactively happy result “for a large, strange mix of reasons.”

Been There, Seen That

By Dees Stribling

Category Archives: Architecture