I’ve done a little Shakespeare tourism in my time, such as visiting his birthplace in Stratford. When I scanned the ticket from that visit, I noted that I paid £1 for admission in 1983. The Bank of England has a handy UK inflation calculator that tells me that’s the equivalent of just over £3 now.

I checked the Shakespeare Birthplace Trust web site today and found that a “Birthplace Pass” now costs £16.50 for an adult. For that, you get into “Hall’s Croft, Harvard House, Shakespeare’s Birthplace, Shakespeare’s Grave,” so that’s not as outrageous as £16.50 for just the birthplace, but it still doesn’t quite sit right. Can you just buy a single ticket for the birthplace, or is the pass the minimum? Also, there are other, more expensive options that include other houses and a garden.

Shakespeare’s grave is at the Church of the Holy Trinity, and I don’t recall being charged admission. These days, the church asks for a £2 or £3 donation if you want to take a look at the playwright’s grave, and spare those stones and not move his bones. A good idea, since moving those bones wouldn’t just get you cursed, it would probably be a fairly serious criminal offense in the UK.

All this comes to mind because last week we — all of us going the same place, an increasingly rare thing — went to the Lake County Discovery Museum in Wauconda, Ill., to see a First Folio. It was my idea. On the occasion of the 400th anniversary of Shakespeare being laid to rest in that church near the Avon, the Folger Shakespeare Library has sent out some of its First Folios in traveling displays. Each state has one display in one location over the course of 2016, and Illinois’ is this small museum in the far northwest suburbs.

Of all the times I’ve been to DC, I’ve never managed to make it to the Folger. There’s a good chance I’ve seen a First Folio somewhere — maybe at the British Library or the New York Public Library — but I don’t remember. So I wanted to see this one.

I’d been the Discovery Center a few times before, mainly to see excellent exhibits drawn from the museum’s Curt Teich Postcard Archives. That includes over 400,000 postcards of more than 10,000 towns and cities nationwide and elsewhere, plus a lot of other subjects.

The First Folio exhibit was straightforward: a room with tall signs offering various facts about Shakespeare, his plays, the Quartos and the 1623 and later Folios, along with the King’s Men actors who saw fit to have them published: John Heminges and Henry Condell. A smaller, adjoining room includes the First Folio itself, behind glass and opened to the page that includes Hamlet’s soliloquy.

It’s a handsome volume, not much worn or yellow. This was no pulp publishing. It’s also one of the 233 copies that are known to exist, and one of the 82 that the Folger owns as the largest collector of them. Remarkably, Meisei University in Tokyo has the second-largest collection, numbering 12. How did that happen?

A cop lurked in the shadows at the exhibit; a wise precaution, no doubt. At a Sotheby’s auction in 2006, a copy fetched £2.5 million, and thieves have been known to target the book, though the fellow in that article sounded like a bumbler.

I thought it was worth the 45-minute drive to Wauconda. My family might not have been persuaded, except we also had an enjoyable dinner in that town first. More about that tomorrow.