Category Archives: Been There

San Antonio ’13

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We, that is Lilly, Ann and I, went to San Antonio last week to visit my mother, both brothers, a nephew, an aunt, and a cousin — from my point of view. For Lilly and Ann, they got to visit their grandmother, two uncles, a cousin, their great aunt, and another cousin.

We also saw a few places. Not much new for me, though including some spots I hadn’t seen in years, but new places for them. For them, San Antonio will always be, I hope, that interesting city where their dad grew up.

More about all that later. For now, though, prayers for my mother, their grandmother, who is recovering from a fall last Friday — a few hours after we left — that broke her hip. She had surgery over the weekend, and is still in the hospital.

R.I.P., Eleanore Triplett, whom we learned had passed away in Dallas while we were in San Antonio. She was my late sister-in-law Deb’s mother, Jay’s mother-in-law, and my nephews’ grandmother.

Cronkite’s Last Broadcast

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Memory is unreliable, so keep a diary. Or so I read once in an article about planning and executing a months-long trip. Memory is unreliable, of course, but written accounts aren’t always much help either.

On March 6, 1981, I was in Durham, NC, on spring break and wrote: “We all went to a North Carolina Mexican restaurant, which wasn’t bad. Better than El Sol in Logan [Logan, Utah, where I’d been the year before, and which featured cinnamon in its enchiladas, if I remember right]. The place was divided into the Cosmopolitan Room and the Fiesta Room, or something like that, and one was mainly a bar, though you can eat there, which we did. It had a television on the wall.

“Since we were there from roughly 6:15 to 7:15, Walter Cronkite’s last news program was on. During his final words, the whole place was watching, maybe a dozen people. I’ve never watched his broadcasts that much, but I think he wrapped it up with style.”

I don’t remember a thing about that nameless Mexican restaurant, what I ate, or what my friends – Neal and Stewart – and I might have talked about. So much for the efficacy of diaries as a memory aid, at least in this case. I vaguely remember the quiet of the place, with everyone watching a communal television event that would never happen now (who cares about network news anymore?). But if I had to cite any of Cronkite’s words, I couldn’t, except for “that’s the way it is,” because he always said that.

It was a fluke that I saw it. I didn’t have a TV in my dorm room, didn’t know anyone who did, and probably won’t have ventured down to the common room — which had a TV — to watch it there, had I been on campus that day. We were staying with Neal’s parents during that trip, and I don’t remember watching much TV there, either (though I did read most of Helter Skelter there).

Naturally, in the age of YouTube, you can see it again if you want. I agree with my original assessment of the sign off.

I thought of Cronkite’s last sign off on Saturday when I spotted a small error in the pilot episode of The Americans, which I started watching because I saw it described as “a period piece about Russian spies in America.” The period turned out not to be the height of the Cold War, but the late Cold War setting of 1981. No, I thought, it can’t be a period piece if I remember the period as more or less an adult. But I guess that isn’t true anymore.

Anyway, it’s a pretty good spy yarn, more interesting because the spies in question are sleeper Soviet agents who pass as middle-class Americans (with convenient orders to converse only in English, even among themselves). The small error was in passing. The scene showed a television, and Walter Cronkite was delivering the news. The show is clearly set in the spring of 1981, April at least and probably May. Cronkite was gone after March 6.

Hinamatsui 2004

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Sequester Day came and went on Friday without much fuss here in the heart of North America, though we may come to rue it eventually. Texas Independence Day was Saturday (177 years now). According to our school calendar, March 2 is also Read Across America Day. Someone might have noted that day at our township library, but I didn’t go there this weekend, and every day can be that as far as I’m concerned.

All the while, about a foot of snow covered the ground. It hasn’t been warm enough to melt most of it. That’s a little unusual for early March, which typically sees the beginning of mud season.

Today is Hinamatsui, or Girls’ Day. We’ve been hit-or-miss over the years in marking the day, which is a Japanese festival, more about which here. This year, Yuriko brought out those few dolls we have appropriate to the day. Back in 2004, we went to some kind of event for the occasion. I don’t remember what we did, exactly, or where it was, but I did take a picture. It isn’t that great as a picture, but I like the subject matter.

Deputy Marshall Ronald Reagan

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Portillo’s is a (mostly) local chain specializing in hot dogs, Italian beef, burgers and the like, and across its various locations, thematic decorations from the ’20s to the ’60s. The food is good and the decorations interesting, so every few months we go to one of the locations, two of which are fairly close.

Last weekend Lilly and I visited the one on Illinois 83 in Elmhurst, a bit out of our usual orbit. Before ordering, I was waiting while Lilly was in the restroom, and taking a look at some of the items on the walls in that part of the restaurant. Off in one corner is a framed picture of Ronald Reagan in a western outfit, wearing a badge that says Deputy U.S. Marshall. My guess would be it’s a publicity shot from Law and Order (1953).

On closer inspection, I noticed that it’s autographed. I’m not familiar with Reagan’s handwriting, but I’ve no reason to think it isn’t his. “Dick” must be Dick Portillo, who founded and still owns the chain.

To Dick –

If I don’t make it acting, I’ll try the hot dog business.

Ron

The Chicago Time Zone Plaque

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One more item from downtown Chicago, at least until the next time I go there. This plaque, near the junction of LaSalle and Jackson for over 40 years now, memorializes something few people give much thought — few people give it the time of day, you might say. Time zones.THE STANDARD TIME SYSTEM IN THE UNITED STATES ADOPTED ON THIS SITE — OCTOBER 11, 1883.

Chicago’s famous Grand Pacific Hotel, then on the site of the present Continental Bank building, was the location of the General Time Convention of 1883 which, on October 11 of that year, adopted the current Standard Time System in the United States.

The Convention was called by the nation’s railroads. Delegates were asked to develop a better and more uniform time system to govern railroad operations.

Previously, time had been determined by the position of the sun, with high noon as the only existing standard of exact local time. More than 100 different local times resulted from this method.

The new plan, proposed by William F. Allen, Convention Secretary, established four equal times zones across the country, each one hour ahead of the zone to its west. All railroad clocks in each zone were to be synchronized to strike the hour simultaneously.

The Standard Time System was inaugurated on November 18, 1883. On that Sunday, known as the “Day of Two Noons,” the Allegheny Observatory at the University of Pittsburgh transmitted a telegraph signal when it was exactly noon on the 90th meridian. Railroad clocks throughout the United States were then reset on the hour according to the time zone.

Although implemented by the railroad, the Federal Government, states, and cities began to use the system almost immediately. On March 19, 1918, Congress formally acknowledged the plan by passing the Standard Time Act.

CBOT Allegories

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More snow this afternoon. In fact, more than any other storm this winter so far, and it’s still falling. This can mean only one thing: shoveling soon.

Last week I took a look at these downtown ladies – 12-foot granite ladies who weigh a remarkable 5.5 tons each, festooned with last week’s snow. They can be found in the plaza outside the Chicago Board of Trade.

First, Agriculture. Note Ceres Cafe in the background.

Next, Industry.

Allegorical statues, that’s what this country needs more of. A nearby plaque explains: “These two statues, one symbolizing agriculture and the other industry, once stood at the main entrance of the Board of Trade Building, built in 1885. The statues greeted commodity traders and the public for 45 years. Thought lost forever when the buildings were demolished in 1929 to make way for the exchange’s current Art Deco structure, in 2005, the statues were graciously returned to their origins through the generosity and goodwill of DuPage County Forest Preserve District.”

A 2004 Tribune article says: “The statues turned up in 1978, lying on their sides in grass, when the DuPage Forest Preserve District bought the former estate of Arthur Cutten, a wealthy CBOT grain trader in the early 1900s. For about the past decade, they’ve stood watch over the parking lot to the Danada Forest Preserve District in Wheaton.”

Jewelers Row, Chicago

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Since I don’t go downtown regularly anymore, I miss new things that appear there. I’m not sure when these signs went up on Wabash Ave., but I don’t remember seeing them before. It could have been several years ago for all I know. I’m going to think of them as new anyway.

There are more than one of these gamma-like signs, with some on each side of the street, though I didn’t make an exact count. It’s more than just an historical marker, since there’s still a concentration of jewelry stores along that stretch of Wabash from Washington to Monroe. Jewelry makers and sellers, silver specialists, and watch makers have clustered in the area for about 100 years.

It’s an historical district for its buildings. According to the City of Chicago: “Comprised of a distinguished group of buildings important in the development of Chicago commercial architecture, the district includes important building types such as post-Chicago Fire loft manufacturing buildings, Chicago School loft manufacturing, mercantile, and office buildings, early twentieth-century skyscrapers, and Art Deco-style mercantile buildings. These buildings were designed in a variety of architectural styles, including Italianate, Chicago School, and Art Deco, by significant Chicago architects, including John Mills Van Osdel, Hill & Woltersdorf, Adler & Sullivan, D. H. Burnham & Co., Holabird & Roche, Alfred Alschuler, Christian Eckstorm, and Graham, Anderson, Probst & White.”

Note that the sign is brown, to match the paint on the elevated tracks nearby. I think that paint job is new, too, since I seem to remember the El tracks being faded yellow covered with the grim of decades, but maybe I’m just imagining that.

Heaven on Seven ’13

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Snow fell on Thursday night all right, but not enough to stop anyone from normal tasks on Friday. Workers went to work, kids went to school, and I commuted downstairs to file a couple of things, including my podcast. Then I went downtown to meet some old friends for lunch at Heaven on Seven, which I’ve mentioned before (and I met the same old friends, only we’re all a little older).Heaven on Seven

It’s got lively decorations. Mardi Gras is over, but it always looks a little like Mardi Gras at Heaven on Seven. The only reason it’s mostly empty is because we met there at 2:30. Every other time I’ve been has been closer to noon, when there’s a wait for a table.Heaven on Seven

I didn’t take any pictures of my food. I can’t say I’ve never done that, but mostly I skip it. Somehow Look at what I ate! doesn’t appeal to me. I had some red beans & rice, hoppin’ john, collard greens, and andouille sausage, with gumbo on the side. All that might not have made a good photo, but it made a good lunch.

Ten Years Later

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Big snow predicted for tomorrow. Not a blizzard, mind you, but six inches maybe. The weathermen try to act impressed by that, but it isn’t impressive. I haven’t checked to see if the Weather Channel is trying to stick a name on it. Last time it was a noted cartoon fish (or submariner). Maybe it’ll be Winter Storm Magilla.

Oddly enough, and apropos of nothing, I never watched The Magilla Gorilla Show, though I can’t say that about other awful output of the Hanna-Barbera cartoon factory. Or at least I have no memory of it. Not sure why. I was squarely in its demographic, at least by the end of the show’s run in 1967. But there must have been something else on at the same time that I, and probably more importantly, that my brothers wanted to watch. I never even heard of the show until much later, when I listened to the theme song on a TeeVee Toons collection.

Just out of curiosity, I counted up the number of posts between the day I first posted back at Blogger, February 21, 2003, and today. It’s only a milestone because we use base 10, but base 10 it is. The total is 2,435, or almost exactly two times every three days. Not so much across the span of 10 years. I couldn’t say how many words that is, but at 300 per entry — a seat-of-the-pants estimate — that puts it around 730,000.

Two hundred words a day. Eh, any fool can do that. Even if you count the for-pay words I’ve done in the last 10 years, that might only be 800 to 1,000 words a day. That doesn’t take one into the league of Asimovian compulsive writers.

But quantity isn’t everything. I’ve enjoyed blogging in particular about those few places I’ve been over the last decade. With any luck — because life is impermanent — I’ll record impressions of a few more places here over the next decade (or in a successor blog, because blogs are impermanent, too.)

“Chicago Totem”

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We’ve entered the late-winter doldrums. What, cold again? Dramatic winter events are still possible, but mostly it’s just one gnawing cold day after another.

Something else I spotted downtown last week: “Chicago Totem,” a 15-foot bronze near the 400 E. Randolph by Abbott Pattison.

Just when you think you’ve seen all the large chunks of sculpture downtown, there’s more.  Apparently two works used to stand at this site, the other being “Pavane to Chicago,” which is now on the DePaul University campus. A Guide to Chicago’s Public Art (Ira J Bach and Mary Lackritz Gray) notes that “in making his ‘Chicago Totem,’ sculptor Abbott Pattison wanted to represent his native city with a totem that like Chicago is ‘soaring, living, writhing with animal force.’ ” Uh-huh.