Land meets sea in Key West. For encounters with sea creatures, one can hire a boat and some deep-sea fishing gear and make like Hemingway. We went to the Key West Aquarium instead. A sedate sort of place, a legacy of early 20th-century Key West, when tourists started coming in numbers.

I managed to make one of the employees, or volunteers, laugh a bit. A youngish woman, she took our tickets and said that if we wanted to touch any of the sea creatures – there were a few large tanks with rays and the like, touching allowed – use only two fingers.
“So you’ll still have three, right?” I said.
Most of the aquatic life was in smaller tanks. A nice selection, “home to over 250 specimens of fish, sharks and four of the five species of sea turtles that inhabit the waters of the Florida Keys,” the Aquarium web site says. Also, the place is a more manageable size. Not a big-deal world-class mega-aquarium that takes all day to visit. Not that those can’t be impressive. But we had a good hour as childfree adults at Key West Aquarium, and that was about the right length for a visit.
Besides fish, there are fishermen. Depression-era murals of fishermen, that is.


What a pleasant surprise. By the Civil Works Administration, a short-lived predecessor to the WPA. Not the originals, however, which were by an artist named Alfred Crimi (d. 1994). The Living New Deal says they’re more recent replicas.
Come to think of it, Hemingway would have known about the aquarium. Key West isn’t that big a place, and the attraction would have been fairly new when he and Pauline lived mere blocks away. Wonder whether he ever went there.
Of course, we’re used to thinking of the youngish Earnest as a hard drinking, hard fishing sort of guy. Notions that, I believe, Hemingway carefully cultivated. Not only did he create memorable characters for his books, he did for himself as well.
On a whim, I turned to an AI writer available on line, and fed it the following prompt:
Write an account of visiting the Key West Aquarium, in the style of Earnest Hemingway. Three paragraphs is sufficient.
All of 15 seconds later, the machine gave me this.
The aquarium sat low and white against the glare, and the heat lay on the street like a weight. Inside, the air was cooler and smelled of salt and old wood. The tanks were clean and plain, and the fish moved with the calm certainty of things that belong where they are. A tarpon held itself still in the water, strong and watchful, and its eye followed me as if it knew I was only passing through.
I stood by the open pool where they fed the fish, and the water broke suddenly with life. The fish came hard and fast, flashing silver and green, their bodies cutting the surface and falling back again. It was violent in a small way and honest. The men who worked there spoke little, and when they did it was direct, as if there were no reason to waste words on what could be seen.
When I stepped back outside, the sun struck again and the sea wind came down the street. The aquarium stayed behind me, quiet and contained, holding its ordered slice of the ocean. I thought of how the fish swam without doubt, and how good it must be to live so close to what sustains you. Then I walked on, feeling the heat, and the day continued.
I was expecting something from a bad Hemingway writing contest, but no. This is pretty good. Better than that, actually. A little wow moment for me, and the day continued.





















































































