Battle of the Bands, 1979

I see that Fiesta San Antonio is now scheduled for November this year. The first time in its century-plus-decades history it hasn’t been in April, but such is our time. Social distancing isn’t the norm for Fiesta.

Yuriko and I went to a few Fiesta events in 2000, parking toddler Lilly with her grandmother for a few hours, but I remember my high school Fiestas better. Each year from 1976 to ’79, I was with the Alamo Heights HS marching band in the Battle of the Bands at Alamo Stadium and then — with one exception — the Battle of the Flowers parade downtown a few days later.

It’s officially called the Battle of Flowers Association Band Festival, but no one I knew called it that. It was the Battle of the Bands. High school bands from all over the metro area came to compete.

The best a band could do was score a 1 in music and 1 in marching. For decades, Alamo Heights had always scored two 1s — until sometime in the early ’70s, before I was in high school.

Since then, including my freshman, sophomore and junior years, the band had gotten a 1 and a 2. Very good, but not top.

So we were keen to score two 1s in the 1979 Battle of the Bands. I don’t remember what music we played or what steps we marched. All I remember was the announcement afterward: two 1s! The band exploded with joy.

I can remember only one other exuberant moment like that for the band: early junior year when, after two years of losses, the AHHS football team actually won a game, narrowly. The Battle of the Bands moment was better, though — we’d won that for ourselves.

That was a day or two before the ’79 Battle of Flowers parade — April 26, 1979 — that didn’t happen because of a wanker with a gun. Fortunately for us, at our staging area the band wasn’t close to the shooting. I didn’t even hear any shots, though at one moment heard the roar of a suddenly panicked crowd at a distance.

Even that day had its lighter moments. The parade cancelled, we in the band got back on our buses to leave. Just before we left, a non-band senior got on as well, someone most of us knew. Our band director asked him to leave, and the boy, who was chemically enhanced, got the opposite of belligerent.

“All right, all right,” he said in an almost sing-song voice, smiling and giggling. “I’m getting off now. Don’t worry, I getting off now!” (I’m re-constructing those words; but that was the gist.) It was a little puzzling then, but looking back on it, I think he’d done more to prepare for the parade than drink a little beer or smoke a joint. At that dour moment, he was having a good trip.

Thursday Things

I don’t drive around that much these days, but every time I do the signs of the times are out for me to see. Literal signs.
During a walk this week, a common area closed.
At least the walk around the small lake was open.

The latest movies in the stay-at-home-on-demand-movie-watching-extravaganza: Ferris Bueller’s Day Off (Ann’s suggestion) and Goldfinger (mine).

I’d never seen the former all the way through. I remember first seeing part of it in the common room of some cheap accommodations in Pusan. Watching it now, I’m willing to argue that there’s a touch — just a touch — of magical realism to the thing. I may be the only one to think that.

As for Goldfinger, I told Ann that if she watched only one Bond movie, that should be it.

Our latest Star Trek episode was “Amok Time,” the one in which Spock goes all funny in the groin because hyperrational Vulcans have to mate like salmon every seven years or something. Ann was much amused by the Vulcan costumes. Yes, I said, the costume designers must have had a grand old time working for Star Trek.

This can be found in our back yard. A retired inflatable yoga ball, you might call it, but I think of it as our model Neptune.model Neptune

Also, an image to play around with, applying the PhotoScape Bokeh function that I didn’t know I had until now.

The dog in a favorite position.
I believe she’s officially an old dog now, though I don’t know which office determines that. Anyway, no new tricks for her. She never was one for them even as a younger dog, though we didn’t try to train her all that hard.

Off on a Musical Tangent

I go off on tangents fairly easily, but then again they’re about the only trips you can take these days. I had a good one yesterday evening, after work and after dinner and after our walk. A discussion some time ago about writing good headlines inspired me to think about a half-remembered list in The Book of Lists, which I pull off the shelf every few years. Specifically, Dr. Demento’s 10 Worst Song Titles of All Time.

I checked. It’s on p. 178. Back when I originally owned the book, in the late 1970s, you’d read such a list, be amused, and that was that. You might hear one of the songs on the list on Dr. Demento, if you listened to the show. I wasn’t a regular listener back then, though I did hear it sporadically — often enough to hear the likes of “Fish Heads,” but never anything on the list that I remember.

So I decided, true to form when on a tangent, to look more closely at some of those bad song titles, at least in Dr. Demento’s opinion (a list he created for The Book of Lists). I toyed with the idea of reposting all of the titles here, but most of the 10 titles are pretty long, and I didn’t feel like all that transcription, so I looked to see if they were posted elsewhere on line. As far as I can tell, there are other versions online, such as this one, that certainly features some bad song titles, but none of them are on ’70s list in The Book of Lists.

Or this list, which claims to be a ’90s version of the original, but has only one title in common with it: “How Could You Believe Me When I Said I Loved You When You Know I’ve Been A Liar All My Life.”

In our time, you can go to YouTube and see most if not all of the bad-title songs, such as “How Could You Believe Me…,” which I have to say hasn’t aged that well.

So I picked a few of the songs from the ’70s list and looked them up. Such as “Would You Rather Be a Colonel With An Eagle On Your Shoulder Or A Private With A Chicken On Your Knee?” That might count as a bad title, but it sure is amusing.

I was happy to find that it was a WWI song, recorded by Arthur Fields but also sung by Eddie Cantor. If I’m not mistaken, the “chicken” in the title had an innocent connotation in referring to flirtatious French girls, but also a less-innocent connotation for those in the know, referring to French prostitutes.

Next: “I’ve Got Those Wake Up 7:30, Wash Your Ears They’re Dirty, Eat Your Eggs and Oatmeal, Rush to School Blues,” a novelty song recorded by Jimmy Boyd in 1953.

Hm. Couldn’t place Boyd until I read he did the first recording of “I Saw Mommy Kissing Santa Claus” the year before. Ah, that singer. Popularized a song that will not die. Boyd had his heyday as a boy singer, but didn’t have much of a career later — or didn’t want one, hard to say. Anyway, here’s the song.

I decided to look up one more from the ’70s list, three out of 10 being enough for now: “A Woman is Only a Woman, But a Cigar is a Good Smoke.” That was a song title? In college (I think) I told someone that Freud had said that. Maybe I believed that myself. Thought it was a quip from Jokes and Their Relation to the Unconscious, though that’s a work I’ve never read nor even lightly grazed.

But no: it’s from Kipling. From a spot of late Victorian comic verse. In 1905, tunesmiths Harry Smith and Victor Herbert wrote a song called “A Good Cigar is a Smoke,” so perhaps Dr. Demento didn’t quite get the title right, though one of the lines in the song is, “For a woman is only a woman, my boy, but a good cigar is a smoke.”

You know, I ought to claim that Smith and Herbert actually just translated the song from German. Sigmund Freud wrote it and included it Jokes, which was published in 1905, same year as the English version of the song. Mere coincidence?

The tangent trip isn’t over yet. Just getting to the best part. After I listened to “A Good Cigar is a Smoke,” the YouTube algorithm suggested “Ashokan Farewell.” Pretty song. I hadn’t heard that in a good while, so I listened to it. Then the usually dense algorithm suggested this.

“Wayfaring Stranger” performed by Hayde Bluegrass Orchestra. A Norwegian band, of all things. Wow.

Thursday Tidbits, Including Doggerel

Usually it’s bad to brag about your ignorance, but there are exceptions. I didn’t know this until recently and I’m not sorry. It’s an example of the ridiculousness I miss by not paying attention to social media memes. That is, by not being one of the callow youth who use social media as the thin straw through which they obtain all their information, a practice that surely stunts their brains.

Speaking of callow youth, when I was a child I thought the prestigious journalism award was the Pulit Surprise. When I typed that out, I laughed at the thought of it. Then again, it might be a surprise to some of the recipients.

As mentioned yesterday, we’re watching more movies than before. Toward the end of March, I discovered an bunch of pre-WWII Universal horror pics on demand, and we watched those first. In order: Frankenstein, Dracula, The Mummy, The Wolf Man and The Invisible Man. All first times for Ann, but not me, except I couldn’t remember whether I’d seen The Invisible Man, though I read the book years ago.

Ann said she enjoyed all of them, but The Invisible Man most. The main character wasn’t just a murderous psycho, he was also positively playful while committing less-harmful pranks, she noted, which humanized him a bit.

Since then, our viewing has been less thematic. Along with the aforementioned Groundhog Day, we’ve watched Intolerable Cruelty (a lesser Coen Bros. effort, but not bad), The Terminator, Space Jam and The Death of Stalin.

We also watched an oddity called John Mulaney and the Sack Lunch Bunch, which is as long as a short movie, but more like a TV special, which I believe it was. As a pseudo-kids show, it had many entertaining moments, and on the whole was slightly demented, like Mulaney’s comedy.

Some silly verse I wrote last year. My entire output of verse of any kind for the year. I’d forgotten about it until the other day.

Blake was a flake, and
Shelley ended up in a lake.
Byron was mad, bad and a cheater, while
Coleridge was a lotus-eater.
Wordsworth really liked his abbey, and
Keats’ odes were none too shabby.
In doggerel about poets Romantic,
Best not to wax too pedantic.

See also “The Krystal Cabinet.”

The Next Generation Watches Star Trek

Woke up to a light blanket of snow this morning that slowly melted as the day wore on. Still cold out there. Sheltering in place is better when you can spend time outside comfortably, but the weather doesn’t care about merely human concerns.

Beginning in mid-March, at Ann’s request, we’ve been watching more TV shows and movies together than we usually do. As an old-timer, one of the shows I’ve suggested is the original Star Trek which, remarkably, she’s enjoying a lot, though only two episodes so far.

She likes them, she says, because they’re fun. Many more recent shows are too serious. So I think she’s taking them in the right spirit, which is to say, as entertainment. She also commented that the character dynamic between Kirk and Spock is particularly strong, which of course it is.

The two episodes we’ve watched so far are “Mirror, Mirror” and “Devil in the Dark” (last year sometime, we also watched “The City on the Edge of Forever” and “The Trouble With Tribbles”). They are all particular favorites of mine, so I recommended them. Who doesn’t like Spock with a beard?

As for “Devil in the Dark,” it has a special place in my recollections. It’s a solid episode, but that’s not it. In 1973, a San Antonio station started showing Star Trek in the afternoons, part of the cascade of reruns that kept the franchise alive, though no one would have put it that way then. I was in junior high, the perfect age to start watching Star Trek. The first episode the station aired, for whatever reason — such inattention to correct order would probably outrage fanboys these days — was “Devil in the Dark.”

It’s That Guy

Had a “it’s that guy” moment on Easter evening when watching Groundhog Day. Ann wanted to see it since she hadn’t before, but had heard of it. Yuriko and I hardly minded seeing it again, third time maybe over the last 25 years, since it’s a movie of such charm.

Fairly early in the movie, Bill Murray’s character has an appointment with a psychiatrist. It’s a small part, since I don’t think the psychiatrist appears again, unlike many of the other townsfolk. As soon as I saw him, I thought — it’s that guy in Lodge 49, an entertaining series I’m watching about once a week (the best way to do it). Only he’s close to 30 years younger.

So it was: David Pasquesi, who plays a lodge member who has an actual interest in alchemy, unlike most of the rest of the members. Like most character actors, his list of credits mostly includes titles I’ve never seen, or even heard of in a lot of cases. Does good work on Lodge 49, though.

Curiously enough, that isn’t the only overlap. Brian Doyle-Murray, who also had a small part in Groundhog Day, is a recurring character on Lodge 49.

Movies Unlimited, April 2020

Today = an actual spring day. Even when a little wind blew and the sun was behind clouds, it was still pleasantly warm. Lunch again on the deck. Breakfast, too.

The April 2020 edition of Movies Unlimited came in the mail not long ago. I will assume for now that the dread coronavirus doesn’t last long on paper and handle my mail. (That’s what it should be called, the dread coronavirus. It was good enough for the pirate Roberts.)

Sounds like a magazine, but it’s really a catalog produced by a company of that name in Itasca, Illinois, only a short drive from where I live. I don’t remember the last time I got one. They come now and then, not monthly. But MU seems optimistic that someday, in a freak of geezer inspiration, I’ll order one of its DVDs or Blu-ray discs. Maybe I will.

“The book you’re holding is NOT the complete Movies Unlimited Catalog,” the company proclaims on the inside cover. “This Is!” it says, with an arrow pointing to a picture of a 432-page catalog available for $8.95. Order it now, it says, “and get ready to be movied like you’ve never been movied before!”

Well, no. But the free smaller catalog has its interests. In fact, MU offers a decent selection — old and new, famed and obscure, color and black-and-white, movies and TV shows, domestic and foreign, in a variety of genres. Much of it for an older audience, such as the wide selection of 20th-century TV series, but not entirely geared to geezers, with a sizable selection of 21st-century output.

There are near-full pages devoted to Studio Ghibli, Disney, the Three Stooges, Ray Harryhausen, film noir, John Wayne, Dick Tracy, Hammer, Little House on the Prairie, Audie Murphy and more, and one full page each devoted to Martin & Lewis and Dark Shadows.

That last one struck me as an oddity, but I guess they know their market. Mostly women roughly my age, I think. Maybe more men than I’d expect, those who watched it in secret during its initial run. That didn’t include me. I think I saw an episode and decided that was enough.

Anyway, someone interested in owning the complete original series on DVD will have to pay $479.99 for 131 discs totaling 470 hours, “packaged in a coffin-shaped, collector’s set and including a 100-page booklet.” If that’s too much, 26 separate collections are for sale for $31.99 each, or you can buy Dark Shadows Bloopers & Treasures.

Downtown Chicago St. Patrick’s Day Parade, 2018

I fell asleep to light rain and occasional thunder on Friday night. A comforting sound. During the hours when I was dreaming odd dreams — damned odd, but it all made perfect sense at the time — the rain must have picked up its pace, since large puddles had formed in our back yard by Saturday morning, as usually happens with inches of rain. But not quite this much.

Two years ago we went into the city in mid-March and found ourselves near the Downtown Chicago St. Patrick’s Day Parade. We were going to visit the Art Institute that day, and the parade was passing next to the museum, on S. Columbus Dr.

We walked over to see it, but the crowd was so thick that we never really got a close look. Often enough, the view looked something like this.Downtown Chicago St. Patrick's Day Parade 2018The crowd was festive, with many dressed for the occasion.Downtown Chicago St. Patrick's Day Parade 2018Downtown Chicago St. Patrick's Day Parade 2018

Downtown Chicago St. Patrick's Day Parade 2018

We stayed for a little while and saw what we could.Downtown Chicago St. Patrick's Day Parade 2018

Downtown Chicago St. Patrick's Day Parade 2018

The solid-waste industry was well represented.Downtown Chicago St. Patrick's Day Parade 2018

Downtown Chicago St. Patrick's Day Parade 2018

Some participants were off to the side. I suppose they were finished and watching the rest of the parade.

Downtown Chicago St. Patrick's Day Parade 2018

Crowds thronged in front of the Art Institute and elsewhere.
Downtown Chicago St. Patrick's Day Parade 2018Downtown Chicago St. Patrick's Day Parade 2018No social distancing in evidence. It would have been weird if there had been. No wonder the parade was cancelled this year.

Yakov

Though not particularly warm today, we took a mile or so walk beginning at about 5:30 this afternoon. Just an afternoon stroll. There’s still traffic on our suburb roads, of course, but in volume it was more like a Sunday afternoon than a weekday rush hour.

One more item from the early 2000s. I didn’t realize it until today, but everything this week has been from that period, except for Sunday. An unconscious choice, probably, signifying — like all that sound and fury — nothing.

The first time we ever passed through Branson, in 2001 as a short detour on the way to Dallas, I picked up a Yakov ad pamphlet. Probably at the restaurant we ate lunch, which was the only thing we did in town.

Why? We weren’t planning to see the show. I think I’d heard of him, maybe even seen him on television by chance, such as his beer commercial, though I didn’t watch much TV during his heyday.

I’m sure I picked up the pamphlet because of the billboards we’d seen between Springfield, Mo., and Branson, which amused me. There were a lot of them advertising his Branson show, which he did from 1993 to 2015. The billboards looked a lot like the pamphlet, if I remember right. A big Yakov face promising a wacky Soviet — that is, Russian — comedian.

For the record, Yakov Naumovich Pokhis — his stage name taken from the vodka, apparently — was actually from the Ukraine. He’s still touring, or presumably was until recently, and probably will be again sometime.

Strange Days Indeed

For the equinox today, rain. Also, robins. A lot of birds, actually, to judge by the volume of birdsong I hear when I’m outside. Only outside briefly today, anyway. Lots to do inside. Sometimes, though, I can hear mourning doves doing their whoo-whoo while I’m inside, if it’s quiet enough.

Speaking of animals, file this picture under the category of Good Luck With That.

Was this only about a month ago?

That’s a short clip I made at the Grand Central Market in Downtown Los Angeles on February 22. I’d planned to leave a few minutes before, but it was raining, so I used the idle moments to take pictures and the single clip.

Ah, those carefree days… of yore? How long ago does yore get to be? Longer than a month, usually, but these are unusual times.

Or usual? So far the 21st century seems to have gone off the rails every 10 years or so.

Late last year, I watched the short series Good Omens, which was amusing, especially for its main characters, and noted that the Four Horsemen of the Apocalypse, who make an appearance, had a substitution. Instead of War, Pestilence, Famine and Death, they were War, Pollution, Famine and Death (and they rode motorcycles, but never mind).

The thinking, I suppose, was that Pestilence had abated enough to give Pollution a slot. Events have overtaken that notion. Seems that Pestilence won’t be denied its place in mankind’s woes.