Beaver Pond

Posted on December 12, 2022 by admin

Chilly outside today but no wind at all, so stepping outside is like entering a really large walk-in refrigerator. Temps were a little warmer on Saturday, when I used Google Maps to scout out someplace to walk. Someplace neither near nor far, and new. I have my standards.

By mid-afternoon, we were at Beaver Pond, a unit of the Bartlett Park District.

About a mile around and flat.

Good spot for an easy walk. The trail doesn’t actually dip into the pond, as on the map. I think that’s where a small fishing platform juts into the water, accessible by the trail.

“Water collects here from a 1.5 sq. mile area of streets, residential properties and undeveloped areas,” says the only sign along the trail. So the place might be named for river-dwelling rodents — none of whom were in evidence on Saturday — but it’s really a detention pond.

Still, a nice trail. Sports spots of grassland.

Houses ring the park, with non-marked lot lines, though I’m sure the property owners and park district know where they are. Some homeowners decorated their patch for Christmas. Such as with an epic-sized snowman.

Sure, top hats are the custom among the snowfolk. But wouldn’t it be interesting to see a snowman wearing something else occasionally? Bowlers can have as much magic in them as top hots, Frosty.

Santa says, Ho ho ho. What, I wonder, do snowmen say for the holidays? Nothing. Climate change got ’em.

Young Mid-Century Doctor

Posted on December 11, 2022 by admin

I have in my possession — because I lifted it from the large collection of photos at the Stribling manse in San Antonio — this square black-and-white snapshot. I think I brought it back at the same time as my pre-1960 election Ken and Sue shot.

In light pencil on the back, my mother wrote, “V.A. Hospital Party 1958.” December is on the edge of the print, so a Christmas party would be a good bet. My father probably took it. He was handy with a camera.

Unfortunately, my mother didn’t write anything else on it. My father worked for the VA in north Texas at the time, so I have to assume this is a picture of a colleague. I don’t know who he was. My recollections of 1958 are vanishingly small, after all. Zero, as it happens.

I suspect no one would have given much thought about cigar-smoking at a party, or cigar-smoking by a doctor, though I imagine that my mother didn’t care much for the second-hand smoke. As a matter of individual taste, that is, and probably not as a health concern.

Via the magic of easy photo enlargement, most of the bottles can be identified.

The big bottle on the shelf is Canada Dry, which must have been a mixer. Next to it is the familiar shape of a standard Coke bottle, recognizable down the decades. A mixer as well, at least for some partygoers. Good to see a bit of continuity with the present, even if it’s in the shape of a commercial object.

Not sure about that left-hand bottle in the row of four, or the right-hand one either, but there are clearly more Canada Dry bottles in between.

The lower shelf features more Coke and gin.

Hiram Walker’s gin, as it happens. I haven’t checked lately, but I expect that’s still in stores, too.

Art Institute Spaces, Small and Large

Posted on December 8, 2022 by admin

I’d like to say I visited this room recently — looks interesting, doesn’t it? — but I only looked into the room.

An English great room of the late Tudor period, 1550-1603, according to a nearby sign. I couldn’t get in because one inch within this room equals one foot in an actual room of that kind, so at best I could get a hand in.

The Art Institute doesn’t want anyone to do that, and for good reason, since random hands would completely wreck any of the Thorne Miniature Rooms. So they are behind glass in walled-in spaces, and not at eye level for someone as tall as I am.

Still, I leaned over to look in. The fascination is there. Not just for me, but for the many other people looking at the rooms on Saturday. Each room evokes a different place or time, heavily but not exclusively American or European settings.

English drawing room, ca. 1800.

French library, ca. 1720.

Across the Atlantic. Pennsylvania drawing room, 1830s.

Massachusetts living room, 1675-1700.

The fascination isn’t just with the astonishing intricacy of the work, which it certainly has, but also the artful lighting. Artful as the light-play on a Kubrick set. I know those are electric lights in the background, but it looks like the rooms are lighted the way they would have been during those periods. With sunlight, that is.

“Narcissa Niblack Thorne, the creator of the Thorne Rooms, herself had a vivid imagination,” says the Art Institute. “In the 1930s, she assembled a group of skilled artisans in Chicago to create a series of intricate rooms on the minute scale of 1:12.

“With these interiors, she wanted to present a visual history of interior design that was both accurate and inspiring. The result is two parts fantasy, one part history — each room a shoe box–sized stage set awaiting viewers’ characters and plots.” (More microwave oven–sized, I’d say.)

Thorne (d. 1966) had the wherewithal to hire artisans during the Depression by being married to James Ward Thorne, an heir to the Montgomery Ward department store fortune, back when department stores generated fortunes. Bet the artisans were glad to have the work.

It wasn’t my first visit to the Thorne Rooms, but I believe I appreciate it a little more each time. I know I feel that way about the Chicago Stock Exchange Trading Room, which I also visited on Saturday.

The Thorne Rooms are an exercise in constrained space. The Trading Room is one of expansive space. So much so that my basic lens really isn’t up to capturing the whole. Still, I try.

No one else was in the room with me. It is a little out of the way, in museum wayfinding terms, and it is the artwork, rather than being mere protective walls and climate control, so maybe people pass it by.

Not me. I spent a while looking at details.

Overhead.

Such a grand room. Victorian ideas at work, striving to add uplift to a space devoted to grubby commerce. I’d say they succeeded.

“Designed by Chicago architects Louis Sullivan and his partner, Dankmar Adler, the original Chicago Stock Exchange was completed in 1894,” the museum notes on a page that also extols the room as a place where as many as 300 people can meet.

“When it was demolished in 1972, sections of the Trading Room, including Sullivan’s elaborate stenciled decorations, molded plaster capitals, and art glass, were preserved and used in the 1976–77 reconstruction of the room here at the Art Institute.”

I attended an event there myself for some forgotten reason about 20 years ago. Suits and ties (a while ago, as I said), dresses, and drinks in hand, the room hosted such a crowd with ease. If I had 300 people to entertain, I’d certainly consider renting the place.

Chagall’s America Windows

Posted on December 7, 2022 by admin

A treasure from the 1970s: Chagall’s America Windows at the Art Institute (1977). They’re out there, those treasures from that time.

In order from right to left.

Here’s a thought for the 2020s: Odious antisemites need to knock it off. As in, shut up. Then again, “odious” is already packed into “antisemite,” isn’t it? So that counts as a redundancy.

Details from the America Windows.

The museum was busy on Saturday, but I had the windows practically to myself.

A Few Rooms of Ancient Art

Posted on December 6, 2022 by admin

I might be misremembering, but I believe the Uffizi Gallery had a hallway that featured busts of every Roman emperor, plus a good many of their wives, down at least to Severus Alexander (d. AD 235), in chronological order. I spent a while there, looking over them all.

The Uffizi array included famed and long-lasting rulers (e.g., Augustus) but also obscure short-timers whose biographies tend to end with “assassinated by…” (e.g., Didius Julianus (d. AD 193), the rich mope who bought the office from the highly untrustworthy Praetorian Guard and held it for all of 66 days in 193).

I thought of all those emperor busts when I took a look at Hadrian and Marcus Aurelius on Saturday.

Second century AD, no doubt part of what would later be called propaganda: the effort to let the Roman people feel the presence of their rulers. These two busts are among the ancient Roman artworks on display at the Art Institute of Chicago, along with works by Greek, Egyptian and other peoples.

It isn’t a huge collection, though sizable enough. If you put together the ancient art found at Art Institute and the Field Museum and the Oriental Institute Museum, that might be a British Museum- or Pergamon Museum-class collection, but no matter. I always enjoy strolling around the Art Institute’s ancient gallery, which is back a fair ways from the main entrance, in four rooms surrounding a peristyle-like courtyard, though that is a story down.

Besides emperors, you’ll see emperor-adjacent figures, such as Antinous, done up as Osiris, 2nd century AD of course.

Beloved by Hadrian, Antinous took a swim in the Nile one day in AD 130 and drowned. Hadrian founded the nearby city of Antinoupolis in his honor (it’s a minor ruin these days) and proclaimed him a god — the sort of thing a grieving emperor could do in those days.

A Roman copy of a Greek statue of Sophocles, ca. AD 100.

Hercules, 1st century AD.

My cohort learned of Hercules through cartoons. Could have done worse, I guess.

A story never animated for children, as far as I know: Leda and the Swan, 1st or 2nd century AD. A story that nevertheless reverberates down the centuries.

Who doesn’t like ancient mosaics? I like to think these 2nd-century AD works were part of an ancient tavern that served food.

A sampling of Greek vases are on display as well. These black-figure works are from the sixth century BC, probably for storing wine. In vino veritas, though in this case that would be Ἐν οἴνῳ ἀλήθεια (En oinō alētheia), and I won’t pretend I didn’t have to look that up.

I always visit the coin case. Here’s a silver tetradrachm minted in the 2nd century BC in Asia Minor, depicting Apollo. Such detailed work for something struck by hand.

Then there’s this — creature.

Statue of a Young Satyr Wearing a Theater Mask of Silenus, ca. 1st century AD, the museum sign says (and he’s putting his hand through the mask). You need to watch out for those young satyrs. They’re always up to something.

Nth Visit to the Art Institute of Chicago

Posted on December 5, 2022 by admin

On Saturday, I made my way to downtown Chicago, while Yuriko created this most delicious Christmas cake at her occasional cake class.

I rode the El part of the way. Not many people are masked these days, unlike subway riders of a year ago (at least in New York). But there are a few.

Another mark of the shifting tides of pandemic: a storefront on a downtown Chicago street.

I didn’t doctor that image. A white rectangle was painted on the sign. Note that it went from Free Covid Care — though surely they meant testing, not intensive care — to Covid Care, as federal subsidies dried up, to For Rent, as business dried up.

Before long, I came to my destination: The Art Institute of Chicago.

The Art Institute and I go back a ways, and I’m sure I’ve been there more than any other art museum, or maybe any museum at all. Remarkably, I know the date of my first visit: May 17, 1981, during my first visit to Chicago. I haven’t consistently keep a diary over the years, but I did then.

That day I mostly remember spending time at an exhibit called “The Search for Alexander.” I might or might not have known it at the time, but the exhibit had opened just the day before.

A few years earlier, the wildly popular “Treasures of Tutankhamun” exhibit had set the stage for the museum megashows of today, with their crowds, high prices and timed tickets, but most of that was still to come in ’81 (and there were other memorable legacies of Tut, too).

I don’t think the Alexander exhibit counted as a megashow, since I don’t remember paying extra, or dealing with a crowd. But I do remember being impressed by the art and artifacts from the time of Alexander of Macedon, especially a wreath of gold fashioned to look like oak leaves and acorns, held by fine gold branches that vibrated ever so gently in the mild air puffs of a climate-controlled display case.

On Saturday, I once again spent time with the museum’s ancient art, but also lingered in front of the Chagall’s America Windows and in the Chicago Stock Exchange Trading Room, which I almost always do, as well as taking a long look at the Thorne Miniatures, which was by far the most crowded gallery I visited, though this time I didn’t go into the Impressionist rooms, which always pack ’em in.

Wherever you are, Saturday’s a busy day at the Art Institute.

A scattering of people wore masks.

Many more wore beards.

Museum workers were working.

As befitting my age, I spent a good few minutes on the museum’s benches. That gave me time to fiddle with my camera.

Oops.

Judith with the Head of Holofernes, Postcard Version

Posted on December 4, 2022 by admin

I sent this card to my brother Jim in December 1994, on the day that we visited Windsor Castle.

The British postmark is where it should be. The USPS thoughtlessly postmarked the image. Nice going, USPS. Just another example of disrespecting postcards.

As this account of the 1992 Windsor Castle fire says, only two of the castle’s artworks were destroyed by the fire, not including the one depicted on the card, “Judith with the Head of Holofernes” (Cristofano Allori, 1613) which was part of the Royal Collection at Windsor. It still is.

At the time, I didn’t know anything about Allori or the painting. The Royal Collection Trust notes: “According to his biographer Baldinucci, Allori painted this work in part as an autobiographical account of his love affair with Maria de Giovanni Mazzafirri, which ended badly. The figure of Judith, Baldinucci claimed, resembles ‘La Mazzafirra,’ the servant in the background her mother, and the severed head of Holofernes is a portrait of the artist himself.”

I had seen “Judith I” (Gustav Klimt, 1901) in Vienna earlier that year, and of course the story of Judith came up in my studies, but I also didn’t really know how popular Judith was in artistic depictions. This I found out later. Nothing like a story of deception, a fetching feme, a drunken fool and a beheading to inspire art, I guess.

As for the work at Windsor, most recently — as in, last week — I read how it came to be in the Royal Collection. Acquired by Charles I, probably from the Gonzaga collection, Mantua, the trust says, which lead me to read further about the Gonzaga collection. If I had heard about it before, and I might had, I’d forgotten.

The long and short of it is that the House of Gonzaga, after much effort, put together a splendid art collection, only to sell it when they needed cash — to King Charles in the late 1620s, well before that monarch’s grim fate, in a deal facilitated by one Daniel Nijs.

The lesson here? Postcards are educational.

Thursday Debris (Electronic and Paper)

Posted on December 1, 2022 by admin

As expected, full winter is here. Not much more to say about that till a blizzard comes. We’re overdue one, at least when it comes to my completely nonscientific feelings on the matter. Not that I want one, just that it’s been a while, and the Old Man might want to let us have it this year.

Christmas lights are up around the neighborhood and beyond. Have been, mostly since last week. So are ours, but I don’t light them. Soon. I haven’t even gotten around to replacing the white overhead front door light with a green bulb. Soon.

We visited the Elk Grove Village lights recently, which includes a glowing ball you can walk into.

How could I not open an email with a subject line like this?

SAVE at our annual Holiday Open House! Details inside

Easy not to open, actually, and usually I wouldn’t, but since I did know the sender — a dermatologist we’ve visited — I took a look:

Don’t miss our biggest savings of 2022 on skin treatment packages and in-clinic products at our Wheaton/Naperville location. Oh, what fun!

Oh, what fun? Like riding in a one-horse open sleigh?

Ridding the house of excess paper is an ongoing task. Digital age, my foot. Today I found a form letter, undated, from the Schleswig-Holstein Park District. The head:

PARENTAL GUIDELINES

Followed by a lot of verbiage, but I didn’t need to read any more. Those days are over. Out to the blue bin with it.

Before I tossed, in the same blue bin, one of those cardboard triangles that Toblerone comes in, I noticed that the brand is owned by Mondelēz International, complete with macron. Wait, isn’t that the name of the president of France? How is it that the Fifth Republic has a diacritical mark as its supreme magistrate?

Never mind. When did the essential Swiss triangle chocolate fall under the sway of Mondelēz? Back in 1990, when predecessor Kraft bought Toblerone. Shows you what I know. Then again, that would account for Toblerone’s wider appearance in North America since about 1990. Back in the 1980s, the chocolate wasn’t just Swiss made, that’s where you found most of it.

Despite its Euro-sounding name — Iberian-sounding — Mondelēz is actually headquartered in the far-off, exotic city of Chicago.

Windy Chill

Posted on November 30, 2022 by admin

As forecast, full-throated winter came barreling into northern Illinois last night as erratic gusts. The edge of same system that spawned tornadoes in the South? Our wind was brisk but, I’m glad to say, not deadly, unless you passed out naked and drunk outside in some hard-to-spot location, as visiting Florida Man might.

At least it will be a dry cold for the next week or more, weather scientists predict. Any winter day without ice underfoot isn’t half bad.

Late November dusk in these climes.

RIP, Christine McVie. I was much surprised to learn that her maiden name was actually Perfect. I heard years ago that that was her name before marrying John McVie but, in as much as I gave it any thought, believed it was a stage name. Dropping a stage name upon marriage might be a little unusual, but not inconceivable.

Who’s named Perfect? Christine’s father, Cyril Percy Absell Perfect, a concert violinist and music lecturer from near Birmingham, UK, for one. And I assume some generations of his paternal ancestors before him.

“This… name is an example of the common medieval practice of creating a surname from a nickname, in this instance one that originally denoted an apprentice who had completed his period of training,” notes the Internet Surname Database.

“The derivation is from the Middle English ‘parfit,’ meaning ‘fully trained’ or ‘well versed’, from the Old French ‘parfit(e),’ meaning ‘completed,’ ‘perfect,’ ultimately from the Latin ‘perfectus,’ a derivative of ‘perficere’ to finish, accomplish.”

La Dalia Brand Smoked Paprika

Posted on November 29, 2022 by admin

Almost warm today, nearly 60° F. Then winds came through, followed by rain after dark, then cold air. Tomorrow the high will be around 30° F. There’s no denying winter.

Fact for the day: the Dehesa de Extremadura Protected Designation of Origin in Spain produced 3,860 tons of peppers in 2020. I’m assuming that’s metric tons. Also, a dehesa is, according to Wiki at least, a “multifunctional, agrosylvopastoral system” specific to Spain and Portugal, though it’s called a montado in the latter country.

I had to look all that up, including a source or two beyond Wiki. Why did I look it up? Curiosity sparked by a can of Spanish paprika that recently appeared in our kitchen.

Isn’t that a fine design? A bit of everyday aesthetics, holding 70 grams of that pimentón production, though possibly from a crop more recent than 2020, since the packing date on the can is September 5 of this year — or May 9, since I’m not sure whether it’s month/day/year or day/month/year in Spain. Sometime this year, anyway.

La Dalia brand (the flower is Dahlia in English, notoriously as in Black) and from the La Vera district in Extremadura, as verified by whatever EU bureaucracy is in charge of such things. It doesn’t add materially to my life to know all that, but I’m glad I do all the same.

Been There, Seen That

By Dees Stribling