After the General Society of Mechanics and Tradesmen we headed for Park Ave., location of a famed Byzantine revival Episcopal church. Before we got there, we noticed a much smaller church, not actually part of the Open House New York event, at 5 E 48th Street.
Church of Sweden in New York

We’d come to the Svenska kyrkan i New York, where services are still held in Swedish. Not only was the church open, there was a cafe on its first floor. The sanctuary is on the second floor. Elegant little place, suitable for the small congregation that Swedish services might attract.


Under the Historik section of the church’s web site, you’ll find this helpful information: När svenskarna började flytta till USA och hur Svenska kyrkan på olika sätt velat vara närvarande i New York. A fuller history in English is on the Wiki page.

St. Bartholomew’s Church
St. Bartholomew’s Church, an Episcopal congregation on Park Ave., was participating in the Open House. That meant it was sure to be not only open, but lighted. The first time I went there, many years ago, I compared it to a cavern. Later I visited when more lights were on. Twenty years ago I wrote: “This time, it was better lighted, the better to show off the church’s superb Byzantine-style mosaics.”


During my 2025 visit, now joined by my nephew Robert, we were able not just to gaze at the lit sacred space, but we had the benefit of a knowledgeable docent, a woman of a certain vintage with a hobbled gait and a raspy voice. She knew the history of the congregation, and its slice of Manhattan. She had the artistic detail down cold. She knew her ecclesiastical styles. From the depth of detail about the many artists who worked on the church, it sounded like she knew some of the artists personally, though that couldn’t be literally true for most of them, since the church was built more than 100 years ago, with certain later design additions.


At the direction of the docent, Geof unveiled the altar for a moment.


It might have been interesting to know Hildreth Meière. Hers was an astounding career: “Working with leading architects of her day, Meière designed approximately 100 commissions, both secular and liturgical,” the International Hildreth Meière Association says. “Her best-known commissions include Radio City Music Hall, One Wall Street, St. Bartholomew’s Church, Temple Emanu-El, and St. Patrick’s Cathedral in New York. She also decorated the Nebraska State Capitol in Lincoln, the National Academy of Sciences in Washington, D.C., and the Cathedral Basilica of Saint Louis.”
The mosaics didn’t photograph well – that is, I’m too lazy to carry around a better camera – but good images are at the association web site.

Emerging from St. Bart, we agreed that heading back to the cafe at the Swedish church would be a good idea. It was.

Sated with Swedish-style open-faced sandwiches, our walk soon continued, up Fifth Ave. to St. Patrick’s Cathedral, which was its usual crowded splendor. I think I spotted some new, or newish murals, just inside the nave. A wedding was in progress. One must come after another every Saturday not in Lent, with ropes closing off a large part of the nave, making for extra crowding in the side aisles.
We didn’t stay. Not far away was a church far less crowded but with its own splendor.
St. Thomas Church


Namely, St. Thomas Church, another major Manhattan Episcopalian congregation. Inside, lights were low. The reredos stood out in the dark, a glowing presence above the altar populated by more than 60 stone carved figures, I’ve read. A Christian crowd: saints, prophets and reformers in an ivory colored stone from Wisconsin. I’d have needed a telephoto lens to have any hope of identifying any of them, but that didn’t make them any less striking.



Ralph Adams Cram and Bertram Grosvenor Goodhue of Cram, Goodhue and Ferguson designed the church, completing it in 1914. They were another of those prolific architects now out of living memory who seemed to design a long list of churches in a short time. The duo did St. Barts, too, and the Cathedral of St. John the Divine, and Rockefeller Memorial Chapel, just to name a few famed sacred spaces of near-palatial character.
Fifth Avenue Presbyterian Church
Just steps away from St. Thomas, as real estate press releases like to say about two close buildings, is Fifth Avenue Presbyterian Church. It was our last Open House church for that day.


With its auditorium style and balconies, it reminded me of the Moody Church in Chicago, though Fifth Avenue Pres is much older: 150 years this year, as it happens.

A hallway and some rooms extend beyond the front of the nave, including a columbarium.


Waiting for occupants. All it will take is time.













































































































