The Comics Curmudgeon

Posted on January 23, 2020 by admin

During my free moments recently, scant free moments on some days, I’ve been reading the Comics Curmudgeon. It’s a standard blog of long-standing. A fellow named Joshua Fruhlinger posts a selection of daily newspaper comics — to use the quaint old term — and adds commentary. Generally mocking commentary, but unlike so much writing in that vein, he writes well. Some of it is very funny, or at least highly amusing, and often enough thoughtful too.

The range of targeted comics is broad, including what could be called funnies, except they aren’t funny all that much, such as B.C., Beetle Bailey, Crankshaft, Family Circus, Hagar the Horrible, Lockhorns, Marvin, Pluggers, Shoe, Six Chix (one of the few I’d never heard of) and many others. But not, I see from the archives, Broom-Hilda. I guess some things are so bad, yet have so much inexplicable longevity, that mocking them is pointless.

Also lampooned are the few soap-opera or adventure comics that are still around, such as Mary Worth, Mark Trail, The Phantom and Rex Morgan M.D. From the blog I learned that Apartment 3-G expired a few years ago, an event that had completely escaped my notice. Say, whatever happened to Dondi?

Some samples:

Crock, Jan. 3, 2019, has one of the men talking to the fort’s cook: “Psst… the men are planning a coup for Crock.” As the soldier walks away in the second panel, the cook says, “Will they need any snacks or finger food?” (Shouldn’t that be a coup against Crock? Never mind.)

Comics Curmudgeon says: “Crock’s Foreign Legion detachment is based in an isolated fort surrounded by a hostile, barely subjugated colonial population, and so it probably relies on supplies from the metropole to avoid starvation. A violent overthrow of the fort’s commanding officer, no matter how cruel and incompetent he might be, will certainly be seen as an act of rebellion against the French Republic, and so our heroes are likely to be cut off from any outside support, at least until they can successfully negotiate an amnesty. Thus, the coup plotters need to ensure that the fort’s cook and his staff are on their side and prepared for the hardship to come! But they’re being kind of half-assed about it, in my opinion.”

Beetle Bailey, Oct. 10, 2016, has two panels. First, Sarge (in the lead) and Beetle are climbing a steep slope. “Keep going, Beetle! We’re almost to the top!” Sarge says. Beetle simply says, “Groan!”

Next, at a cliff’s edge, Sarge says, “Wow, Beetle! We made it! Congrats!” and slaps Beetle on the back. Beetle is shown flying off the cliff.

CC says: “Welp, looks like Sarge finally just straight-up murdered Beetle! I guess this strip is over now. Looking forward to seeing what new comic they replace it with, or maybe just enjoying the soothing blank space left over when they don’t bother!”

A single panel Heathcliff, July 15, 2013, shows the cat hitting a baseball, using a fish as a bat. The caption says, “He switched to a lighter flounder.”

CC says: “Today’s panel provides something more in line with the profound weirdness bubbling below the surface of this feature’s modern iteration. Cats like fish, and I suppose cats like “playing with their food,” when their food is alive, but instead here the tenuous conceptual cat-fish connection produced a scenario where Heathcliff has a collection of fish of varying densities that he uses as athletic equipment. How dead are these fish, anyway? Are they still floppy? Do they hit the ball with a meaty smack, or have they started to rot, with contact with any projectile producing a cloud of scattered fish-flesh?

On July 22, 2007, he astutely compared Shoe and Get Fuzzy on politics.

“… while usually I go on about just about everything at great length, the most important thing I can say here is that Get Fuzzy is funny, while Shoe isn’t. Shoe falls into the typical toothless trap of just saying “THE POLITICS AREN’T THEY ANNOYING?”, literally allowing the discussion to be replaced by meaningless placeholder syllables. Get Fuzzy works with established character traits — Bucky and Satchel’s party affiliations have been frequently noted, whereas I don’t believe Shoe and the Perfesser had political beliefs until they became necessary for this cartoon. Plus Get Fuzzy contains actual political jokes that are funny. I love the third-party punchline, but I love “Well, with the proper funding…” even more.

Watch the Reindeer Melt! Days of Fun

Posted on January 22, 2020 by admin

Ann brought this to my attention earlier this month, at a crafts superstore I rarely go to, but from which she wanted something. On display was an item that seemed to be sold for Christmas, but which by January was at a deep discount.

One of the stranger holiday items I saw this season, or any holiday season, really. A reindeer figure. Build it! Watch it melt! Watch it melt? Watch it melt?

Walmart’s marketing text about the item is positively demented, which I guess is fitting: “Build the reindeer and watch it melt magically! Fun for days. Completely reusable. Keep building and watch it melt over and over! Perfect stocking stuffer! Miracle Melters! Reindeer! Build it and Watch it Melt!”

Sure enough, someone has made a video about this — toy. I can’t say that I watched all of it, skipping around some, but the point of the item still eludes me. Do reindeer melt in dark Sámi folktales?

1917

Posted on January 21, 2020 by admin

A while ago I saw the trailer for 1917, before I knew anything about the movie, or even that such a movie was in the works. Often enough you can judge a movie by its trailer. You know full well that it would be a waste of time. The 1917 trailer didn’t inspire any confidence in me that I wanted to see it. Hell’s bells, World War I is getting the Pearl Harbor treatment, I thought. Lots of brainless CGI.

I was completely wrong. We saw the movie over the weekend and I was astonished by how good it was. Much has been made about how the action seems to happen in real time, in one movie-long shot (117 minutes), though of course the cuts are hidden. In that sense, the film is a technical tour de force, but it’s much more than that.

It’s an Iliad and an Odyssey, following two tommies from their own trenches, across no man’s land, into abandoned German trenches, and into places previously behind the lines, all the while facing the strong likelihood of injury or death. It’s one damn thing after another. It’s suspenseful, since there’s a clear objective whose resolution is always in doubt until the end.

It’s also a work of high verisimilitude, including the maze-like aspects of the trench systems, the danger and gore and misery of WWI battlefields, and the ruins of French villages, but also the pleasant springtime countryside beyond the immediate fighting. The cinematography of some of the scenes, especially the bombed out, smoldering ruins, dazzles the eye.

The back stories of the main characters aren’t fleshed out in much detail, though there is a brief but remarkable discussion of cherry trees as part of one soldier’s personal history — the symbolism of which I did not miss — and a few other intimations of a life outside the war zone. I understand that bothered some critics, but it doesn’t bother me.

This isn’t a Hallmark movie. I don’t want them to sit around discussing their feelings — as if two Great War soldiers on a harrowing mission through some hellish landscapes would do that. You don’t need their details. They’re Everymen, and they’re fully human without the exposition, focused as they are on their own situation. The lead actors conveyed all they needed to about their characters through some dialogue, but mostly their reactions to all that they encounter, not quite all of it the horrors of war.

So 1917 is a remarkable movie in many ways, but not without flaws. I wasn’t sure, for instance, that the central conceit of the mission was even plausible. The two tommies were sent to relay a vitally important order countermanding an attack by an out-of-communication British regiment that had followed the Germans after they had made a tactical retreat to the Hindenburg Line in the spring of the title year.

That two men and two men alone would have been sent on such an incredibly dangerous mission, if it were so important, seems a little strange. Some redundancy would have been called for, to help ensure the message got through. Besides — couldn’t the mission have been accomplished by delivering a message by airplane? Even if a plane couldn’t land in such a forward area, it certainly would have been able to communicate with the ground.

“These early aircraft were not fitted with radio sets, but messages about enemy troop movements needed to be communicated quickly,” the Imperial War Museum explains. “Pilots could either drop messages in weighted bags or use message streamers to drop messages to forces on the ground.”

Never mind. 1917 is an epic story, well worth watching on a big screen. Good work, Mr. Mendes.

Falun Dafa by USPS

Posted on January 16, 2020 by admin

Winter hasn’t been very bitter so far. Yet. All of last week’s light snow has melted. But the polar vortex hammer could still drop. Hard.

Back to posting on January 21. I take holidays where I can get ’em, even in the stony bleak mid-winter.

The following is an example of a small item, a throw-away item — literally, though I’m going to put it in the blue recycle bin — with a long story trailing behind it. Today in the mail I received a high-quality pamphlet, 16 glossy pages, rich bright colors, advertising the Shen Yun dance show in the Chicago area this spring. It’s merely the latest example of advertising created by what must be a deep marketing budget for that show.

Mostly I’ve been ignoring the marketing. Maybe it’s the oversell. “A Life-Changing Experience,” the cover proclaims. Gee, I hope not. Inside: “A Gift from the Heavens,” “Watch 5,000 years unfold before your eyes,” “the Divine Origin of a Glorious Civilization.” Sure, whatever you say.

It’s probably a corker of a show, if you like that kind of spectacle, though I doubt — as the pamphlet implies visually — that any of the dancers can actually fly. Then again, I suppose a fantasy counterpart culture of imperial China has some appeal. Just not for me. Well, I might go if I didn’t have to pay.

More interesting to me is text box on the last page. It says, in bold letters: CANNOT BE SEEN IN COMMUNIST CHINA.

“Traditional Chinese culture — with its deep spiritual roots and profound worldview — was displaced by communism in China. While Shen Yun cannot perform in mainland China today, we are reviving this precious heritage and sharing it with the world.”

Hm. I looked a little further. The return address for the pamphlet, for it did come in the mail, cites the Mid-USA Falun Dafa Association as the sender.

Ah. Falun Dafa (Gong), whom the Chinese government hates so much. Seems like the show, then, is a way for the religion, persecuted as it is in China, to poke the Chinese government in the eye. That’s a sentiment we can all get behind, but I’m still not paying to see the show.

Richard III

Posted on January 15, 2020 by admin

In our lifetime, only five years ago, Richard III got a spiffy tomb at Leicester Cathedral, after centuries in an anonymous grave not far away. That came to mind when Ann and I went into the city on Saturday to see a reading of Richard III at the Newberry Library.

It was the same setup as last year, when we saw Titus Andronicus: actors reading their parts, holding scripts, while moving around one of the library’s large rooms, in front of and to the side of the audience. Outside wind blew and rain fell, just above freezing, so that might account for the slightly smaller crowd than last year, but even so a lot of people came out for the tale of murder, intrigue, more murder, double-dealing and a violent denouement. Everything you need in an Elizabethan history play.

Very talented actors, so the lack of any set or costumes didn’t matter. Christopher Prentice, who played Richard, did the demented villain to just the right pitch, and moved himself in ways that didn’t exactly suggest a hunchback, but weren’t quite normal either, and strangely menacing.

One more thing. Here’s the mission statement of the Richard III Society, which was instrumental in finding the king’s bones in our time: “In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote, in every possible way, research into the life and times of Richard III, and to secure a reassessment of the material relating to this period, and of the role of this monarch in English history.”

I’m all for historical inquiry, but even so — Richard III gets to be a villain. The literary Richard III is more robust than any historic portrait of him is ever likely to be.

Springtown Cemetery

Posted on January 14, 2020 by admin

Near the entrance to Marengo Cave in Marengo, Indiana, is a patch of land called Springtown Cemetery. Some of the cave runs further underneath, I think.

A sign outside the cemetery fence says: This cemetery, one of the first in this area, dates back to the early 1800s, when Marengo was known as Springtown. Oris Hiestand, one of the discoverers of Marengo Cave, is buried here. The land for the cemetery was given to the town by Mr. Samuel M. Stewart, the first owner of Marengo Cave.

The rain had just slacked off when I took a look around. It isn’t overcrowded with stones.
The stones might or might not represent everyone who’s buried there. Someone may know for sure. Or not.

A few unexpected touches of green in late December.
Mossy, wet stones honoring obscure people in an obscure corner of the world.If that’s not a momento mori, I don’t know what is.

Marengo Cave

Posted on January 13, 2020 by admin

Here’s something in the category of Things You Find Out Later: the Marengo Warehouse Distribution Center. It’s in Marengo, Indiana, and according to its web site, it’s “one of the largest underground storage facilities in the United States… The complex is located 160 feet (49 m) underground in a former limestone quarry and comprises nearly 4 million square feet of space.”

Elsewhere on the same page, its total storage capacity is said to be “more than 3 million square feet,” but never mind. Sounds like an impressive underground storage facility. About 20 years ago, I visited another such place, SubTropolis in Kansas City, Mo., which at 6.5 million square feet is king of the underground storage facilities, at least the ones we know about.

When we visited Marengo Cave on the afternoon of December 29, I had no idea about the nearby Marengo Warehouse Distribution Center, a complex of storage chambers and roadways carved out of the same Indiana limestone as the naturally forming cave. I found out about the warehouse later, when looking for further information about the cave. Reportedly the U.S. Defense Logistics Agency stores vast numbers of MREs (Meals Ready to Eat) there.

Marengo’s a small town in Crawford County, population somewhat over 800, and about 40 miles from Louisville. If that city someday becomes more robust in its growth, Marengo might be exurban or even an outer suburb, but for now it’s a small Indiana town with one main attraction: a show cave discovered in the late 19th century and measuring about five miles of known passages.

We took the mile-long Dripstone Trail walking tour, by spots with fanciful names, such as Sherwood Forest, Looking Glass Lake, Washington Avenue, The Masher, Music Hall and Penny Ceiling. That last one features a muddy roof to which pennies, or other objects, will stick if you throw them hard enough. The guide invited us to throw pennies up to the ceiling, noting that cave management would eventually remove them to donate to charity, something like pennies in a fountain, so many of us heaved our coins ceiling-ward. Me too. Mine stuck.

The place has some nice features.

Including historic graffiti. Unlawful to do now, but not for much of the cave’s history after its discovery.

According to our guide, the deepest point of the tour was 200-plus feet below the surface. But, she said, we might have noticed that we hadn’t descended very far on our walk. Indeed we hadn’t — after the initial climb down some stairs, and a few other drops, most of the trail was level. At the same time, she said, the ground above was rising. It’s hilly terrain, after all.

Divers Southern Indiana Courthouses &c

Posted on January 12, 2020 by admin

Bloomington is the county seat of Monroe County, Indiana, and sports an impressive downtown courthouse, a 1908 Beaux Arts design by Hoosier architects Wing & Mahurin.

The building was closed for the weekend, but I took a look at the exterior just before dusk. While I stood there, strings of lights lit up.
What’s a county courthouse without some allegories?
Or a war memorial? At first glance, it looks like a Civil War memorial only, but it specifically honors veterans of the war with Mexico, the Civil War, the Spanish-American War and World War I.
While in Nashville, Indiana, I took a quick look at the more modest, but also handsome Brown County Courthouse, a structure from the 1870s.
Nashville has some other interesting buildings as well, such as the Nashville United Methodist Church.

This looks to be a former Masonic building, though I’ve only looked into the matter enough to know that the Nashville, Indiana, Masonic Lodge #135 isn’t in that building, but a newer-looking one. But the older building does say LODGE on the front facade in large letters, along with Masonic symbols on either side.

Nashville isn’t a very large town, but there are streets away from the main tourist drag, Van Buren St. On just such a street we happened across a tree-carving studio.
Besides Elvis and a bear, you can also find Willie Nelson in wood there.
And one of the popular ideas of a space alien.
One more courthouse: a good-looking structure in Paoli, Indiana, county seat of Orange County. We passed through town on the way to West Baden Springs, but didn’t stop in the intense rain. Even so, the courthouse caught our attention.

West Baden Springs Hotel

Posted on January 9, 2020 by admin

Tibetan-style structures and T.C. Steele’s property and all the other places we saw in southern Indiana near the end of December were worth seeing, but none were the main reason we went down that way.

That would be the West Baden Springs Hotel, one of the grand old hotels of the nation, revived in our time to an astonishing degree. Magnificent as the Hotel del Coronado or the Waldorf-Astoria, historic as the Fordyce at Hot Springs National Park or the Boca Raton Resort & Club.

We drove south from Bloomington in intermittent rain on the morning of December 29 to the town of West Baden, in Orange County, Indiana, an otherwise rural place with a county population of a shade less than 20,000. The hotel was impossible to miss driving into town. Even at some distance, it cuts an impressive figure.

More so closer in.

There’s been a hotel on the site since 1855, at first called the Mile Lick Inn. Why in this obscure part of Indiana? The waters, of course. Indians knew about the springs and so did Frenchmen, who lent their national name to the nearby French Lick Springs Hotel, about a mile from the West Baden Springs Hotel.

Eventually a branding impulse kicked in, and Mile Lick became West Baden Springs, to capture some of the Victorian cachet of Baden-Baden in Germany, where the Euro-elite took the waters. I learned pretty quickly, by the way, that the Hoosier way to say the name is West BAY-den, not BAA-den.

The original West Baden Springs burned down just after the turn of the 20th century. The owner, Lee W. Sinclair, wanted something even grander replace it — something to best the rival French Lick Springs Hotel — and so he built the current hotel.

“Sinclair… envisioned a circular building topped with the world’s largest dome, decorated like the grandest spas of Europe,” notes the hotel web site. “Architect Harrison Albright of West Virginia [who designed the U.S. Grant Hotel in San Diego, too] accepted Sinclair’s commission and agreed to complete the project within a year. The new hotel, complete with a 200-foot diameter atrium and fireplace that burned 14-foot logs, opened for business in June of 1902.”

Later, Sinclair’s daughter and son-in-law redesigned the hotel a new level of opulence in the ’20s that characterized West Baden Springs Hotel until the Depression crushed its business model. The rest of the 20th century was unkind to the property, especially the last years of the century.

“In January 1991, a buildup of ice and water on the roof and in drainpipes caused the collapse of a portion of the exterior wall,” the web site says. “In 1992, Indiana Landmarks spent $140,000 to stabilize the hotel, matching a $70,000 contribution from an anonymous donor. In May 1994 the hotel was sold to Minnesota Investment Partners (MIP) for $500,000. Grand Casinos Inc., an investor in the purchase, optioned the hotel from MIP. The Cook Group Inc., a global medical device manufacturing company headquartered nearby in Bloomington, stepped in to preserve both the French Lick and West Baden Springs Hotels.”

That is to say, the Cook family — medical-device billionaires — took an interest in the place. Eventually they oversaw the renovation of West Baden Springs, as well as French Lick Springs, at great expense. But not without what I imagine must be a healthy return, now that a major new Cook-owned casino (next to French Lick Springs) is open for business. All of the properties (West Baden Springs, French Lick Springs and the new casino) are part of the French Lick Resort Casino, an operation licensed by the state of Indiana in 2006.

I’ve read variously that the West Baden Springs Hotel dome was the nation’s largest freestanding structure of its kind until the completion of the Charlotte Coliseum in 1955 or the Astrodome in 1965. Whatever the case, the thing to do in our time is wander into the hotel atrium, stand under the dome, and be amazed. Ordinary photos can’t convey the sweep of the place or the its grand scope, but never mind.

Other parts of the hotel have their own flourishes, such as the stained-glass windows near the front entrance, added by Jesuits when they owned the property in the mid-century. Quite a story.

We rode a trolley over to French Lick Springs for a look. Posh, certainly, and also a historic hotel — that’s where Pluto Water used to come from, and walls are covered with glossy pics of famous guests — but it’s only worth seeing, not worth going to see, like West Baden Springs is.

T.C. Steele State Historic Site

Posted on January 8, 2020 by admin

Back in March 2002, we visited Columbus, Indiana, and took a foray west from there to visit Nashville (Indiana), Brown County State Park and the T.C. Steel State Historic Site. That last one was still closed for the winter.

These days, the site is open year-round. So around noon on December 28, we drove east from Bloomington, less than 30 minutes out of town, into hilly, rural Brown County and on to the state historic site.
In the early 20th century, Theodore Clement Steele and his second wife Selma acquired acreage — played-out farmland — in Brown County and set about building a hilltop house. After various modifications and additions, including a few other buildings, the place became their full-time residence and his main studio space. Even as a museum, the place is homey, full of furniture and other items the Steeles owned, with little roped off from visitors.
The view from downhill.
T.C. Steele is best remembered now for landscapes, but also did a lot of portraits, since that’s where the money was. Numerous examples of both hang in the main house, as well as the larger building nearby (“Big Studio”), well lit by an enormous window.
No doubt about it, Steele had a gift for landscapes. One I especially liked was “Selma in the Garden,” which is hanging in Big Studio. Other examples of his work are here. While T.C. painted, Selma gardened, as nicely depicted by the above-mentioned painting. The land might not have been great for farming, but Selma apparently had the knack for making her gardens flourish.

Gardening isn’t so much in evidence in winter. Still, the grounds are inviting.
We spent time tramping around the woods near the house. Since this was previously farm land, the trees are mostly second growth, some of which the Steeles planted.
Thick with leaves. At that moment, the ground was too warm for snow cover.
T.C. Steele State Historic Site In a poetic touch, the Steeles named their place The House of the Singing Winds. Our visit wasn’t on a windy day, so that isn’t what we heard out on the hillside. Rather, the crunching of leaves underfoot. Without the sound of traffic coming from all directions, and with birds and insects quiet or gone for the season, that was about all we heard. That by itself was a good reason to get out of town.

Been There, Seen That

By Dees Stribling

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