Back to posting on the last day of May. Memorial Day and Decoration Day coincide this year, which won’t happen again until 2033.

“Throughout the 19th century, white settlers considered the Monument Valley region — like the desert terrain of the Southwest in general — to be hostile and ugly,” notes Smithsonian magazine. “The first U.S. soldiers to explore the area called ‘as desolate and repulsive looking a country as can be imagined,’ as Capt. John G. Walker put it in 1849, the year after the area was annexed from Mexico in the Mexican-American War. ‘As far as the eye can reach… is a mass of sand stone hills without any covering or vegetation except a scanty growth of cedar.’ ”

Tastes change. I imagine Capt. Walker’s reaction was entirely reasonable for his time, considering he and his men came by horse and mule, carrying everything they needed, living meagerly and fully aware that their surroundings could kill them all too easily, or at least make for days of uncomfortable misery, whatever season it was. Monument Valley was a vivid ordeal for them, not a notion fostered by cinematic entertainment.

We have it a good deal easier here in the 21st century, and am I glad. All it took for us to reach Monument Valley Navajo Tribal Park on May 18 was a roughly two-hour drive from Page, Arizona, by Toyota horseless carriage along paved two-lane roads through the Navajo Nation.

My main concern that morning — and we got up fairly early — was that I didn’t know for sure we’d get in. The park’s policy for visitors is, first come, first served, and there’s a limit to the number of people who can enter each day. Even on a weekday, I imagined joining a long line of cars waiting, only to be turned away.

Nothing of the kind happened. We got to the entrance booth with no one ahead, paid $8 a head, and got in to the place known as Tse’Bii’Ndzisgaii in Navajo. First stop, a fully modern visitor center.

The wind whipped the four flags in full motion: Utah, the Navajo Nation, the United States and Arizona. I wasn’t familiar with the Navajo flag, but I am now.

Something I didn’t know until we entered the park and saw a number of private roads leading off to residences in the distance: people live in Monument Valley, unlike in a national park or monument. I expect ranching and running tours are their main occupations, along with selling the products of Navajo craftsmanship to visitors.

For $8 a head — an absolute bargain, if you asked me — you get to drive around a 17-mile unpaved loop road in the park, dusty and red as Mars, but only occasionally bumpy. The road doesn’t venture that deep into the park, which measures nearly 91,700 acres. Longer treks by foot or horse or jeep are possible, available only with Navajo guides, and no doubt offer rich rewards to those undertake them.

Even so, the drive is incredible, passing formations of astounding size and shape and contour and color. It’s easy to see what enamored John Ford about the place.
Speaking of the director, the park honors him with a spot called John Ford Point.

As well it should, since he put Monument Valley on the map, as far as the more receptive imagination of the 20th century was concerned, though naturally he wasn’t the first outsider of that period to visit — the likes of Zane Grey and (of course) Theodore Roosevelt came earlier. Harsh terrain, still, but the material progress of later years allowed later visitors the leisure to appreciate the place in a way that Capt. Walker could not.

Ford must have known he had a cinematic treasure in view when he had the cameras first deployed here for Stagecoach. The world clearly agreed.

Of Ford’s many forays into the valley, Smithsonian has this to say: “The shoots were usually festive, with hundreds of Navajo gathering in tents… singing, watching stuntmen perform tricks and playing cards late into the night. Ford, often called ‘One Eye’ because of his patch, was accepted by the Navajo, and he returned the favor: after heavy snows cut off many families in the valley in 1949, he arranged for food and supplies to be parachuted to them.”

Though it wasn’t the first place we visited on the drive — in fact, it was nearly the last — the instantly recognizable view from John Ford Point is going to go first here.

Because later movies and commercials returned to this particular view so often, the other marvels on the road aren’t as famed or recognizable. But they’re equally worth a good look. Just a sampling below; there was something remarkable just about everywhere you look.

Aside from the rock giants, the terrain itself fascinates, its colors so unusual to those of us from greener places.

Color that the road itself shares.

Without color, the contours emerge vividly; Ford must have appreciated that, too.

We left the park that afternoon, but even as you drive north from Monument Valley on U.S. 163, it has one more gift to give, if you’re paying attention. I almost wasn’t. As we drove along, we noticed people ahead, standing in the road, taking pictures. They got out of the way before we reached them, but I wondered, what are they doing there?

Then it hit me, and we stopped at the next pullout in the road, maybe a fifth of a mile away, and looked back. A view almost as famed as that at John Ford Point, and certainly as arresting.

That isn’t quite the “Forrest Gump Stopped Here” place, but I wasn’t about to go back where those yahoos had been standing in the road just for that (unlike Stagecoach, it isn’t a movie I like very much). In fact, I wouldn’t have remembered the view was made famous in that movie, either, but some other people had stopped where we were, and I overheard them talking in German about Forrest Gump.